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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442A76 it is the complementary color #BBD589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442A76 shade: #492A71, #5A3C84, #6B4E97, #7C60AA and #8D72BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442A76 shade: #442A76, #331863, #220650, #11003D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442A76 shade: #432975, #582975, #6C2975, #75296A and #752955

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442A76 shade: #432975, #2F2975 and #292975

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442A76 shade matches the following richer shades: #432975, #3F1C82, #3B108F and #37039B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442A76 shade: #432975, #473668, #4B435B, #4F4F4F and #535C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442A76 shade: #293875, #2E2975, #422975, #572975 and #6B2975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442A76 shade: #201438, #321E56, #432975, #553494 and #663FB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442A76 shade: #442A76, #75294D and #2E7529

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442A76 shade: #442A76, #754229 and #297542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442A76 shade: #442A76, #75294D, #5C7529 and #297552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442A76 shade: #442A76, #752936, #5C7529 and #297568

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 64 / 0 / 54

HEX #442A76

RGB 68 42 118

HSL 260.53, 0.48%, 0.31%

LAB 24.3, 30.58, -39.48

 

Complementary color

CMYK 12 / 0 / 36 / 16

HEX #BBD589

RGB 187 213 137

HSL 80.53, 0.48%, 0.69%

LAB 81.82, -21.24, 34.76

 

CMYK 35 / 63 / 0 / 56

HEX #492A71

RGB 73 42 113

HSL 266.2, 0.46%, 0.3%

LAB 24.53, 30.37, -35.88

 

CMYK 32 / 55 / 0 / 48

HEX #5A3C84

RGB 90 60 132

HSL 265, 0.38%, 0.38%

LAB 31.97, 29.26, -35.83

 

CMYK 29 / 48 / 0 / 41

HEX #6B4E97

RGB 107 78 151

HSL 263.84, 0.32%, 0.45%

LAB 39.26, 28.21, -35.74

 

CMYK 27 / 44 / 0 / 33

HEX #7C60AA

RGB 124 96 170

HSL 262.7, 0.3%, 0.52%

LAB 46.38, 27.26, -35.67

 

CMYK 25 / 40 / 0 / 26

HEX #8D72BD

RGB 141 114 189

HSL 261.6, 0.36%, 0.59%

LAB 53.35, 26.41, -35.63

 

CMYK 42 / 64 / 0 / 54

HEX #442A76

RGB 68 42 118

HSL 260.53, 0.48%, 0.31%

LAB 24.3, 30.58, -39.48

 

CMYK 48 / 76 / 0 / 61

HEX #331863

RGB 51 24 99

HSL 261.6, 0.61%, 0.24%

LAB 16.79, 31.78, -39.45

 

CMYK 58 / 93 / 0 / 69

HEX #220650

RGB 34 6 80

HSL 262.7, 0.86%, 0.17%

LAB 9.4, 32.43, -38.84

 

CMYK 72 / 100 / 0 / 76

HEX #11003D

RGB 17 0 61

HSL 256.72, 1%, 0.12%

LAB 4.12, 25.46, -34.18

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 43 / 65 / 0 / 54

HEX #432975

RGB 67 41 117

HSL 260.53, 0.48%, 0.31%

LAB 23.88, 30.65, -39.53

 

CMYK 25 / 65 / 0 / 54

HEX #582975

RGB 88 41 117

HSL 277.11, 0.48%, 0.31%

LAB 26.58, 35.86, -35.04

 

CMYK 8 / 65 / 0 / 54

HEX #6C2975

RGB 108 41 117

HSL 292.89, 0.48%, 0.31%

LAB 29.56, 41.14, -30.11

 

CMYK 0 / 65 / 9 / 54

HEX #75296A

RGB 117 41 106

HSL 308.68, 0.48%, 0.31%

LAB 30.42, 41.57, -21.64

 

CMYK 0 / 65 / 27 / 54

HEX #752955

RGB 117 41 85

HSL 325.26, 0.48%, 0.31%

LAB 29.47, 38.21, -9.5

 

CMYK 43 / 65 / 0 / 54

HEX #432975

RGB 67 41 117

HSL 260.53, 0.48%, 0.31%

LAB 23.88, 30.65, -39.53

 

CMYK 60 / 65 / 0 / 54

HEX #2F2975

RGB 47 41 117

HSL 244.74, 0.48%, 0.31%

LAB 21.85, 26.37, -42.91

 

CMYK 65 / 65 / 0 / 54

HEX #292975

RGB 41 41 117

HSL 240, 0.48%, 0.31%

LAB 21.36, 25.27, -43.73

 

CMYK 43 / 65 / 0 / 54

HEX #432975

RGB 67 41 117

HSL 260.53, 0.48%, 0.31%

LAB 23.88, 30.65, -39.53

 

CMYK 52 / 78 / 0 / 49

HEX #3F1C82

RGB 63 28 130

HSL 260.59, 0.65%, 0.31%

LAB 21.94, 40.87, -50.96

 

CMYK 59 / 89 / 0 / 44

HEX #3B108F

RGB 59 16 143

HSL 260.31, 0.8%, 0.31%

LAB 21.15, 48.94, -60.44

 

CMYK 65 / 98 / 0 / 39

HEX #37039B

RGB 55 3 155

HSL 260.53, 0.96%, 0.31%

LAB 21, 55.23, -68.13

 

