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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43F146 it is the complementary color #BC0EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43F146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43F146 shade: #48F141, #59FF54, #6AFF67, #7BFF7A and #8CFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43F146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43F146 shade: #43F146, #32DF33, #21CD20, #10BB0D and #00A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43F146 shade: #41F144, #6EF141, #9DF141, #CCF141 and #F1E641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43F146 shade: #41F144, #41F174, #41F1A3, #41F1D2 and #41E0F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43F146 shade matches the following richer shades: #41F144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43F146 shade: #41F144, #52E054, #62D064, #73BF74 and #83AF84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43F146 shade: #9CF141, #6DF141, #41F144, #41F173 and #41F1A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43F146 shade: #10D013, #1BEE1F, #41F144, #68F46A and #8EF690

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43F146 shade: #43F146, #41CBF1 and #F14185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43F146 shade: #43F146, #4441F1 and #F14441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43F146 shade: #43F146, #41CBF1, #F141EE and #F16741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43F146 shade: #43F146, #4196F1, #F141EE and #F19C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 71 / 5

HEX #43F146

RGB 67 241 70

HSL 121.03, 0.86%, 0.6%

LAB 84.25, -74.15, 66.4

 

Complementary color

CMYK 0 / 93 / 2 / 26

HEX #BC0EB9

RGB 188 14 185

HSL 301.03, 0.86%, 0.4%

LAB 44.95, 76.39, -46.2

 

CMYK 70 / 0 / 73 / 5

HEX #48F141

RGB 72 241 65

HSL 117.61, 0.86%, 0.6%

LAB 84.31, -73.72, 68.22

 

CMYK 65 / 0 / 67 / 0

HEX #59FF54

RGB 89 255 84

HSL 118.25, 1%, 0.66%

LAB 89.06, -73.57, 66.43

 

CMYK 58 / 0 / 60 / 0

HEX #6AFF67

RGB 106 255 103

HSL 118.82, 1%, 0.7%

LAB 89.66, -68.18, 59.55

 

CMYK 52 / 0 / 52 / 0

HEX #7BFF7A

RGB 123 255 122

HSL 119.55, 1%, 0.74%

LAB 90.38, -61.93, 52.13

 

CMYK 45 / 0 / 45 / 0

HEX #8CFF8D

RGB 140 255 141

HSL 120.52, 1%, 0.77%

LAB 91.24, -54.94, 44.41

 

CMYK 72 / 0 / 71 / 5

HEX #43F146

RGB 67 241 70

HSL 121.03, 0.86%, 0.6%

LAB 84.25, -74.15, 66.4

 

CMYK 78 / 0 / 77 / 13

HEX #32DF33

RGB 50 223 51

HSL 120.35, 0.73%, 0.54%

LAB 78.28, -72.51, 66.66

 

CMYK 84 / 0 / 84 / 20

HEX #21CD20

RGB 33 205 32

HSL 119.65, 0.73%, 0.46%

LAB 72.29, -70.25, 66.15

 

CMYK 91 / 0 / 93 / 27

HEX #10BB0D

RGB 16 187 13

HSL 118.97, 0.87%, 0.39%

LAB 66.27, -67.2, 64.43

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 54 / 0 / 73 / 5

HEX #6EF141

RGB 110 241 65

HSL 104.66, 0.86%, 0.6%

LAB 85.31, -65.62, 69.54

 

CMYK 35 / 0 / 73 / 5

HEX #9DF141

RGB 157 241 65

HSL 88.64, 0.86%, 0.6%

LAB 87.22, -51.47, 72.08

 

CMYK 15 / 0 / 73 / 5

HEX #CCF141

RGB 204 241 65

HSL 72.61, 0.86%, 0.6%

LAB 89.92, -34.14, 75.62

 

CMYK 0 / 5 / 73 / 5

HEX #F1E641

RGB 241 230 65

HSL 56.25, 0.86%, 0.6%

LAB 89.71, -13.94, 76.38

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 73 / 0 / 52 / 5

HEX #41F174

RGB 65 241 116

HSL 137.39, 0.86%, 0.6%

LAB 84.64, -69.39, 47.57

 

CMYK 73 / 0 / 32 / 5

HEX #41F1A3

RGB 65 241 163

HSL 153.41, 0.86%, 0.6%

LAB 85.34, -61.36, 25.31

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D2

RGB 65 241 210

HSL 169.43, 0.86%, 0.6%

LAB 86.35, -50.69, 2.35

 

CMYK 73 / 7 / 0 / 5

HEX #41E0F1

RGB 65 224 241

HSL 185.8, 0.86%, 0.6%

LAB 82.26, -34.68, -20.06

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 63 / 0 / 63 / 12

HEX #52E054

RGB 82 224 84

HSL 120.85, 0.7%, 0.6%

LAB 79.47, -64.63, 55.91

 

