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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442CD3 it is the complementary color #BBD32C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442CD3 shade: #492CCE, #5A3EE1, #6B50F4, #7C62FF and #8D74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442CD3 shade: #442CD3, #331AC0, #2208AD, #11009A and #000087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442CD3 shade: #442DD2, #712DD2, #9E2DD2, #CB2DD2 and #D22DAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442CD3 shade: #442DD2 and #2D2DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442CD3 shade matches the following richer shades: #442DD2, #3618E7 and #2703FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442CD3 shade: #442DD2, #5341BE, #6256A9, #716B94 and #7F7F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442CD3 shade: #2D6FD2, #2D43D2, #432DD2, #6F2DD2 and #9B2DD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442CD3 shade: #2E1E8E, #3925B0, #442DD2, #634FDA and #8171E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442CD3 shade: #442CD3, #D22D9B and #59D22D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442CD3 shade: #442CD3, #D2432D and #2DD243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442CD3 shade: #442CD3, #D22D9B, #BCD22D and #2DD264

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442CD3 shade: #442CD3, #D22D69, #BCD22D and #2DD296

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 79 / 0 / 17

HEX #442CD3

RGB 68 44 211

HSL 248.62, 0.65%, 0.5%

LAB 33.42, 57.43, -80.85

 

Complementary color

CMYK 11 / 0 / 79 / 17

HEX #BBD32C

RGB 187 211 44

HSL 68.62, 0.65%, 0.5%

LAB 80.37, -27.88, 72.67

 

CMYK 65 / 79 / 0 / 19

HEX #492CCE

RGB 73 44 206

HSL 250.74, 0.65%, 0.49%

LAB 33.29, 56.45, -78.15

 

CMYK 60 / 72 / 0 / 12

HEX #5A3EE1

RGB 90 62 225

HSL 250.31, 0.73%, 0.56%

LAB 39.67, 55.07, -78.53

 

CMYK 56 / 67 / 0 / 4

HEX #6B50F4

RGB 107 80 244

HSL 249.88, 0.88%, 0.64%

LAB 46.17, 53.5, -78.56

 

CMYK 51 / 62 / 0 / 0

HEX #7C62FF

RGB 124 98 255

HSL 249.94, 1%, 0.69%

LAB 52.11, 49.6, -74.95

 

CMYK 45 / 55 / 0 / 0

HEX #8D74FF

RGB 141 116 255

HSL 250.79, 1%, 0.73%

LAB 57.44, 42.79, -66.25

 

CMYK 68 / 79 / 0 / 17

HEX #442CD3

RGB 68 44 211

HSL 248.62, 0.65%, 0.5%

LAB 33.42, 57.43, -80.85

 

CMYK 73 / 86 / 0 / 25

HEX #331AC0

RGB 51 26 192

HSL 249.04, 0.76%, 0.43%

LAB 27.43, 58.29, -79.72

 

CMYK 80 / 95 / 0 / 32

HEX #2208AD

RGB 34 8 173

HSL 249.45, 0.91%, 0.35%

LAB 22.06, 57.7, -77.36

 

CMYK 89 / 100 / 0 / 40

HEX #11009A

RGB 17 0 154

HSL 246.62, 1%, 0.3%

LAB 17.7, 54.53, -73.08

 

CMYK 100 / 100 / 0 / 47

HEX #000087

RGB 0 0 135

HSL 240, 1%, 0.26%

LAB 14.11, 49.37, -67.24

 

CMYK 68 / 79 / 0 / 18

HEX #442DD2

RGB 68 45 210

HSL 248.36, 0.65%, 0.5%

LAB 33.48, 56.68, -80.18

 

CMYK 46 / 79 / 0 / 18

HEX #712DD2

RGB 113 45 210

HSL 264.73, 0.65%, 0.5%

LAB 37.92, 61.9, -72.71

 

CMYK 25 / 79 / 0 / 18

HEX #9E2DD2

RGB 158 45 210

HSL 281.09, 0.65%, 0.5%

LAB 43.94, 68.97, -62.63

 

CMYK 3 / 79 / 0 / 18

HEX #CB2DD2

RGB 203 45 210

HSL 297.45, 0.65%, 0.5%

LAB 50.95, 77.16, -50.98

 

CMYK 0 / 79 / 17 / 18

HEX #D22DAE

RGB 210 45 174

HSL 313.09, 0.65%, 0.5%

LAB 50.26, 73.33, -31.11

 

CMYK 68 / 79 / 0 / 18

HEX #442DD2

RGB 68 45 210

HSL 248.36, 0.65%, 0.5%

LAB 33.48, 56.68, -80.18

 

CMYK 79 / 79 / 0 / 18

HEX #2D2DD2

RGB 45 45 210

HSL 240, 0.65%, 0.5%

LAB 32.01, 54.94, -82.66

 

CMYK 68 / 79 / 0 / 18

HEX #442DD2

RGB 68 45 210

HSL 248.36, 0.65%, 0.5%

LAB 33.48, 56.68, -80.18

 

CMYK 77 / 90 / 0 / 9

HEX #3618E7

RGB 54 24 231

HSL 248.7, 0.81%, 0.5%

LAB 32.27, 69.56, -94.29

 

CMYK 85 / 99 / 0 / 1

HEX #2703FC

RGB 39 3 252

HSL 248.67, 0.98%, 0.5%

LAB 32.97, 78.36, -105.04

 

CMYK 68 / 79 / 0 / 18

HEX #442DD2

RGB 68 45 210

HSL 248.36, 0.65%, 0.5%

LAB 33.48, 56.68, -80.18

 

