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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445016 it is the complementary color #BBAFE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445016 shade: #495011, #5A6224, #6B7437, #7C864A and #8D985D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445016 shade: #445016, #333E03, #222C00, #111A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445016 shade: #445016, #504C16, #503D16, #502D16 and #501D16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445016 shade: #445016, #345016, #255016, #165017 and #165027

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445016 shade matches the following richer shades: #445016, #49580E and #4E6105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445016 shade: #445016, #3F481E, #3A4026, #36372F and #312F37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445016 shade: #503D16, #504C16, #445016, #355016 and #255016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445016 shade: #0D0F04, #29300D, #445016, #60701F and #7B9128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445016 shade: #445016, #16502D and #441650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445016 shade: #445016, #164450 and #501644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445016 shade: #445016, #16502D, #221650 and #501639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445016 shade: #445016, #16503F, #221650 and #501627

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

Complementary color

CMYK 20 / 25 / 0 / 9

HEX #BBAFE9

RGB 187 175 233

HSL 252.41, 0.57%, 0.8%

LAB 74.26, 16.01, -27.46

 

CMYK 9 / 0 / 79 / 69

HEX #495011

RGB 73 80 17

HSL 66.67, 0.65%, 0.19%

LAB 32.25, -12.04, 34.01

 

CMYK 8 / 0 / 63 / 62

HEX #5A6224

RGB 90 98 36

HSL 67.74, 0.46%, 0.26%

LAB 39.64, -12.76, 33.39

 

CMYK 8 / 0 / 53 / 55

HEX #6B7437

RGB 107 116 55

HSL 68.85, 0.36%, 0.34%

LAB 46.83, -13.23, 32.24

 

CMYK 7 / 0 / 45 / 47

HEX #7C864A

RGB 124 134 74

HSL 70, 0.29%, 0.41%

LAB 53.85, -13.54, 30.98

 

CMYK 7 / 0 / 39 / 40

HEX #8D985D

RGB 141 152 93

HSL 71.19, 0.24%, 0.48%

LAB 60.7, -13.76, 29.73

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 18 / 0 / 95 / 76

HEX #333E03

RGB 51 62 3

HSL 71.19, 0.91%, 0.13%

LAB 24.18, -13.36, 31.32

 

CMYK 23 / 0 / 100 / 83

HEX #222C00

RGB 34 44 0

HSL 73.64, 1%, 0.09%

LAB 16.21, -11.77, 23.22

 

CMYK 35 / 0 / 100 / 90

HEX #111A00

RGB 17 26 0

HSL 80.77, 1%, 0.05%

LAB 7.75, -8.8, 11.45

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 0 / 5 / 73 / 69

HEX #504C16

RGB 80 76 22

HSL 55.86, 0.57%, 0.2%

LAB 31.65, -5.9, 31.41

 

CMYK 0 / 24 / 73 / 69

HEX #503D16

RGB 80 61 22

HSL 40.34, 0.57%, 0.2%

LAB 27.02, 3.42, 26.51

 

CMYK 0 / 44 / 73 / 69

HEX #502D16

RGB 80 45 22

HSL 23.79, 0.57%, 0.2%

LAB 22.44, 13.71, 21.4

 

CMYK 0 / 64 / 73 / 69

HEX #501D16

RGB 80 29 22

HSL 7.24, 0.57%, 0.2%

LAB 18.55, 23.42, 16.81

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 35 / 0 / 73 / 69

HEX #345016

RGB 52 80 22

HSL 88.97, 0.57%, 0.2%

LAB 30.7, -21.36, 29.71

 

CMYK 54 / 0 / 73 / 69

HEX #255016

RGB 37 80 22

HSL 104.48, 0.57%, 0.2%

LAB 29.88, -27.16, 28.59

 

CMYK 73 / 0 / 71 / 69

HEX #165017

RGB 22 80 23

HSL 121.03, 0.57%, 0.2%

LAB 29.34, -31.41, 27.35

 

CMYK 73 / 0 / 51 / 69

HEX #165027

RGB 22 80 39

HSL 137.59, 0.57%, 0.2%

LAB 29.55, -28.95, 18.8

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 17 / 0 / 84 / 65

HEX #49580E

RGB 73 88 14

HSL 72.16, 0.73%, 0.2%

LAB 34.86, -16.69, 37.61

 

