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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44358ACE it is the complementary color #BBCA75CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44358ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44358ACE shade: #493585CE, #5A4798CE, #6B59ABCE, #7C6BBECE and #8D7DD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44358ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44358ACE shade: #44358ACE, #332377CE, #221164CE, #110051CE and #00003ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44358ACE shade: #433489, #5A3489, #713489, #883489 and #893473

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44358ACE shade: #433489 and #343489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44358ACE shade matches the following richer shades: #433489, #392598, #2F15A7 and #2506B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44358ACE shade: #433489, #4D437A, #57526A, #61625B and #6A714C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44358ACE shade: #345389, #343C89, #423489, #593489 and #6F3489

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44358ACE shade: #261D4D, #34296B, #433489, #523FA7 and #6552BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44358ACE shade: #44358A, #89346A and #488934

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44358ACE shade: #44358A, #894234 and #348942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44358ACE shade: #44358A, #89346A, #7B8934 and #348953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44358ACE shade: #44358A, #893450, #7B8934 and #34896D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 50 / 0 / 37

HEX #44358ACE

RGBA 68 53 138 0.81

HSLA 250.59, 0.45%, 0.37%, 0.81

LABA 28.41, 29.92, -45.4, 0.81

 

Complementary color

CMYK 6 / 0 / 34 / 17

HEX #BBCA75CE

RGBA 187 202 117 0.81

HSLA 70.59, 0.45%, 0.63%, 0.81

LABA 78.51, -18.2, 40.64, 0.81

 

CMYK 37 / 49 / 0 / 39

HEX #493585CE

RGBA 73 53 133 0.81

HSLA 255, 0.43%, 0.36%, 0.81

LABA 28.53, 29.49, -42.07, 0.81

 

CMYK 33 / 43 / 0 / 33

HEX #5A4798CE

RGBA 90 71 152 0.81

HSLA 254.07, 0.36%, 0.44%, 0.81

LABA 35.88, 28.15, -41.83, 0.81

 

CMYK 30 / 39 / 0 / 27

HEX #6B59ABCE

RGBA 107 89 171 0.81

HSLA 253.17, 0.33%, 0.51%, 0.81

LABA 43.08, 26.99, -41.6, 0.81

 

CMYK 28 / 35 / 0 / 21

HEX #7C6BBECE

RGBA 124 107 190 0.81

HSLA 252.29, 0.39%, 0.58%, 0.81

LABA 50.12, 25.97, -41.41, 0.81

 

CMYK 26 / 33 / 0 / 15

HEX #8D7DD1CE

RGBA 141 125 209 0.81

HSLA 251.43, 0.48%, 0.65%, 0.81

LABA 57.01, 25.08, -41.27, 0.81

 

CMYK 41 / 50 / 0 / 37

HEX #44358ACE

RGBA 68 53 138 0.81

HSLA 250.59, 0.45%, 0.37%, 0.81

LABA 28.41, 29.92, -45.4, 0.81

 

CMYK 46 / 57 / 0 / 43

HEX #332377CE

RGBA 51 35 119 0.81

HSLA 251.43, 0.55%, 0.3%, 0.81

LABA 20.97, 31.61, -45.61, 0.81

 

CMYK 53 / 67 / 0 / 49

HEX #221164CE

RGBA 34 17 100 0.81

HSLA 252.29, 0.71%, 0.23%, 0.81

LABA 13.6, 33.21, -45.42, 0.81

 

CMYK 64 / 81 / 0 / 55

HEX #110051CE

RGBA 17 0 81 0.81

HSLA 252.59, 1%, 0.16%, 0.81

LABA 6.44, 34.44, -44.48, 0.81

 

CMYK 81 / 81 / 0 / 61

HEX #00003ECE

RGBA 0 0 62 0.81

HSLA 240, 1%, 0.12%, 0.81

LABA 3.14, 22.06, -36.55, 0.81

 

