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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43CCB1 it is the complementary color #BC334E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43CCB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43CCB1 shade: #48CCAC, #59DEBF, #6AF0D2, #7BFFE5 and #8CFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43CCB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43CCB1 shade: #43CCB1, #32BA9E, #21A88B, #109678 and #008465

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43CCB1 shade: #43CBB1, #43CB8C, #43CB67, #44CB43 and #68CB43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43CCB1 shade: #43CBB1, #43C2CB, #439DCB, #4378CB and #4353CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43CCB1 shade matches the following richer shades: #43CBB1, #2FDFBC and #1CF2C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43CCB1 shade: #43CBB1, #56B8A5, #6AA599, #7D918D and #907E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43CCB1 shade: #43CB67, #43CB8C, #43CBB0, #43C2CB and #439ECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43CCB1 shade: #28937E, #31B49A, #43CBB1, #63D4BE and #84DDCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43CCB1 shade: #43CCB1, #4343CB and #CB7943

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43CCB1 shade: #43CCB1, #B043CB and #CBB043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43CCB1 shade: #43CCB1, #4343CB, #CB435E and #CBCB43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43CCB1 shade: #43CCB1, #6C43CB, #CB435E and #A2CB43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 13 / 20

HEX #43CCB1

RGB 67 204 177

HSL 168.18, 0.57%, 0.53%

LAB 74.54, -43, 2.74

 

Complementary color

CMYK 0 / 73 / 59 / 26

HEX #BC334E

RGB 188 51 78

HSL 348.18, 0.57%, 0.47%

LAB 43.67, 55.73, 17.04

 

CMYK 65 / 0 / 16 / 20

HEX #48CCAC

RGB 72 204 172

HSL 165.45, 0.56%, 0.54%

LAB 74.54, -43.45, 5.44

 

CMYK 60 / 0 / 14 / 13

HEX #59DEBF

RGB 89 222 191

HSL 166.02, 0.67%, 0.61%

LAB 80.81, -43.7, 4.4

 

CMYK 56 / 0 / 13 / 6

HEX #6AF0D2

RGB 106 240 210

HSL 166.57, 0.82%, 0.68%

LAB 87.02, -43.83, 3.43

 

CMYK 52 / 0 / 10 / 0

HEX #7BFFE5

RGB 123 255 229

HSL 168.18, 1%, 0.74%

LAB 92.3, -42.56, 1.3

 

CMYK 45 / 0 / 3 / 0

HEX #8CFFF8

RGB 140 255 248

HSL 176.35, 1%, 0.77%

LAB 93.4, -34.39, -6.86

 

CMYK 67 / 0 / 13 / 20

HEX #43CCB1

RGB 67 204 177

HSL 168.18, 0.57%, 0.53%

LAB 74.54, -43, 2.74

 

CMYK 73 / 0 / 15 / 27

HEX #32BA9E

RGB 50 186 158

HSL 167.65, 0.58%, 0.46%

LAB 68.22, -42.44, 3.88

 

CMYK 80 / 0 / 17 / 34

HEX #21A88B

RGB 33 168 139

HSL 167.11, 0.67%, 0.39%

LAB 61.82, -41.6, 5.14

 

CMYK 89 / 0 / 20 / 41

HEX #109678

RGB 16 150 120

HSL 166.57, 0.81%, 0.33%

LAB 55.36, -40.35, 6.57

 

CMYK 100 / 0 / 23 / 48

HEX #008465

RGB 0 132 101

HSL 165.91, 1%, 0.26%

LAB 48.81, -38.69, 8.18

 

CMYK 67 / 0 / 13 / 20

HEX #43CBB1

RGB 67 203 177

HSL 168.53, 0.57%, 0.53%

LAB 74.24, -42.56, 2.31

 

CMYK 67 / 0 / 31 / 20

HEX #43CB8C

RGB 67 203 140

HSL 152.21, 0.57%, 0.53%

LAB 73.41, -51.12, 20.98

 

CMYK 67 / 0 / 49 / 20

HEX #43CB67

RGB 67 203 103

HSL 135.88, 0.57%, 0.53%

LAB 72.82, -57.76, 39.22

 

CMYK 67 / 0 / 67 / 20

HEX #44CB43

RGB 68 203 67

HSL 119.56, 0.57%, 0.53%

LAB 72.46, -61.99, 55.14

 

CMYK 49 / 0 / 67 / 20

HEX #68CB43

RGB 104 203 67

HSL 103.68, 0.57%, 0.53%

LAB 73.58, -53.14, 56.68

 

CMYK 67 / 0 / 13 / 20

HEX #43CBB1

RGB 67 203 177

HSL 168.53, 0.57%, 0.53%

LAB 74.24, -42.56, 2.31

 

CMYK 67 / 4 / 0 / 20

HEX #43C2CB

RGB 67 194 203

HSL 183.97, 0.57%, 0.53%

LAB 72.29, -31.32, -14.7

 

CMYK 67 / 23 / 0 / 20

HEX #439DCB

RGB 67 157 203

HSL 200.29, 0.57%, 0.53%

LAB 61.32, -12.29, -31.46

 

CMYK 67 / 41 / 0 / 20

HEX #4378CB

RGB 67 120 203

HSL 216.62, 0.57%, 0.53%

LAB 50.61, 9.32, -48.3

 

CMYK 67 / 59 / 0 / 20

HEX #4353CB

RGB 67 83 203

HSL 232.94, 0.57%, 0.53%

LAB 40.72, 32.66, -64.24

 

CMYK 67 / 0 / 13 / 20

HEX #43CBB1

RGB 67 203 177

HSL 168.53, 0.57%, 0.53%

LAB 74.24, -42.56, 2.31

 

