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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43ECFB it is the complementary color #BC1304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43ECFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #43ECFB: #48ECF6, #59FEFF, #6AFFFF, #7BFFFF and #8CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43ECFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #43ECFB: #43ECFB, #32DAE8, #21C8D5, #10B6C2 and #00A4AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

Complementary color

CMYK 0 / 90 / 98 / 26

HEX #BC1304

RGB 188 19 4

HSL 4.89, 0.96%, 0.38%

LAB 39.86, 61.47, 52.25

 

CMYK 71 / 4 / 0 / 4

HEX #48ECF6

RGB 72 236 246

HSL 183.45, 0.91%, 0.62%

LAB 86.02, -37.99, -17.02

 

CMYK 65 / 0 / 0 / 0

HEX #59FEFF

RGB 89 254 255

HSL 180.36, 1%, 0.67%

LAB 91.79, -41.45, -13.04

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 78 / 6 / 0 / 9

HEX #32DAE8

RGB 50 218 232

HSL 184.62, 0.8%, 0.55%

LAB 79.98, -36.07, -18.76

 

CMYK 85 / 6 / 0 / 16

HEX #21C8D5

RGB 33 200 213

HSL 184.33, 0.73%, 0.48%

LAB 73.83, -34.73, -17.87

 

CMYK 92 / 6 / 0 / 24

HEX #10B6C2

RGB 16 182 194

HSL 184.04, 0.85%, 0.41%

LAB 67.62, -33.06, -16.88

 

CMYK 100 / 6 / 0 / 31

HEX #00A4AF

RGB 0 164 175

HSL 183.77, 1%, 0.34%

LAB 61.35, -31.06, -15.81

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 74 / 18 / 0 / 2

HEX #41CFFB

RGB 65 207 251

HSL 194.19, 0.96%, 0.62%

LAB 77.71, -23.35, -32.35

 

CMYK 74 / 30 / 0 / 2

HEX #41B0FB

RGB 65 176 251

HSL 204.19, 0.96%, 0.62%

LAB 68.85, -6.96, -46.13

 

CMYK 74 / 42 / 0 / 2

HEX #4191FB

RGB 65 145 251

HSL 214.19, 0.96%, 0.62%

LAB 60.19, 10.94, -59.86

 

CMYK 74 / 55 / 0 / 2

HEX #4172FB

RGB 65 114 251

HSL 224.19, 0.96%, 0.62%

LAB 51.98, 29.94, -73.1

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 72 / 6 / 0 / 82

HEX #0D2C2F

RGB 13 44 47

HSL 185.29, 0.57%, 0.12%

LAB 15.96, -10.17, -5.36

 

CMYK 73 / 6 / 0 / 62

HEX #1A5C62

RGB 26 92 98

HSL 185, 0.58%, 0.24%

LAB 35.51, -18, -9.43

 

CMYK 73 / 6 / 0 / 42

HEX #288C95

RGB 40 140 149

HSL 184.95, 0.58%, 0.37%

LAB 53.36, -24.75, -13.02

 

CMYK 74 / 6 / 0 / 22

HEX #35BCC8

RGB 53 188 200

HSL 184.9, 0.58%, 0.5%

LAB 70.1, -31.16, -16.39

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 55 / 74 / 0 / 2

HEX #7241FB

RGB 114 65 251

HSL 255.81, 0.96%, 0.62%

LAB 44.69, 63.97, -84.88

 

CMYK 0 / 25 / 74 / 2

HEX #FBBD41

RGB 251 189 65

HSL 40, 0.96%, 0.62%

LAB 80.34, 11.11, 67.74

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 0 / 74 / 5 / 2

HEX #FB41EE

RGB 251 65 238

HSL 304.19, 0.96%, 0.62%

LAB 62.05, 85.48, -48.68

 

CMYK 5 / 0 / 74 / 2

HEX #EEFB41

RGB 238 251 65

HSL 64.19, 0.96%, 0.62%

LAB 94.97, -25.27, 81.21

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 55 / 74 / 0 / 2

HEX #7241FB

RGB 114 65 251

HSL 255.81, 0.96%, 0.62%

LAB 44.69, 63.97, -84.88

 

CMYK 0 / 69 / 74 / 2

HEX #FB4D41

RGB 251 77 65

HSL 3.87, 0.96%, 0.62%

LAB 58.23, 65.06, 45.01

 

CMYK 20 / 0 / 74 / 2

HEX #C9FB41

RGB 201 251 65

HSL 76.13, 0.96%, 0.62%

LAB 92.48, -39.79, 77.99

 

CMYK 73 / 6 / 0 / 2

HEX #43ECFB

RGB 67 236 251

HSL 184.89, 0.96%, 0.62%

LAB 86.08, -37.12, -19.56

 

CMYK 32 / 74 / 0 / 2

HEX #AA41FB

RGB 170 65 251

HSL 273.87, 0.96%, 0.62%

LAB 51.03, 72.45, -74.26

 

CMYK 0 / 69 / 74 / 2

HEX #FB4D41

RGB 251 77 65

HSL 3.87, 0.96%, 0.62%

LAB 58.23, 65.06, 45.01

 

CMYK 42 / 0 / 74 / 2

HEX #91FB41

RGB 145 251 65

HSL 94.19, 0.96%, 0.62%

LAB 89.58, -59.33, 74.19

 

Description

Color code: HEX #43ECFB | qconv.com Color code: HEX #43ECFB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 236 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 236 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 6 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 6% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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