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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43F271 it is the complementary color #BC0D8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43F271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43F271 shade: #48F26C, #59FF7F, #6AFF92, #7BFFA5 and #8CFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43F271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43F271 shade: #43F271, #32E05E, #21CE4B, #10BC38 and #00AA25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43F271 shade: #45F273, #46F245, #75F245, #A4F245 and #D2F245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43F271 shade: #45F273, #45F2A1, #45F2D0, #45E6F2 and #45B7F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43F271 shade matches the following richer shades: #45F273

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43F271 shade: #45F273, #55E27A, #65D282, #75C289 and #85B291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43F271 shade: #76F245, #48F245, #45F270, #45F29E and #45F2CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43F271 shade: #0FD643, #1EEF55, #45F273, #6CF590 and #92F7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43F271 shade: #43F271, #45A4F2 and #F2455F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43F271 shade: #43F271, #7045F2 and #F27045

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43F271 shade: #43F271, #45A4F2, #F245C7 and #F29345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43F271 shade: #43F271, #4570F2, #F245C7 and #F2C745

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 53 / 5

HEX #43F271

RGB 67 242 113

HSL 135.77, 0.87%, 0.61%

LAB 84.94, -69.85, 49.34

 

Complementary color

CMYK 0 / 93 / 24 / 26

HEX #BC0D8E

RGB 188 13 142

HSL 315.77, 0.87%, 0.39%

LAB 42.66, 70.75, -24.09

 

CMYK 70 / 0 / 55 / 5

HEX #48F26C

RGB 72 242 108

HSL 132.71, 0.87%, 0.62%

LAB 84.98, -69.74, 51.69

 

CMYK 65 / 0 / 50 / 0

HEX #59FF7F

RGB 89 255 127

HSL 133.73, 1%, 0.67%

LAB 89.48, -68.7, 48.49

 

CMYK 58 / 0 / 43 / 0

HEX #6AFF92

RGB 106 255 146

HSL 136.11, 1%, 0.71%

LAB 90.16, -62.52, 40.38

 

CMYK 52 / 0 / 35 / 0

HEX #7BFFA5

RGB 123 255 165

HSL 139.09, 1%, 0.74%

LAB 90.98, -55.58, 32.17

 

CMYK 45 / 0 / 28 / 0

HEX #8CFFB8

RGB 140 255 184

HSL 142.96, 1%, 0.77%

LAB 91.93, -48, 23.98

 

CMYK 72 / 0 / 53 / 5

HEX #43F271

RGB 67 242 113

HSL 135.77, 0.87%, 0.61%

LAB 84.94, -69.85, 49.34

 

CMYK 78 / 0 / 58 / 12

HEX #32E05E

RGB 50 224 94

HSL 135.17, 0.74%, 0.54%

LAB 78.92, -68.76, 50.76

 

CMYK 84 / 0 / 64 / 19

HEX #21CE4B

RGB 33 206 75

HSL 134.57, 0.72%, 0.47%

LAB 72.87, -67.19, 52.11

 

CMYK 91 / 0 / 70 / 26

HEX #10BC38

RGB 16 188 56

HSL 133.95, 0.84%, 0.4%

LAB 66.8, -64.98, 53.23

 

CMYK 100 / 0 / 78 / 33

HEX #00AA25

RGB 0 170 37

HSL 133.06, 1%, 0.33%

LAB 60.68, -62.07, 53.84

 

CMYK 71 / 0 / 52 / 5

HEX #45F273

RGB 69 242 115

HSL 135.95, 0.87%, 0.61%

LAB 85, -69.28, 48.5

 

CMYK 71 / 0 / 71 / 5

HEX #46F245

RGB 70 242 69

HSL 119.65, 0.87%, 0.61%

LAB 84.61, -74.06, 67.13

 

CMYK 52 / 0 / 71 / 5

HEX #75F245

RGB 117 242 69

HSL 103.35, 0.87%, 0.61%

LAB 85.86, -63.87, 68.82

 

CMYK 32 / 0 / 71 / 5

HEX #A4F245

RGB 164 242 69

HSL 87.05, 0.87%, 0.61%

LAB 87.88, -49.23, 71.51

 

CMYK 13 / 0 / 71 / 5

HEX #D2F245

RGB 210 242 69

HSL 71.1, 0.87%, 0.61%

LAB 90.61, -32.05, 75.11

 

CMYK 71 / 0 / 52 / 5

HEX #45F273

RGB 69 242 115

HSL 135.95, 0.87%, 0.61%

LAB 85, -69.28, 48.5

 

CMYK 71 / 0 / 33 / 5

HEX #45F2A1

RGB 69 242 161

HSL 151.91, 0.87%, 0.61%

LAB 85.68, -61.58, 26.8

 

CMYK 71 / 0 / 14 / 5

HEX #45F2D0

RGB 69 242 208

HSL 168.21, 0.87%, 0.61%

LAB 86.66, -51.12, 3.86

 

CMYK 71 / 5 / 0 / 5

HEX #45E6F2

RGB 69 230 242

HSL 184.16, 0.87%, 0.61%

LAB 84.11, -36.73, -17.8

 

CMYK 71 / 24 / 0 / 5

HEX #45B7F2

RGB 69 183 242

HSL 200.46, 0.87%, 0.61%

LAB 70.55, -13.29, -38.57

 

CMYK 71 / 0 / 52 / 5

HEX #45F273

RGB 69 242 115

HSL 135.95, 0.87%, 0.61%

LAB 85, -69.28, 48.5

 

CMYK 71 / 0 / 52 / 5

HEX #45F273

RGB 69 242 115

HSL 135.95, 0.87%, 0.61%

LAB 85, -69.28, 48.5

 

