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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43E2D0 it is the complementary color #BC1D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43E2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43E2D0 shade: #48E2CB, #59F4DE, #6AFFF1, #7BFFFF and #8CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43E2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43E2D0 shade: #43E2D0, #32D0BD, #21BEAA, #10AC97 and #009A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43E2D0 shade: #41E1CF, #41E1A4, #41E179, #41E14E and #60E141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43E2D0 shade: #41E1CF, #41C8E1, #419DE1, #4172E1 and #4147E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43E2D0 shade matches the following richer shades: #41E1CF and #30F3DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43E2D0 shade: #41E1CF, #53D0C2, #65BEB4, #77ACA6 and #889A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43E2D0 shade: #41E179, #41E1A4, #41E1CF, #41C9E1 and #419FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43E2D0 shade: #1CB4A3, #22D8C3, #41E1CF, #65E7D8 and #89EDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43E2D0 shade: #43E2D0, #4F41E1 and #E18F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43E2D0 shade: #43E2D0, #CF41E1 and #E1CF41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43E2D0 shade: #43E2D0, #4F41E1, #E14154 and #D4E141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43E2D0 shade: #43E2D0, #7F41E1, #E14154 and #A4E141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 8 / 11

HEX #43E2D0

RGB 67 226 208

HSL 173.21, 0.73%, 0.57%

LAB 81.91, -44.57, -3.08

 

Complementary color

CMYK 0 / 85 / 75 / 26

HEX #BC1D2F

RGB 188 29 47

HSL 353.21, 0.73%, 0.43%

LAB 40.86, 60.48, 32.56

 

CMYK 68 / 0 / 10 / 11

HEX #48E2CB

RGB 72 226 203

HSL 171.04, 0.73%, 0.58%

LAB 81.88, -45.2, -0.46

 

CMYK 64 / 0 / 9 / 4

HEX #59F4DE

RGB 89 244 222

HSL 171.48, 0.88%, 0.65%

LAB 88.02, -45.65, -1.44

 

CMYK 58 / 0 / 5 / 0

HEX #6AFFF1

RGB 106 255 241

HSL 174.36, 1%, 0.71%

LAB 92.1, -42.89, -5.27

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 70 / 0 / 8 / 11

HEX #43E2D0

RGB 67 226 208

HSL 173.21, 0.73%, 0.57%

LAB 81.91, -44.57, -3.08

 

CMYK 76 / 0 / 9 / 18

HEX #32D0BD

RGB 50 208 189

HSL 172.78, 0.63%, 0.51%

LAB 75.74, -43.8, -2.02

 

CMYK 83 / 0 / 11 / 25

HEX #21BEAA

RGB 33 190 170

HSL 172.36, 0.7%, 0.44%

LAB 69.51, -42.76, -0.86

 

CMYK 91 / 0 / 12 / 33

HEX #10AC97

RGB 16 172 151

HSL 171.92, 0.83%, 0.37%

LAB 63.22, -41.35, 0.44

 

CMYK 100 / 0 / 14 / 40

HEX #009A84

RGB 0 154 132

HSL 171.43, 1%, 0.3%

LAB 56.86, -39.58, 1.88

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CF

RGB 65 225 207

HSL 173.25, 0.73%, 0.57%

LAB 81.55, -44.65, -3.08

 

CMYK 71 / 0 / 27 / 12

HEX #41E1A4

RGB 65 225 164

HSL 157.13, 0.73%, 0.57%

LAB 80.55, -55.04, 18.19

 

CMYK 71 / 0 / 46 / 12

HEX #41E179

RGB 65 225 121

HSL 141, 0.73%, 0.57%

LAB 79.82, -63.16, 39.16

 

CMYK 71 / 0 / 65 / 12

HEX #41E14E

RGB 65 225 78

HSL 124.88, 0.73%, 0.57%

LAB 79.34, -68.72, 58.15

 

CMYK 57 / 0 / 71 / 12

HEX #60E141

RGB 96 225 65

HSL 108.38, 0.73%, 0.57%

LAB 80.02, -63.52, 64.07

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CF

RGB 65 225 207

HSL 173.25, 0.73%, 0.57%

LAB 81.55, -44.65, -3.08

 

CMYK 71 / 11 / 0 / 12

HEX #41C8E1

RGB 65 200 225

HSL 189.38, 0.73%, 0.57%

LAB 74.74, -27.95, -22.92

 

CMYK 71 / 30 / 0 / 12

HEX #419DE1

RGB 65 157 225

HSL 205.5, 0.73%, 0.57%

LAB 62.23, -5.2, -42.29

 

CMYK 71 / 49 / 0 / 12

HEX #4172E1

RGB 65 114 225

HSL 221.63, 0.73%, 0.57%

LAB 50.21, 20.62, -61.43

 

CMYK 71 / 68 / 0 / 12

HEX #4147E1

RGB 65 71 225

HSL 237.75, 0.73%, 0.57%

LAB 39.69, 47.21, -78.56

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CF

RGB 65 225 207

HSL 173.25, 0.73%, 0.57%

LAB 81.55, -44.65, -3.08

 

CMYK 80 / 0 / 9 / 5

HEX #30F3DD

RGB 48 243 221

HSL 173.23, 0.89%, 0.57%

LAB 86.97, -50.37, -2.53

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CF

RGB 65 225 207

HSL 173.25, 0.73%, 0.57%

LAB 81.55, -44.65, -3.08

 

