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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #444053 it is the complementary color #BBBFAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #444053. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #444053 shade: #49404E, #5A5261, #6B6474, #7C7687 and #8D889A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #444053. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #444053 shade: #444053, #332E40, #221C2D, #110A1A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #444053 shade: #444054, #4A4054, #4F4054, #544053 and #54404E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #444053 shade: #444054 and #404054

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #444053 shade matches the following richer shades: #444054, #3D3460, #37286B, #301C77 and #291083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #444053 shade: #444054, #4B4C48, #52583C, #596430 and #607024

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #444053 shade: #404754, #404254, #444054, #494054 and #4E4054

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #444053 shade: #1E1C25, #312E3C, #444054, #57526B and #6B6482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #444053 shade: #444053, #54404C and #445440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #444053 shade: #444053, #544440 and #405444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #444053 shade: #444053, #54404C, #505440 and #405448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #444053 shade: #444053, #544046, #505440 and #40544E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 23 / 0 / 67

HEX #444053

RGB 68 64 83

HSL 252.63, 0.13%, 0.29%

LAB 28.17, 6.23, -10.79

 

Complementary color

CMYK 2 / 0 / 10 / 25

HEX #BBBFAC

RGB 187 191 172

HSL 72.63, 0.13%, 0.71%

LAB 76.56, -4.79, 9.1

 

CMYK 6 / 18 / 0 / 69

HEX #49404E

RGB 73 64 78

HSL 278.57, 0.1%, 0.28%

LAB 28.47, 6.93, -7.03

 

CMYK 7 / 15 / 0 / 62

HEX #5A5261

RGB 90 82 97

HSL 272, 0.08%, 0.35%

LAB 36.12, 6.49, -7.51

 

CMYK 8 / 14 / 0 / 55

HEX #6B6474

RGB 107 100 116

HSL 266.25, 0.07%, 0.42%

LAB 43.51, 6.12, -7.98

 

CMYK 8 / 13 / 0 / 47

HEX #7C7687

RGB 124 118 135

HSL 261.18, 0.07%, 0.5%

LAB 50.68, 5.79, -8.44

 

CMYK 8 / 12 / 0 / 40

HEX #8D889A

RGB 141 136 154

HSL 256.67, 0.08%, 0.57%

LAB 57.66, 5.49, -8.9

 

CMYK 18 / 23 / 0 / 67

HEX #444053

RGB 68 64 83

HSL 252.63, 0.13%, 0.29%

LAB 28.17, 6.23, -10.79

 

CMYK 20 / 28 / 0 / 75

HEX #332E40

RGB 51 46 64

HSL 256.67, 0.16%, 0.22%

LAB 20.16, 6.74, -10.52

 

CMYK 24 / 38 / 0 / 82

HEX #221C2D

RGB 34 28 45

HSL 261.18, 0.23%, 0.14%

LAB 11.69, 7.41, -10.32

 

CMYK 35 / 62 / 0 / 90

HEX #110A1A

RGB 17 10 26

HSL 266.25, 0.44%, 0.07%

LAB 3.71, 5.56, -8.3

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 19 / 24 / 0 / 67

HEX #444054

RGB 68 64 84

HSL 252, 0.14%, 0.29%

LAB 28.21, 6.49, -11.38

 

CMYK 12 / 24 / 0 / 67

HEX #4A4054

RGB 74 64 84

HSL 270, 0.14%, 0.29%

LAB 28.81, 8.77, -10.42

 

CMYK 6 / 24 / 0 / 67

HEX #4F4054

RGB 79 64 84

HSL 285, 0.14%, 0.29%

LAB 29.33, 10.71, -9.56

 

CMYK 0 / 24 / 1 / 67

HEX #544053

RGB 84 64 83

HSL 303, 0.14%, 0.29%

LAB 29.85, 12.45, -8.08

 

CMYK 0 / 24 / 7 / 67

HEX #54404E

RGB 84 64 78

HSL 318, 0.14%, 0.29%

LAB 29.67, 11.38, -5.11

 

CMYK 19 / 24 / 0 / 67

HEX #444054

RGB 68 64 84

HSL 252, 0.14%, 0.29%

LAB 28.21, 6.49, -11.38

 

CMYK 24 / 24 / 0 / 67

HEX #404054

RGB 64 64 84

HSL 240, 0.14%, 0.29%

LAB 27.84, 5, -11.98

 

CMYK 19 / 24 / 0 / 67

HEX #444054

RGB 68 64 84

HSL 252, 0.14%, 0.29%

LAB 28.21, 6.49, -11.38

 

CMYK 36 / 46 / 0 / 62

HEX #3D3460

RGB 61 52 96

HSL 252.27, 0.3%, 0.29%

LAB 24.62, 15.52, -24.83

 

CMYK 49 / 63 / 0 / 58

HEX #37286B

RGB 55 40 107

HSL 253.43, 0.46%, 0.29%

LAB 21.55, 25.36, -36.93

 

CMYK 60 / 76 / 0 / 53

HEX #301C77

RGB 48 28 119

HSL 253.19, 0.62%, 0.29%

LAB 19.19, 35.23, -48.55

 

CMYK 69 / 88 / 0 / 49

HEX #291083

RGB 41 16 131

HSL 253.04, 0.78%, 0.29%

LAB 17.83, 43.95, -58.45

 

CMYK 19 / 24 / 0 / 67

HEX #444054

RGB 68 64 84

HSL 252, 0.14%, 0.29%

LAB 28.21, 6.49, -11.38

 