CMYK 43 / 65 / 0 / 54

HEX #432975

RGB 67 41 117

HSL 260.53, 0.48%, 0.31%

LAB 23.88, 30.65, -39.53

 

CMYK 32 / 48 / 0 / 59

HEX #473668

RGB 71 54 104

HSL 260.4, 0.32%, 0.31%

LAB 26.67, 19.67, -26.7

 

CMYK 18 / 26 / 0 / 64

HEX #4B435B

RGB 75 67 91

HSL 260, 0.15%, 0.31%

LAB 30.07, 8.95, -13

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 10 / 0 / 28 / 64

HEX #535C42

RGB 83 92 66

HSL 80.77, 0.16%, 0.31%

LAB 37.64, -8.68, 13.83

 

CMYK 65 / 52 / 0 / 54

HEX #293875

RGB 41 56 117

HSL 228.16, 0.48%, 0.31%

LAB 25.52, 14.91, -37

 

CMYK 61 / 65 / 0 / 54

HEX #2E2975

RGB 46 41 117

HSL 243.95, 0.48%, 0.31%

LAB 21.77, 26.18, -43.05

 

CMYK 44 / 65 / 0 / 54

HEX #422975

RGB 66 41 117

HSL 259.74, 0.48%, 0.31%

LAB 23.77, 30.42, -39.72

 

CMYK 26 / 65 / 0 / 54

HEX #572975

RGB 87 41 117

HSL 276.32, 0.48%, 0.31%

LAB 26.44, 35.6, -35.27

 

CMYK 9 / 65 / 0 / 54

HEX #6B2975

RGB 107 41 117

HSL 292.11, 0.48%, 0.31%

LAB 29.4, 40.87, -30.37

 

CMYK 43 / 64 / 0 / 78

HEX #201438

RGB 32 20 56

HSL 260, 0.47%, 0.15%

LAB 9.74, 16.1, -21.37

 

CMYK 42 / 65 / 0 / 66

HEX #321E56

RGB 50 30 86

HSL 261.43, 0.48%, 0.23%

LAB 16.89, 23.95, -30.62

 

CMYK 43 / 65 / 0 / 54

HEX #432975

RGB 67 41 117

HSL 260.53, 0.48%, 0.31%

LAB 23.88, 30.65, -39.53

 

CMYK 43 / 65 / 0 / 42

HEX #553494

RGB 85 52 148

HSL 260.63, 0.48%, 0.39%

LAB 30.7, 37.23, -47.76

 

CMYK 43 / 65 / 0 / 30

HEX #663FB2

RGB 102 63 178

HSL 260.35, 0.48%, 0.47%

LAB 37.1, 43.05, -55.36

 

CMYK 42 / 64 / 0 / 54

HEX #442A76

RGB 68 42 118

HSL 260.53, 0.48%, 0.31%

LAB 24.3, 30.58, -39.48

 

CMYK 0 / 65 / 34 / 54

HEX #75294D

RGB 117 41 77

HSL 331.58, 0.48%, 0.31%

LAB 29.17, 37.1, -4.69

 

CMYK 61 / 0 / 65 / 54

HEX #2E7529

RGB 46 117 41

HSL 116.05, 0.48%, 0.31%

LAB 43.45, -38.17, 34.5

 

CMYK 42 / 64 / 0 / 54

HEX #442A76

RGB 68 42 118

HSL 260.53, 0.48%, 0.31%

LAB 24.3, 30.58, -39.48

 

CMYK 0 / 44 / 65 / 54

HEX #754229

RGB 117 66 41

HSL 19.74, 0.48%, 0.31%

LAB 33.64, 19.55, 24.52

 

CMYK 65 / 0 / 44 / 54

HEX #297542

RGB 41 117 66

HSL 139.74, 0.48%, 0.31%

LAB 43.64, -35.59, 21.42

 

CMYK 42 / 64 / 0 / 54

HEX #442A76

RGB 68 42 118

HSL 260.53, 0.48%, 0.31%

LAB 24.3, 30.58, -39.48

 

CMYK 0 / 65 / 34 / 54

HEX #75294D

RGB 117 41 77

HSL 331.58, 0.48%, 0.31%

LAB 29.17, 37.1, -4.69

 

CMYK 21 / 0 / 65 / 54

HEX #5C7529

RGB 92 117 41

HSL 79.74, 0.48%, 0.31%

LAB 45.85, -21.65, 37.83

 

CMYK 65 / 0 / 30 / 54

HEX #297552

RGB 41 117 82

HSL 152.37, 0.48%, 0.31%

LAB 43.95, -32.22, 12.58

 

CMYK 42 / 64 / 0 / 54

HEX #442A76

RGB 68 42 118

HSL 260.53, 0.48%, 0.31%

LAB 24.3, 30.58, -39.48

 

CMYK 0 / 65 / 54 / 54

HEX #752936

RGB 117 41 54

HSL 349.74, 0.48%, 0.31%

LAB 28.47, 34.47, 9.56

 

CMYK 21 / 0 / 65 / 54

HEX #5C7529

RGB 92 117 41

HSL 79.74, 0.48%, 0.31%

LAB 45.85, -21.65, 37.83

 

CMYK 65 / 0 / 11 / 54

HEX #297568

RGB 41 117 104

HSL 169.74, 0.48%, 0.31%

LAB 44.51, -26.56, 0.3

 

Description

Color code: HEX #442A76 | qconv.com Color code: HEX #442A76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 42 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 42 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 64 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 64% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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