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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43DDA9 it is the complementary color #BC2256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43DDA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43DDA9 shade: #48DDA4, #59EFB7, #6AFFCA, #7BFFDD and #8CFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43DDA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43DDA9 shade: #43DDA9, #32CB96, #21B983, #10A770 and #00955D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43DDA9 shade: #41DCA8, #41DC7E, #41DC54, #58DC41 and #82DC41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43DDA9 shade: #41DCA8, #41DCD2, #41BDDC, #4193DC and #4169DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43DDA9 shade matches the following richer shades: #41DCA8 and #2FEEAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43DDA9 shade: #41DCA8, #54CAA2, #66B89C, #78A696 and #8A9490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43DDA9 shade: #41DC53, #41DC7D, #41DCA6, #41DCCF and #41C0DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43DDA9 shade: #1FAC7C, #26CE96, #41DCA8, #64E3B8 and #87E9C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43DDA9 shade: #43DDA9, #4159DC and #DC6841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43DDA9 shade: #43DDA9, #A641DC and #DCA641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43DDA9 shade: #43DDA9, #4159DC, #DC4178 and #DCC541

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43DDA9 shade: #43DDA9, #5941DC, #DC4178 and #C5DC41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 24 / 13

HEX #43DDA9

RGB 67 221 169

HSL 159.74, 0.69%, 0.56%

LAB 79.48, -52.05, 14.08

 

Complementary color

CMYK 0 / 82 / 54 / 26

HEX #BC2256

RGB 188 34 86

HSL 339.74, 0.69%, 0.44%

LAB 42.01, 61.49, 9.76

 

CMYK 67 / 0 / 26 / 13

HEX #48DDA4

RGB 72 221 164

HSL 157.05, 0.69%, 0.57%

LAB 79.48, -52.4, 16.73

 

CMYK 63 / 0 / 23 / 6

HEX #59EFB7

RGB 89 239 183

HSL 157.6, 0.82%, 0.64%

LAB 85.64, -52.7, 15.49

 

CMYK 58 / 0 / 21 / 0

HEX #6AFFCA

RGB 106 255 202

HSL 158.66, 1%, 0.71%

LAB 91.17, -52.03, 13.53

 

CMYK 52 / 0 / 13 / 0

HEX #7BFFDD

RGB 123 255 221

HSL 164.55, 1%, 0.74%

LAB 92.11, -44.4, 5.16

 

CMYK 45 / 0 / 6 / 0

HEX #8CFFF0

RGB 140 255 240

HSL 172.17, 1%, 0.77%

LAB 93.18, -36.28, -3.03

 

CMYK 70 / 0 / 24 / 13

HEX #43DDA9

RGB 67 221 169

HSL 159.74, 0.69%, 0.56%

LAB 79.48, -52.05, 14.08

 

CMYK 75 / 0 / 26 / 20

HEX #32CB96

RGB 50 203 150

HSL 159.22, 0.6%, 0.5%

LAB 73.28, -51.44, 15.42

 

CMYK 82 / 0 / 29 / 27

HEX #21B983

RGB 33 185 131

HSL 158.68, 0.7%, 0.43%

LAB 67.02, -50.52, 16.89

 

CMYK 90 / 0 / 33 / 35

HEX #10A770

RGB 16 167 112

HSL 158.15, 0.83%, 0.36%

LAB 60.71, -49.17, 18.53

 

CMYK 100 / 0 / 38 / 42

HEX #00955D

RGB 0 149 93

HSL 157.45, 1%, 0.29%

LAB 54.33, -47.37, 20.34

 

CMYK 70 / 0 / 24 / 14

HEX #41DCA8

RGB 65 220 168

HSL 159.87, 0.69%, 0.56%

LAB 79.12, -52.16, 14.09

 

CMYK 70 / 0 / 43 / 14

HEX #41DC7E

RGB 65 220 126

HSL 143.61, 0.69%, 0.56%

LAB 78.35, -60.54, 34.8

 

