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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445293 it is the complementary color #BBAD6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445293 shade: #49528E, #5A64A1, #6B76B4, #7C88C7 and #8D9ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445293 shade: #445293, #334080, #222E6D, #111C5A and #000A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445293 shade: #435293, #4B4393, #604393, #764393 and #8B4393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445293 shade: #435293 and #434393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445293 shade matches the following richer shades: #435293, #3246A4, #213BB5 and #0F30C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445293 shade: #435293, #555D81, #666870, #77735F and #897E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445293 shade: #437C93, #436793, #435293, #4A4393 and #5F4393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445293 shade: #29325A, #364276, #435293, #5161AF and #6D7BBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445293 shade: #445293, #934391 and #729343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445293 shade: #445293, #934352 and #529343

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445293 shade: #445293, #934391, #938443 and #439345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445293 shade: #445293, #93437A, #938443 and #43935D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 44 / 0 / 42

HEX #445293

RGB 68 82 147

HSL 229.37, 0.37%, 0.42%

LAB 36.69, 14.08, -37.62

 

Complementary color

CMYK 0 / 7 / 42 / 27

HEX #BBAD6C

RGB 187 173 108

HSL 49.37, 0.37%, 0.58%

LAB 70.55, -4.25, 35.17

 

CMYK 49 / 42 / 0 / 44

HEX #49528E

RGB 73 82 142

HSL 232.17, 0.32%, 0.42%

LAB 36.75, 13.66, -34.46

 

CMYK 44 / 38 / 0 / 37

HEX #5A64A1

RGB 90 100 161

HSL 231.55, 0.28%, 0.49%

LAB 44.03, 12.67, -34.27

 

CMYK 41 / 34 / 0 / 29

HEX #6B76B4

RGB 107 118 180

HSL 230.96, 0.33%, 0.56%

LAB 51.13, 11.87, -34.14

 

CMYK 38 / 32 / 0 / 22

HEX #7C88C7

RGB 124 136 199

HSL 230.4, 0.4%, 0.63%

LAB 58.05, 11.21, -34.08

 

CMYK 35 / 29 / 0 / 15

HEX #8D9ADA

RGB 141 154 218

HSL 229.87, 0.51%, 0.7%

LAB 64.83, 10.63, -34.07

 

CMYK 54 / 44 / 0 / 42

HEX #445293

RGB 68 82 147

HSL 229.37, 0.37%, 0.42%

LAB 36.69, 14.08, -37.62

 

CMYK 60 / 50 / 0 / 50

HEX #334080

RGB 51 64 128

HSL 229.87, 0.43%, 0.35%

LAB 29.23, 15.56, -37.92

 

CMYK 69 / 58 / 0 / 57

HEX #222E6D

RGB 34 46 109

HSL 230.4, 0.52%, 0.28%

LAB 21.57, 17.54, -38.26

 

CMYK 81 / 69 / 0 / 65

HEX #111C5A

RGB 17 28 90

HSL 230.96, 0.68%, 0.21%

LAB 13.76, 20.28, -38.53

 

CMYK 100 / 86 / 0 / 72

HEX #000A47

RGB 0 10 71

HSL 231.55, 1%, 0.14%

LAB 6.07, 22.76, -38.16

 

CMYK 54 / 44 / 0 / 42

HEX #435293

RGB 67 82 147

HSL 228.75, 0.37%, 0.42%

LAB 36.62, 13.85, -37.73

 

CMYK 49 / 54 / 0 / 42

HEX #4B4393

RGB 75 67 147

HSL 246, 0.37%, 0.42%

LAB 33.17, 25.47, -43.21

 

CMYK 35 / 54 / 0 / 42

HEX #604393

RGB 96 67 147

HSL 261.75, 0.37%, 0.42%

LAB 35.22, 30.74, -39.82

 

CMYK 20 / 54 / 0 / 42

HEX #764393

RGB 118 67 147

HSL 278.25, 0.37%, 0.42%

LAB 37.79, 36.79, -35.56

 

CMYK 5 / 54 / 0 / 42

HEX #8B4393

RGB 139 67 147

HSL 294, 0.37%, 0.42%

LAB 40.59, 42.79, -30.96

 

CMYK 54 / 44 / 0 / 42

HEX #435293

RGB 67 82 147

HSL 228.75, 0.37%, 0.42%

LAB 36.62, 13.85, -37.73

 

CMYK 54 / 54 / 0 / 42

HEX #434393

RGB 67 67 147

HSL 240, 0.37%, 0.42%

LAB 32.51, 23.66, -44.31

 

CMYK 54 / 44 / 0 / 42

HEX #435293

RGB 67 82 147

HSL 228.75, 0.37%, 0.42%

LAB 36.62, 13.85, -37.73

 

CMYK 70 / 57 / 0 / 36

HEX #3246A4

RGB 50 70 164

HSL 229.47, 0.53%, 0.42%

LAB 33.43, 24.58, -53.17

 

CMYK 82 / 67 / 0 / 29

HEX #213BB5

RGB 33 59 181

HSL 229.46, 0.69%, 0.42%

LAB 31.32, 36.2, -66.81

 

CMYK 92 / 76 / 0 / 22

HEX #0F30C7

RGB 15 48 199

HSL 229.24, 0.86%, 0.42%

LAB 30.25, 48.39, -79.19

 

CMYK 54 / 44 / 0 / 42

HEX #435293

RGB 67 82 147

HSL 228.75, 0.37%, 0.42%

LAB 36.62, 13.85, -37.73

 

