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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4426DC it is the complementary color #BBD923. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4426DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4426DC shade: #4926D7, #5A38EA, #6B4AFD, #7C5CFF and #8D6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4426DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4426DC shade: #4426DC, #3314C9, #2202B6, #1100A3 and #000090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4426DC shade: #4628DC, #7628DC, #A728DC, #D728DC and #DC28B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4426DC shade: #4628DC and #2828DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4426DC shade matches the following richer shades: #4628DC and #3814F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4426DC shade: #4628DC, #533CC8, #6151B4, #6E659F and #7C798B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4426DC shade: #286DDC, #283DDC, #4328DC, #7328DC and #A328DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4426DC shade: #2E1999, #391FBC, #4628DC, #644CE2 and #836FE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4426DC shade: #4426DC, #DC289D and #55DC28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4426DC shade: #4426DC, #DC4328 and #28DC43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4426DC shade: #4426DC, #DC289D, #C1DC28 and #28DC67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4426DC shade: #4426DC, #DC2867, #C1DC28 and #28DC9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 83 / 0 / 14

HEX #4426DC

RGB 68 38 220

HSL 249.89, 0.72%, 0.51%

LAB 33.53, 62.58, -85.87

 

Complementary color

CMYK 14 / 0 / 84 / 15

HEX #BBD923

RGB 187 217 35

HSL 69.89, 0.72%, 0.49%

LAB 82.01, -31, 76.32

 

CMYK 66 / 82 / 0 / 16

HEX #4926D7

RGB 73 38 215

HSL 251.86, 0.7%, 0.5%

LAB 33.37, 61.58, -83.24

 

CMYK 62 / 76 / 0 / 8

HEX #5A38EA

RGB 90 56 234

HSL 251.46, 0.81%, 0.57%

LAB 39.48, 60.61, -83.96

 

CMYK 58 / 71 / 0 / 1

HEX #6B4AFD

RGB 107 74 253

HSL 251.06, 0.98%, 0.64%

LAB 45.79, 59.23, -84.21

 

CMYK 51 / 64 / 0 / 0

HEX #7C5CFF

RGB 124 92 255

HSL 251.78, 1%, 0.68%

LAB 50.87, 52.9, -76.95

 

CMYK 45 / 57 / 0 / 0

HEX #8D6EFF

RGB 141 110 255

HSL 252.83, 1%, 0.72%

LAB 56.12, 46.18, -68.37

 

CMYK 69 / 83 / 0 / 14

HEX #4426DC

RGB 68 38 220

HSL 249.89, 0.72%, 0.51%

LAB 33.53, 62.58, -85.87

 

CMYK 75 / 90 / 0 / 21

HEX #3314C9

RGB 51 20 201

HSL 250.28, 0.82%, 0.43%

LAB 27.9, 62.69, -84.23

 

CMYK 81 / 99 / 0 / 29

HEX #2202B6

RGB 34 2 182

HSL 250.67, 0.98%, 0.36%

LAB 22.86, 61.43, -81.41

 

CMYK 90 / 100 / 0 / 36

HEX #1100A3

RGB 17 0 163

HSL 246.26, 1%, 0.32%

LAB 19.07, 56.83, -76.31

 

CMYK 100 / 100 / 0 / 44

HEX #000090

RGB 0 0 144

HSL 240, 1%, 0.28%

LAB 15.56, 51.74, -70.47

 

CMYK 68 / 82 / 0 / 14

HEX #4628DC

RGB 70 40 220

HSL 250, 0.72%, 0.51%

LAB 33.96, 61.91, -85.16

 

CMYK 46 / 82 / 0 / 14

HEX #7628DC

RGB 118 40 220

HSL 266, 0.72%, 0.51%

LAB 38.79, 66.82, -77.02

 

CMYK 24 / 82 / 0 / 14

HEX #A728DC

RGB 167 40 220

HSL 282.33, 0.72%, 0.51%

LAB 45.5, 73.89, -65.78

 

CMYK 2 / 82 / 0 / 14

HEX #D728DC

RGB 215 40 220

HSL 298.33, 0.72%, 0.51%

LAB 53.09, 82.12, -53.15

 

CMYK 0 / 82 / 20 / 14

HEX #DC28B0

RGB 220 40 176

HSL 314.67, 0.72%, 0.51%

LAB 51.69, 76.94, -29.92

 

CMYK 68 / 82 / 0 / 14

HEX #4628DC

RGB 70 40 220

HSL 250, 0.72%, 0.51%

LAB 33.96, 61.91, -85.16

 

CMYK 82 / 82 / 0 / 14

HEX #2828DC

RGB 40 40 220

HSL 240, 0.72%, 0.51%

LAB 32.11, 60.09, -88.27

 

CMYK 68 / 82 / 0 / 14

HEX #4628DC

RGB 70 40 220

HSL 250, 0.72%, 0.51%

LAB 33.96, 61.91, -85.16

 

CMYK 77 / 92 / 0 / 6

HEX #3814F0

RGB 56 20 240

HSL 249.82, 0.88%, 0.51%

LAB 33.21, 72.95, -97.85

 

CMYK 68 / 82 / 0 / 14

HEX #4628DC

RGB 70 40 220

HSL 250, 0.72%, 0.51%

LAB 33.96, 61.91, -85.16

 

CMYK 59 / 70 / 0 / 22

HEX #533CC8

RGB 83 60 200

HSL 249.86, 0.56%, 0.51%

LAB 36.44, 47.76, -69.44

 

