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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43DDC5 it is the complementary color #BC223A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43DDC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43DDC5 shade: #48DDC0, #59EFD3, #6AFFE6, #7BFFF9 and #8CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43DDC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43DDC5 shade: #43DDC5, #32CBB2, #21B99F, #10A78C and #009579

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43DDC5 shade: #41DCC4, #41DC9A, #41DC71, #41DC47 and #66DC41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43DDC5 shade: #41DCC4, #41CBDC, #41A1DC, #4177DC and #414DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43DDC5 shade matches the following richer shades: #41DCC4 and #2FEED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43DDC5 shade: #41DCC4, #54CAB8, #66B8AB, #78A69F and #8A9492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43DDC5 shade: #41DC70, #41DC99, #41DCC2, #41CDDC and #41A3DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43DDC5 shade: #1FAC96, #26CEB4, #41DCC4, #64E3CF and #87E9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43DDC5 shade: #43DDC5, #4741DC and #DC8441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43DDC5 shade: #43DDC5, #C241DC and #DCC241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43DDC5 shade: #43DDC5, #4741DC, #DC415B and #D7DC41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43DDC5 shade: #43DDC5, #7541DC, #DC415B and #A9DC41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 11 / 13

HEX #43DDC5

RGB 67 221 197

HSL 170.65, 0.69%, 0.56%

LAB 80.14, -45.27, 0.18

 

Complementary color

CMYK 0 / 82 / 69 / 26

HEX #BC223A

RGB 188 34 58

HSL 350.65, 0.69%, 0.44%

LAB 41.44, 59.76, 26.55

 

CMYK 67 / 0 / 13 / 13

HEX #48DDC0

RGB 72 221 192

HSL 168.32, 0.69%, 0.57%

LAB 80.12, -45.83, 2.82

 

CMYK 63 / 0 / 12 / 6

HEX #59EFD3

RGB 89 239 211

HSL 168.8, 0.82%, 0.64%

LAB 86.29, -46.22, 1.79

 

CMYK 58 / 0 / 10 / 0

HEX #6AFFE6

RGB 106 255 230

HSL 169.93, 1%, 0.71%

LAB 91.82, -45.6, 0.01

 

CMYK 52 / 0 / 2 / 0

HEX #7BFFF9

RGB 123 255 249

HSL 177.27, 1%, 0.74%

LAB 92.83, -37.73, -8.28

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 70 / 0 / 11 / 13

HEX #43DDC5

RGB 67 221 197

HSL 170.65, 0.69%, 0.56%

LAB 80.14, -45.27, 0.18

 

CMYK 75 / 0 / 12 / 20

HEX #32CBB2

RGB 50 203 178

HSL 170.2, 0.6%, 0.5%

LAB 73.94, -44.57, 1.28

 

CMYK 82 / 0 / 14 / 27

HEX #21B99F

RGB 33 185 159

HSL 169.74, 0.7%, 0.43%

LAB 67.67, -43.59, 2.5

 

CMYK 90 / 0 / 16 / 35

HEX #10A78C

RGB 16 167 140

HSL 169.27, 0.83%, 0.36%

LAB 61.34, -42.23, 3.87

 

CMYK 100 / 0 / 19 / 42

HEX #009579

RGB 0 149 121

HSL 168.72, 1%, 0.29%

LAB 54.94, -40.49, 5.39

 

CMYK 70 / 0 / 11 / 14

HEX #41DCC4

RGB 65 220 196

HSL 170.71, 0.69%, 0.56%

LAB 79.78, -45.36, 0.18

 

CMYK 70 / 0 / 30 / 14

HEX #41DC9A

RGB 65 220 154

HSL 154.45, 0.69%, 0.56%

LAB 78.84, -55.21, 21.05

 

CMYK 70 / 0 / 49 / 14

HEX #41DC71

RGB 65 220 113

HSL 138.58, 0.69%, 0.56%

LAB 78.17, -62.65, 41

 

CMYK 70 / 0 / 68 / 14

HEX #41DC47

RGB 65 220 71

HSL 122.32, 0.69%, 0.56%

LAB 77.74, -67.77, 59.19

 

CMYK 54 / 0 / 70 / 14

HEX #66DC41

RGB 102 220 65

HSL 105.68, 0.69%, 0.56%

LAB 78.69, -60.21, 62.77

 

CMYK 70 / 0 / 11 / 14

HEX #41DCC4

RGB 65 220 196

HSL 170.71, 0.69%, 0.56%

LAB 79.78, -45.36, 0.18

 

CMYK 70 / 8 / 0 / 14

HEX #41CBDC

RGB 65 203 220

HSL 186.58, 0.69%, 0.56%

LAB 75.45, -30.92, -19.15

 

CMYK 70 / 27 / 0 / 14

HEX #41A1DC

RGB 65 161 220

HSL 202.84, 0.69%, 0.56%

LAB 63.16, -9.14, -38.06

 

CMYK 70 / 46 / 0 / 14

HEX #4177DC

RGB 65 119 220

HSL 219.1, 0.69%, 0.56%

LAB 51.25, 15.7, -56.94

 

CMYK 70 / 65 / 0 / 14

HEX #414DDC

RGB 65 77 220

HSL 235.35, 0.69%, 0.56%

LAB 40.57, 41.97, -74.26

 

CMYK 70 / 0 / 11 / 14

HEX #41DCC4

RGB 65 220 196

HSL 170.71, 0.69%, 0.56%

LAB 79.78, -45.36, 0.18

 

CMYK 80 / 0 / 12 / 7

HEX #2FEED1

RGB 47 238 209

HSL 170.89, 0.85%, 0.56%

LAB 85.18, -51.52, 1.14

 