CMYK 34 / 28 / 0 / 49

HEX #555D81

RGB 85 93 129

HSL 229.09, 0.21%, 0.42%

LAB 40.16, 6.13, -21.15

 

CMYK 9 / 7 / 0 / 56

HEX #666870

RGB 102 104 112

HSL 228, 0.05%, 0.42%

LAB 44.08, 0.96, -4.75

 

CMYK 0 / 3 / 20 / 53

HEX #77735F

RGB 119 115 95

HSL 50, 0.11%, 0.42%

LAB 48.27, -2.09, 11.64

 

CMYK 0 / 8 / 44 / 46

HEX #897E4D

RGB 137 126 77

HSL 49, 0.28%, 0.42%

LAB 52.7, -3.18, 28.15

 

CMYK 54 / 16 / 0 / 42

HEX #437C93

RGB 67 124 147

HSL 197.25, 0.37%, 0.42%

LAB 49.15, -11.89, -18.17

 

CMYK 54 / 30 / 0 / 42

HEX #436793

RGB 67 103 147

HSL 213, 0.37%, 0.42%

LAB 42.76, 0.51, -28.04

 

CMYK 54 / 44 / 0 / 42

HEX #435293

RGB 67 82 147

HSL 228.75, 0.37%, 0.42%

LAB 36.62, 13.85, -37.73

 

CMYK 50 / 54 / 0 / 42

HEX #4A4393

RGB 74 67 147

HSL 245.25, 0.37%, 0.42%

LAB 33.09, 25.23, -43.36

 

CMYK 35 / 54 / 0 / 42

HEX #5F4393

RGB 95 67 147

HSL 261, 0.37%, 0.42%

LAB 35.11, 30.48, -40

 

CMYK 54 / 44 / 0 / 65

HEX #29325A

RGB 41 50 90

HSL 228.98, 0.37%, 0.26%

LAB 21.91, 9.05, -25.29

 

CMYK 54 / 44 / 0 / 54

HEX #364276

RGB 54 66 118

HSL 228.75, 0.37%, 0.34%

LAB 29.38, 11.33, -31.4

 

CMYK 54 / 44 / 0 / 42

HEX #435293

RGB 67 82 147

HSL 228.75, 0.37%, 0.42%

LAB 36.62, 13.85, -37.73

 

CMYK 54 / 45 / 0 / 31

HEX #5161AF

RGB 81 97 175

HSL 229.79, 0.37%, 0.5%

LAB 43.35, 16.79, -43.64

 

CMYK 42 / 35 / 0 / 26

HEX #6D7BBC

RGB 109 123 188

HSL 229.37, 0.37%, 0.58%

LAB 53, 11.73, -35.8

 

CMYK 54 / 44 / 0 / 42

HEX #445293

RGB 68 82 147

HSL 229.37, 0.37%, 0.42%

LAB 36.69, 14.08, -37.62

 

CMYK 0 / 54 / 1 / 42

HEX #934391

RGB 147 67 145

HSL 301.5, 0.37%, 0.42%

LAB 41.63, 44.72, -28.04

 

CMYK 22 / 0 / 54 / 42

HEX #729343

RGB 114 147 67

HSL 84.75, 0.37%, 0.42%

LAB 56.93, -25.18, 38.18

 

CMYK 54 / 44 / 0 / 42

HEX #445293

RGB 68 82 147

HSL 229.37, 0.37%, 0.42%

LAB 36.69, 14.08, -37.62

 

CMYK 0 / 54 / 44 / 42

HEX #934352

RGB 147 67 82

HSL 348.75, 0.37%, 0.42%

LAB 39.29, 35.23, 7.39

HEX #934352

CMYK 44 / 0 / 54 / 42

HEX #529343

RGB 82 147 67

HSL 108.75, 0.37%, 0.42%

LAB 55.14, -36.88, 35.61

HEX #529343

CMYK 54 / 44 / 0 / 42

HEX #445293

RGB 68 82 147

HSL 229.37, 0.37%, 0.42%

LAB 36.69, 14.08, -37.62

 

CMYK 0 / 54 / 1 / 42

HEX #934391

RGB 147 67 145

HSL 301.5, 0.37%, 0.42%

LAB 41.63, 44.72, -28.04

 

CMYK 0 / 10 / 54 / 42

HEX #938443

RGB 147 132 67

HSL 48.75, 0.37%, 0.42%

LAB 55.19, -3.15, 36.76

 

CMYK 54 / 0 / 53 / 42

HEX #439345

RGB 67 147 69

HSL 121.5, 0.37%, 0.42%

LAB 54.54, -41.13, 33.73

 

CMYK 54 / 44 / 0 / 42

HEX #445293

RGB 68 82 147

HSL 229.37, 0.37%, 0.42%

LAB 36.69, 14.08, -37.62

 

CMYK 0 / 54 / 17 / 42

HEX #93437A

RGB 147 67 122

HSL 318.75, 0.37%, 0.42%

LAB 40.61, 40.73, -15.57

 

CMYK 0 / 10 / 54 / 42

HEX #938443

RGB 147 132 67

HSL 48.75, 0.37%, 0.42%

LAB 55.19, -3.15, 36.76

 

CMYK 54 / 0 / 37 / 42

HEX #43935D

RGB 67 147 93

HSL 139.5, 0.37%, 0.42%

LAB 54.92, -37.15, 21.35

 

Description

Color code: HEX #445293 | qconv.com Color code: HEX #445293 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 82 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 82 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 44 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 44% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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