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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #441883 it is the complementary color #BBE77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #441883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #441883 shade: #49187E, #5A2A91, #6B3CA4, #7C4EB7 and #8D60CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #441883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #441883 shade: #441883, #330670, #22005D, #11004A and #000037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #441883 shade: #431881, #601881, #7C1881, #81186A and #81184E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #441883 shade: #431881, #271881 and #181881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #441883 shade matches the following richer shades: #431881 and #410B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #441883 shade: #431881, #452475, #483069, #4A3D5C and #4C4950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #441883 shade: #182681, #261881, #421881, #5E1881 and #7A1881

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #441883 shade: #1F0B3C, #31115E, #431881, #551EA4 and #6725C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #441883 shade: #441883, #811842 and #188118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #441883 shade: #441883, #814218 and #188142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #441883 shade: #441883, #811842, #578118 and #188157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #441883 shade: #441883, #811822, #578118 and #188177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 82 / 0 / 49

HEX #441883

RGB 68 24 131

HSL 264.67, 0.69%, 0.3%

LAB 22.02, 43.76, -51.44

 

Complementary color

CMYK 19 / 0 / 46 / 9

HEX #BBE77C

RGB 187 231 124

HSL 84.67, 0.69%, 0.7%

LAB 86.59, -31.41, 47.26

 

CMYK 42 / 81 / 0 / 51

HEX #49187E

RGB 73 24 126

HSL 268.82, 0.68%, 0.29%

LAB 22.22, 43.25, -47.93

 

CMYK 38 / 71 / 0 / 43

HEX #5A2A91

RGB 90 42 145

HSL 267.96, 0.55%, 0.37%

LAB 29.09, 42.9, -48.5

 

CMYK 35 / 63 / 0 / 36

HEX #6B3CA4

RGB 107 60 164

HSL 267.12, 0.46%, 0.44%

LAB 36.06, 42.04, -48.68

 

CMYK 32 / 57 / 0 / 28

HEX #7C4EB7

RGB 124 78 183

HSL 266.29, 0.42%, 0.51%

LAB 42.99, 41.04, -48.69

 

CMYK 30 / 52 / 0 / 21

HEX #8D60CA

RGB 141 96 202

HSL 265.47, 0.5%, 0.58%

LAB 49.85, 40.02, -48.64

 

CMYK 48 / 82 / 0 / 49

HEX #441883

RGB 68 24 131

HSL 264.67, 0.69%, 0.3%

LAB 22.02, 43.76, -51.44

 

CMYK 54 / 95 / 0 / 56

HEX #330670

RGB 51 6 112

HSL 265.47, 0.9%, 0.23%

LAB 15.51, 43.11, -50.07

 

CMYK 63 / 100 / 0 / 64

HEX #22005D

RGB 34 0 93

HSL 261.94, 1%, 0.18%

LAB 10.03, 39.12, -46.64

 

CMYK 77 / 100 / 0 / 71

HEX #11004A

RGB 17 0 74

HSL 253.78, 1%, 0.15%

LAB 5.54, 31.64, -41.1

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 48 / 81 / 0 / 49

HEX #431881

RGB 67 24 129

HSL 264.57, 0.69%, 0.3%

LAB 21.7, 43.07, -50.71

 

CMYK 26 / 81 / 0 / 49

HEX #601881

RGB 96 24 129

HSL 281.14, 0.69%, 0.3%

LAB 25.94, 48.08, -43.62

 

CMYK 4 / 81 / 0 / 49

HEX #7C1881

RGB 124 24 129

HSL 297.14, 0.69%, 0.3%

LAB 30.7, 53.68, -35.71

 

CMYK 0 / 81 / 18 / 49

HEX #81186A

RGB 129 24 106

HSL 313.14, 0.69%, 0.3%

LAB 30.31, 51.11, -21.66

 

CMYK 0 / 81 / 40 / 49

HEX #81184E

RGB 129 24 78

HSL 329.14, 0.69%, 0.3%

LAB 29.08, 47.52, -5.24

 

CMYK 48 / 81 / 0 / 49

HEX #431881

RGB 67 24 129

HSL 264.57, 0.69%, 0.3%

LAB 21.7, 43.07, -50.71

 

CMYK 70 / 81 / 0 / 49

HEX #271881

RGB 39 24 129

HSL 248.57, 0.69%, 0.3%

LAB 18.67, 39.47, -55.81

 

CMYK 81 / 81 / 0 / 49

HEX #181881

RGB 24 24 129

HSL 240, 0.69%, 0.3%

LAB 17.61, 38.2, -57.59

 

CMYK 48 / 81 / 0 / 49

HEX #431881

RGB 67 24 129

HSL 264.57, 0.69%, 0.3%

LAB 21.7, 43.07, -50.71

 

CMYK 54 / 92 / 0 / 44

HEX #410B8E

RGB 65 11 142

HSL 264.73, 0.86%, 0.3%

LAB 21.27, 50.75, -59.59

 

CMYK 48 / 81 / 0 / 49

HEX #431881

RGB 67 24 129

HSL 264.57, 0.69%, 0.3%

LAB 21.7, 43.07, -50.71

 

