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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43CF2C it is the complementary color #BC30D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43CF2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43CF2C shade: #48CF27, #59E13A, #6AF34D, #7BFF60 and #8CFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43CF2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43CF2C shade: #43CF2C, #32BD19, #21AB06, #109900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43CF2C shade: #43CE2C, #6ECE2C, #9ACE2C, #C6CE2C and #CEAA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43CF2C shade: #43CE2C, #2CCE41, #2CCE6C, #2CCE98 and #2CCEC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43CF2C shade matches the following richer shades: #43CE2C, #34E218 and #26F703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43CF2C shade: #43CE2C, #51BA40, #60A654, #6E9268 and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43CF2C shade: #9BCE2C, #6FCE2C, #44CE2C, #2CCE3F and #2CCE6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43CF2C shade: #2D8A1D, #38AC25, #43CE2C, #5FD94A and #7DE06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43CF2C shade: #43CF2C, #2CC6CE and #CE2C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43CF2C shade: #43CF2C, #2C44CE and #CE2C44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43CF2C shade: #43CF2C, #2CC6CE, #B62CCE and #CE342C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43CF2C shade: #43CF2C, #2C95CE, #B62CCE and #CE652C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 79 / 19

HEX #43CF2C

RGB 67 207 44

HSL 111.53, 0.65%, 0.49%

LAB 73.55, -65.26, 64.34

 

Complementary color

CMYK 11 / 77 / 0 / 17

HEX #BC30D3

RGB 188 48 211

HSL 291.53, 0.65%, 0.51%

LAB 48.89, 73.66, -54.98

 

CMYK 65 / 0 / 81 / 19

HEX #48CF27

RGB 72 207 39

HSL 108.21, 0.68%, 0.48%

LAB 73.64, -64.54, 65.88

 

CMYK 60 / 0 / 74 / 12

HEX #59E13A

RGB 89 225 58

HSL 108.86, 0.74%, 0.55%

LAB 79.77, -65.67, 66.17

 

CMYK 56 / 0 / 68 / 5

HEX #6AF34D

RGB 106 243 77

HSL 109.52, 0.87%, 0.63%

LAB 85.86, -66.43, 65.82

 

CMYK 52 / 0 / 62 / 0

HEX #7BFF60

RGB 123 255 96

HSL 109.81, 1%, 0.69%

LAB 90.13, -64.76, 63.14

 

CMYK 45 / 0 / 55 / 0

HEX #8CFF73

RGB 140 255 115

HSL 109.29, 1%, 0.73%

LAB 90.93, -58.18, 56.1

 

CMYK 68 / 0 / 79 / 19

HEX #43CF2C

RGB 67 207 44

HSL 111.53, 0.65%, 0.49%

LAB 73.55, -65.26, 64.34

 

CMYK 74 / 0 / 87 / 26

HEX #32BD19

RGB 50 189 25

HSL 110.85, 0.77%, 0.42%

LAB 67.38, -63.57, 63.45

 

CMYK 81 / 0 / 96 / 33

HEX #21AB06

RGB 33 171 6

HSL 110.18, 0.93%, 0.35%

LAB 61.19, -61.17, 61.19

 

CMYK 90 / 0 / 100 / 40

HEX #109900

RGB 16 153 0

HSL 113.73, 1%, 0.3%

LAB 54.96, -57.82, 56.95

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 67 / 0 / 79 / 19

HEX #43CE2C

RGB 67 206 44

HSL 111.48, 0.65%, 0.49%

LAB 73.23, -64.94, 64.04

 

CMYK 47 / 0 / 79 / 19

HEX #6ECE2C

RGB 110 206 44

HSL 95.56, 0.65%, 0.49%

LAB 74.6, -54.07, 65.81

 

CMYK 25 / 0 / 79 / 19

HEX #9ACE2C

RGB 154 206 44

HSL 79.26, 0.65%, 0.49%

LAB 76.8, -38.72, 68.65

 

CMYK 4 / 0 / 79 / 19

HEX #C6CE2C

RGB 198 206 44

HSL 62.96, 0.65%, 0.49%

LAB 79.8, -20.9, 72.48

 

CMYK 0 / 17 / 79 / 19

HEX #CEAA2C

RGB 206 170 44

HSL 46.67, 0.65%, 0.49%

LAB 70.91, 0.97, 64.78

 

CMYK 67 / 0 / 79 / 19

HEX #43CE2C

RGB 67 206 44

HSL 111.48, 0.65%, 0.49%

LAB 73.23, -64.94, 64.04

 

CMYK 79 / 0 / 68 / 19

HEX #2CCE41

RGB 44 206 65

HSL 127.78, 0.65%, 0.49%

LAB 72.93, -67.01, 56.31

 

CMYK 79 / 0 / 48 / 19

HEX #2CCE6C

RGB 44 206 108

HSL 143.7, 0.65%, 0.49%

LAB 73.39, -61.49, 37.37

 

CMYK 79 / 0 / 26 / 19

HEX #2CCE98

RGB 44 206 152

HSL 160, 0.65%, 0.49%

LAB 74.15, -52.85, 15.56

 

CMYK 79 / 0 / 5 / 19

HEX #2CCEC4

RGB 44 206 196

HSL 176.3, 0.65%, 0.49%

LAB 75.24, -41.6, -6.54

 

CMYK 67 / 0 / 79 / 19

HEX #43CE2C

RGB 67 206 44

HSL 111.48, 0.65%, 0.49%

LAB 73.23, -64.94, 64.04

 

CMYK 77 / 0 / 89 / 11

HEX #34E218

RGB 52 226 24

HSL 111.68, 0.81%, 0.49%

LAB 79.15, -74.39, 73.82

 

