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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43EB94 it is the complementary color #BC146B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43EB94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43EB94 shade: #48EB8F, #59FDA2, #6AFFB5, #7BFFC8 and #8CFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43EB94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43EB94 shade: #43EB94, #32D981, #21C76E, #10B55B and #00A348

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43EB94 shade: #42EB93, #42EB66, #4BEB42, #79EB42 and #A7EB42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43EB94 shade: #42EB93, #42EBC1, #42E7EB, #42BAEB and #428CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43EB94 shade matches the following richer shades: #42EB93 and #31FC93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43EB94 shade: #42EB93, #53DA94, #64C995, #75B895 and #85A796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43EB94 shade: #4DEB42, #42EB64, #42EB91, #42EBBE and #42EBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43EB94 shade: #15C66A, #1CE77E, #42EB93, #67EFA9 and #8CF3BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43EB94 shade: #43EB94, #427AEB and #EB4D42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43EB94 shade: #43EB94, #9142EB and #EB9142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43EB94 shade: #43EB94, #427AEB, #EB429C and #EBB342

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43EB94 shade: #43EB94, #4247EB, #EB429C and #EBE542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 37 / 8

HEX #43EB94

RGB 67 235 148

HSL 148.93, 0.81%, 0.59%

LAB 83.31, -61.77, 30.22

 

Complementary color

CMYK 0 / 89 / 43 / 26

HEX #BC146B

RGB 188 20 107

HSL 328.93, 0.81%, 0.41%

LAB 41.62, 66.11, -4.02

 

CMYK 69 / 0 / 39 / 8

HEX #48EB8F

RGB 72 235 143

HSL 146.13, 0.8%, 0.6%

LAB 83.33, -61.93, 32.78

 

CMYK 65 / 0 / 36 / 1

HEX #59FDA2

RGB 89 253 162

HSL 146.71, 0.98%, 0.67%

LAB 89.39, -62.35, 31.36

 

CMYK 58 / 0 / 29 / 0

HEX #6AFFB5

RGB 106 255 181

HSL 150.2, 1%, 0.71%

LAB 90.74, -56.35, 23.69

 

CMYK 52 / 0 / 22 / 0

HEX #7BFFC8

RGB 123 255 200

HSL 155, 1%, 0.74%

LAB 91.64, -48.95, 15.3

 

CMYK 45 / 0 / 14 / 0

HEX #8CFFDB

RGB 140 255 219

HSL 161.22, 1%, 0.77%

LAB 92.67, -41, 7.07

 

CMYK 71 / 0 / 37 / 8

HEX #43EB94

RGB 67 235 148

HSL 148.93, 0.81%, 0.59%

LAB 83.31, -61.77, 30.22

 

CMYK 77 / 0 / 41 / 15

HEX #32D981

RGB 50 217 129

HSL 148.38, 0.69%, 0.52%

LAB 77.21, -61.01, 31.74

 

CMYK 83 / 0 / 45 / 22

HEX #21C76E

RGB 33 199 110

HSL 147.83, 0.72%, 0.45%

LAB 71.07, -59.88, 33.38

 

CMYK 91 / 0 / 50 / 29

HEX #10B55B

RGB 16 181 91

HSL 147.27, 0.84%, 0.39%

LAB 64.89, -58.26, 35.13

 

CMYK 100 / 0 / 56 / 36

HEX #00A348

RGB 0 163 72

HSL 146.5, 1%, 0.32%

LAB 58.66, -56.09, 36.94

 

CMYK 72 / 0 / 37 / 8

HEX #42EB93

RGB 66 235 147

HSL 148.76, 0.81%, 0.59%

LAB 83.27, -62.1, 30.67

 

CMYK 72 / 0 / 57 / 8

HEX #42EB66

RGB 66 235 102

HSL 132.78, 0.81%, 0.59%

LAB 82.67, -69.12, 51.63

 