CMYK 70 / 0 / 62 / 14

HEX #41DC54

RGB 65 220 84

HSL 127.35, 0.69%, 0.56%

LAB 77.85, -66.46, 53.98

 

CMYK 60 / 0 / 70 / 14

HEX #58DC41

RGB 88 220 65

HSL 111.1, 0.69%, 0.56%

LAB 78.25, -63.68, 62.18

 

CMYK 41 / 0 / 70 / 14

HEX #82DC41

RGB 130 220 65

HSL 94.84, 0.69%, 0.56%

LAB 79.79, -51.96, 64.25

 

CMYK 70 / 0 / 24 / 14

HEX #41DCA8

RGB 65 220 168

HSL 159.87, 0.69%, 0.56%

LAB 79.12, -52.16, 14.09

 

CMYK 70 / 0 / 5 / 14

HEX #41DCD2

RGB 65 220 210

HSL 176.13, 0.69%, 0.56%

LAB 80.16, -41.65, -6.73

 

CMYK 70 / 14 / 0 / 14

HEX #41BDDC

RGB 65 189 220

HSL 192, 0.69%, 0.56%

LAB 71.34, -24, -25.41

 

CMYK 70 / 33 / 0 / 14

HEX #4193DC

RGB 65 147 220

HSL 208.26, 0.69%, 0.56%

LAB 59.12, -1.18, -44.41

 

CMYK 70 / 52 / 0 / 14

HEX #4169DC

RGB 65 105 220

HSL 224.52, 0.69%, 0.56%

LAB 47.49, 24.48, -63

 

CMYK 70 / 0 / 24 / 14

HEX #41DCA8

RGB 65 220 168

HSL 159.87, 0.69%, 0.56%

LAB 79.12, -52.16, 14.09

 

CMYK 80 / 0 / 27 / 7

HEX #2FEEAE

RGB 47 238 174

HSL 159.9, 0.85%, 0.56%

LAB 84.39, -59.93, 18.29

 

CMYK 70 / 0 / 24 / 14

HEX #41DCA8

RGB 65 220 168

HSL 159.87, 0.69%, 0.56%

LAB 79.12, -52.16, 14.09

 

CMYK 58 / 0 / 20 / 21

HEX #54CAA2

RGB 84 202 162

HSL 159.66, 0.53%, 0.56%

LAB 74.02, -42.74, 10.14

 

CMYK 45 / 0 / 15 / 28

HEX #66B89C

RGB 102 184 156

HSL 159.51, 0.37%, 0.56%

LAB 69.12, -31.75, 6.47

 

CMYK 28 / 0 / 10 / 35

HEX #78A696

RGB 120 166 150

HSL 159.13, 0.21%, 0.56%

LAB 64.54, -18.92, 3.31

 

CMYK 7 / 0 / 3 / 42

HEX #8A9490

RGB 138 148 144

HSL 156, 0.04%, 0.56%

LAB 60.42, -4.4, 0.86

 

CMYK 70 / 0 / 62 / 14

HEX #41DC53

RGB 65 220 83

HSL 126.97, 0.69%, 0.56%

LAB 77.84, -66.57, 54.4

 

CMYK 70 / 0 / 43 / 14

HEX #41DC7D

RGB 65 220 125

HSL 143.23, 0.69%, 0.56%

LAB 78.34, -60.71, 35.28

 

CMYK 70 / 0 / 25 / 14

HEX #41DCA6

RGB 65 220 166

HSL 159.1, 0.69%, 0.56%

LAB 79.08, -52.61, 15.09

 

CMYK 70 / 0 / 6 / 14

HEX #41DCCF

RGB 65 220 207

HSL 174.97, 0.69%, 0.56%

LAB 80.08, -42.46, -5.26

 

CMYK 70 / 13 / 0 / 14

HEX #41C0DC

RGB 65 192 220

HSL 190.84, 0.69%, 0.56%

LAB 72.22, -25.51, -24.06

 

