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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4416E2 it is the complementary color #BBE91D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4416E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4416E2 shade: #4916DD, #5A28F0, #6B3AFF, #7C4CFF and #8D5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4416E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4416E2 shade: #4416E2, #3304CF, #2200BC, #1100A9 and #000096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4416E2 shade: #4516E3, #7C16E3, #B316E3, #E316DC and #E316A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4416E2 shade: #4516E3 and #1616E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4416E2 shade matches the following richer shades: #4516E3 and #3A02F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4416E2 shade: #4516E3, #502BCF, #5B3FBB, #6653A7 and #716793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4416E2 shade: #1657E3, #1621E3, #4316E3, #7A16E3 and #B016E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4416E2 shade: #2E0F98, #3913BE, #4516E3, #6038EB and #7E5DEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4416E2 shade: #4416E2, #E3168E and #3CE316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4416E2 shade: #4416E2, #E34316 and #16E343

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4416E2 shade: #4416E2, #E3168E, #B7E316 and #16E36C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4416E2 shade: #4416E2, #E31651, #B7E316 and #16E3A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 90 / 0 / 11

HEX #4416E2

RGB 68 22 226

HSL 253.53, 0.82%, 0.49%

LAB 32.47, 69.44, -91.08

 

Complementary color

CMYK 20 / 0 / 88 / 9

HEX #BBE91D

RGB 187 233 29

HSL 73.53, 0.82%, 0.51%

LAB 86.47, -38.45, 81.21

 

CMYK 67 / 90 / 0 / 13

HEX #4916DD

RGB 73 22 221

HSL 255.38, 0.82%, 0.48%

LAB 32.28, 68.46, -88.5

 

CMYK 63 / 83 / 0 / 6

HEX #5A28F0

RGB 90 40 240

HSL 255, 0.87%, 0.55%

LAB 37.81, 68.9, -90.12

 

CMYK 58 / 77 / 0 / 0

HEX #6B3AFF

RGB 107 58 255

HSL 254.92, 1%, 0.61%

LAB 43.32, 67.33, -89.4

 

CMYK 51 / 70 / 0 / 0

HEX #7C4CFF

RGB 124 76 255

HSL 256.09, 1%, 0.65%

LAB 47.85, 61.2, -81.9

 

CMYK 45 / 63 / 0 / 0

HEX #8D5EFF

RGB 141 94 255

HSL 257.52, 1%, 0.68%

LAB 52.83, 54.89, -73.71

 

CMYK 70 / 90 / 0 / 11

HEX #4416E2

RGB 68 22 226

HSL 253.53, 0.82%, 0.49%

LAB 32.47, 69.44, -91.08

 

CMYK 75 / 98 / 0 / 19

HEX #3304CF

RGB 51 4 207

HSL 253.89, 0.96%, 0.41%

LAB 27.56, 67.66, -88.3

 

CMYK 82 / 100 / 0 / 26

HEX #2200BC

RGB 34 0 188

HSL 250.85, 1%, 0.37%

LAB 23.58, 63.37, -83.8

 

CMYK 90 / 100 / 0 / 34

HEX #1100A9

RGB 17 0 169

HSL 246.04, 1%, 0.33%

LAB 19.98, 58.35, -78.44

 

CMYK 100 / 100 / 0 / 41

HEX #000096

RGB 0 0 150

HSL 240, 1%, 0.29%

LAB 16.51, 53.31, -72.61

 

CMYK 70 / 90 / 0 / 11

HEX #4516E3

RGB 69 22 227

HSL 253.76, 0.82%, 0.49%

LAB 32.67, 69.75, -91.31

 

CMYK 45 / 90 / 0 / 11

HEX #7C16E3

RGB 124 22 227

HSL 269.85, 0.82%, 0.49%

LAB 38.56, 73.97, -81.37

 

CMYK 21 / 90 / 0 / 11

HEX #B316E3

RGB 179 22 227

HSL 285.95, 0.82%, 0.49%

LAB 46.58, 80.75, -67.92

 

CMYK 0 / 90 / 3 / 11

HEX #E316DC

RGB 227 22 220

HSL 302.05, 0.82%, 0.49%

LAB 54.1, 87.19, -51.42

 

CMYK 0 / 90 / 27 / 11

HEX #E316A5

RGB 227 22 165

HSL 318.15, 0.82%, 0.49%

LAB 51.41, 80.23, -23.78

 

CMYK 70 / 90 / 0 / 11

HEX #4516E3

RGB 69 22 227

HSL 253.76, 0.82%, 0.49%

LAB 32.67, 69.75, -91.31

 

CMYK 90 / 90 / 0 / 11

HEX #1616E3

RGB 22 22 227

HSL 240, 0.82%, 0.49%

LAB 30.13, 68.21, -95.6

 

CMYK 70 / 90 / 0 / 11

HEX #4516E3

RGB 69 22 227

HSL 253.76, 0.82%, 0.49%

LAB 32.67, 69.75, -91.31

 

CMYK 77 / 99 / 0 / 3

HEX #3A02F8

RGB 58 2 248

HSL 253.66, 0.98%, 0.49%

LAB 33.39, 77.96, -102.06

 

CMYK 70 / 90 / 0 / 11

HEX #4516E3

RGB 69 22 227

HSL 253.76, 0.82%, 0.49%

LAB 32.67, 69.75, -91.31

 

CMYK 61 / 79 / 0 / 19

HEX #502BCF

RGB 80 43 207

HSL 253.54, 0.66%, 0.49%

LAB 33.85, 57.9, -77.79

 