CMYK 51 / 62 / 0 / 46

HEX #433489

RGB 67 52 137

HSL 250.59, 0.45%, 0.37%

LAB 27.99, 30.02, -45.45

 

CMYK 34 / 62 / 0 / 46

HEX #5A3489

RGB 90 52 137

HSL 266.82, 0.45%, 0.37%

LAB 30.49, 35.35, -41.31

 

CMYK 18 / 62 / 0 / 46

HEX #713489

RGB 113 52 137

HSL 283.06, 0.45%, 0.37%

LAB 33.51, 41.25, -36.3

 

CMYK 1 / 62 / 0 / 46

HEX #883489

RGB 136 52 137

HSL 299.29, 0.45%, 0.37%

LAB 36.92, 47.37, -30.67

 

CMYK 0 / 62 / 16 / 46

HEX #893473

RGB 137 52 115

HSL 315.53, 0.45%, 0.37%

LAB 36.01, 43.85, -18.42

 

CMYK 51 / 62 / 0 / 46

HEX #433489

RGB 67 52 137

HSL 250.59, 0.45%, 0.37%

LAB 27.99, 30.02, -45.45

 

CMYK 62 / 62 / 0 / 46

HEX #343489

RGB 52 52 137

HSL 240, 0.45%, 0.37%

LAB 26.71, 27.06, -47.59

 

CMYK 51 / 62 / 0 / 46

HEX #433489

RGB 67 52 137

HSL 250.59, 0.45%, 0.37%

LAB 27.99, 30.02, -45.45

 

CMYK 63 / 76 / 0 / 40

HEX #392598

RGB 57 37 152

HSL 250.43, 0.61%, 0.37%

LAB 25.14, 41.96, -59.42

 

CMYK 72 / 87 / 0 / 35

HEX #2F15A7

RGB 47 21 167

HSL 250.68, 0.78%, 0.37%

LAB 23.44, 52.85, -71.41

 

CMYK 80 / 97 / 0 / 28

HEX #2506B7

RGB 37 6 183

HSL 250.51, 0.94%, 0.37%

LAB 23.48, 60.85, -80.98

 

CMYK 51 / 62 / 0 / 46

HEX #433489

RGB 67 52 137

HSL 250.59, 0.45%, 0.37%

LAB 27.99, 30.02, -45.45

 

CMYK 37 / 45 / 0 / 52

HEX #4D437A

RGB 77 67 122

HSL 250.91, 0.29%, 0.37%

LAB 31.8, 18.26, -29.95

 

CMYK 18 / 23 / 0 / 58

HEX #57526A

RGB 87 82 106

HSL 252.5, 0.13%, 0.37%

LAB 36.18, 7.53, -13.07

 

CMYK 1 / 0 / 7 / 62

HEX #61625B

RGB 97 98 91

HSL 68.57, 0.04%, 0.37%

LAB 41.27, -1.81, 3.84

 

CMYK 6 / 0 / 33 / 56

HEX #6A714C

RGB 106 113 76

HSL 71.35, 0.2%, 0.37%

LAB 46.17, -9.36, 19.7

 

CMYK 62 / 39 / 0 / 46

HEX #345389

RGB 52 83 137

HSL 218.12, 0.45%, 0.37%

LAB 35.44, 6.36, -33.57

 

CMYK 62 / 56 / 0 / 46

HEX #343C89

RGB 52 60 137

HSL 234.35, 0.45%, 0.37%

LAB 28.82, 21.72, -44.18

 

CMYK 52 / 62 / 0 / 46

HEX #423489

RGB 66 52 137

HSL 249.88, 0.45%, 0.37%

LAB 27.9, 29.81, -45.61

 

CMYK 35 / 62 / 0 / 46

HEX #593489

RGB 89 52 137

HSL 266.12, 0.45%, 0.37%

LAB 30.37, 35.11, -41.51

 