CMYK 53 / 0 / 52 / 18

HEX #62D064

RGB 98 208 100

HSL 121.09, 0.54%, 0.6%

LAB 75.22, -53.16, 43.84

 

CMYK 40 / 0 / 39 / 25

HEX #73BF74

RGB 115 191 116

HSL 120.79, 0.37%, 0.6%

LAB 70.99, -38.9, 30.62

 

CMYK 25 / 0 / 25 / 31

HEX #83AF84

RGB 131 175 132

HSL 121.36, 0.22%, 0.6%

LAB 67.39, -23.4, 17.39

 

CMYK 35 / 0 / 73 / 5

HEX #9CF141

RGB 156 241 65

HSL 88.98, 0.86%, 0.6%

LAB 87.17, -51.81, 72.01

 

CMYK 55 / 0 / 73 / 5

HEX #6DF141

RGB 109 241 65

HSL 105, 0.86%, 0.6%

LAB 85.27, -65.88, 69.5

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 73 / 0 / 52 / 5

HEX #41F173

RGB 65 241 115

HSL 137.05, 0.86%, 0.6%

LAB 84.62, -69.53, 48.02

 

CMYK 73 / 0 / 33 / 5

HEX #41F1A2

RGB 65 241 162

HSL 153.07, 0.86%, 0.6%

LAB 85.32, -61.56, 25.8

 

CMYK 92 / 0 / 91 / 18

HEX #10D013

RGB 16 208 19

HSL 120.94, 0.86%, 0.44%

LAB 73.07, -72.85, 69.29

 

CMYK 89 / 0 / 87 / 7

HEX #1BEE1F

RGB 27 238 31

HSL 121.14, 0.86%, 0.52%

LAB 82.64, -79.97, 75.48

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 57 / 0 / 57 / 4

HEX #68F46A

RGB 104 244 106

HSL 120.86, 0.86%, 0.68%

LAB 86.35, -64.41, 54.4

 

CMYK 42 / 0 / 41 / 4

HEX #8EF690

RGB 142 246 144

HSL 121.15, 0.85%, 0.76%

LAB 88.77, -50.28, 39.8

 

CMYK 72 / 0 / 71 / 5

HEX #43F146

RGB 67 241 70

HSL 121.03, 0.86%, 0.6%

LAB 84.25, -74.15, 66.4

 

CMYK 73 / 16 / 0 / 5

HEX #41CBF1

RGB 65 203 241

HSL 192.95, 0.86%, 0.6%

LAB 76.18, -24.49, -29.33

 

CMYK 0 / 73 / 45 / 5

HEX #F14185

RGB 241 65 133

HSL 336.82, 0.86%, 0.6%

LAB 56.26, 70.57, 2.74

 

CMYK 72 / 0 / 71 / 5

HEX #43F146

RGB 67 241 70

HSL 121.03, 0.86%, 0.6%

LAB 84.25, -74.15, 66.4

 

CMYK 72 / 73 / 0 / 5

HEX #4441F1

RGB 68 65 241

HSL 241.02, 0.86%, 0.6%

LAB 40.18, 55.98, -86.82

 

CMYK 0 / 72 / 73 / 5

HEX #F14441

RGB 241 68 65

HSL 1.02, 0.86%, 0.6%

LAB 55.29, 65.18, 41.26

 

CMYK 72 / 0 / 71 / 5

HEX #43F146

RGB 67 241 70

HSL 121.03, 0.86%, 0.6%

LAB 84.25, -74.15, 66.4

 

CMYK 73 / 16 / 0 / 5

HEX #41CBF1

RGB 65 203 241

HSL 192.95, 0.86%, 0.6%

LAB 76.18, -24.49, -29.33

 

CMYK 0 / 73 / 1 / 5

HEX #F141EE

RGB 241 65 238

HSL 301.02, 0.86%, 0.6%

LAB 60.48, 83.45, -51.28

 

CMYK 0 / 57 / 73 / 5

HEX #F16741

RGB 241 103 65

HSL 12.95, 0.86%, 0.6%

LAB 60.59, 50.95, 47.12

 

CMYK 72 / 0 / 71 / 5

HEX #43F146

RGB 67 241 70

HSL 121.03, 0.86%, 0.6%

LAB 84.25, -74.15, 66.4

 

CMYK 73 / 38 / 0 / 5

HEX #4196F1

RGB 65 150 241

HSL 211.02, 0.86%, 0.6%

LAB 61.03, 4.42, -53.02

 

CMYK 0 / 73 / 1 / 5

HEX #F141EE

RGB 241 65 238

HSL 301.02, 0.86%, 0.6%

LAB 60.48, 83.45, -51.28

 

CMYK 0 / 35 / 73 / 5

HEX #F19C41

RGB 241 156 65

HSL 31.02, 0.86%, 0.6%

LAB 71.46, 24.26, 58.54

 

Description

Color code: HEX #43F146 | qconv.com Color code: HEX #43F146 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 241 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 241 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 71 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 71% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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