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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43CD3A it is the complementary color #BC32C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43CD3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43CD3A shade: #48CD35, #59DF48, #6AF15B, #7BFF6E and #8CFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43CD3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43CD3A shade: #43CD3A, #32BB27, #21A914, #109701 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43CD3A shade: #44CE3B, #6CCE3B, #93CE3B, #BBCE3B and #CEBA3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43CD3A shade: #44CE3B, #3BCE5A, #3BCE81, #3BCEA9 and #3BCBCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43CD3A shade matches the following richer shades: #44CE3B, #33E227 and #21F614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43CD3A shade: #44CE3B, #56BA4F, #67A663, #789377 and #8A7F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43CD3A shade: #93CE3B, #6CCE3B, #45CE3B, #3BCE59 and #3BCE80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43CD3A shade: #2B9225, #35B32D, #44CE3B, #64D65C and #83DF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43CD3A shade: #43CD3A, #3BBACE and #CE3B80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43CD3A shade: #43CD3A, #3B45CE and #CE3B45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43CD3A shade: #43CD3A, #3BBACE, #C43BCE and #CE4F3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43CD3A shade: #43CD3A, #3B8ECE, #C43BCE and #CE7B3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 72 / 20

HEX #43CD3A

RGB 67 205 58

HSL 116.33, 0.6%, 0.52%

LAB 73, -63.64, 59.16

 

Complementary color

CMYK 5 / 75 / 0 / 23

HEX #BC32C5

RGB 188 50 197

HSL 296.33, 0.6%, 0.48%

LAB 48.26, 70.68, -47.92

 

CMYK 65 / 0 / 74 / 20

HEX #48CD35

RGB 72 205 53

HSL 112.5, 0.6%, 0.51%

LAB 73.09, -63.01, 61.06

 

CMYK 60 / 0 / 68 / 13

HEX #59DF48

RGB 89 223 72

HSL 113.25, 0.7%, 0.58%

LAB 79.25, -63.91, 60.6

 

CMYK 56 / 0 / 62 / 5

HEX #6AF15B

RGB 106 241 91

HSL 114, 0.84%, 0.65%

LAB 85.37, -64.47, 59.76

 

CMYK 52 / 0 / 57 / 0

HEX #7BFF6E

RGB 123 255 110

HSL 114.62, 1%, 0.72%

LAB 90.26, -63.33, 57.36

 

CMYK 45 / 0 / 49 / 0

HEX #8CFF81

RGB 140 255 129

HSL 114.76, 1%, 0.75%

LAB 91.09, -56.52, 49.9

 

CMYK 67 / 0 / 72 / 20

HEX #43CD3A

RGB 67 205 58

HSL 116.33, 0.6%, 0.52%

LAB 73, -63.64, 59.16

 

CMYK 73 / 0 / 79 / 27

HEX #32BB27

RGB 50 187 39

HSL 115.54, 0.65%, 0.44%

LAB 66.8, -62.23, 59.29

 

CMYK 80 / 0 / 88 / 34

HEX #21A914

RGB 33 169 20

HSL 114.77, 0.79%, 0.37%

LAB 60.56, -60.15, 58.41

 

CMYK 89 / 0 / 99 / 41

HEX #109701

RGB 16 151 1

HSL 114, 0.99%, 0.3%

LAB 54.29, -57.21, 56.24

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 48 / 0 / 71 / 19

HEX #6CCE3B

RGB 108 206 59

HSL 100, 0.6%, 0.52%

LAB 74.6, -53.74, 60.85

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 9 / 0 / 71 / 19

HEX #BBCE3B

RGB 187 206 59

HSL 67.76, 0.6%, 0.52%

LAB 79.05, -24.83, 66.75

 

CMYK 0 / 10 / 71 / 19

HEX #CEBA3B

RGB 206 186 59

HSL 51.84, 0.6%, 0.52%

LAB 75.17, -6.78, 63.48

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 71 / 0 / 56 / 19

HEX #3BCE5A

RGB 59 206 90

HSL 132.65, 0.6%, 0.52%

LAB 73.42, -62.03, 46.15

 

CMYK 71 / 0 / 37 / 19

HEX #3BCE81

RGB 59 206 129

HSL 148.57, 0.6%, 0.52%

LAB 73.97, -55.75, 27.47

 

CMYK 71 / 0 / 18 / 19

HEX #3BCEA9

RGB 59 206 169

HSL 164.9, 0.6%, 0.52%

LAB 74.79, -47.01, 7.38

 

CMYK 71 / 1 / 0 / 19

HEX #3BCBCE

RGB 59 203 206

HSL 181.22, 0.6%, 0.52%

LAB 74.89, -35.78, -12.45

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 77 / 0 / 83 / 11

HEX #33E227

RGB 51 226 39

HSL 116.15, 0.76%, 0.52%

LAB 79.18, -73.94, 70.79

 

CMYK 87 / 0 / 92 / 4

HEX #21F614

RGB 33 246 20

HSL 116.55, 0.93%, 0.52%

LAB 85.14, -82.03, 79.35

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 54 / 0 / 58 / 27

HEX #56BA4F

RGB 86 186 79

HSL 116.07, 0.44%, 0.52%

LAB 67.77, -50.37, 44.79

 

