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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442A85 it is the complementary color #BBD57A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442A85 shade: #492A80, #5A3C93, #6B4EA6, #7C60B9 and #8D72CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442A85 shade: #442A85, #331872, #22065F, #11004C and #000039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442A85 shade: #432A84, #5C2A84, #742A84, #842A7B and #842A63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442A85 shade: #432A84, #2B2A84 and #2A2A84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442A85 shade matches the following richer shades: #432A84, #3D1C92 and #370EA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442A85 shade: #432A84, #493876, #4F4668, #55545A and #5B624C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442A85 shade: #2A4084, #2B2A84, #432A84, #5B2A84 and #732A84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442A85 shade: #231645, #332064, #432A84, #5334A3 and #643EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442A85 shade: #442A85, #842A58 and #34842A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442A85 shade: #442A85, #84432A and #2A8443

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442A85 shade: #442A85, #842A58, #6A842A and #2A8455

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442A85 shade: #442A85, #842A3D, #6A842A and #2A8470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 68 / 0 / 48

HEX #442A85

RGB 68 42 133

HSL 257.14, 0.52%, 0.34%

LAB 25.5, 35.07, -47.01

 

Complementary color

CMYK 12 / 0 / 43 / 16

HEX #BBD57A

RGB 187 213 122

HSL 77.14, 0.52%, 0.66%

LAB 81.6, -23.06, 42.02

 

CMYK 43 / 67 / 0 / 50

HEX #492A80

RGB 73 42 128

HSL 261.63, 0.51%, 0.33%

LAB 25.66, 34.64, -43.59

 

CMYK 39 / 59 / 0 / 42

HEX #5A3C93

RGB 90 60 147

HSL 260.69, 0.42%, 0.41%

LAB 32.95, 33.42, -43.5

 

CMYK 36 / 53 / 0 / 35

HEX #6B4EA6

RGB 107 78 166

HSL 259.77, 0.36%, 0.48%

LAB 40.13, 32.24, -43.34

 

CMYK 33 / 48 / 0 / 27

HEX #7C60B9

RGB 124 96 185

HSL 258.88, 0.39%, 0.55%

LAB 47.18, 31.17, -43.18

 

CMYK 31 / 44 / 0 / 20

HEX #8D72CC

RGB 141 114 204

HSL 258, 0.47%, 0.62%

LAB 54.09, 30.2, -43.05

 

CMYK 49 / 68 / 0 / 48

HEX #442A85

RGB 68 42 133

HSL 257.14, 0.52%, 0.34%

LAB 25.5, 35.07, -47.01

 

CMYK 55 / 79 / 0 / 55

HEX #331872

RGB 51 24 114

HSL 258, 0.65%, 0.27%

LAB 18.24, 36.31, -46.87

 

CMYK 64 / 94 / 0 / 63

HEX #22065F

RGB 34 6 95

HSL 258.88, 0.88%, 0.2%

LAB 11.25, 36.78, -45.96

 

CMYK 78 / 100 / 0 / 70

HEX #11004C

RGB 17 0 76

HSL 253.42, 1%, 0.15%

LAB 5.79, 32.48, -42.09

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 49 / 68 / 0 / 48

HEX #432A84

RGB 67 42 132

HSL 256.67, 0.52%, 0.34%

LAB 25.31, 34.56, -46.7

 

CMYK 30 / 68 / 0 / 48

HEX #5C2A84

RGB 92 42 132

HSL 273.33, 0.52%, 0.34%

LAB 28.37, 40.02, -41.59

 

CMYK 12 / 68 / 0 / 48

HEX #742A84

RGB 116 42 132

HSL 289.33, 0.52%, 0.34%

LAB 31.89, 45.78, -35.76

 

CMYK 0 / 68 / 7 / 48

HEX #842A7B

RGB 132 42 123

HSL 306, 0.52%, 0.34%

LAB 33.97, 48.18, -26.68

 

CMYK 0 / 68 / 25 / 48

HEX #842A63

RGB 132 42 99

HSL 322, 0.52%, 0.34%

LAB 32.84, 44.41, -13.21

 

CMYK 49 / 68 / 0 / 48

HEX #432A84

RGB 67 42 132

HSL 256.67, 0.52%, 0.34%

LAB 25.31, 34.56, -46.7

 

CMYK 67 / 68 / 0 / 48

HEX #2B2A84

RGB 43 42 132

HSL 240.67, 0.52%, 0.34%

LAB 23.12, 30.35, -50.36

 

CMYK 68 / 68 / 0 / 48

HEX #2A2A84

RGB 42 42 132

HSL 240, 0.52%, 0.34%

LAB 23.05, 30.2, -50.48

 

CMYK 49 / 68 / 0 / 48

HEX #432A84

RGB 67 42 132

HSL 256.67, 0.52%, 0.34%

LAB 25.31, 34.56, -46.7

 

CMYK 58 / 81 / 0 / 43

HEX #3D1C92

RGB 61 28 146

HSL 256.78, 0.68%, 0.34%

LAB 23.33, 45.2, -58.69

 

CMYK 66 / 91 / 0 / 37

HEX #370EA0

RGB 55 14 160

HSL 256.85, 0.84%, 0.34%

LAB 22.53, 53.76, -68.64

 

CMYK 49 / 68 / 0 / 48

HEX #432A84

RGB 67 42 132

HSL 256.67, 0.52%, 0.34%

LAB 25.31, 34.56, -46.7

 