CMYK 1 / 0 / 5 / 70

HEX #4B4C48

RGB 75 76 72

HSL 75, 0.03%, 0.29%

LAB 32.11, -1.27, 2.23

 

CMYK 7 / 0 / 32 / 65

HEX #52583C

RGB 82 88 60

HSL 72.86, 0.19%, 0.29%

LAB 36.18, -7.75, 15.49

 

CMYK 11 / 0 / 52 / 61

HEX #596430

RGB 89 100 48

HSL 72.69, 0.35%, 0.29%

LAB 40.33, -13.15, 27.87

 

CMYK 14 / 0 / 68 / 56

HEX #607024

RGB 96 112 36

HSL 72.63, 0.51%, 0.29%

LAB 44.52, -17.68, 38.79

 

CMYK 24 / 15 / 0 / 67

HEX #404754

RGB 64 71 84

HSL 219, 0.14%, 0.29%

LAB 30, 0.45, -8.69

 

CMYK 24 / 21 / 0 / 67

HEX #404254

RGB 64 66 84

HSL 234, 0.14%, 0.29%

LAB 28.45, 3.69, -11.04

 

CMYK 19 / 24 / 0 / 67

HEX #444054

RGB 68 64 84

HSL 252, 0.14%, 0.29%

LAB 28.21, 6.49, -11.38

 

CMYK 13 / 24 / 0 / 67

HEX #494054

RGB 73 64 84

HSL 267, 0.14%, 0.29%

LAB 28.7, 8.38, -10.58

 

CMYK 7 / 24 / 0 / 67

HEX #4E4054

RGB 78 64 84

HSL 282, 0.14%, 0.29%

LAB 29.23, 10.32, -9.74

 

CMYK 19 / 24 / 0 / 85

HEX #1E1C25

RGB 30 28 37

HSL 253.33, 0.14%, 0.13%

LAB 10.85, 3.37, -5.78

 

CMYK 18 / 23 / 0 / 76

HEX #312E3C

RGB 49 46 60

HSL 252.86, 0.13%, 0.21%

LAB 19.77, 4.85, -8.38

 

CMYK 19 / 24 / 0 / 67

HEX #444054

RGB 68 64 84

HSL 252, 0.14%, 0.29%

LAB 28.21, 6.49, -11.38

 

CMYK 19 / 23 / 0 / 58

HEX #57526B

RGB 87 82 107

HSL 252, 0.13%, 0.37%

LAB 36.22, 7.78, -13.64

 

CMYK 18 / 23 / 0 / 49

HEX #6B6482

RGB 107 100 130

HSL 254, 0.13%, 0.45%

LAB 44.02, 9.38, -15.66

 

CMYK 18 / 23 / 0 / 67

HEX #444053

RGB 68 64 83

HSL 252.63, 0.13%, 0.29%

LAB 28.17, 6.23, -10.79

 

CMYK 0 / 24 / 10 / 67

HEX #54404C

RGB 84 64 76

HSL 324, 0.14%, 0.29%

LAB 29.6, 10.97, -3.92

 

CMYK 19 / 0 / 24 / 67

HEX #445440

RGB 68 84 64

HSL 108, 0.14%, 0.29%

LAB 33.86, -10.65, 9.68

 

CMYK 18 / 23 / 0 / 67

HEX #444053

RGB 68 64 83

HSL 252.63, 0.13%, 0.29%

LAB 28.17, 6.23, -10.79

 

CMYK 0 / 19 / 24 / 67

HEX #544440

RGB 84 68 64

HSL 12, 0.14%, 0.29%

LAB 30.37, 6.13, 4.99

 

CMYK 24 / 0 / 19 / 67

HEX #405444

RGB 64 84 68

HSL 132, 0.14%, 0.29%

LAB 33.66, -11.42, 6.87

 

CMYK 18 / 23 / 0 / 67

HEX #444053

RGB 68 64 83

HSL 252.63, 0.13%, 0.29%

LAB 28.17, 6.23, -10.79

 

CMYK 0 / 24 / 10 / 67

HEX #54404C

RGB 84 64 76

HSL 324, 0.14%, 0.29%

LAB 29.6, 10.97, -3.92

 

CMYK 5 / 0 / 24 / 67

HEX #505440

RGB 80 84 64

HSL 72, 0.14%, 0.29%

LAB 34.84, -5.58, 11.18

 

CMYK 24 / 0 / 14 / 67

HEX #405448

RGB 64 84 72

HSL 144, 0.14%, 0.29%

LAB 33.77, -10.54, 4.51

 

CMYK 18 / 23 / 0 / 67

HEX #444053

RGB 68 64 83

HSL 252.63, 0.13%, 0.29%

LAB 28.17, 6.23, -10.79

 

CMYK 0 / 24 / 17 / 67

HEX #544046

RGB 84 64 70

HSL 342, 0.14%, 0.29%

LAB 29.4, 9.79, -0.31

 

CMYK 5 / 0 / 24 / 67

HEX #505440

RGB 80 84 64

HSL 72, 0.14%, 0.29%

LAB 34.84, -5.58, 11.18

 

CMYK 24 / 0 / 7 / 67

HEX #40544E

RGB 64 84 78

HSL 162, 0.14%, 0.29%

LAB 33.94, -9.14, 0.98

 

Description

Color code: HEX #444053 | qconv.com Color code: HEX #444053 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 64 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 64 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 23 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 23% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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