CMYK 70 / 0 / 11 / 14

HEX #41DCC4

RGB 65 220 196

HSL 170.71, 0.69%, 0.56%

LAB 79.78, -45.36, 0.18

 

CMYK 58 / 0 / 9 / 21

HEX #54CAB8

RGB 84 202 184

HSL 170.85, 0.53%, 0.56%

LAB 74.56, -37.42, -0.96

 

CMYK 45 / 0 / 7 / 28

HEX #66B8AB

RGB 102 184 171

HSL 170.49, 0.37%, 0.56%

LAB 69.5, -28.22, -1.2

 

CMYK 28 / 0 / 4 / 35

HEX #78A69F

RGB 120 166 159

HSL 170.87, 0.21%, 0.56%

LAB 64.78, -16.92, -1.37

 

CMYK 7 / 0 / 1 / 42

HEX #8A9492

RGB 138 148 146

HSL 168, 0.04%, 0.56%

LAB 60.48, -4, -0.19

 

CMYK 70 / 0 / 49 / 14

HEX #41DC70

RGB 65 220 112

HSL 138.19, 0.69%, 0.56%

LAB 78.16, -62.8, 41.47

 

CMYK 70 / 0 / 30 / 14

HEX #41DC99

RGB 65 220 153

HSL 154.06, 0.69%, 0.56%

LAB 78.82, -55.42, 21.55

 

CMYK 70 / 0 / 12 / 14

HEX #41DCC2

RGB 65 220 194

HSL 169.94, 0.69%, 0.56%

LAB 79.73, -45.88, 1.17

 

CMYK 70 / 7 / 0 / 14

HEX #41CDDC

RGB 65 205 220

HSL 185.81, 0.69%, 0.56%

LAB 76.04, -31.88, -18.26

 

CMYK 70 / 26 / 0 / 14

HEX #41A3DC

RGB 65 163 220

HSL 202.06, 0.69%, 0.56%

LAB 63.74, -10.25, -37.15

 

CMYK 82 / 0 / 13 / 33

HEX #1FAC96

RGB 31 172 150

HSL 170.64, 0.69%, 0.4%

LAB 63.34, -40.57, 1.2

 

CMYK 82 / 0 / 13 / 19

HEX #26CEB4

RGB 38 206 180

HSL 170.71, 0.69%, 0.48%

LAB 74.73, -46.5, 1.34

 

CMYK 70 / 0 / 11 / 14

HEX #41DCC4

RGB 65 220 196

HSL 170.71, 0.69%, 0.56%

LAB 79.78, -45.36, 0.18

 

CMYK 56 / 0 / 9 / 11

HEX #64E3CF

RGB 100 227 207

HSL 170.55, 0.69%, 0.64%

LAB 82.99, -39.95, -0.87

 

CMYK 42 / 0 / 6 / 9

HEX #87E9DA

RGB 135 233 218

HSL 170.82, 0.69%, 0.72%

LAB 86.25, -32.36, -1.75

 

CMYK 70 / 0 / 11 / 13

HEX #43DDC5

RGB 67 221 197

HSL 170.65, 0.69%, 0.56%

LAB 80.14, -45.27, 0.18

 

CMYK 68 / 70 / 0 / 14

HEX #4741DC

RGB 71 65 220

HSL 242.32, 0.69%, 0.56%

LAB 38.35, 49.66, -77.89

 

CMYK 0 / 40 / 70 / 14

HEX #DC8441

RGB 220 132 65

HSL 25.94, 0.69%, 0.56%

LAB 63.43, 28.31, 49.32

 

CMYK 70 / 0 / 11 / 13

HEX #43DDC5

RGB 67 221 197

HSL 170.65, 0.69%, 0.56%

LAB 80.14, -45.27, 0.18

 

CMYK 12 / 70 / 0 / 14

HEX #C241DC

RGB 194 65 220

HSL 289.94, 0.69%, 0.56%

LAB 52.31, 70.85, -54.6

 

CMYK 0 / 12 / 70 / 14

HEX #DCC241

RGB 220 194 65

HSL 49.94, 0.69%, 0.56%

LAB 78.57, -4.63, 64.98

 

CMYK 70 / 0 / 11 / 13

HEX #43DDC5

RGB 67 221 197

HSL 170.65, 0.69%, 0.56%

LAB 80.14, -45.27, 0.18

 

CMYK 68 / 70 / 0 / 14

HEX #4741DC

RGB 71 65 220

HSL 242.32, 0.69%, 0.56%

LAB 38.35, 49.66, -77.89

 

CMYK 0 / 70 / 59 / 14

HEX #DC415B

RGB 220 65 91

HSL 349.94, 0.69%, 0.56%

LAB 51.56, 61.28, 20.7

 

CMYK 2 / 0 / 70 / 14

HEX #D7DC41

RGB 215 220 65

HSL 61.94, 0.69%, 0.56%

LAB 85, -19.79, 71.16

 

CMYK 70 / 0 / 11 / 13

HEX #43DDC5

RGB 67 221 197

HSL 170.65, 0.69%, 0.56%

LAB 80.14, -45.27, 0.18

 

CMYK 47 / 70 / 0 / 14

HEX #7541DC

RGB 117 65 220

HSL 260.13, 0.69%, 0.56%

LAB 42.35, 56.14, -71.18

 

CMYK 0 / 70 / 59 / 14

HEX #DC415B

RGB 220 65 91

HSL 349.94, 0.69%, 0.56%

LAB 51.56, 61.28, 20.7

 

CMYK 23 / 0 / 70 / 14

HEX #A9DC41

RGB 169 220 65

HSL 79.74, 0.69%, 0.56%

LAB 81.84, -38.16, 66.98

 

Description

Color code: HEX #43DDC5 | qconv.com Color code: HEX #43DDC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 221 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 221 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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