CMYK 56 / 66 / 0 / 25

HEX #5341BE

RGB 83 65 190

HSL 248.64, 0.49%, 0.5%

LAB 36.63, 41.87, -63.3

 

CMYK 42 / 49 / 0 / 34

HEX #6256A9

RGB 98 86 169

HSL 248.67, 0.33%, 0.5%

LAB 41.4, 25.91, -43.14

 

CMYK 24 / 28 / 0 / 42

HEX #716B94

RGB 113 107 148

HSL 248.78, 0.16%, 0.5%

LAB 47.19, 11.61, -21.51

 

CMYK 1 / 1 / 0 / 50

HEX #7F7F80

RGB 127 127 128

HSL 240, 0%, 0.5%

LAB 53.22, 0.2, -0.55

 

CMYK 79 / 47 / 0 / 18

HEX #2D6FD2

RGB 45 111 210

HSL 216, 0.65%, 0.5%

LAB 47.73, 14.56, -56.96

 

CMYK 79 / 68 / 0 / 18

HEX #2D43D2

RGB 45 67 210

HSL 232, 0.65%, 0.5%

LAB 36.41, 42.6, -75.38

 

CMYK 68 / 79 / 0 / 18

HEX #432DD2

RGB 67 45 210

HSL 248, 0.65%, 0.5%

LAB 33.4, 56.59, -80.31

 

CMYK 47 / 79 / 0 / 18

HEX #6F2DD2

RGB 111 45 210

HSL 264, 0.65%, 0.5%

LAB 37.68, 61.63, -73.11

 

CMYK 26 / 79 / 0 / 18

HEX #9B2DD2

RGB 155 45 210

HSL 280, 0.65%, 0.5%

LAB 43.5, 68.46, -63.36

 

CMYK 68 / 79 / 0 / 44

HEX #2E1E8E

RGB 46 30 142

HSL 248.57, 0.65%, 0.34%

LAB 21.81, 41.23, -58.76

 

CMYK 68 / 79 / 0 / 31

HEX #3925B0

RGB 57 37 176

HSL 248.63, 0.65%, 0.42%

LAB 27.65, 49.35, -69.83

 

CMYK 68 / 79 / 0 / 18

HEX #442DD2

RGB 68 45 210

HSL 248.36, 0.65%, 0.5%

LAB 33.48, 56.68, -80.18

 

CMYK 55 / 64 / 0 / 15

HEX #634FDA

RGB 99 79 218

HSL 248.63, 0.65%, 0.58%

LAB 43.22, 45.06, -68.69

 

CMYK 43 / 50 / 0 / 12

HEX #8171E1

RGB 129 113 225

HSL 248.57, 0.65%, 0.66%

LAB 53.94, 33.41, -55.23

 

CMYK 68 / 79 / 0 / 17

HEX #442CD3

RGB 68 44 211

HSL 248.62, 0.65%, 0.5%

LAB 33.42, 57.43, -80.85

 

CMYK 0 / 79 / 26 / 18

HEX #D22D9B

RGB 210 45 155

HSL 320, 0.65%, 0.5%

LAB 49.43, 70.93, -21.14

 

CMYK 58 / 0 / 79 / 18

HEX #59D22D

RGB 89 210 45

HSL 104, 0.65%, 0.5%

LAB 75.08, -61.33, 65.7

 

CMYK 68 / 79 / 0 / 17

HEX #442CD3

RGB 68 44 211

HSL 248.62, 0.65%, 0.5%

LAB 33.42, 57.43, -80.85

 

CMYK 0 / 68 / 79 / 18

HEX #D2432D

RGB 210 67 45

HSL 8, 0.65%, 0.5%

LAB 49.38, 55.02, 44.06

 

CMYK 79 / 0 / 68 / 18

HEX #2DD243

RGB 45 210 67

HSL 128, 0.65%, 0.5%

LAB 74.23, -67.94, 56.91

 

CMYK 68 / 79 / 0 / 17

HEX #442CD3

RGB 68 44 211

HSL 248.62, 0.65%, 0.5%

LAB 33.42, 57.43, -80.85

 

CMYK 0 / 79 / 26 / 18

HEX #D22D9B

RGB 210 45 155

HSL 320, 0.65%, 0.5%

LAB 49.43, 70.93, -21.14

 

CMYK 10 / 0 / 79 / 18

HEX #BCD22D

RGB 188 210 45

HSL 68, 0.65%, 0.5%

LAB 80.16, -26.96, 72.24

 

CMYK 79 / 0 / 52 / 18

HEX #2DD264

RGB 45 210 100

HSL 140, 0.65%, 0.5%

LAB 74.55, -63.97, 42.73

 

CMYK 68 / 79 / 0 / 17

HEX #442CD3

RGB 68 44 211

HSL 248.62, 0.65%, 0.5%

LAB 33.42, 57.43, -80.85

 

CMYK 0 / 79 / 50 / 18

HEX #D22D69

RGB 210 45 105

HSL 338.18, 0.65%, 0.5%

LAB 47.75, 65.9, 6.66

 

CMYK 10 / 0 / 79 / 18

HEX #BCD22D

RGB 188 210 45

HSL 68, 0.65%, 0.5%

LAB 80.16, -26.96, 72.24

 

CMYK 79 / 0 / 29 / 18

HEX #2DD296

RGB 45 210 150

HSL 158.18, 0.65%, 0.5%

LAB 75.36, -54.75, 18.3

 

Description

Color code: HEX #442CD3 | qconv.com Color code: HEX #442CD3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 44 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 44 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 79 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 79% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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