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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43DA3B it is the complementary color #BC25C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43DA3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43DA3B shade: #48DA36, #59EC49, #6AFE5C, #7BFF6F and #8CFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43DA3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43DA3B shade: #43DA3B, #32C828, #21B615, #10A402 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43DA3B shade: #42D93A, #6DD93A, #98D93A, #C3D93A and #D9C53A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43DA3B shade: #42D93A, #3AD95D, #3AD988, #3AD9B3 and #3AD5D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43DA3B shade matches the following richer shades: #42D93A and #31EC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43DA3B shade: #42D93A, #53C64D, #64B460, #75A173 and #868E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43DA3B shade: #9AD93A, #6FD93A, #45D93A, #3AD95A and #3AD984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43DA3B shade: #25A21F, #2DC525, #42D93A, #63E05D and #84E77F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43DA3B shade: #43DA3B, #3AC4D9 and #D93A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43DA3B shade: #43DA3B, #3A45D9 and #D93A45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43DA3B shade: #43DA3B, #3AC4D9, #CF3AD9 and #D94F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43DA3B shade: #43DA3B, #3A94D9, #CF3AD9 and #D97F3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 73 / 15

HEX #43DA3B

RGB 67 218 59

HSL 116.98, 0.68%, 0.54%

LAB 77.07, -67.79, 62.95

 

Complementary color

CMYK 4 / 81 / 0 / 23

HEX #BC25C4

RGB 188 37 196

HSL 296.98, 0.68%, 0.46%

LAB 46.97, 74.08, -49.4

 

CMYK 67 / 0 / 75 / 15

HEX #48DA36

RGB 72 218 54

HSL 113.41, 0.69%, 0.53%

LAB 77.15, -67.21, 64.75

 

CMYK 62 / 0 / 69 / 7

HEX #59EC49

RGB 89 236 73

HSL 114.11, 0.81%, 0.61%

LAB 83.23, -68.25, 64.41

 

CMYK 58 / 0 / 64 / 0

HEX #6AFE5C

RGB 106 254 92

HSL 114.81, 0.99%, 0.68%

LAB 89.26, -68.94, 63.66

 

CMYK 52 / 0 / 56 / 0

HEX #7BFF6F

RGB 123 255 111

HSL 115, 1%, 0.72%

LAB 90.27, -63.22, 56.93

 

CMYK 45 / 0 / 49 / 0

HEX #8CFF82

RGB 140 255 130

HSL 115.2, 1%, 0.75%

LAB 91.1, -56.4, 49.45

 

CMYK 69 / 0 / 73 / 15

HEX #43DA3B

RGB 67 218 59

HSL 116.98, 0.68%, 0.54%

LAB 77.07, -67.79, 62.95

 

CMYK 75 / 0 / 80 / 22

HEX #32C828

RGB 50 200 40

HSL 116.25, 0.67%, 0.47%

LAB 70.97, -66.23, 62.94

 

CMYK 82 / 0 / 88 / 29

HEX #21B615

RGB 33 182 21

HSL 115.53, 0.79%, 0.4%

LAB 64.83, -64.01, 61.93

 

CMYK 90 / 0 / 99 / 36

HEX #10A402

RGB 16 164 2

HSL 114.81, 0.98%, 0.33%

LAB 58.66, -60.95, 59.62

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 70 / 0 / 73 / 15

HEX #42D93A

RGB 66 217 58

HSL 116.98, 0.68%, 0.54%

LAB 76.73, -67.72, 62.95

 

CMYK 50 / 0 / 73 / 15

HEX #6DD93A

RGB 109 217 58

HSL 100.75, 0.68%, 0.54%

LAB 77.98, -57.69, 64.61

 

CMYK 30 / 0 / 73 / 15

HEX #98D93A

RGB 152 217 58

HSL 84.53, 0.68%, 0.54%

LAB 79.96, -43.58, 67.22

 

CMYK 10 / 0 / 73 / 15

HEX #C3D93A

RGB 195 217 58

HSL 68.3, 0.68%, 0.54%

LAB 82.66, -26.88, 70.76

 

CMYK 0 / 9 / 73 / 15

HEX #D9C53A

RGB 217 197 58

HSL 52.45, 0.68%, 0.54%

LAB 79.04, -7.78, 67.92

 

CMYK 70 / 0 / 73 / 15

HEX #42D93A

RGB 66 217 58

HSL 116.98, 0.68%, 0.54%

LAB 76.73, -67.72, 62.95

 

CMYK 73 / 0 / 57 / 15

HEX #3AD95D

RGB 58 217 93

HSL 133.21, 0.68%, 0.54%

LAB 76.87, -65.51, 48.84

 

CMYK 73 / 0 / 37 / 15

HEX #3AD988

RGB 58 217 136

HSL 149.43, 0.68%, 0.54%

LAB 77.46, -58.67, 28.51

 

CMYK 73 / 0 / 18 / 15

HEX #3AD9B3

RGB 58 217 179

HSL 165.66, 0.68%, 0.54%

LAB 78.33, -49.27, 7.12

 

CMYK 73 / 2 / 0 / 15

HEX #3AD5D9

RGB 58 213 217

HSL 181.51, 0.68%, 0.54%

LAB 78.17, -37.35, -13.46

 

CMYK 70 / 0 / 73 / 15

HEX #42D93A

RGB 66 217 58

HSL 116.98, 0.68%, 0.54%

LAB 76.73, -67.72, 62.95

 

CMYK 79 / 0 / 83 / 7

HEX #31EC27

RGB 49 236 39

HSL 116.95, 0.84%, 0.54%

LAB 82.27, -77.08, 73.57

 

