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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442852 it is the complementary color #BBD7AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442852 shade: #49284D, #5A3A60, #6B4C73, #7C5E86 and #8D7099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442852 shade: #442852, #33163F, #22042C, #110019 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442852 shade: #442852, #4F2852, #522849, #52283E and #522833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442852 shade: #442852, #392852, #2E2852 and #282852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442852 shade matches the following richer shades: #442852, #471E5C, #4B1566, #4E0B70 and #51017A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442852 shade: #442852, #413248, #3E3C3E, #3A4634 and #37502A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442852 shade: #2E2852, #392852, #442852, #4F2852 and #52284A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442852 shade: #160D1B, #2D1B36, #442852, #5B366E and #724489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442852 shade: #442852, #52282E and #285233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442852 shade: #442852, #524428 and #285244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442852 shade: #442852, #52282E, #365228 and #28524C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442852 shade: #442852, #522F28, #365228 and #284B52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

Complementary color

CMYK 13 / 0 / 20 / 16

HEX #BBD7AD

RGB 187 215 173

HSL 100, 0.34%, 0.76%

LAB 83.01, -16.95, 17.67

 

CMYK 5 / 48 / 0 / 70

HEX #49284D

RGB 73 40 77

HSL 293.51, 0.32%, 0.23%

LAB 21.84, 22.32, -16.52

 

CMYK 6 / 40 / 0 / 62

HEX #5A3A60

RGB 90 58 96

HSL 290.53, 0.25%, 0.3%

LAB 29.52, 21.44, -16.92

 

CMYK 7 / 34 / 0 / 55

HEX #6B4C73

RGB 107 76 115

HSL 287.69, 0.2%, 0.37%

LAB 36.99, 20.62, -17.26

 

CMYK 7 / 30 / 0 / 47

HEX #7C5E86

RGB 124 94 134

HSL 285, 0.18%, 0.45%

LAB 44.25, 19.89, -17.57

 

CMYK 8 / 27 / 0 / 40

HEX #8D7099

RGB 141 112 153

HSL 282.44, 0.17%, 0.52%

LAB 51.33, 19.24, -17.89

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 19 / 65 / 0 / 75

HEX #33163F

RGB 51 22 63

HSL 282.44, 0.48%, 0.17%

LAB 13.45, 22.73, -20.29

 

CMYK 23 / 91 / 0 / 83

HEX #22042C

RGB 34 4 44

HSL 285, 0.83%, 0.09%

LAB 5.5, 22.38, -19.31

 

CMYK 32 / 100 / 0 / 90

HEX #110019

RGB 17 0 25

HSL 280.8, 1%, 0.05%

LAB 1.71, 9.28, -10.42

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 4 / 51 / 0 / 68

HEX #4F2852

RGB 79 40 82

HSL 295.71, 0.34%, 0.24%

LAB 22.96, 25.53, -18.05

 

CMYK 0 / 51 / 11 / 68

HEX #522849

RGB 82 40 73

HSL 312.86, 0.34%, 0.24%

LAB 22.97, 24.71, -11.95

 

CMYK 0 / 51 / 24 / 68

HEX #52283E

RGB 82 40 62

HSL 328.57, 0.34%, 0.24%

LAB 22.51, 22.69, -5.19

 

CMYK 0 / 51 / 38 / 68

HEX #522833

RGB 82 40 51

HSL 344.29, 0.34%, 0.24%

LAB 22.13, 20.94, 1.77

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 30 / 51 / 0 / 68

HEX #392852

RGB 57 40 82

HSL 264.29, 0.34%, 0.24%

LAB 20.03, 18.17, -22.86

 

CMYK 44 / 51 / 0 / 68

HEX #2E2852

RGB 46 40 82

HSL 248.57, 0.34%, 0.24%

LAB 18.83, 14.74, -24.83

 

CMYK 51 / 51 / 0 / 68

HEX #282852

RGB 40 40 82

HSL 240, 0.34%, 0.24%

LAB 18.27, 13.02, -25.77

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 23 / 67 / 0 / 64

HEX #471E5C

RGB 71 30 92

HSL 279.68, 0.51%, 0.24%

LAB 20.21, 31.22, -29.14

 

CMYK 26 / 79 / 0 / 60

HEX #4B1566

RGB 75 21 102

HSL 280, 0.66%, 0.24%

LAB 20.01, 38.97, -36.03

 

CMYK 30 / 90 / 0 / 56

HEX #4E0B70

RGB 78 11 112

HSL 279.8, 0.82%, 0.24%

LAB 20.16, 45.27, -42.28

 