CMYK 38 / 0 / 40 / 35

HEX #67A663

RGB 103 166 99

HSL 116.42, 0.27%, 0.52%

LAB 62.56, -34.04, 28.45

 

CMYK 18 / 0 / 19 / 42

HEX #789377

RGB 120 147 119

HSL 117.86, 0.11%, 0.52%

LAB 58.22, -15.22, 11.73

 

CMYK 0 / 8 / 0 / 46

HEX #8A7F8A

RGB 138 127 138

HSL 300, 0.04%, 0.52%

LAB 54.47, 6.29, -4.43

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 48 / 0 / 71 / 19

HEX #6CCE3B

RGB 108 206 59

HSL 100, 0.6%, 0.52%

LAB 74.6, -53.74, 60.85

 

CMYK 67 / 0 / 71 / 19

HEX #45CE3B

RGB 69 206 59

HSL 115.92, 0.6%, 0.52%

LAB 73.37, -63.5, 59.19

 

CMYK 71 / 0 / 57 / 19

HEX #3BCE59

RGB 59 206 89

HSL 132.24, 0.6%, 0.52%

LAB 73.41, -62.16, 46.6

 

CMYK 71 / 0 / 38 / 19

HEX #3BCE80

RGB 59 206 128

HSL 148.16, 0.6%, 0.52%

LAB 73.95, -55.94, 27.97

 

CMYK 71 / 0 / 75 / 43

HEX #2B9225

RGB 43 146 37

HSL 116.7, 0.6%, 0.36%

LAB 53.17, -50.08, 46.56

 

CMYK 70 / 0 / 75 / 30

HEX #35B32D

RGB 53 179 45

HSL 116.42, 0.6%, 0.44%

LAB 64.31, -58.71, 54.92

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 53 / 0 / 57 / 16

HEX #64D65C

RGB 100 214 92

HSL 116.07, 0.6%, 0.6%

LAB 77.03, -55.94, 49.75

 

CMYK 41 / 0 / 44 / 13

HEX #83DF7D

RGB 131 223 125

HSL 116.33, 0.6%, 0.68%

LAB 81.34, -46.59, 39.55

 

CMYK 67 / 0 / 72 / 20

HEX #43CD3A

RGB 67 205 58

HSL 116.33, 0.6%, 0.52%

LAB 73, -63.64, 59.16

 

CMYK 71 / 10 / 0 / 19

HEX #3BBACE

RGB 59 186 206

HSL 188.16, 0.6%, 0.52%

LAB 69.83, -27.62, -20.08

 

CMYK 0 / 71 / 38 / 19

HEX #CE3B80

RGB 206 59 128

HSL 331.84, 0.6%, 0.52%

LAB 49.26, 62.55, -5.25

 

CMYK 67 / 0 / 72 / 20

HEX #43CD3A

RGB 67 205 58

HSL 116.33, 0.6%, 0.52%

LAB 73, -63.64, 59.16

 

CMYK 71 / 67 / 0 / 19

HEX #3B45CE

RGB 59 69 206

HSL 235.92, 0.6%, 0.52%

LAB 37.19, 41.36, -71.76

 

CMYK 0 / 71 / 67 / 19

HEX #CE3B45

RGB 206 59 69

HSL 355.92, 0.6%, 0.52%

LAB 47.85, 57.82, 28.59

 

CMYK 67 / 0 / 72 / 20

HEX #43CD3A

RGB 67 205 58

HSL 116.33, 0.6%, 0.52%

LAB 73, -63.64, 59.16

 

CMYK 71 / 10 / 0 / 19

HEX #3BBACE

RGB 59 186 206

HSL 188.16, 0.6%, 0.52%

LAB 69.83, -27.62, -20.08

 

CMYK 5 / 71 / 0 / 19

HEX #C43BCE

RGB 196 59 206

HSL 295.92, 0.6%, 0.52%

LAB 51.06, 70.93, -48.58

 

CMYK 0 / 62 / 71 / 19

HEX #CE4F3B

RGB 206 79 59

HSL 8.16, 0.6%, 0.52%

LAB 50.72, 49.16, 37.76

 

CMYK 67 / 0 / 72 / 20

HEX #43CD3A

RGB 67 205 58

HSL 116.33, 0.6%, 0.52%

LAB 73, -63.64, 59.16

 

CMYK 71 / 31 / 0 / 19

HEX #3B8ECE

RGB 59 142 206

HSL 206.12, 0.6%, 0.52%

LAB 56.81, -4.01, -40.21

 

CMYK 5 / 71 / 0 / 19

HEX #C43BCE

RGB 196 59 206

HSL 295.92, 0.6%, 0.52%

LAB 51.06, 70.93, -48.58

 

CMYK 0 / 40 / 71 / 19

HEX #CE7B3B

RGB 206 123 59

HSL 26.12, 0.6%, 0.52%

LAB 59.53, 27.02, 47.48

 

Description

Color code: HEX #43CD3A | qconv.com Color code: HEX #43CD3A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 205 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 205 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 72 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 72% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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