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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43C873 it is the complementary color #BC378C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43C873. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43C873 shade: #48C86E, #59DA81, #6AEC94, #7BFEA7 and #8CFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43C873. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43C873 shade: #43C873, #32B660, #21A44D, #10923A and #008027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43C873 shade: #41C872, #41C84E, #59C841, #7EC841 and #A2C841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43C873 shade: #41C872, #41C896, #41C8BA, #41B1C8 and #418DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43C873 shade matches the following richer shades: #41C872, #2DDC6C and #1AF067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43C873 shade: #41C872, #55B477, #69A07D, #7D8D82 and #907988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43C873 shade: #5AC841, #41C84D, #41C870, #41C894 and #41C8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43C873 shade: #298E4D, #32AE5F, #41C872, #61D18A and #81DAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43C873 shade: #43C873, #417EC8 and #C84148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43C873 shade: #43C873, #7041C8 and #C87041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43C873 shade: #43C873, #417EC8, #C84199 and #C88B41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43C873 shade: #43C873, #4155C8, #C84199 and #C8B441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 43 / 22

HEX #43C873

RGB 67 200 115

HSL 141.65, 0.55%, 0.52%

LAB 72.05, -54.7, 32.21

 

Complementary color

CMYK 0 / 71 / 26 / 26

HEX #BC378C

RGB 188 55 140

HSL 321.65, 0.55%, 0.48%

LAB 46.07, 60.5, -17.63

 

CMYK 64 / 0 / 45 / 22

HEX #48C86E

RGB 72 200 110

HSL 137.81, 0.54%, 0.53%

LAB 72.1, -54.59, 34.84

 

CMYK 59 / 0 / 41 / 15

HEX #59DA81

RGB 89 218 129

HSL 138.6, 0.64%, 0.6%

LAB 78.38, -54.82, 33.42

 

CMYK 55 / 0 / 37 / 7

HEX #6AEC94

RGB 106 236 148

HSL 139.38, 0.77%, 0.67%

LAB 84.58, -54.88, 32.09

 

CMYK 52 / 0 / 34 / 0

HEX #7BFEA7

RGB 123 254 167

HSL 140.15, 0.98%, 0.74%

LAB 90.73, -54.84, 30.82

 

CMYK 45 / 0 / 27 / 0

HEX #8CFFBA

RGB 140 255 186

HSL 144, 1%, 0.77%

LAB 91.97, -47.63, 23.02

 

CMYK 67 / 0 / 43 / 22

HEX #43C873

RGB 67 200 115

HSL 141.65, 0.55%, 0.52%

LAB 72.05, -54.7, 32.21

 

CMYK 73 / 0 / 47 / 29

HEX #32B660

RGB 50 182 96

HSL 140.91, 0.57%, 0.45%

LAB 65.73, -54.13, 33.74

 

CMYK 80 / 0 / 53 / 36

HEX #21A44D

RGB 33 164 77

HSL 140.15, 0.66%, 0.39%

LAB 59.35, -53.15, 35.36

 

CMYK 89 / 0 / 60 / 43

HEX #10923A

RGB 16 146 58

HSL 139.38, 0.8%, 0.32%

LAB 52.92, -51.53, 37

 

CMYK 100 / 0 / 70 / 50

HEX #008027

RGB 0 128 39

HSL 138.28, 1%, 0.25%

LAB 46.43, -49.17, 38.47

 

CMYK 68 / 0 / 43 / 22

HEX #41C872

RGB 65 200 114

HSL 141.78, 0.55%, 0.52%

LAB 71.99, -55.24, 32.63

 

CMYK 68 / 0 / 61 / 22

HEX #41C84E

RGB 65 200 78

HSL 125.78, 0.55%, 0.52%

LAB 71.54, -60.39, 49.45

 

CMYK 56 / 0 / 68 / 22

HEX #59C841

RGB 89 200 65

HSL 109.33, 0.55%, 0.52%

LAB 72.1, -56.32, 55.74

 