CMYK 46 / 55 / 0 / 29

HEX #6151B4

RGB 97 81 180

HSL 249.7, 0.4%, 0.51%

LAB 40.77, 32.01, -50.65

 

CMYK 31 / 36 / 0 / 38

HEX #6E659F

RGB 110 101 159

HSL 249.31, 0.23%, 0.51%

LAB 45.81, 17.19, -30.19

 

CMYK 11 / 13 / 0 / 45

HEX #7C798B

RGB 124 121 139

HSL 250, 0.07%, 0.51%

LAB 51.64, 4.91, -9.36

 

CMYK 82 / 50 / 0 / 14

HEX #286DDC

RGB 40 109 220

HSL 217, 0.72%, 0.51%

LAB 47.7, 19.14, -62.7

 

CMYK 82 / 72 / 0 / 14

HEX #283DDC

RGB 40 61 220

HSL 233, 0.72%, 0.51%

LAB 35.9, 49.24, -81.99

 

CMYK 70 / 82 / 0 / 14

HEX #4328DC

RGB 67 40 220

HSL 249, 0.72%, 0.51%

LAB 33.73, 61.69, -85.54

 

CMYK 48 / 82 / 0 / 14

HEX #7328DC

RGB 115 40 220

HSL 265, 0.72%, 0.51%

LAB 38.43, 66.45, -77.62

 

CMYK 26 / 82 / 0 / 14

HEX #A328DC

RGB 163 40 220

HSL 281, 0.72%, 0.51%

LAB 44.9, 73.25, -66.77

 

CMYK 70 / 84 / 0 / 40

HEX #2E1999

RGB 46 25 153

HSL 249.84, 0.72%, 0.35%

LAB 22.22, 47.07, -64.89

 

CMYK 70 / 84 / 0 / 26

HEX #391FBC

RGB 57 31 188

HSL 249.94, 0.72%, 0.43%

LAB 28.06, 55.6, -76.29

 

CMYK 68 / 82 / 0 / 14

HEX #4628DC

RGB 70 40 220

HSL 250, 0.72%, 0.51%

LAB 33.96, 61.91, -85.16

 

CMYK 56 / 66 / 0 / 11

HEX #644CE2

RGB 100 76 226

HSL 249.6, 0.72%, 0.59%

LAB 43.31, 49.3, -73.09

 

CMYK 44 / 52 / 0 / 9

HEX #836FE8

RGB 131 111 232

HSL 249.92, 0.72%, 0.67%

LAB 54.05, 37.02, -58.97

 

CMYK 69 / 83 / 0 / 14

HEX #4426DC

RGB 68 38 220

HSL 249.89, 0.72%, 0.51%

LAB 33.53, 62.58, -85.87

 

CMYK 0 / 82 / 29 / 14

HEX #DC289D

RGB 220 40 157

HSL 321, 0.72%, 0.51%

LAB 50.88, 74.68, -19.95

 

CMYK 61 / 0 / 82 / 14

HEX #55DC28

RGB 85 220 40

HSL 105, 0.72%, 0.51%

LAB 78.03, -65.94, 69.77

 

CMYK 69 / 83 / 0 / 14

HEX #4426DC

RGB 68 38 220

HSL 249.89, 0.72%, 0.51%

LAB 33.53, 62.58, -85.87

 

CMYK 0 / 70 / 82 / 14

HEX #DC4328

RGB 220 67 40

HSL 9, 0.72%, 0.51%

LAB 51.13, 58.13, 48.89

 

CMYK 82 / 0 / 70 / 14

HEX #28DC43

RGB 40 220 67

HSL 129, 0.72%, 0.51%

LAB 77.31, -71.56, 60.15

 

CMYK 69 / 83 / 0 / 14

HEX #4426DC

RGB 68 38 220

HSL 249.89, 0.72%, 0.51%

LAB 33.53, 62.58, -85.87

 

CMYK 0 / 82 / 29 / 14

HEX #DC289D

RGB 220 40 157

HSL 321, 0.72%, 0.51%

LAB 50.88, 74.68, -19.95

 

CMYK 12 / 0 / 82 / 14

HEX #C1DC28

RGB 193 220 40

HSL 69, 0.72%, 0.51%

LAB 83.27, -29.81, 76.41

 

CMYK 82 / 0 / 53 / 14

HEX #28DC67

RGB 40 220 103

HSL 141, 0.72%, 0.51%

LAB 77.65, -67.37, 45.06

 

CMYK 69 / 83 / 0 / 14

HEX #4426DC

RGB 68 38 220

HSL 249.89, 0.72%, 0.51%

LAB 33.53, 62.58, -85.87

 

CMYK 0 / 82 / 53 / 14

HEX #DC2867

RGB 220 40 103

HSL 339, 0.72%, 0.51%

LAB 49.15, 69.63, 10.13

 

CMYK 12 / 0 / 82 / 14

HEX #C1DC28

RGB 193 220 40

HSL 69, 0.72%, 0.51%

LAB 83.27, -29.81, 76.41

 

CMYK 82 / 0 / 29 / 14

HEX #28DC9D

RGB 40 220 157

HSL 159, 0.72%, 0.51%

LAB 78.5, -57.51, 18.96

 

Description

Color code: HEX #4426DC | qconv.com Color code: HEX #4426DC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 38 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 38 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 83 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 83% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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