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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43D545 it is the complementary color #BC2ABA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43D545. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43D545 shade: #48D540, #59E753, #6AF966, #7BFF79 and #8CFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43D545. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43D545 shade: #43D545, #32C332, #21B11F, #109F0C and #008D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43D545 shade: #44D546, #69D544, #90D544, #B7D544 and #D5CB44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43D545 shade: #44D546, #44D56D, #44D594, #44D5BB and #44C7D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43D545 shade matches the following richer shades: #44D546, #31E734 and #1FFA22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43D545 shade: #44D546, #57C258, #69AF6A, #7C9D7C and #8E8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43D545 shade: #91D544, #6BD544, #44D544, #44D56B and #44D591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43D545 shade: #25A126, #2CC32E, #44D546, #66DC67 and #87E488

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43D545 shade: #43D545, #44B8D5 and #D5447E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43D545 shade: #43D545, #4444D5 and #D54444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43D545 shade: #43D545, #44B8D5, #D544D5 and #D56144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43D545 shade: #43D545, #448CD5, #D544D5 and #D58C44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 68 / 16

HEX #43D545

RGB 67 213 69

HSL 120.82, 0.63%, 0.55%

LAB 75.58, -65.33, 57.69

 

Complementary color

CMYK 0 / 78 / 1 / 26

HEX #BC2ABA

RGB 188 42 186

HSL 300.82, 0.63%, 0.45%

LAB 46.83, 71.22, -43.8

 

CMYK 66 / 0 / 70 / 16

HEX #48D540

RGB 72 213 64

HSL 116.78, 0.64%, 0.54%

LAB 75.66, -64.82, 59.73

 

CMYK 61 / 0 / 64 / 9

HEX #59E753

RGB 89 231 83

HSL 117.57, 0.76%, 0.62%

LAB 81.78, -65.65, 58.95

 

CMYK 57 / 0 / 59 / 2

HEX #6AF966

RGB 106 249 102

HSL 118.37, 0.92%, 0.69%

LAB 87.86, -66.18, 57.92

 

CMYK 52 / 0 / 53 / 0

HEX #7BFF79

RGB 123 255 121

HSL 119.1, 1%, 0.74%

LAB 90.37, -62.05, 52.57

 

CMYK 45 / 0 / 45 / 0

HEX #8CFF8C

RGB 140 255 140

HSL 120, 1%, 0.77%

LAB 91.23, -55.08, 44.87

 

CMYK 69 / 0 / 68 / 16

HEX #43D545

RGB 67 213 69

HSL 120.82, 0.63%, 0.55%

LAB 75.58, -65.33, 57.69

 

CMYK 74 / 0 / 74 / 24

HEX #32C332

RGB 50 195 50

HSL 120, 0.59%, 0.48%

LAB 69.43, -64.01, 58.28

 

CMYK 81 / 0 / 82 / 31

HEX #21B11F

RGB 33 177 31

HSL 119.18, 0.7%, 0.41%

LAB 63.23, -62.05, 58.15

 

CMYK 90 / 0 / 92 / 38

HEX #109F0C

RGB 16 159 12

HSL 118.37, 0.86%, 0.34%

LAB 57.01, -59.23, 56.77

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 68 / 0 / 67 / 16

HEX #44D546

RGB 68 213 70

HSL 120.83, 0.63%, 0.55%

LAB 75.61, -65.05, 57.33

 

CMYK 51 / 0 / 68 / 16

HEX #69D544

RGB 105 213 68

HSL 104.69, 0.63%, 0.55%

LAB 76.68, -56.58, 59.59

 

CMYK 32 / 0 / 68 / 16

HEX #90D544

RGB 144 213 68

HSL 88.55, 0.63%, 0.55%

LAB 78.42, -44.1, 61.94

 

CMYK 14 / 0 / 68 / 16

HEX #B7D544

RGB 183 213 68

HSL 72.41, 0.63%, 0.55%

LAB 80.78, -29.29, 65.11

 

CMYK 0 / 5 / 68 / 16

HEX #D5CB44

RGB 213 203 68

HSL 55.86, 0.63%, 0.55%

LAB 80.33, -12.04, 65.4

 

CMYK 68 / 0 / 67 / 16

HEX #44D546

RGB 68 213 70

HSL 120.83, 0.63%, 0.55%

LAB 75.61, -65.05, 57.33

 

CMYK 68 / 0 / 49 / 16

HEX #44D56D

RGB 68 213 109

HSL 136.97, 0.63%, 0.55%

LAB 76.02, -60.27, 40.28

 

CMYK 68 / 0 / 31 / 16

HEX #44D594

RGB 68 213 148

HSL 153.1, 0.63%, 0.55%

LAB 76.65, -53.26, 21.2

 

CMYK 68 / 0 / 12 / 16

HEX #44D5BB

RGB 68 213 187

HSL 169.24, 0.63%, 0.55%

LAB 77.52, -44.23, 1.7

 

CMYK 68 / 7 / 0 / 16

HEX #44C7D5

RGB 68 199 213

HSL 185.79, 0.63%, 0.55%

LAB 74.11, -30.66, -17.38

 

CMYK 68 / 0 / 67 / 16

HEX #44D546

RGB 68 213 70

HSL 120.83, 0.63%, 0.55%

LAB 75.61, -65.05, 57.33

 

CMYK 79 / 0 / 77 / 9

HEX #31E734

RGB 49 231 52

HSL 120.99, 0.79%, 0.55%

LAB 80.77, -74.93, 68.74

 

CMYK 88 / 0 / 86 / 2

HEX #1FFA22

RGB 31 250 34

HSL 120.82, 0.96%, 0.55%

LAB 86.39, -82.84, 78.21

 

