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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4436AC00 it is the complementary color #BBC95300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4436AC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4436AC00 shade: #4936A700, #5A48BA00, #6B5ACD00, #7C6CE000 and #8D7EF300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4436AC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4436AC00 shade: #4436AC00, #33249900, #22128600, #11007300 and #00006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4436AC00 shade: #4436AB, #6336AB, #8336AB, #A236AB and #AB3694

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4436AC00 shade: #4436AB and #3636AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4436AC00 shade matches the following richer shades: #4436AB, #3624BD and #2812CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4436AC00 shade: #4436AB, #524898, #5F5A86, #6D6C74 and #7B7E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4436AC00 shade: #3666AB, #3647AB, #4336AB, #6336AB and #8236AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4436AC00 shade: #2B226C, #372C8B, #4436AB, #5445C4 and #7165CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4436AC00 shade: #4436AC, #AB3686 and #57AB36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4436AC00 shade: #4436AC, #AB4336 and #36AB43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4436AC00 shade: #4436AC, #AB3686, #9DAB36 and #36AB5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4436AC00 shade: #4436AC, #AB3663, #9DAB36 and #36AB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4436AC00

RGBA 68 54 172 0

HSLA 247.12, 0.52%, 0.44%, 0

LABA 31.45, 40.22, -61.14, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #BBC95300

RGBA 187 201 83 0

HSLA 67.12, 0.52%, 0.56%, 0

LABA 77.85, -20.88, 55.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4936A700

RGBA 73 54 167 0

HSLA 250.09, 0.51%, 0.43%, 0

LABA 31.45, 39.44, -58.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A48BA00

RGBA 90 72 186 0

HSLA 249.47, 0.45%, 0.51%, 0

LABA 38.47, 37.78, -57.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B5ACD00

RGBA 107 90 205 0

HSLA 248.87, 0.53%, 0.58%, 0

LABA 45.42, 36.26, -57.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C6CE000

RGBA 124 108 224 0

HSLA 248.28, 0.65%, 0.65%, 0

LABA 52.28, 34.91, -57.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D7EF300

RGBA 141 126 243 0

HSLA 247.69, 0.83%, 0.72%, 0

LABA 59.03, 33.7, -57.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4436AC00

RGBA 68 54 172 0

HSLA 247.12, 0.52%, 0.44%, 0

LABA 31.45, 40.22, -61.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #33249900

RGBA 51 36 153 0

HSLA 247.69, 0.62%, 0.37%, 0

LABA 24.53, 42.08, -61.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #22128600

RGBA 34 18 134 0

HSLA 248.28, 0.76%, 0.3%, 0

LABA 17.89, 43.48, -60.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #11007300

RGBA 17 0 115 0

HSLA 248.87, 1%, 0.23%, 0

LABA 11.67, 44.28, -58.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00006000

RGBA 0 0 96 0

HSLA 240, 1%, 0.19%, 0

LABA 7.63, 38.71, -52.74, 0

 

CMYK 60 / 68 / 0 / 33

HEX #4436AB

RGB 68 54 171

HSL 247.18, 0.52%, 0.44%

LAB 31.36, 39.9, -60.69

 

CMYK 42 / 68 / 0 / 33

HEX #6336AB

RGB 99 54 171

HSL 263.08, 0.52%, 0.44%

LAB 34.46, 45.39, -55.51

 

CMYK 23 / 68 / 0 / 33

HEX #8336AB

RGB 131 54 171

HSL 279.49, 0.52%, 0.44%

LAB 38.56, 52.13, -48.68

 

CMYK 5 / 68 / 0 / 33

HEX #A236AB

RGB 162 54 171

HSL 295.38, 0.52%, 0.44%

LAB 43.15, 59.16, -41.07

 

CMYK 0 / 68 / 13 / 33

HEX #AB3694

RGB 171 54 148

HSL 311.79, 0.52%, 0.44%

LAB 43.41, 57.56, -26.8

 

CMYK 60 / 68 / 0 / 33

HEX #4436AB

RGB 68 54 171

HSL 247.18, 0.52%, 0.44%

LAB 31.36, 39.9, -60.69

 

CMYK 68 / 68 / 0 / 33

HEX #3636AB

RGB 54 54 171

HSL 240, 0.52%, 0.44%

LAB 30.31, 37.92, -62.46

 

CMYK 60 / 68 / 0 / 33

HEX #4436AB

RGB 68 54 171

HSL 247.18, 0.52%, 0.44%

LAB 31.36, 39.9, -60.69

 

CMYK 71 / 81 / 0 / 26

HEX #3624BD

RGB 54 36 189

HSL 247.06, 0.68%, 0.44%

LAB 28.7, 53.48, -75.84

 

CMYK 81 / 91 / 0 / 19

HEX #2812CF

RGB 40 18 207

HSL 246.98, 0.84%, 0.44%

LAB 27.81, 64.42, -87.9

 

CMYK 60 / 68 / 0 / 33

HEX #4436AB

RGB 68 54 171

HSL 247.18, 0.52%, 0.44%

LAB 31.36, 39.9, -60.69

 

CMYK 46 / 53 / 0 / 40

HEX #524898

RGB 82 72 152

HSL 247.5, 0.36%, 0.44%

LAB 35.39, 25.53, -42.65

 