CMYK 82 / 0 / 28 / 33

HEX #1FAC7C

RGB 31 172 124

HSL 159.57, 0.69%, 0.4%

LAB 62.72, -47.18, 14.74

 

CMYK 82 / 0 / 27 / 19

HEX #26CE96

RGB 38 206 150

HSL 160, 0.69%, 0.48%

LAB 74.03, -53.9, 16.45

 

CMYK 70 / 0 / 24 / 14

HEX #41DCA8

RGB 65 220 168

HSL 159.87, 0.69%, 0.56%

LAB 79.12, -52.16, 14.09

 

CMYK 56 / 0 / 19 / 11

HEX #64E3B8

RGB 100 227 184

HSL 159.69, 0.69%, 0.64%

LAB 82.44, -45.35, 10.47

 

CMYK 42 / 0 / 14 / 9

HEX #87E9C8

RGB 135 233 200

HSL 159.8, 0.69%, 0.72%

LAB 85.81, -36.39, 7.06

 

CMYK 70 / 0 / 24 / 13

HEX #43DDA9

RGB 67 221 169

HSL 159.74, 0.69%, 0.56%

LAB 79.48, -52.05, 14.08

 

CMYK 70 / 60 / 0 / 14

HEX #4159DC

RGB 65 89 220

HSL 230.71, 0.69%, 0.56%

LAB 43.41, 34.56, -69.62

 

CMYK 0 / 53 / 70 / 14

HEX #DC6841

RGB 220 104 65

HSL 15.1, 0.69%, 0.56%

LAB 57.56, 42.75, 42.86

 

CMYK 70 / 0 / 24 / 13

HEX #43DDA9

RGB 67 221 169

HSL 159.74, 0.69%, 0.56%

LAB 79.48, -52.05, 14.08

 

CMYK 25 / 70 / 0 / 14

HEX #A641DC

RGB 166 65 220

HSL 279.1, 0.69%, 0.56%

LAB 48.33, 65.16, -61.2

 

CMYK 0 / 25 / 70 / 14

HEX #DCA641

RGB 220 166 65

HSL 39.1, 0.69%, 0.56%

LAB 71.47, 10.09, 57.79

 

CMYK 70 / 0 / 24 / 13

HEX #43DDA9

RGB 67 221 169

HSL 159.74, 0.69%, 0.56%

LAB 79.48, -52.05, 14.08

 

CMYK 70 / 60 / 0 / 14

HEX #4159DC

RGB 65 89 220

HSL 230.71, 0.69%, 0.56%

LAB 43.41, 34.56, -69.62

 

CMYK 0 / 70 / 45 / 14

HEX #DC4178

RGB 220 65 120

HSL 338.71, 0.69%, 0.56%

LAB 52.23, 63.57, 4.21

 

CMYK 0 / 10 / 70 / 14

HEX #DCC541

RGB 220 197 65

HSL 51.1, 0.69%, 0.56%

LAB 79.35, -6.18, 65.75

 

CMYK 70 / 0 / 24 / 13

HEX #43DDA9

RGB 67 221 169

HSL 159.74, 0.69%, 0.56%

LAB 79.48, -52.05, 14.08

 

CMYK 60 / 70 / 0 / 14

HEX #5941DC

RGB 89 65 220

HSL 249.29, 0.69%, 0.56%

LAB 39.7, 51.9, -75.63

 

CMYK 0 / 70 / 45 / 14

HEX #DC4178

RGB 220 65 120

HSL 338.71, 0.69%, 0.56%

LAB 52.23, 63.57, 4.21

 

CMYK 10 / 0 / 70 / 14

HEX #C5DC41

RGB 197 220 65

HSL 68.9, 0.69%, 0.56%

LAB 83.67, -27.15, 69.4

 

Description

Color code: HEX #43DDA9 | qconv.com Color code: HEX #43DDA9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 221 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 221 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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