CMYK 20 / 0 / 95 / 62

HEX #4E6105

RGB 78 97 5

HSL 72.39, 0.9%, 0.2%

LAB 38.16, -19.54, 43.24

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 13 / 0 / 58 / 72

HEX #3F481E

RGB 63 72 30

HSL 72.86, 0.41%, 0.2%

LAB 28.86, -11.15, 23.7

 

CMYK 9 / 0 / 41 / 75

HEX #3A4026

RGB 58 64 38

HSL 73.85, 0.25%, 0.2%

LAB 25.88, -7.65, 15.1

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 11 / 15 / 0 / 78

HEX #312F37

RGB 49 47 55

HSL 255, 0.08%, 0.2%

LAB 19.89, 2.83, -4.77

 

CMYK 0 / 24 / 73 / 69

HEX #503D16

RGB 80 61 22

HSL 40.34, 0.57%, 0.2%

LAB 27.02, 3.42, 26.51

 

CMYK 0 / 5 / 73 / 69

HEX #504C16

RGB 80 76 22

HSL 55.86, 0.57%, 0.2%

LAB 31.65, -5.9, 31.41

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 34 / 0 / 73 / 69

HEX #355016

RGB 53 80 22

HSL 87.93, 0.57%, 0.2%

LAB 30.76, -20.94, 29.8

 

CMYK 54 / 0 / 73 / 69

HEX #255016

RGB 37 80 22

HSL 104.48, 0.57%, 0.2%

LAB 29.88, -27.16, 28.59

 

CMYK 13 / 0 / 73 / 94

HEX #0D0F04

RGB 13 15 4

HSL 70.91, 0.58%, 0.04%

LAB 3.94, -2.28, 4.21

 

CMYK 15 / 0 / 73 / 81

HEX #29300D

RGB 41 48 13

HSL 72, 0.57%, 0.12%

LAB 18.43, -9.35, 20.65

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 14 / 0 / 72 / 56

HEX #60701F

RGB 96 112 31

HSL 71.85, 0.57%, 0.28%

LAB 44.48, -18.03, 40.93

 

CMYK 15 / 0 / 72 / 43

HEX #7B9128

RGB 123 145 40

HSL 72.57, 0.57%, 0.36%

LAB 56.7, -22.67, 50.2

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 73 / 0 / 44 / 69

HEX #16502D

RGB 22 80 45

HSL 143.79, 0.57%, 0.2%

LAB 29.66, -27.75, 15.33

 

CMYK 15 / 73 / 0 / 69

HEX #441650

RGB 68 22 80

HSL 287.59, 0.57%, 0.2%

LAB 17.38, 31.76, -25.63

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 73 / 15 / 0 / 69

HEX #164450

RGB 22 68 80

HSL 192.41, 0.57%, 0.2%

LAB 26.4, -11.11, -11.8

 

CMYK 0 / 73 / 15 / 69

HEX #501644

RGB 80 22 68

HSL 312.41, 0.57%, 0.2%

LAB 18.79, 32.78, -15.04

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 73 / 0 / 44 / 69

HEX #16502D

RGB 22 80 45

HSL 143.79, 0.57%, 0.2%

LAB 29.66, -27.75, 15.33

 

CMYK 58 / 73 / 0 / 69

HEX #221650

RGB 34 22 80

HSL 252.41, 0.57%, 0.2%

LAB 12.56, 23.46, -33.64

 

CMYK 0 / 73 / 29 / 69

HEX #501639

RGB 80 22 57

HSL 323.79, 0.57%, 0.2%

LAB 18.25, 30.98, -8.19

 

CMYK 15 / 0 / 73 / 69

HEX #445016

RGB 68 80 22

HSL 72.41, 0.57%, 0.2%

LAB 31.86, -14.12, 31.29

 

CMYK 73 / 0 / 21 / 69

HEX #16503F

RGB 22 80 63

HSL 162.41, 0.57%, 0.2%

LAB 30.08, -23.29, 4.64

 

CMYK 58 / 73 / 0 / 69

HEX #221650

RGB 34 22 80

HSL 252.41, 0.57%, 0.2%

LAB 12.56, 23.46, -33.64

 

CMYK 0 / 73 / 51 / 69

HEX #501627

RGB 80 22 39

HSL 342.41, 0.57%, 0.2%

LAB 17.58, 28.62, 3.6

 

Description

Color code: HEX #445016 | qconv.com Color code: HEX #445016 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 80 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 80 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 73 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 73% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - 南青山のエステサロン/ア ピース オブ ...
Link: http://apop.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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