CMYK 41 / 69 / 0 / 54

HEX #452475

RGB 69 36 117

HSL 264.44, 0.53%, 0.3%

LAB 23.04, 34.04, -40.88

 

CMYK 31 / 54 / 0 / 59

HEX #483069

RGB 72 48 105

HSL 265.26, 0.37%, 0.3%

LAB 25.3, 24.13, -29.52

 

CMYK 20 / 34 / 0 / 64

HEX #4A3D5C

RGB 74 61 92

HSL 265.16, 0.2%, 0.3%

LAB 28.29, 12.77, -16.39

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 81 / 71 / 0 / 49

HEX #182681

RGB 24 38 129

HSL 232, 0.69%, 0.3%

LAB 20.69, 29.58, -52.5

 

CMYK 71 / 81 / 0 / 49

HEX #261881

RGB 38 24 129

HSL 248, 0.69%, 0.3%

LAB 18.59, 39.37, -55.95

 

CMYK 49 / 81 / 0 / 49

HEX #421881

RGB 66 24 129

HSL 264, 0.69%, 0.3%

LAB 21.57, 42.92, -50.93

 

CMYK 27 / 81 / 0 / 49

HEX #5E1881

RGB 94 24 129

HSL 280, 0.69%, 0.3%

LAB 25.62, 47.71, -44.15

 

CMYK 5 / 81 / 0 / 49

HEX #7A1881

RGB 122 24 129

HSL 296, 0.69%, 0.3%

LAB 30.34, 53.26, -36.29

 

CMYK 48 / 82 / 0 / 76

HEX #1F0B3C

RGB 31 11 60

HSL 264.49, 0.69%, 0.14%

LAB 7.74, 23.1, -27.5

 

CMYK 48 / 82 / 0 / 63

HEX #31115E

RGB 49 17 94

HSL 264.94, 0.69%, 0.22%

LAB 14.75, 33.62, -39.47

 

CMYK 48 / 81 / 0 / 49

HEX #431881

RGB 67 24 129

HSL 264.57, 0.69%, 0.3%

LAB 21.7, 43.07, -50.71

 

CMYK 48 / 82 / 0 / 36

HEX #551EA4

RGB 85 30 164

HSL 264.63, 0.69%, 0.38%

LAB 28.22, 52.4, -61.56

 

CMYK 48 / 81 / 0 / 22

HEX #6725C7

RGB 103 37 199

HSL 264.44, 0.69%, 0.46%

LAB 34.66, 60.92, -71.71

 

CMYK 48 / 82 / 0 / 49

HEX #441883

RGB 68 24 131

HSL 264.67, 0.69%, 0.3%

LAB 22.02, 43.76, -51.44

 

CMYK 0 / 81 / 49 / 49

HEX #811842

RGB 129 24 66

HSL 336, 0.69%, 0.3%

LAB 28.68, 46.29, 2.17

 

CMYK 81 / 0 / 81 / 49

HEX #188118

RGB 24 129 24

HSL 120, 0.69%, 0.3%

LAB 46.92, -48.58, 44.88

 

CMYK 48 / 82 / 0 / 49

HEX #441883

RGB 68 24 131

HSL 264.67, 0.69%, 0.3%

LAB 22.02, 43.76, -51.44

 

CMYK 0 / 49 / 81 / 49

HEX #814218

RGB 129 66 24

HSL 24, 0.69%, 0.3%

LAB 35.26, 23.93, 36.13

 

CMYK 81 / 0 / 49 / 49

HEX #188142

RGB 24 129 66

HSL 144, 0.69%, 0.3%

LAB 47.35, -43.4, 26.12

 

CMYK 48 / 82 / 0 / 49

HEX #441883

RGB 68 24 131

HSL 264.67, 0.69%, 0.3%

LAB 22.02, 43.76, -51.44

 

CMYK 0 / 81 / 49 / 49

HEX #811842

RGB 129 24 66

HSL 336, 0.69%, 0.3%

LAB 28.68, 46.29, 2.17

 

CMYK 33 / 0 / 81 / 49

HEX #578118

RGB 87 129 24

HSL 84, 0.69%, 0.3%

LAB 49.24, -30.77, 47.89

 

CMYK 81 / 0 / 33 / 49

HEX #188157

RGB 24 129 87

HSL 156, 0.69%, 0.3%

LAB 47.73, -39.07, 14.81

 

CMYK 48 / 82 / 0 / 49

HEX #441883

RGB 68 24 131

HSL 264.67, 0.69%, 0.3%

LAB 22.02, 43.76, -51.44

 

CMYK 0 / 81 / 74 / 49

HEX #811822

RGB 129 24 34

HSL 354.29, 0.69%, 0.3%

LAB 27.94, 44, 22.53

 

CMYK 33 / 0 / 81 / 49

HEX #578118

RGB 87 129 24

HSL 84, 0.69%, 0.3%

LAB 49.24, -30.77, 47.89

 

CMYK 81 / 0 / 8 / 49

HEX #188177

RGB 24 129 119

HSL 174.29, 0.69%, 0.3%

LAB 48.54, -30.5, -2.72

 

Description

Color code: HEX #441883 | qconv.com Color code: HEX #441883 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 24 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 24 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 82 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 82% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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