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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445536 it is the complementary color #BBAAC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445536. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445536 shade: #495531, #5A6744, #6B7957, #7C8B6A and #8D9D7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445536. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445536 shade: #445536, #334323, #223110, #111F00 and #000D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445536 shade: #435436, #4C5436, #545436, #544C36 and #544436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445536 shade: #435436, #3B5436, #365438, #365441 and #365449

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445536 shade matches the following richer shades: #435436, #425F2B, #416A1F, #407514 and #3F8109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445536 shade: #435436, #444941, #463E4C, #473357 and #482762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445536 shade: #545436, #4C5436, #445436, #3C5436 and #365438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445536 shade: #1B2216, #2F3B26, #435436, #586D46 and #6C8656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445536 shade: #445536, #36544C and #543650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445536 shade: #445536, #364454 and #543644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445536 shade: #445536, #36544C, #463654 and #54363E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445536 shade: #445536, #365354, #463654 and #543736

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 36 / 67

HEX #445536

RGB 68 85 54

HSL 92.9, 0.22%, 0.27%

LAB 33.97, -13.04, 15.99

 

Complementary color

CMYK 7 / 15 / 0 / 21

HEX #BBAAC9

RGB 187 170 201

HSL 272.9, 0.22%, 0.73%

LAB 71.91, 11.94, -13.54

 

CMYK 14 / 0 / 42 / 67

HEX #495531

RGB 73 85 49

HSL 80, 0.27%, 0.26%

LAB 34.26, -11.65, 19.46

 

CMYK 13 / 0 / 34 / 60

HEX #5A6744

RGB 90 103 68

HSL 82.29, 0.2%, 0.34%

LAB 41.68, -11.7, 18.16

 

CMYK 12 / 0 / 28 / 53

HEX #6B7957

RGB 107 121 87

HSL 84.71, 0.16%, 0.41%

LAB 48.87, -11.71, 16.97

 

CMYK 11 / 0 / 24 / 45

HEX #7C8B6A

RGB 124 139 106

HSL 87.27, 0.13%, 0.48%

LAB 55.88, -11.7, 15.88

 

CMYK 10 / 0 / 20 / 38

HEX #8D9D7D

RGB 141 157 125

HSL 90, 0.14%, 0.55%

LAB 62.72, -11.69, 14.88

 

CMYK 20 / 0 / 36 / 67

HEX #445536

RGB 68 85 54

HSL 92.9, 0.22%, 0.27%

LAB 33.97, -13.04, 15.99

 

CMYK 24 / 0 / 48 / 74

HEX #334323

RGB 51 67 35

HSL 90, 0.31%, 0.2%

LAB 26.27, -13.12, 17.35

 

CMYK 31 / 0 / 67 / 81

HEX #223110

RGB 34 49 16

HSL 87.27, 0.51%, 0.13%

LAB 18.25, -13.1, 18.74

 

CMYK 45 / 0 / 100 / 88

HEX #111F00

RGB 17 31 0

HSL 87.1, 1%, 0.06%

LAB 9.79, -12.66, 14.39

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 20 / 0 / 36 / 67

HEX #435436

RGB 67 84 54

HSL 94, 0.22%, 0.27%

LAB 33.56, -12.89, 15.44

 

CMYK 10 / 0 / 36 / 67

HEX #4C5436

RGB 76 84 54

HSL 76, 0.22%, 0.27%

LAB 34.28, -8.99, 16.52

 

CMYK 0 / 0 / 36 / 67

HEX #545436

RGB 84 84 54

HSL 60, 0.22%, 0.27%

LAB 34.99, -5.38, 17.58

 

CMYK 0 / 10 / 36 / 67

HEX #544C36

RGB 84 76 54

HSL 44, 0.22%, 0.27%

LAB 32.52, -0.51, 14.32

 

CMYK 0 / 19 / 36 / 67

HEX #544436

RGB 84 68 54

HSL 28, 0.22%, 0.27%

LAB 30.12, 4.5, 11.06

 

CMYK 20 / 0 / 36 / 67

HEX #435436

RGB 67 84 54

HSL 94, 0.22%, 0.27%

LAB 33.56, -12.89, 15.44

 

CMYK 30 / 0 / 36 / 67

HEX #3B5436

RGB 59 84 54

HSL 110, 0.22%, 0.27%

LAB 33, -16.18, 14.59

 

CMYK 36 / 0 / 33 / 67

HEX #365438

RGB 54 84 56

HSL 124, 0.22%, 0.27%

LAB 32.72, -17.74, 12.93

 

CMYK 36 / 0 / 23 / 67

HEX #365441

RGB 54 84 65

HSL 142, 0.22%, 0.27%

LAB 32.93, -15.83, 7.62

 

CMYK 36 / 0 / 13 / 67

HEX #365449

RGB 54 84 73

HSL 158, 0.22%, 0.27%

LAB 33.15, -13.94, 2.9

 

CMYK 20 / 0 / 36 / 67

HEX #435436

RGB 67 84 54

HSL 94, 0.22%, 0.27%

LAB 33.56, -12.89, 15.44

 

CMYK 31 / 0 / 55 / 63

HEX #425F2B

RGB 66 95 43

HSL 93.46, 0.38%, 0.27%

LAB 36.96, -20.97, 26.15

 

CMYK 39 / 0 / 71 / 58

HEX #416A1F

RGB 65 106 31

HSL 92.8, 0.55%, 0.27%

LAB 40.46, -28.13, 36.13

 

CMYK 45 / 0 / 83 / 54

HEX #407514

RGB 64 117 20

HSL 92.78, 0.71%, 0.27%

LAB 44.04, -34.29, 43.89

 