CMYK 29 / 33 / 0 / 47

HEX #5F5A86

RGB 95 90 134

HSL 246.82, 0.2%, 0.44%

LAB 40.36, 12.56, -23.82

 

CMYK 6 / 7 / 0 / 55

HEX #6D6C74

RGB 109 108 116

HSL 247.5, 0.04%, 0.44%

LAB 45.96, 2.07, -4.31

 

CMYK 2 / 0 / 22 / 51

HEX #7B7E62

RGB 123 126 98

HSL 66.43, 0.13%, 0.44%

LAB 51.85, -6.23, 14.91

 

CMYK 68 / 40 / 0 / 33

HEX #3666AB

RGB 54 102 171

HSL 215.38, 0.52%, 0.44%

LAB 43.1, 6.91, -41.77

 

CMYK 68 / 58 / 0 / 33

HEX #3647AB

RGB 54 71 171

HSL 231.28, 0.52%, 0.44%

LAB 34.46, 27.09, -55.68

 

CMYK 61 / 68 / 0 / 33

HEX #4336AB

RGB 67 54 171

HSL 246.67, 0.52%, 0.44%

LAB 31.28, 39.75, -60.83

 

CMYK 42 / 68 / 0 / 33

HEX #6336AB

RGB 99 54 171

HSL 263.08, 0.52%, 0.44%

LAB 34.46, 45.39, -55.51

 

CMYK 24 / 68 / 0 / 33

HEX #8236AB

RGB 130 54 171

HSL 278.97, 0.52%, 0.44%

LAB 38.42, 51.91, -48.91

 

CMYK 60 / 69 / 0 / 58

HEX #2B226C

RGB 43 34 108

HSL 247.3, 0.52%, 0.28%

LAB 18.97, 27.07, -41.81

 

CMYK 60 / 68 / 0 / 45

HEX #372C8B

RGB 55 44 139

HSL 246.95, 0.52%, 0.36%

LAB 25.19, 33.39, -51.31

 

CMYK 60 / 68 / 0 / 33

HEX #4436AB

RGB 68 54 171

HSL 247.18, 0.52%, 0.44%

LAB 31.36, 39.9, -60.69

 

CMYK 57 / 65 / 0 / 23

HEX #5445C4

RGB 84 69 196

HSL 247.09, 0.52%, 0.52%

LAB 38.07, 41.57, -64.45

 

CMYK 45 / 51 / 0 / 19

HEX #7165CE

RGB 113 101 206

HSL 246.86, 0.52%, 0.6%

LAB 48.6, 31.32, -53.07

 

CMYK 60 / 69 / 0 / 33

HEX #4436AC

RGB 68 54 172

HSL 247.12, 0.52%, 0.44%

LAB 31.45, 40.22, -61.14

 

CMYK 0 / 68 / 22 / 33

HEX #AB3686

RGB 171 54 134

HSL 318.97, 0.52%, 0.44%

LAB 42.79, 55.52, -19.26

 

CMYK 49 / 0 / 68 / 33

HEX #57AB36

RGB 87 171 54

HSL 103.08, 0.52%, 0.44%

LAB 62.86, -46.74, 50.34

 

CMYK 60 / 69 / 0 / 33

HEX #4436AC

RGB 68 54 172

HSL 247.12, 0.52%, 0.44%

LAB 31.45, 40.22, -61.14

 

CMYK 0 / 61 / 68 / 33

HEX #AB4336

RGB 171 67 54

HSL 6.67, 0.52%, 0.44%

LAB 42.67, 41.84, 29.72

 

CMYK 68 / 0 / 61 / 33

HEX #36AB43

RGB 54 171 67

HSL 126.67, 0.52%, 0.44%

LAB 61.93, -53.64, 43.34

 

CMYK 60 / 69 / 0 / 33

HEX #4436AC

RGB 68 54 172

HSL 247.12, 0.52%, 0.44%

LAB 31.45, 40.22, -61.14

 

CMYK 0 / 68 / 22 / 33

HEX #AB3686

RGB 171 54 134

HSL 318.97, 0.52%, 0.44%

LAB 42.79, 55.52, -19.26

 

CMYK 8 / 0 / 68 / 33

HEX #9DAB36

RGB 157 171 54

HSL 67.18, 0.52%, 0.44%

LAB 66.95, -20.4, 55.85

 

CMYK 68 / 0 / 47 / 33

HEX #36AB5B

RGB 54 171 91

HSL 138.97, 0.52%, 0.44%

LAB 62.22, -50.19, 31.88

 

CMYK 60 / 69 / 0 / 33

HEX #4436AC

RGB 68 54 172

HSL 247.12, 0.52%, 0.44%

LAB 31.45, 40.22, -61.14

 

CMYK 0 / 68 / 42 / 33

HEX #AB3663

RGB 171 54 99

HSL 336.92, 0.52%, 0.44%

LAB 41.53, 51.23, 0.49

 

CMYK 8 / 0 / 68 / 33

HEX #9DAB36

RGB 157 171 54

HSL 67.18, 0.52%, 0.44%

LAB 66.95, -20.4, 55.85

 

CMYK 68 / 0 / 26 / 33

HEX #36AB7E

RGB 54 171 126

HSL 156.92, 0.52%, 0.44%

LAB 62.86, -43.25, 13.89

 

Description

Color code: HEX #4436AC00 | qconv.com Color code: HEX #4436AC00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 54 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 54 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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