CMYK 37 / 0 / 68 / 22

HEX #7EC841

RGB 126 200 65

HSL 92.89, 0.55%, 0.52%

LAB 73.63, -45.09, 57.82

 

CMYK 19 / 0 / 68 / 22

HEX #A2C841

RGB 162 200 65

HSL 76.89, 0.55%, 0.52%

LAB 75.68, -31.72, 60.59

 

CMYK 68 / 0 / 43 / 22

HEX #41C872

RGB 65 200 114

HSL 141.78, 0.55%, 0.52%

LAB 71.99, -55.24, 32.63

 

CMYK 68 / 0 / 25 / 22

HEX #41C896

RGB 65 200 150

HSL 157.78, 0.55%, 0.52%

LAB 72.65, -48.08, 14.58

 

CMYK 68 / 0 / 7 / 22

HEX #41C8BA

RGB 65 200 186

HSL 173.78, 0.55%, 0.52%

LAB 73.53, -39.17, -3.61

 

CMYK 68 / 12 / 0 / 22

HEX #41B1C8

RGB 65 177 200

HSL 190.22, 0.55%, 0.52%

LAB 67.08, -24.12, -20.95

 

CMYK 68 / 30 / 0 / 22

HEX #418DC8

RGB 65 141 200

HSL 206.22, 0.55%, 0.52%

LAB 56.43, -4.6, -37.41

 

CMYK 68 / 0 / 43 / 22

HEX #41C872

RGB 65 200 114

HSL 141.78, 0.55%, 0.52%

LAB 71.99, -55.24, 32.63

 

CMYK 80 / 0 / 51 / 14

HEX #2DDC6C

RGB 45 220 108

HSL 141.6, 0.71%, 0.52%

LAB 77.77, -66.11, 42.85

 

CMYK 89 / 0 / 57 / 6

HEX #1AF067

RGB 26 240 103

HSL 141.59, 0.88%, 0.52%

LAB 83.71, -74.75, 52.3

 

CMYK 68 / 0 / 43 / 22

HEX #41C872

RGB 65 200 114

HSL 141.78, 0.55%, 0.52%

LAB 71.99, -55.24, 32.63

 

CMYK 53 / 0 / 34 / 29

HEX #55B477

RGB 85 180 119

HSL 141.47, 0.39%, 0.52%

LAB 66.45, -42.02, 22.78

 

CMYK 34 / 0 / 22 / 37

HEX #69A07D

RGB 105 160 125

HSL 141.82, 0.22%, 0.52%

LAB 61.33, -25.87, 12.59

 

CMYK 11 / 0 / 8 / 45

HEX #7D8D82

RGB 125 141 130

HSL 138.75, 0.07%, 0.52%

LAB 57.1, -8.02, 3.91

 

CMYK 0 / 16 / 6 / 44

HEX #907988

RGB 144 121 136

HSL 320.87, 0.09%, 0.52%

LAB 53.36, 11.61, -4.83

 

CMYK 55 / 0 / 68 / 22

HEX #5AC841

RGB 90 200 65

HSL 108.89, 0.55%, 0.52%

LAB 72.14, -56.06, 55.79

 

CMYK 68 / 0 / 62 / 22

HEX #41C84D

RGB 65 200 77

HSL 125.33, 0.55%, 0.52%

LAB 71.53, -60.51, 49.88

 

CMYK 68 / 0 / 44 / 22

HEX #41C870

RGB 65 200 112

HSL 140.89, 0.55%, 0.52%

LAB 71.96, -55.58, 33.61

 

CMYK 68 / 0 / 26 / 22

HEX #41C894

RGB 65 200 148

HSL 156.89, 0.55%, 0.52%

LAB 72.61, -48.53, 15.59

 

CMYK 68 / 0 / 8 / 22

HEX #41C8B8

RGB 65 200 184

HSL 172.89, 0.55%, 0.52%

LAB 73.48, -39.71, -2.61

 