CMYK 51 / 0 / 93 / 49

HEX #3F8109

RGB 63 129 9

HSL 93, 0.87%, 0.27%

LAB 47.98, -40.12, 50.09

 

CMYK 20 / 0 / 36 / 67

HEX #435436

RGB 67 84 54

HSL 94, 0.22%, 0.27%

LAB 33.56, -12.89, 15.44

 

CMYK 7 / 0 / 11 / 71

HEX #444941

RGB 68 73 65

HSL 97.5, 0.06%, 0.27%

LAB 30.34, -3.8, 4.09

 

CMYK 8 / 18 / 0 / 70

HEX #463E4C

RGB 70 62 76

HSL 274.29, 0.1%, 0.27%

LAB 27.49, 6.56, -7.23

 

CMYK 18 / 41 / 0 / 66

HEX #473357

RGB 71 51 87

HSL 273.33, 0.26%, 0.27%

LAB 24.94, 16.97, -18.36

 

CMYK 27 / 60 / 0 / 62

HEX #482762

RGB 72 39 98

HSL 273.56, 0.43%, 0.27%

LAB 22.69, 27.82, -29.12

 

CMYK 0 / 0 / 36 / 67

HEX #545436

RGB 84 84 54

HSL 60, 0.22%, 0.27%

LAB 34.99, -5.38, 17.58

 

CMYK 10 / 0 / 36 / 67

HEX #4C5436

RGB 76 84 54

HSL 76, 0.22%, 0.27%

LAB 34.28, -8.99, 16.52

 

CMYK 19 / 0 / 36 / 67

HEX #445436

RGB 68 84 54

HSL 92, 0.22%, 0.27%

LAB 33.64, -12.47, 15.55

 

CMYK 29 / 0 / 36 / 67

HEX #3C5436

RGB 60 84 54

HSL 108, 0.22%, 0.27%

LAB 33.07, -15.78, 14.69

 

CMYK 36 / 0 / 33 / 67

HEX #365438

RGB 54 84 56

HSL 124, 0.22%, 0.27%

LAB 32.72, -17.74, 12.93

 

CMYK 21 / 0 / 35 / 87

HEX #1B2216

RGB 27 34 22

HSL 95, 0.21%, 0.11%

LAB 12.19, -6.09, 7.08

 

CMYK 20 / 0 / 36 / 77

HEX #2F3B26

RGB 47 59 38

HSL 94.29, 0.22%, 0.19%

LAB 23.24, -9.64, 11.44

 

CMYK 20 / 0 / 36 / 67

HEX #435436

RGB 67 84 54

HSL 94, 0.22%, 0.27%

LAB 33.56, -12.89, 15.44

 

CMYK 19 / 0 / 36 / 57

HEX #586D46

RGB 88 109 70

HSL 92.31, 0.22%, 0.35%

LAB 43.44, -15.54, 19.3

 

CMYK 19 / 0 / 36 / 47

HEX #6C8656

RGB 108 134 86

HSL 92.5, 0.22%, 0.43%

LAB 52.85, -18.47, 22.88

 

CMYK 20 / 0 / 36 / 67

HEX #445536

RGB 68 85 54

HSL 92.9, 0.22%, 0.27%

LAB 33.97, -13.04, 15.99

 

CMYK 36 / 0 / 10 / 67

HEX #36544C

RGB 54 84 76

HSL 164, 0.22%, 0.27%

LAB 33.24, -13.18, 1.13

 

CMYK 0 / 36 / 5 / 67

HEX #543650

RGB 84 54 80

HSL 308, 0.22%, 0.27%

LAB 27.02, 18.21, -10.4

 

CMYK 20 / 0 / 36 / 67

HEX #445536

RGB 68 85 54

HSL 92.9, 0.22%, 0.27%

LAB 33.97, -13.04, 15.99

 

CMYK 36 / 19 / 0 / 67

HEX #364454

RGB 54 68 84

HSL 212, 0.22%, 0.27%

LAB 28.27, -1.15, -11.39

 

CMYK 0 / 36 / 19 / 67

HEX #543644

RGB 84 54 68

HSL 332, 0.22%, 0.27%

LAB 26.56, 15.82, -3.16

 

CMYK 20 / 0 / 36 / 67

HEX #445536

RGB 68 85 54

HSL 92.9, 0.22%, 0.27%

LAB 33.97, -13.04, 15.99

 

CMYK 36 / 0 / 10 / 67

HEX #36544C

RGB 54 84 76

HSL 164, 0.22%, 0.27%

LAB 33.24, -13.18, 1.13

 

CMYK 17 / 36 / 0 / 67

HEX #463654

RGB 70 54 84

HSL 272, 0.22%, 0.27%

LAB 25.5, 13.85, -15.51

 

CMYK 0 / 36 / 26 / 67

HEX #54363E

RGB 84 54 62

HSL 344, 0.22%, 0.27%

LAB 26.36, 14.75, 0.53

 

CMYK 20 / 0 / 36 / 67

HEX #445536

RGB 68 85 54

HSL 92.9, 0.22%, 0.27%

LAB 33.97, -13.04, 15.99

 

CMYK 36 / 1 / 0 / 67

HEX #365354

RGB 54 83 84

HSL 182, 0.22%, 0.27%

LAB 33.16, -10.46, -4.04

 

CMYK 17 / 36 / 0 / 67

HEX #463654

RGB 70 54 84

HSL 272, 0.22%, 0.27%

LAB 25.5, 13.85, -15.51

 

CMYK 0 / 35 / 36 / 67

HEX #543736

RGB 84 55 54

HSL 2, 0.22%, 0.27%

LAB 26.4, 12.82, 5.89

 

Description

Color code: HEX #445536 | qconv.com Color code: HEX #445536 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 85 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 85 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 36 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 36% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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