CMYK 85 / 0 / 99 / 3

HEX #26F703

RGB 38 247 3

HSL 111.39, 0.98%, 0.49%

LAB 85.47, -82.18, 81.22

 

CMYK 67 / 0 / 79 / 19

HEX #43CE2C

RGB 67 206 44

HSL 111.48, 0.65%, 0.49%

LAB 73.23, -64.94, 64.04

 

CMYK 56 / 0 / 66 / 27

HEX #51BA40

RGB 81 186 64

HSL 111.64, 0.49%, 0.49%

LAB 67.45, -53.29, 51.07

 

CMYK 42 / 0 / 49 / 35

HEX #60A654

RGB 96 166 84

HSL 111.22, 0.33%, 0.49%

LAB 62, -38.5, 35.5

 

CMYK 25 / 0 / 29 / 43

HEX #6E9268

RGB 110 146 104

HSL 111.43, 0.17%, 0.49%

LAB 56.95, -21.03, 18.33

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 25 / 0 / 79 / 19

HEX #9BCE2C

RGB 155 206 44

HSL 78.89, 0.65%, 0.49%

LAB 76.86, -38.33, 68.72

 

CMYK 46 / 0 / 79 / 19

HEX #6FCE2C

RGB 111 206 44

HSL 95.19, 0.65%, 0.49%

LAB 74.64, -53.76, 65.86

 

CMYK 67 / 0 / 79 / 19

HEX #44CE2C

RGB 68 206 44

HSL 111.11, 0.65%, 0.49%

LAB 73.25, -64.75, 64.07

 

CMYK 79 / 0 / 69 / 19

HEX #2CCE3F

RGB 44 206 63

HSL 127.04, 0.65%, 0.49%

LAB 72.92, -67.2, 57.07

 

CMYK 79 / 0 / 49 / 19

HEX #2CCE6A

RGB 44 206 106

HSL 142.96, 0.65%, 0.49%

LAB 73.36, -61.81, 38.33

 

CMYK 67 / 0 / 79 / 46

HEX #2D8A1D

RGB 45 138 29

HSL 111.19, 0.65%, 0.33%

LAB 50.48, -47.46, 46.79

 

CMYK 67 / 0 / 78 / 33

HEX #38AC25

RGB 56 172 37

HSL 111.56, 0.65%, 0.41%

LAB 62.07, -56.35, 55.43

 

CMYK 67 / 0 / 79 / 19

HEX #43CE2C

RGB 67 206 44

HSL 111.48, 0.65%, 0.49%

LAB 73.23, -64.94, 64.04

 

CMYK 56 / 0 / 66 / 15

HEX #5FD94A

RGB 95 217 74

HSL 111.19, 0.65%, 0.57%

LAB 77.61, -60.18, 58.1

 

CMYK 44 / 0 / 52 / 12

HEX #7DE06C

RGB 125 224 108

HSL 111.21, 0.65%, 0.65%

LAB 81.16, -51.02, 47.48

 

CMYK 68 / 0 / 79 / 19

HEX #43CF2C

RGB 67 207 44

HSL 111.53, 0.65%, 0.49%

LAB 73.55, -65.26, 64.34

 

CMYK 79 / 4 / 0 / 19

HEX #2CC6CE

RGB 44 198 206

HSL 182.96, 0.65%, 0.49%

LAB 73.14, -35.05, -15.09

 

CMYK 0 / 79 / 35 / 19

HEX #CE2C85

RGB 206 44 133

HSL 327.04, 0.65%, 0.49%

LAB 47.77, 67.76, -10.5

 

CMYK 68 / 0 / 79 / 19

HEX #43CF2C

RGB 67 207 44

HSL 111.53, 0.65%, 0.49%

LAB 73.55, -65.26, 64.34

 

CMYK 79 / 67 / 0 / 19

HEX #2C44CE

RGB 44 68 206

HSL 231.11, 0.65%, 0.49%

LAB 36.23, 40.49, -73.38

 

CMYK 0 / 79 / 67 / 19

HEX #CE2C44

RGB 206 44 68

HSL 351.11, 0.65%, 0.49%

LAB 46.1, 62.63, 27

 

CMYK 68 / 0 / 79 / 19

HEX #43CF2C

RGB 67 207 44

HSL 111.53, 0.65%, 0.49%

LAB 73.55, -65.26, 64.34

 

CMYK 79 / 4 / 0 / 19

HEX #2CC6CE

RGB 44 198 206

HSL 182.96, 0.65%, 0.49%

LAB 73.14, -35.05, -15.09

 

CMYK 12 / 79 / 0 / 19

HEX #B62CCE

RGB 182 44 206

HSL 291.11, 0.65%, 0.49%

LAB 47.24, 72.82, -54.82

 

CMYK 0 / 75 / 79 / 19

HEX #CE342C

RGB 206 52 44

HSL 2.96, 0.65%, 0.49%

LAB 46.66, 59.16, 41.57

 

CMYK 68 / 0 / 79 / 19

HEX #43CF2C

RGB 67 207 44

HSL 111.53, 0.65%, 0.49%

LAB 73.55, -65.26, 64.34

 

CMYK 79 / 28 / 0 / 19

HEX #2C95CE

RGB 44 149 206

HSL 201.11, 0.65%, 0.49%

LAB 58.5, -9.86, -37.59

 

CMYK 12 / 79 / 0 / 19

HEX #B62CCE

RGB 182 44 206

HSL 291.11, 0.65%, 0.49%

LAB 47.24, 72.82, -54.82

 

CMYK 0 / 51 / 79 / 19

HEX #CE652C

RGB 206 101 44

HSL 21.11, 0.65%, 0.49%

LAB 54.67, 37.94, 49.58

 

Description

Color code: HEX #43CF2C | qconv.com Color code: HEX #43CF2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 207 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 207 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 79 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 79% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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