CMYK 60 / 0 / 7 / 18

HEX #53D0C2

RGB 83 208 194

HSL 173.28, 0.57%, 0.57%

LAB 76.59, -37.78, -3.39

 

CMYK 47 / 0 / 5 / 25

HEX #65BEB4

RGB 101 190 180

HSL 173.26, 0.41%, 0.57%

LAB 71.48, -29.16, -3.24

 

CMYK 31 / 0 / 3 / 33

HEX #77ACA6

RGB 119 172 166

HSL 173.21, 0.24%, 0.57%

LAB 66.66, -18.74, -2.52

 

CMYK 12 / 0 / 1 / 40

HEX #889A98

RGB 136 154 152

HSL 173.33, 0.08%, 0.57%

LAB 62.18, -6.77, -1.12

 

CMYK 71 / 0 / 46 / 12

HEX #41E179

RGB 65 225 121

HSL 141, 0.73%, 0.57%

LAB 79.82, -63.16, 39.16

 

CMYK 71 / 0 / 27 / 12

HEX #41E1A4

RGB 65 225 164

HSL 157.13, 0.73%, 0.57%

LAB 80.55, -55.04, 18.19

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CF

RGB 65 225 207

HSL 173.25, 0.73%, 0.57%

LAB 81.55, -44.65, -3.08

 

CMYK 71 / 11 / 0 / 12

HEX #41C9E1

RGB 65 201 225

HSL 189, 0.73%, 0.57%

LAB 75.03, -28.44, -22.48

 

CMYK 71 / 29 / 0 / 12

HEX #419FE1

RGB 65 159 225

HSL 204.75, 0.73%, 0.57%

LAB 62.81, -6.33, -41.38

 

CMYK 84 / 0 / 9 / 29

HEX #1CB4A3

RGB 28 180 163

HSL 173.29, 0.73%, 0.41%

LAB 66.16, -40.72, -1.91

 

CMYK 84 / 0 / 10 / 15

HEX #22D8C3

RGB 34 216 195

HSL 173.08, 0.73%, 0.49%

LAB 78.11, -47.02, -1.8

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CF

RGB 65 225 207

HSL 173.25, 0.73%, 0.57%

LAB 81.55, -44.65, -3.08

 

CMYK 56 / 0 / 6 / 9

HEX #65E7D8

RGB 101 231 216

HSL 173.08, 0.73%, 0.65%

LAB 84.42, -39.32, -3.53

 

CMYK 42 / 0 / 5 / 7

HEX #89EDE1

RGB 137 237 225

HSL 172.8, 0.74%, 0.73%

LAB 87.64, -32.13, -3.38

 

CMYK 70 / 0 / 8 / 11

HEX #43E2D0

RGB 67 226 208

HSL 173.21, 0.73%, 0.57%

LAB 81.91, -44.57, -3.08

 

CMYK 65 / 71 / 0 / 12

HEX #4F41E1

RGB 79 65 225

HSL 245.25, 0.73%, 0.57%

LAB 39.38, 52.14, -79.05

 

CMYK 0 / 36 / 71 / 12

HEX #E18F41

RGB 225 143 65

HSL 29.25, 0.73%, 0.57%

LAB 66.55, 24.52, 52.84

 

CMYK 70 / 0 / 8 / 11

HEX #43E2D0

RGB 67 226 208

HSL 173.21, 0.73%, 0.57%

LAB 81.91, -44.57, -3.08

 

CMYK 8 / 71 / 0 / 12

HEX #CF41E1

RGB 207 65 225

HSL 293.25, 0.73%, 0.57%

LAB 54.53, 74.41, -53.75

 

CMYK 0 / 8 / 71 / 12

HEX #E1CF41

RGB 225 207 65

HSL 53.25, 0.73%, 0.57%

LAB 82.39, -9.15, 68.89

 

CMYK 70 / 0 / 8 / 11

HEX #43E2D0

RGB 67 226 208

HSL 173.21, 0.73%, 0.57%

LAB 81.91, -44.57, -3.08

 

CMYK 65 / 71 / 0 / 12

HEX #4F41E1

RGB 79 65 225

HSL 245.25, 0.73%, 0.57%

LAB 39.38, 52.14, -79.05

 

CMYK 0 / 71 / 63 / 12

HEX #E14154

RGB 225 65 84

HSL 352.88, 0.73%, 0.57%

LAB 52.32, 62.34, 26.05

 

CMYK 6 / 0 / 71 / 12

HEX #D4E141

RGB 212 225 65

HSL 64.88, 0.73%, 0.57%

LAB 86.12, -23.44, 72.16

 

CMYK 70 / 0 / 8 / 11

HEX #43E2D0

RGB 67 226 208

HSL 173.21, 0.73%, 0.57%

LAB 81.91, -44.57, -3.08

 

CMYK 44 / 71 / 0 / 12

HEX #7F41E1

RGB 127 65 225

HSL 263.25, 0.73%, 0.57%

LAB 43.84, 59.11, -71.56

 

CMYK 0 / 71 / 63 / 12

HEX #E14154

RGB 225 65 84

HSL 352.88, 0.73%, 0.57%

LAB 52.32, 62.34, 26.05

 

CMYK 27 / 0 / 71 / 12

HEX #A4E141

RGB 164 225 65

HSL 82.88, 0.73%, 0.57%

LAB 82.98, -42.24, 68.02

 

Description

Color code: HEX #43E2D0 | qconv.com Color code: HEX #43E2D0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 226 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 226 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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