CMYK 79 / 0 / 16 / 13

HEX #2FDFBC

RGB 47 223 188

HSL 168.07, 0.73%, 0.53%

LAB 80.19, -50.71, 4.98

 

CMYK 88 / 0 / 17 / 5

HEX #1CF2C8

RGB 28 242 200

HSL 168.22, 0.89%, 0.53%

LAB 85.97, -56.7, 6.97

 

CMYK 67 / 0 / 13 / 20

HEX #43CBB1

RGB 67 203 177

HSL 168.53, 0.57%, 0.53%

LAB 74.24, -42.56, 2.31

 

CMYK 53 / 0 / 10 / 28

HEX #56B8A5

RGB 86 184 165

HSL 168.37, 0.41%, 0.53%

LAB 68.73, -33.45, 0.9

 

CMYK 36 / 0 / 7 / 35

HEX #6AA599

RGB 106 165 153

HSL 167.8, 0.25%, 0.53%

LAB 63.57, -21.98, 0.13

 

CMYK 14 / 0 / 3 / 43

HEX #7D918D

RGB 125 145 141

HSL 168, 0.08%, 0.53%

LAB 58.54, -7.96, -0.29

 

CMYK 0 / 13 / 10 / 44

HEX #907E82

RGB 144 126 130

HSL 346.67, 0.08%, 0.53%

LAB 54.51, 7.6, 0.36

 

CMYK 67 / 0 / 49 / 20

HEX #43CB67

RGB 67 203 103

HSL 135.88, 0.57%, 0.53%

LAB 72.82, -57.76, 39.22

 

CMYK 67 / 0 / 31 / 20

HEX #43CB8C

RGB 67 203 140

HSL 152.21, 0.57%, 0.53%

LAB 73.41, -51.12, 20.98

 

CMYK 67 / 0 / 13 / 20

HEX #43CBB0

RGB 67 203 176

HSL 168.09, 0.57%, 0.53%

LAB 74.22, -42.82, 2.81

 

CMYK 67 / 4 / 0 / 20

HEX #43C2CB

RGB 67 194 203

HSL 183.97, 0.57%, 0.53%

LAB 72.29, -31.32, -14.7

 

CMYK 67 / 22 / 0 / 20

HEX #439ECB

RGB 67 158 203

HSL 199.85, 0.57%, 0.53%

LAB 61.62, -12.84, -31

 

CMYK 73 / 0 / 14 / 42

HEX #28937E

RGB 40 147 126

HSL 168.22, 0.57%, 0.37%

LAB 54.89, -34.92, 2.51

 

CMYK 73 / 0 / 14 / 29

HEX #31B49A

RGB 49 180 154

HSL 168.09, 0.57%, 0.45%

LAB 66.24, -41, 3.21

 

CMYK 67 / 0 / 13 / 20

HEX #43CBB1

RGB 67 203 177

HSL 168.53, 0.57%, 0.53%

LAB 74.24, -42.56, 2.31

 

CMYK 53 / 0 / 10 / 17

HEX #63D4BE

RGB 99 212 190

HSL 168.32, 0.57%, 0.61%

LAB 78.14, -37.51, 1.1

 

CMYK 40 / 0 / 8 / 13

HEX #84DDCC

RGB 132 221 204

HSL 168.54, 0.57%, 0.69%

LAB 82.37, -30.66, -0.05

 

CMYK 67 / 0 / 13 / 20

HEX #43CCB1

RGB 67 204 177

HSL 168.18, 0.57%, 0.53%

LAB 74.54, -43, 2.74

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 0 / 40 / 67 / 20

HEX #CB7943

RGB 203 121 67

HSL 23.82, 0.57%, 0.53%

LAB 58.77, 27.29, 42.55

 

CMYK 67 / 0 / 13 / 20

HEX #43CCB1

RGB 67 204 177

HSL 168.18, 0.57%, 0.53%

LAB 74.54, -43, 2.74

 

CMYK 13 / 67 / 0 / 20

HEX #B043CB

RGB 176 67 203

HSL 288.09, 0.57%, 0.53%

LAB 48.95, 63.06, -50.39

 

CMYK 0 / 13 / 67 / 20

HEX #CBB043

RGB 203 176 67

HSL 48.09, 0.57%, 0.53%

LAB 72.33, -2.43, 57.31

 

CMYK 67 / 0 / 13 / 20

HEX #43CCB1

RGB 67 204 177

HSL 168.18, 0.57%, 0.53%

LAB 74.54, -43, 2.74

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 0 / 67 / 54 / 20

HEX #CB435E

RGB 203 67 94

HSL 348.09, 0.57%, 0.53%

LAB 48.91, 55.5, 14.81

 

CMYK 0 / 0 / 67 / 20

HEX #CBCB43

RGB 203 203 67

HSL 60, 0.57%, 0.53%

LAB 79.51, -16.29, 64.68

 

CMYK 67 / 0 / 13 / 20

HEX #43CCB1

RGB 67 204 177

HSL 168.18, 0.57%, 0.53%

LAB 74.54, -43, 2.74

 

CMYK 47 / 67 / 0 / 20

HEX #6C43CB

RGB 108 67 203

HSL 258.09, 0.57%, 0.53%

LAB 40.43, 48.96, -64.57

 

CMYK 0 / 67 / 54 / 20

HEX #CB435E

RGB 203 67 94

HSL 348.09, 0.57%, 0.53%

LAB 48.91, 55.5, 14.81

 

CMYK 20 / 0 / 67 / 20

HEX #A2CB43

RGB 162 203 67

HSL 78.09, 0.57%, 0.53%

LAB 76.56, -32.99, 60.72

 

Description

Color code: HEX #43CCB1 | qconv.com Color code: HEX #43CCB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 204 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 204 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 13 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 13% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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