CMYK 68 / 0 / 72 / 8

HEX #4BEB42

RGB 75 235 66

HSL 116.8, 0.81%, 0.59%

LAB 82.54, -71.24, 66.11

 

CMYK 49 / 0 / 72 / 8

HEX #79EB42

RGB 121 235 66

HSL 100.47, 0.81%, 0.59%

LAB 83.9, -60.41, 67.93

 

CMYK 29 / 0 / 72 / 8

HEX #A7EB42

RGB 167 235 66

HSL 84.14, 0.81%, 0.59%

LAB 86.02, -45.4, 70.74

 

CMYK 72 / 0 / 37 / 8

HEX #42EB93

RGB 66 235 147

HSL 148.76, 0.81%, 0.59%

LAB 83.27, -62.1, 30.67

 

CMYK 72 / 0 / 18 / 8

HEX #42EBC1

RGB 66 235 193

HSL 165.09, 0.81%, 0.59%

LAB 84.19, -52.27, 8.14

 

CMYK 72 / 2 / 0 / 8

HEX #42E7EB

RGB 66 231 235

HSL 181.42, 0.81%, 0.59%

LAB 84.13, -39.53, -14.08

 

CMYK 72 / 21 / 0 / 8

HEX #42BAEB

RGB 66 186 235

HSL 197.4, 0.81%, 0.59%

LAB 71.06, -17.55, -34

 

CMYK 72 / 40 / 0 / 8

HEX #428CEB

RGB 66 140 235

HSL 213.73, 0.81%, 0.59%

LAB 57.95, 8.37, -54.6

 

CMYK 72 / 0 / 37 / 8

HEX #42EB93

RGB 66 235 147

HSL 148.76, 0.81%, 0.59%

LAB 83.27, -62.1, 30.67

 

CMYK 81 / 0 / 42 / 1

HEX #31FC93

RGB 49 252 147

HSL 148.97, 0.97%, 0.59%

LAB 88.15, -70.08, 37.06

 

CMYK 72 / 0 / 37 / 8

HEX #42EB93

RGB 66 235 147

HSL 148.76, 0.81%, 0.59%

LAB 83.27, -62.1, 30.67

 

CMYK 62 / 0 / 32 / 15

HEX #53DA94

RGB 83 218 148

HSL 148.89, 0.65%, 0.59%

LAB 78.53, -52.58, 23.83

 

CMYK 50 / 0 / 26 / 21

HEX #64C995

RGB 100 201 149

HSL 149.11, 0.48%, 0.59%

LAB 73.97, -41.53, 17.11

 

CMYK 36 / 0 / 19 / 28

HEX #75B895

RGB 117 184 149

HSL 148.66, 0.32%, 0.59%

LAB 69.64, -29.06, 11.14

 

CMYK 20 / 0 / 10 / 35

HEX #85A796

RGB 133 167 150

HSL 150, 0.16%, 0.59%

LAB 65.61, -15.19, 4.96

 

CMYK 67 / 0 / 72 / 8

HEX #4DEB42

RGB 77 235 66

HSL 116.09, 0.81%, 0.59%

LAB 82.59, -70.87, 66.17

 

CMYK 72 / 0 / 57 / 8

HEX #42EB64

RGB 66 235 100

HSL 132.07, 0.81%, 0.59%

LAB 82.64, -69.37, 52.5

 

CMYK 72 / 0 / 38 / 8

HEX #42EB91

RGB 66 235 145

HSL 148.05, 0.81%, 0.59%

LAB 83.24, -62.47, 31.64

 

CMYK 72 / 0 / 19 / 8

HEX #42EBBE

RGB 66 235 190

HSL 164.02, 0.81%, 0.59%

LAB 84.12, -52.99, 9.61

 

CMYK 72 / 0 / 0 / 8

HEX #42EBEB

RGB 66 235 235

HSL 180, 0.81%, 0.59%

LAB 85.29, -41.34, -12.35

 