CMYK 34 / 99 / 0 / 52

HEX #51017A

RGB 81 1 122

HSL 279.67, 0.98%, 0.24%

LAB 20.74, 50.41, -47.76

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 10 / 31 / 0 / 72

HEX #413248

RGB 65 50 72

HSL 280.91, 0.18%, 0.24%

LAB 23.25, 11.58, -11.06

 

CMYK 0 / 3 / 0 / 76

HEX #3E3C3E

RGB 62 60 62

HSL 300, 0.02%, 0.24%

LAB 25.57, 1.31, -0.93

 

CMYK 17 / 0 / 26 / 73

HEX #3A4634

RGB 58 70 52

HSL 100, 0.15%, 0.24%

LAB 28.19, -8.85, 9.28

 

CMYK 31 / 0 / 48 / 69

HEX #37502A

RGB 55 80 42

HSL 99.47, 0.31%, 0.24%

LAB 31.15, -17.64, 19.38

 

CMYK 44 / 51 / 0 / 68

HEX #2E2852

RGB 46 40 82

HSL 248.57, 0.34%, 0.24%

LAB 18.83, 14.74, -24.83

 

CMYK 30 / 51 / 0 / 68

HEX #392852

RGB 57 40 82

HSL 264.29, 0.34%, 0.24%

LAB 20.03, 18.17, -22.86

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 4 / 51 / 0 / 68

HEX #4F2852

RGB 79 40 82

HSL 295.71, 0.34%, 0.24%

LAB 22.96, 25.53, -18.05

 

CMYK 0 / 51 / 10 / 68

HEX #52284A

RGB 82 40 74

HSL 311.43, 0.34%, 0.24%

LAB 23.02, 24.91, -12.56

 

CMYK 19 / 52 / 0 / 89

HEX #160D1B

RGB 22 13 27

HSL 278.57, 0.35%, 0.08%

LAB 4.86, 6.62, -7.35

 

CMYK 17 / 50 / 0 / 79

HEX #2D1B36

RGB 45 27 54

HSL 280, 0.33%, 0.16%

LAB 13.28, 14.98, -14.23

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 17 / 51 / 0 / 57

HEX #5B366E

RGB 91 54 110

HSL 279.64, 0.34%, 0.32%

LAB 29.38, 27.52, -26.1

 

CMYK 17 / 50 / 0 / 46

HEX #724489

RGB 114 68 137

HSL 280, 0.34%, 0.4%

LAB 36.96, 32.73, -30.81

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 0 / 51 / 44 / 68

HEX #52282E

RGB 82 40 46

HSL 351.43, 0.34%, 0.24%

LAB 21.98, 20.24, 4.98

 

CMYK 51 / 0 / 38 / 68

HEX #285233

RGB 40 82 51

HSL 135.71, 0.34%, 0.24%

LAB 31.17, -22.58, 13.79

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 0 / 17 / 51 / 68

HEX #524428

RGB 82 68 40

HSL 40, 0.34%, 0.24%

LAB 29.62, 1.68, 19.14

 

CMYK 51 / 0 / 17 / 68

HEX #285244

RGB 40 82 68

HSL 160, 0.34%, 0.24%

LAB 31.59, -18.57, 3.71

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 0 / 51 / 44 / 68

HEX #52282E

RGB 82 40 46

HSL 351.43, 0.34%, 0.24%

LAB 21.98, 20.24, 4.98

 

CMYK 34 / 0 / 51 / 68

HEX #365228

RGB 54 82 40

HSL 100, 0.34%, 0.24%

LAB 31.74, -19.43, 21.29

 

CMYK 51 / 0 / 7 / 68

HEX #28524C

RGB 40 82 76

HSL 171.43, 0.34%, 0.24%

LAB 31.82, -16.36, -1.02

 

CMYK 17 / 51 / 0 / 68

HEX #442852

RGB 68 40 82

HSL 280, 0.34%, 0.24%

LAB 21.42, 21.8, -20.58

 

CMYK 0 / 43 / 51 / 68

HEX #522F28

RGB 82 47 40

HSL 10, 0.34%, 0.24%

LAB 23.61, 15.11, 11.3

 

CMYK 34 / 0 / 51 / 68

HEX #365228

RGB 54 82 40

HSL 100, 0.34%, 0.24%

LAB 31.74, -19.43, 21.29

 

CMYK 51 / 9 / 0 / 68

HEX #284B52

RGB 40 75 82

HSL 190, 0.34%, 0.24%

LAB 29.64, -10.48, -8.1

 

Description

Color code: HEX #442852 | qconv.com Color code: HEX #442852 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 40 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 40 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 51 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 51% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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