CMYK 70 / 0 / 73 / 15

HEX #42D93A

RGB 66 217 58

HSL 116.98, 0.68%, 0.54%

LAB 76.73, -67.72, 62.95

 

CMYK 58 / 0 / 61 / 22

HEX #53C64D

RGB 83 198 77

HSL 117.02, 0.51%, 0.54%

LAB 71.39, -55.91, 49.85

 

CMYK 44 / 0 / 47 / 29

HEX #64B460

RGB 100 180 96

HSL 117.14, 0.36%, 0.54%

LAB 66.67, -41.68, 35.25

 

CMYK 27 / 0 / 29 / 37

HEX #75A173

RGB 117 161 115

HSL 117.39, 0.2%, 0.54%

LAB 62.09, -24.23, 19.29

 

CMYK 6 / 0 / 6 / 44

HEX #868E86

RGB 134 142 134

HSL 120, 0.03%, 0.54%

LAB 58.17, -4.5, 3.25

 

CMYK 29 / 0 / 73 / 15

HEX #9AD93A

RGB 154 217 58

HSL 83.77, 0.68%, 0.54%

LAB 80.07, -42.85, 67.36

 

CMYK 49 / 0 / 73 / 15

HEX #6FD93A

RGB 111 217 58

HSL 100, 0.68%, 0.54%

LAB 78.06, -57.11, 64.71

 

CMYK 68 / 0 / 73 / 15

HEX #45D93A

RGB 69 217 58

HSL 115.85, 0.68%, 0.54%

LAB 76.8, -67.18, 63.03

 

CMYK 73 / 0 / 59 / 15

HEX #3AD95A

RGB 58 217 90

HSL 132.08, 0.68%, 0.54%

LAB 76.84, -65.88, 50.16

 

CMYK 73 / 0 / 39 / 15

HEX #3AD984

RGB 58 217 132

HSL 147.92, 0.68%, 0.54%

LAB 77.4, -59.42, 30.47

 

CMYK 77 / 0 / 81 / 36

HEX #25A21F

RGB 37 162 31

HSL 117.25, 0.68%, 0.38%

LAB 58.35, -56.86, 53.62

 

CMYK 77 / 0 / 81 / 23

HEX #2DC525

RGB 45 197 37

HSL 117, 0.68%, 0.46%

LAB 69.91, -66.21, 62.77

 

CMYK 70 / 0 / 73 / 15

HEX #42D93A

RGB 66 217 58

HSL 116.98, 0.68%, 0.54%

LAB 76.73, -67.72, 62.95

 

CMYK 56 / 0 / 58 / 12

HEX #63E05D

RGB 99 224 93

HSL 117.25, 0.68%, 0.62%

LAB 80.04, -59.81, 52.8

 

CMYK 43 / 0 / 45 / 9

HEX #84E77F

RGB 132 231 127

HSL 117.12, 0.68%, 0.7%

LAB 83.75, -49.36, 41.64

 

CMYK 69 / 0 / 73 / 15

HEX #43DA3B

RGB 67 218 59

HSL 116.98, 0.68%, 0.54%

LAB 77.07, -67.79, 62.95

 

CMYK 73 / 10 / 0 / 15

HEX #3AC4D9

RGB 58 196 217

HSL 187.92, 0.68%, 0.54%

LAB 73.15, -29.29, -21.03

 

CMYK 0 / 73 / 39 / 15

HEX #D93A84

RGB 217 58 132

HSL 332.08, 0.68%, 0.54%

LAB 51.2, 66.29, -4.57

 

CMYK 69 / 0 / 73 / 15

HEX #43DA3B

RGB 67 218 59

HSL 116.98, 0.68%, 0.54%

LAB 77.07, -67.79, 62.95

 

CMYK 73 / 68 / 0 / 15

HEX #3A45D9

RGB 58 69 217

HSL 235.85, 0.68%, 0.54%

LAB 38.14, 44.99, -76.55

 

CMYK 0 / 73 / 68 / 15

HEX #D93A45

RGB 217 58 69

HSL 355.85, 0.68%, 0.54%

LAB 49.75, 61.53, 31.37

 

CMYK 69 / 0 / 73 / 15

HEX #43DA3B

RGB 67 218 59

HSL 116.98, 0.68%, 0.54%

LAB 77.07, -67.79, 62.95

 

CMYK 73 / 10 / 0 / 15

HEX #3AC4D9

RGB 58 196 217

HSL 187.92, 0.68%, 0.54%

LAB 73.15, -29.29, -21.03

 

CMYK 5 / 73 / 0 / 15

HEX #CF3AD9

RGB 207 58 217

HSL 296.23, 0.68%, 0.54%

LAB 53.28, 75.36, -51.23

 

CMYK 0 / 64 / 73 / 15

HEX #D94F3A

RGB 217 79 58

HSL 7.92, 0.68%, 0.54%

LAB 52.56, 52.94, 40.89

 

CMYK 69 / 0 / 73 / 15

HEX #43DA3B

RGB 67 218 59

HSL 116.98, 0.68%, 0.54%

LAB 77.07, -67.79, 62.95

 

CMYK 73 / 32 / 0 / 15

HEX #3A94D9

RGB 58 148 217

HSL 206.04, 0.68%, 0.54%

LAB 59.06, -3.76, -42.85

 

CMYK 5 / 73 / 0 / 15

HEX #CF3AD9

RGB 207 58 217

HSL 296.23, 0.68%, 0.54%

LAB 53.28, 75.36, -51.23

 

CMYK 0 / 41 / 73 / 15

HEX #D97F3A

RGB 217 127 58

HSL 26.04, 0.68%, 0.54%

LAB 61.86, 29.39, 50.85

 

Description

Color code: HEX #43DA3B | qconv.com Color code: HEX #43DA3B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 218 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 218 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 73 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 73% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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