CMYK 62 / 0 / 46 / 11

HEX #55E27A

RGB 85 226 122

HSL 135.74, 0.71%, 0.61%

LAB 80.59, -59.81, 39.74

 

CMYK 52 / 0 / 38 / 18

HEX #65D282

RGB 101 210 130

HSL 135.96, 0.55%, 0.61%

LAB 76.36, -48.66, 30.33

 

CMYK 40 / 0 / 29 / 24

HEX #75C289

RGB 117 194 137

HSL 135.58, 0.39%, 0.61%

LAB 72.34, -36.09, 21.38

 

CMYK 25 / 0 / 19 / 30

HEX #85B291

RGB 133 178 145

HSL 136, 0.23%, 0.61%

LAB 68.66, -21.83, 12.07

 

CMYK 51 / 0 / 71 / 5

HEX #76F245

RGB 118 242 69

HSL 103.01, 0.87%, 0.61%

LAB 85.9, -63.6, 68.87

 

CMYK 70 / 0 / 71 / 5

HEX #48F245

RGB 72 242 69

HSL 118.96, 0.87%, 0.61%

LAB 84.64, -73.73, 67.19

 

CMYK 71 / 0 / 54 / 5

HEX #45F270

RGB 69 242 112

HSL 134.91, 0.87%, 0.61%

LAB 84.97, -69.68, 49.84

 

CMYK 71 / 0 / 35 / 5

HEX #45F29E

RGB 69 242 158

HSL 150.87, 0.87%, 0.61%

LAB 85.62, -62.16, 28.25

 

CMYK 71 / 0 / 15 / 5

HEX #45F2CD

RGB 69 242 205

HSL 167.17, 0.87%, 0.61%

LAB 86.59, -51.86, 5.32

 

CMYK 93 / 0 / 69 / 16

HEX #0FD643

RGB 15 214 67

HSL 135.68, 0.87%, 0.45%

LAB 75.2, -71.66, 57.86

 

CMYK 87 / 0 / 64 / 6

HEX #1EEF55

RGB 30 239 85

HSL 135.79, 0.87%, 0.53%

LAB 83.27, -76.3, 59.49

 

CMYK 71 / 0 / 52 / 5

HEX #45F273

RGB 69 242 115

HSL 135.95, 0.87%, 0.61%

LAB 85, -69.28, 48.5

 

CMYK 56 / 0 / 41 / 4

HEX #6CF590

RGB 108 245 144

HSL 135.77, 0.87%, 0.69%

LAB 87.24, -58.61, 37.59

 

CMYK 41 / 0 / 30 / 3

HEX #92F7AD

RGB 146 247 173

HSL 136.04, 0.86%, 0.77%

LAB 89.7, -44.93, 26.55

 

CMYK 72 / 0 / 53 / 5

HEX #43F271

RGB 67 242 113

HSL 135.77, 0.87%, 0.61%

LAB 84.94, -69.85, 49.34

 

CMYK 71 / 32 / 0 / 5

HEX #45A4F2

RGB 69 164 242

HSL 207.05, 0.87%, 0.61%

LAB 65.14, -2.8, -47.05

 

CMYK 0 / 71 / 61 / 5

HEX #F2455F

RGB 242 69 95

HSL 350.98, 0.87%, 0.61%

LAB 56.05, 66.66, 24.99

 

CMYK 72 / 0 / 53 / 5

HEX #43F271

RGB 67 242 113

HSL 135.77, 0.87%, 0.61%

LAB 84.94, -69.85, 49.34

 

CMYK 54 / 71 / 0 / 5

HEX #7045F2

RGB 112 69 242

HSL 254.91, 0.87%, 0.61%

LAB 44.39, 59.35, -80.33

 

CMYK 0 / 54 / 71 / 5

HEX #F27045

RGB 242 112 69

HSL 14.91, 0.87%, 0.61%

LAB 62.42, 47.26, 47.12

 

CMYK 72 / 0 / 53 / 5

HEX #43F271

RGB 67 242 113

HSL 135.77, 0.87%, 0.61%

LAB 84.94, -69.85, 49.34

 

CMYK 71 / 32 / 0 / 5

HEX #45A4F2

RGB 69 164 242

HSL 207.05, 0.87%, 0.61%

LAB 65.14, -2.8, -47.05

 

CMYK 0 / 71 / 18 / 5

HEX #F245C7

RGB 242 69 199

HSL 314.91, 0.87%, 0.61%

LAB 59.21, 76.88, -31.24

 

CMYK 0 / 39 / 71 / 5

HEX #F29345

RGB 242 147 69

HSL 27.05, 0.87%, 0.61%

LAB 69.59, 29.58, 54.86

 

CMYK 72 / 0 / 53 / 5

HEX #43F271

RGB 67 242 113

HSL 135.77, 0.87%, 0.61%

LAB 84.94, -69.85, 49.34

 

CMYK 71 / 54 / 0 / 5

HEX #4570F2

RGB 69 112 242

HSL 225.09, 0.87%, 0.61%

LAB 51, 28.46, -69.68

 

CMYK 0 / 71 / 18 / 5

HEX #F245C7

RGB 242 69 199

HSL 314.91, 0.87%, 0.61%

LAB 59.21, 76.88, -31.24

 

CMYK 0 / 18 / 71 / 5

HEX #F2C745

RGB 242 199 69

HSL 45.09, 0.87%, 0.61%

LAB 81.92, 2.3, 67.46

 

Description

Color code: HEX #43F271 | qconv.com Color code: HEX #43F271 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 242 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 242 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 53% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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