CMYK 38 / 53 / 0 / 54

HEX #493876

RGB 73 56 118

HSL 256.45, 0.36%, 0.34%

LAB 28.26, 23.05, -33.1

 

CMYK 24 / 33 / 0 / 59

HEX #4F4668

RGB 79 70 104

HSL 255.88, 0.2%, 0.34%

LAB 31.9, 11.85, -18.45

 

CMYK 6 / 7 / 0 / 65

HEX #55545A

RGB 85 84 90

HSL 250, 0.03%, 0.34%

LAB 36, 1.72, -3.35

 

CMYK 7 / 0 / 22 / 62

HEX #5B624C

RGB 91 98 76

HSL 79.09, 0.13%, 0.34%

LAB 40.38, -7.08, 11.64

 

CMYK 68 / 52 / 0 / 48

HEX #2A4084

RGB 42 64 132

HSL 225.33, 0.52%, 0.34%

LAB 28.97, 15.29, -40.87

 

CMYK 67 / 68 / 0 / 48

HEX #2B2A84

RGB 43 42 132

HSL 240.67, 0.52%, 0.34%

LAB 23.12, 30.35, -50.36

 

CMYK 49 / 68 / 0 / 48

HEX #432A84

RGB 67 42 132

HSL 256.67, 0.52%, 0.34%

LAB 25.31, 34.56, -46.7

 

CMYK 31 / 68 / 0 / 48

HEX #5B2A84

RGB 91 42 132

HSL 272.67, 0.52%, 0.34%

LAB 28.24, 39.78, -41.81

 

CMYK 13 / 68 / 0 / 48

HEX #732A84

RGB 115 42 132

HSL 288.67, 0.52%, 0.34%

LAB 31.73, 45.53, -36.01

 

CMYK 49 / 68 / 0 / 73

HEX #231645

RGB 35 22 69

HSL 256.6, 0.52%, 0.18%

LAB 11.69, 19.9, -27.44

 

CMYK 49 / 68 / 0 / 61

HEX #332064

RGB 51 32 100

HSL 256.76, 0.52%, 0.26%

LAB 18.61, 27.32, -37.13

 

CMYK 49 / 68 / 0 / 48

HEX #432A84

RGB 67 42 132

HSL 256.67, 0.52%, 0.34%

LAB 25.31, 34.56, -46.7

 

CMYK 49 / 68 / 0 / 36

HEX #5334A3

RGB 83 52 163

HSL 256.76, 0.52%, 0.42%

LAB 31.67, 41.16, -55.32

 

CMYK 48 / 68 / 0 / 24

HEX #643EC2

RGB 100 62 194

HSL 257.27, 0.52%, 0.5%

LAB 37.93, 47.67, -63.44

 

CMYK 49 / 68 / 0 / 48

HEX #442A85

RGB 68 42 133

HSL 257.14, 0.52%, 0.34%

LAB 25.5, 35.07, -47.01

 

CMYK 0 / 68 / 33 / 48

HEX #842A58

RGB 132 42 88

HSL 329.33, 0.52%, 0.34%

LAB 32.41, 42.92, -6.77

 

CMYK 61 / 0 / 68 / 48

HEX #34842A

RGB 52 132 42

HSL 113.33, 0.52%, 0.34%

LAB 48.76, -42.42, 39.95

 

CMYK 49 / 68 / 0 / 48

HEX #442A85

RGB 68 42 133

HSL 257.14, 0.52%, 0.34%

LAB 25.5, 35.07, -47.01

 

CMYK 0 / 49 / 68 / 48

HEX #84432A

RGB 132 67 42

HSL 16.67, 0.52%, 0.34%

LAB 36.15, 25.63, 27.46

 

CMYK 68 / 0 / 49 / 48

HEX #2A8443

RGB 42 132 67

HSL 136.67, 0.52%, 0.34%

LAB 48.76, -41.38, 27.44

 

CMYK 49 / 68 / 0 / 48

HEX #442A85

RGB 68 42 133

HSL 257.14, 0.52%, 0.34%

LAB 25.5, 35.07, -47.01

 

CMYK 0 / 68 / 33 / 48

HEX #842A58

RGB 132 42 88

HSL 329.33, 0.52%, 0.34%

LAB 32.41, 42.92, -6.77

 

CMYK 20 / 0 / 68 / 48

HEX #6A842A

RGB 106 132 42

HSL 77.33, 0.52%, 0.34%

LAB 51.53, -23.24, 43.74

 

CMYK 68 / 0 / 36 / 48

HEX #2A8455

RGB 42 132 85

HSL 148.67, 0.52%, 0.34%

LAB 49.07, -37.95, 17.84

 

CMYK 49 / 68 / 0 / 48

HEX #442A85

RGB 68 42 133

HSL 257.14, 0.52%, 0.34%

LAB 25.5, 35.07, -47.01

 

CMYK 0 / 68 / 54 / 48

HEX #842A3D

RGB 132 42 61

HSL 347.33, 0.52%, 0.34%

LAB 31.57, 39.97, 9.66

 

CMYK 20 / 0 / 68 / 48

HEX #6A842A

RGB 106 132 42

HSL 77.33, 0.52%, 0.34%

LAB 51.53, -23.24, 43.74

 

CMYK 68 / 0 / 15 / 48

HEX #2A8470

RGB 42 132 112

HSL 166.67, 0.52%, 0.34%

LAB 49.7, -31.43, 3.1

 

Description

Color code: HEX #442A85 | qconv.com Color code: HEX #442A85 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 42 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 42 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 68 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 68% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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