CMYK 68 / 0 / 67 / 16

HEX #44D546

RGB 68 213 70

HSL 120.83, 0.63%, 0.55%

LAB 75.61, -65.05, 57.33

 

CMYK 55 / 0 / 55 / 24

HEX #57C258

RGB 87 194 88

HSL 120.56, 0.47%, 0.55%

LAB 70.4, -52.11, 43.66

 

CMYK 40 / 0 / 39 / 31

HEX #69AF6A

RGB 105 175 106

HSL 120.86, 0.3%, 0.55%

LAB 65.52, -36.41, 28.62

 

CMYK 21 / 0 / 21 / 38

HEX #7C9D7C

RGB 124 157 124

HSL 120, 0.14%, 0.55%

LAB 61.53, -18.11, 13.59

 

CMYK 0 / 3 / 0 / 44

HEX #8E8A8E

RGB 142 138 142

HSL 300, 0.02%, 0.55%

LAB 57.92, 2.26, -1.61

 

CMYK 32 / 0 / 68 / 16

HEX #91D544

RGB 145 213 68

HSL 88.14, 0.63%, 0.55%

LAB 78.48, -43.75, 62.01

 

CMYK 50 / 0 / 68 / 16

HEX #6BD544

RGB 107 213 68

HSL 103.86, 0.63%, 0.55%

LAB 76.76, -56.01, 59.69

 

CMYK 68 / 0 / 68 / 16

HEX #44D544

RGB 68 213 68

HSL 120, 0.63%, 0.55%

LAB 75.6, -65.23, 58.11

 

CMYK 68 / 0 / 50 / 16

HEX #44D56B

RGB 68 213 107

HSL 136.14, 0.63%, 0.55%

LAB 75.99, -60.57, 41.22

 

CMYK 68 / 0 / 32 / 16

HEX #44D591

RGB 68 213 145

HSL 151.86, 0.63%, 0.55%

LAB 76.6, -53.88, 22.7

 

CMYK 77 / 0 / 76 / 37

HEX #25A126

RGB 37 161 38

HSL 120.48, 0.63%, 0.39%

LAB 58.06, -56.06, 51.05

 

CMYK 77 / 0 / 76 / 24

HEX #2CC32E

RGB 44 195 46

HSL 120.79, 0.63%, 0.47%

LAB 69.3, -65.18, 59.47

 

CMYK 68 / 0 / 67 / 16

HEX #44D546

RGB 68 213 70

HSL 120.83, 0.63%, 0.55%

LAB 75.61, -65.05, 57.33

 

CMYK 54 / 0 / 53 / 14

HEX #66DC67

RGB 102 220 103

HSL 120.51, 0.63%, 0.63%

LAB 79.04, -56.38, 47.07

 

CMYK 41 / 0 / 40 / 11

HEX #87E488

RGB 135 228 136

HSL 120.65, 0.63%, 0.71%

LAB 83.13, -45.92, 36.42

 

CMYK 69 / 0 / 68 / 16

HEX #43D545

RGB 67 213 69

HSL 120.82, 0.63%, 0.55%

LAB 75.58, -65.33, 57.69

 

CMYK 68 / 14 / 0 / 16

HEX #44B8D5

RGB 68 184 213

HSL 192, 0.63%, 0.55%

LAB 69.69, -23.22, -24.1

 

CMYK 0 / 68 / 41 / 16

HEX #D5447E

RGB 213 68 126

HSL 336, 0.63%, 0.55%

LAB 51.6, 61.03, -0.47

 

CMYK 69 / 0 / 68 / 16

HEX #43D545

RGB 67 213 69

HSL 120.82, 0.63%, 0.55%

LAB 75.58, -65.33, 57.69

 

CMYK 68 / 68 / 0 / 16

HEX #4444D5

RGB 68 68 213

HSL 240, 0.63%, 0.55%

LAB 38.14, 45.34, -74.23

 

CMYK 0 / 68 / 68 / 16

HEX #D54444

RGB 213 68 68

HSL 0, 0.63%, 0.55%

LAB 50.33, 56.59, 32.5

 

CMYK 69 / 0 / 68 / 16

HEX #43D545

RGB 67 213 69

HSL 120.82, 0.63%, 0.55%

LAB 75.58, -65.33, 57.69

 

CMYK 68 / 14 / 0 / 16

HEX #44B8D5

RGB 68 184 213

HSL 192, 0.63%, 0.55%

LAB 69.69, -23.22, -24.1

 

CMYK 0 / 68 / 0 / 16

HEX #D544D5

RGB 213 68 213

HSL 300, 0.63%, 0.55%

LAB 55.16, 72.65, -45.9

 

CMYK 0 / 54 / 68 / 16

HEX #D56144

RGB 213 97 68

HSL 12, 0.63%, 0.55%

LAB 55.19, 43.72, 38.27

 

CMYK 69 / 0 / 68 / 16

HEX #43D545

RGB 67 213 69

HSL 120.82, 0.63%, 0.55%

LAB 75.58, -65.33, 57.69

 

CMYK 68 / 34 / 0 / 16

HEX #448CD5

RGB 68 140 213

HSL 210.21, 0.63%, 0.55%

LAB 56.87, 0.93, -44.04

 

CMYK 0 / 68 / 0 / 16

HEX #D544D5

RGB 213 68 213

HSL 300, 0.63%, 0.55%

LAB 55.16, 72.65, -45.9

 

CMYK 0 / 34 / 68 / 16

HEX #D58C44

RGB 213 140 68

HSL 29.79, 0.63%, 0.55%

LAB 64.42, 21.26, 48.71

 

Description

Color code: HEX #43D545 | qconv.com Color code: HEX #43D545 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 213 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 213 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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