CMYK 19 / 62 / 0 / 46

HEX #6F3489

RGB 111 52 137

HSL 281.65, 0.45%, 0.37%

LAB 33.23, 40.72, -36.76

 

CMYK 51 / 62 / 0 / 70

HEX #261D4D

RGB 38 29 77

HSL 251.25, 0.45%, 0.21%

LAB 14.55, 18.55, -28.35

 

CMYK 51 / 62 / 0 / 58

HEX #34296B

RGB 52 41 107

HSL 250, 0.45%, 0.29%

LAB 21.5, 24, -37.03

 

CMYK 51 / 62 / 0 / 46

HEX #433489

RGB 67 52 137

HSL 250.59, 0.45%, 0.37%

LAB 27.99, 30.02, -45.45

 

CMYK 51 / 62 / 0 / 35

HEX #523FA7

RGB 82 63 167

HSL 250.96, 0.45%, 0.45%

LAB 34.27, 35.76, -53.5

 

CMYK 47 / 57 / 0 / 26

HEX #6552BD

RGB 101 82 189

HSL 250.65, 0.45%, 0.53%

LAB 41.96, 34.99, -53.98

 

CMYK 51 / 62 / 0 / 46

HEX #44358A

RGB 68 53 138

HSL 250.59, 0.45%, 0.37%

LAB 28.41, 29.92, -45.4

 

CMYK 0 / 62 / 23 / 46

HEX #89346A

RGB 137 52 106

HSL 321.88, 0.45%, 0.37%

LAB 35.63, 42.45, -13.34

 

CMYK 47 / 0 / 62 / 46

HEX #488934

RGB 72 137 52

HSL 105.88, 0.45%, 0.37%

LAB 51.29, -37.55, 38.37

 

CMYK 51 / 62 / 0 / 46

HEX #44358A

RGB 68 53 138

HSL 250.59, 0.45%, 0.37%

LAB 28.41, 29.92, -45.4

 

CMYK 0 / 52 / 62 / 46

HEX #894234

RGB 137 66 52

HSL 9.88, 0.45%, 0.37%

LAB 36.86, 29, 22.53

 

CMYK 62 / 0 / 52 / 46

HEX #348942

RGB 52 137 66

HSL 129.88, 0.45%, 0.37%

LAB 50.7, -41.33, 30.46

 

CMYK 51 / 62 / 0 / 46

HEX #44358A

RGB 68 53 138

HSL 250.59, 0.45%, 0.37%

LAB 28.41, 29.92, -45.4

 

CMYK 0 / 62 / 23 / 46

HEX #89346A

RGB 137 52 106

HSL 321.88, 0.45%, 0.37%

LAB 35.63, 42.45, -13.34

 

CMYK 10 / 0 / 62 / 46

HEX #7B8934

RGB 123 137 52

HSL 69.88, 0.45%, 0.37%

LAB 54.4, -17.72, 42.7

 

CMYK 62 / 0 / 39 / 46

HEX #348953

RGB 52 137 83

HSL 141.88, 0.45%, 0.37%

LAB 50.97, -38.38, 21.57

 

CMYK 51 / 62 / 0 / 46

HEX #44358A

RGB 68 53 138

HSL 250.59, 0.45%, 0.37%

LAB 28.41, 29.92, -45.4

 

CMYK 0 / 62 / 42 / 46

HEX #893450

RGB 137 52 80

HSL 340.24, 0.45%, 0.37%

LAB 34.71, 38.99, 1.89

 

CMYK 10 / 0 / 62 / 46

HEX #7B8934

RGB 123 137 52

HSL 69.88, 0.45%, 0.37%

LAB 54.4, -17.72, 42.7

 

CMYK 62 / 0 / 20 / 46

HEX #34896D

RGB 52 137 109

HSL 160.24, 0.45%, 0.37%

LAB 51.53, -32.64, 7.51

 

Description

Color code: HEX #44358ACE | qconv.com Color code: HEX #44358ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 53 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 53 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 50 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 50% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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