CMYK 51 / 66 / 0 / 27

HEX #5B3FBB

RGB 91 63 187

HSL 253.55, 0.5%, 0.49%

LAB 36.68, 43.49, -61.41

 

CMYK 39 / 50 / 0 / 35

HEX #6653A7

RGB 102 83 167

HSL 253.57, 0.34%, 0.49%

LAB 40.9, 28.2, -42.73

 

CMYK 23 / 30 / 0 / 42

HEX #716793

RGB 113 103 147

HSL 253.64, 0.18%, 0.49%

LAB 46.07, 13.78, -22.65

 

CMYK 90 / 62 / 0 / 11

HEX #1657E3

RGB 22 87 227

HSL 220.98, 0.82%, 0.49%

LAB 42.05, 34.79, -75.88

 

CMYK 90 / 85 / 0 / 11

HEX #1621E3

RGB 22 33 227

HSL 236.78, 0.82%, 0.49%

LAB 31.36, 64.5, -93.56

 

CMYK 70 / 90 / 0 / 11

HEX #4316E3

RGB 67 22 227

HSL 253.17, 0.82%, 0.49%

LAB 32.51, 69.64, -91.58

 

CMYK 46 / 90 / 0 / 11

HEX #7A16E3

RGB 122 22 227

HSL 269.27, 0.82%, 0.49%

LAB 38.3, 73.77, -81.81

 

CMYK 22 / 90 / 0 / 11

HEX #B016E3

RGB 176 22 227

HSL 285.07, 0.82%, 0.49%

LAB 46.11, 80.33, -68.71

 

CMYK 70 / 90 / 0 / 40

HEX #2E0F98

RGB 46 15 152

HSL 253.58, 0.82%, 0.33%

LAB 20.79, 50.67, -66.65

 

CMYK 70 / 90 / 0 / 25

HEX #3913BE

RGB 57 19 190

HSL 253.33, 0.82%, 0.41%

LAB 26.89, 60.38, -79.43

 

CMYK 70 / 90 / 0 / 11

HEX #4516E3

RGB 69 22 227

HSL 253.76, 0.82%, 0.49%

LAB 32.67, 69.75, -91.31

 

CMYK 59 / 76 / 0 / 8

HEX #6038EB

RGB 96 56 235

HSL 253.41, 0.82%, 0.57%

LAB 40.1, 61.56, -83.49

 

CMYK 47 / 61 / 0 / 6

HEX #7E5DEF

RGB 126 93 239

HSL 253.56, 0.82%, 0.65%

LAB 50.09, 48.2, -69.3

 

CMYK 70 / 90 / 0 / 11

HEX #4416E2

RGB 68 22 226

HSL 253.53, 0.82%, 0.49%

LAB 32.47, 69.44, -91.08

 

CMYK 0 / 90 / 37 / 11

HEX #E3168E

RGB 227 22 142

HSL 324.88, 0.82%, 0.49%

LAB 50.52, 77.86, -11.41

 

CMYK 74 / 0 / 90 / 11

HEX #3CE316

RGB 60 227 22

HSL 108.88, 0.82%, 0.49%

LAB 79.59, -73.58, 74.56

 

CMYK 70 / 90 / 0 / 11

HEX #4416E2

RGB 68 22 226

HSL 253.53, 0.82%, 0.49%

LAB 32.47, 69.44, -91.08

 

CMYK 0 / 70 / 90 / 11

HEX #E34316

RGB 227 67 22

HSL 13.17, 0.82%, 0.49%

LAB 52.29, 59.99, 57.92

 

CMYK 90 / 0 / 70 / 11

HEX #16E343

RGB 22 227 67

HSL 133.17, 0.82%, 0.49%

LAB 79.34, -75.05, 62.22

 

CMYK 70 / 90 / 0 / 11

HEX #4416E2

RGB 68 22 226

HSL 253.53, 0.82%, 0.49%

LAB 32.47, 69.44, -91.08

 

CMYK 0 / 90 / 37 / 11

HEX #E3168E

RGB 227 22 142

HSL 324.88, 0.82%, 0.49%

LAB 50.52, 77.86, -11.41

 

CMYK 19 / 0 / 90 / 11

HEX #B7E316

RGB 183 227 22

HSL 72.88, 0.82%, 0.49%

LAB 84.52, -37.47, 80.63

 

CMYK 90 / 0 / 52 / 11

HEX #16E36C

RGB 22 227 108

HSL 145.17, 0.82%, 0.49%

LAB 79.72, -70.26, 45.2

 

CMYK 70 / 90 / 0 / 11

HEX #4416E2

RGB 68 22 226

HSL 253.53, 0.82%, 0.49%

LAB 32.47, 69.44, -91.08

 

CMYK 0 / 90 / 64 / 11

HEX #E31651

RGB 227 22 81

HSL 342.73, 0.82%, 0.49%

LAB 48.88, 73.35, 23.48

 

CMYK 19 / 0 / 90 / 11

HEX #B7E316

RGB 183 227 22

HSL 72.88, 0.82%, 0.49%

LAB 84.52, -37.47, 80.63

 

CMYK 90 / 0 / 26 / 11

HEX #16E3A9

RGB 22 227 169

HSL 163.02, 0.82%, 0.49%

LAB 80.72, -58.66, 15.74

 

Description

Color code: HEX #4416E2 | qconv.com Color code: HEX #4416E2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 22 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 22 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 90 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 90% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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