CMYK 89 / 0 / 46 / 22

HEX #15C66A

RGB 21 198 106

HSL 148.81, 0.81%, 0.43%

LAB 70.59, -61.17, 34.76

 

CMYK 88 / 0 / 45 / 9

HEX #1CE77E

RGB 28 231 126

HSL 148.97, 0.81%, 0.51%

LAB 81.24, -68.35, 38.42

 

CMYK 72 / 0 / 37 / 8

HEX #42EB93

RGB 66 235 147

HSL 148.76, 0.81%, 0.59%

LAB 83.27, -62.1, 30.67

 

CMYK 57 / 0 / 29 / 6

HEX #67EFA9

RGB 103 239 169

HSL 149.12, 0.81%, 0.67%

LAB 85.75, -52.88, 22.93

 

CMYK 42 / 0 / 22 / 5

HEX #8CF3BE

RGB 140 243 190

HSL 149.13, 0.81%, 0.75%

LAB 88.64, -41.66, 16.32

 

CMYK 71 / 0 / 37 / 8

HEX #43EB94

RGB 67 235 148

HSL 148.93, 0.81%, 0.59%

LAB 83.31, -61.77, 30.22

 

CMYK 72 / 48 / 0 / 8

HEX #427AEB

RGB 66 122 235

HSL 220.12, 0.81%, 0.59%

LAB 53.03, 19.36, -62.49

 

CMYK 0 / 67 / 72 / 8

HEX #EB4D42

RGB 235 77 66

HSL 3.91, 0.81%, 0.59%

LAB 55.44, 60.06, 40.59

 

CMYK 71 / 0 / 37 / 8

HEX #43EB94

RGB 67 235 148

HSL 148.93, 0.81%, 0.59%

LAB 83.31, -61.77, 30.22

 

CMYK 38 / 72 / 0 / 8

HEX #9142EB

RGB 145 66 235

HSL 268.05, 0.81%, 0.59%

LAB 46.86, 64.18, -72.21

 

CMYK 0 / 38 / 72 / 8

HEX #EB9142

RGB 235 145 66

HSL 28.05, 0.81%, 0.59%

LAB 68.25, 27.63, 54.55

 

CMYK 71 / 0 / 37 / 8

HEX #43EB94

RGB 67 235 148

HSL 148.93, 0.81%, 0.59%

LAB 83.31, -61.77, 30.22

 

CMYK 72 / 48 / 0 / 8

HEX #427AEB

RGB 66 122 235

HSL 220.12, 0.81%, 0.59%

LAB 53.03, 19.36, -62.49

 

CMYK 0 / 72 / 34 / 8

HEX #EB429C

RGB 235 66 156

HSL 328.05, 0.81%, 0.59%

LAB 56.05, 70.93, -11.27

 

CMYK 0 / 24 / 72 / 8

HEX #EBB342

RGB 235 179 66

HSL 40.12, 0.81%, 0.59%

LAB 76.25, 9.63, 62.75

 

CMYK 71 / 0 / 37 / 8

HEX #43EB94

RGB 67 235 148

HSL 148.93, 0.81%, 0.59%

LAB 83.31, -61.77, 30.22

 

CMYK 72 / 70 / 0 / 8

HEX #4247EB

RGB 66 71 235

HSL 238.22, 0.81%, 0.59%

LAB 40.68, 50.58, -82.62

 

CMYK 0 / 72 / 34 / 8

HEX #EB429C

RGB 235 66 156

HSL 328.05, 0.81%, 0.59%

LAB 56.05, 70.93, -11.27

 

CMYK 0 / 3 / 72 / 8

HEX #EBE542

RGB 235 229 66

HSL 57.87, 0.81%, 0.59%

LAB 88.97, -15.89, 75.17

 

Description

Color code: HEX #43EB94 | qconv.com Color code: HEX #43EB94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 235 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 235 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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