CMYK 71 / 0 / 46 / 44

HEX #298E4D

RGB 41 142 77

HSL 141.39, 0.55%, 0.36%

LAB 52.23, -43.79, 26.45

 

CMYK 71 / 0 / 45 / 32

HEX #32AE5F

RGB 50 174 95

HSL 141.77, 0.55%, 0.44%

LAB 63.16, -51.34, 30.97

 

CMYK 68 / 0 / 43 / 22

HEX #41C872

RGB 65 200 114

HSL 141.78, 0.55%, 0.52%

LAB 71.99, -55.24, 32.63

 

CMYK 54 / 0 / 34 / 18

HEX #61D18A

RGB 97 209 138

HSL 141.96, 0.55%, 0.6%

LAB 76.06, -47.81, 25.76

 

CMYK 41 / 0 / 26 / 15

HEX #81DAA1

RGB 129 218 161

HSL 141.57, 0.55%, 0.68%

LAB 80.39, -39.07, 19.85

 

CMYK 67 / 0 / 43 / 22

HEX #43C873

RGB 67 200 115

HSL 141.65, 0.55%, 0.52%

LAB 72.05, -54.7, 32.21

 

CMYK 68 / 37 / 0 / 22

HEX #417EC8

RGB 65 126 200

HSL 212.89, 0.55%, 0.52%

LAB 52.08, 4.27, -44.27

 

CMYK 0 / 68 / 64 / 22

HEX #C84148

RGB 200 65 72

HSL 356.89, 0.55%, 0.52%

LAB 47.66, 53.8, 26.33

 

CMYK 67 / 0 / 43 / 22

HEX #43C873

RGB 67 200 115

HSL 141.65, 0.55%, 0.52%

LAB 72.05, -54.7, 32.21

 

CMYK 44 / 68 / 0 / 22

HEX #7041C8

RGB 112 65 200

HSL 260.89, 0.55%, 0.52%

LAB 40.24, 49.93, -63.13

 

CMYK 0 / 44 / 68 / 22

HEX #C87041

RGB 200 112 65

HSL 20.89, 0.55%, 0.52%

LAB 56.34, 30.77, 40.71

 

CMYK 67 / 0 / 43 / 22

HEX #43C873

RGB 67 200 115

HSL 141.65, 0.55%, 0.52%

LAB 72.05, -54.7, 32.21

 

CMYK 68 / 37 / 0 / 22

HEX #417EC8

RGB 65 126 200

HSL 212.89, 0.55%, 0.52%

LAB 52.08, 4.27, -44.27

 

CMYK 0 / 68 / 24 / 22

HEX #C84199

RGB 200 65 153

HSL 320.89, 0.55%, 0.52%

LAB 49.93, 61.69, -19.33

 

CMYK 0 / 31 / 68 / 22

HEX #C88B41

RGB 200 139 65

HSL 32.89, 0.55%, 0.52%

LAB 62.61, 16.1, 47.73

 

CMYK 67 / 0 / 43 / 22

HEX #43C873

RGB 67 200 115

HSL 141.65, 0.55%, 0.52%

LAB 72.05, -54.7, 32.21

 

CMYK 68 / 58 / 0 / 22

HEX #4155C8

RGB 65 85 200

HSL 231.11, 0.55%, 0.52%

LAB 40.88, 30.05, -62.25

 

CMYK 0 / 68 / 24 / 22

HEX #C84199

RGB 200 65 153

HSL 320.89, 0.55%, 0.52%

LAB 49.93, 61.69, -19.33

 

CMYK 0 / 10 / 68 / 22

HEX #C8B441

RGB 200 180 65

HSL 51.11, 0.55%, 0.52%

LAB 73.09, -5.93, 58.85

 

Description

Color code: HEX #43C873 | qconv.com Color code: HEX #43C873 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 200 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 200 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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