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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43C736 it is the complementary color #BC38C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43C736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43C736 shade: #48C731, #59D944, #6AEB57, #7BFD6A and #8CFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43C736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43C736 shade: #43C736, #32B523, #21A310, #109100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43C736 shade: #44C837, #6BC837, #92C837, #B9C837 and #C8B037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43C736 shade: #44C837, #37C851, #37C878, #37C89F and #37C8C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43C736 shade matches the following richer shades: #44C837, #33DD22 and #22F10E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43C736 shade: #44C837, #55B44B, #669F60, #778A75 and #887689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43C736 shade: #93C837, #6CC837, #45C837, #37C84F and #37C876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43C736 shade: #2E8725, #39A82E, #44C837, #62D157 and #80DA78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43C736 shade: #43C736, #37BAC8 and #C83780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43C736 shade: #43C736, #3745C8 and #C83745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43C736 shade: #43C736, #37BAC8, #BA37C8 and #C84537

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43C736 shade: #43C736, #378EC8, #BA37C8 and #C87137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 73 / 22

HEX #43C736

RGB 67 199 54

HSL 114.62, 0.57%, 0.5%

LAB 71.08, -61.96, 58.65

 

Complementary color

CMYK 6 / 72 / 0 / 21

HEX #BC38C9

RGB 188 56 201

HSL 294.62, 0.57%, 0.5%

LAB 49.18, 69.41, -48.78

 

CMYK 64 / 0 / 75 / 22

HEX #48C731

RGB 72 199 49

HSL 110.8, 0.6%, 0.49%

LAB 71.18, -61.28, 60.52

 

CMYK 59 / 0 / 69 / 15

HEX #59D944

RGB 89 217 68

HSL 111.54, 0.66%, 0.56%

LAB 77.38, -62.16, 60.16

 

CMYK 55 / 0 / 63 / 8

HEX #6AEB57

RGB 106 235 87

HSL 112.3, 0.79%, 0.63%

LAB 83.53, -62.71, 59.37

 

CMYK 51 / 0 / 58 / 1

HEX #7BFD6A

RGB 123 253 106

HSL 113.06, 0.97%, 0.7%

LAB 89.63, -63.03, 58.37

 

CMYK 45 / 0 / 51 / 0

HEX #8CFF7D

RGB 140 255 125

HSL 113.08, 1%, 0.75%

LAB 91.04, -57.02, 51.7

 

CMYK 66 / 0 / 73 / 22

HEX #43C736

RGB 67 199 54

HSL 114.62, 0.57%, 0.5%

LAB 71.08, -61.96, 58.65

 

CMYK 72 / 0 / 81 / 29

HEX #32B523

RGB 50 181 35

HSL 113.84, 0.68%, 0.42%

LAB 64.84, -60.56, 58.63

 

CMYK 80 / 0 / 90 / 36

HEX #21A310

RGB 33 163 16

HSL 113.06, 0.82%, 0.35%

LAB 58.56, -58.47, 57.47

 

CMYK 89 / 0 / 100 / 43

HEX #109100

RGB 16 145 0

HSL 113.38, 1%, 0.28%

LAB 52.24, -55.47, 54.77

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 66 / 0 / 73 / 22

HEX #44C837

RGB 68 200 55

HSL 114.62, 0.57%, 0.5%

LAB 71.43, -62.02, 58.65

 

CMYK 47 / 0 / 73 / 22

HEX #6BC837

RGB 107 200 55

HSL 98.48, 0.57%, 0.5%

LAB 72.7, -52, 60.35

 

CMYK 27 / 0 / 73 / 22

HEX #92C837

RGB 146 200 55

HSL 82.34, 0.57%, 0.5%

LAB 74.63, -38.53, 62.92

 

CMYK 8 / 0 / 73 / 22

HEX #B9C837

RGB 185 200 55

HSL 66.21, 0.57%, 0.5%

LAB 77.22, -22.94, 66.32

 

CMYK 0 / 12 / 73 / 22

HEX #C8B037

RGB 200 176 55

HSL 50.07, 0.57%, 0.5%

LAB 71.96, -4.35, 61.66

 

CMYK 66 / 0 / 73 / 22

HEX #44C837

RGB 68 200 55

HSL 114.62, 0.57%, 0.5%

LAB 71.43, -62.02, 58.65

 

CMYK 73 / 0 / 60 / 22

HEX #37C851

RGB 55 200 81

HSL 130.76, 0.57%, 0.5%

LAB 71.36, -61.78, 47.84

 

CMYK 73 / 0 / 40 / 22

HEX #37C878

RGB 55 200 120

HSL 146.9, 0.57%, 0.5%

LAB 71.88, -55.8, 29.35

 

CMYK 73 / 0 / 21 / 22

HEX #37C89F

RGB 55 200 159

HSL 163.03, 0.57%, 0.5%

LAB 72.64, -47.47, 9.7

 

CMYK 73 / 0 / 0 / 22

HEX #37C8C7

RGB 55 200 199

HSL 179.59, 0.57%, 0.5%

LAB 73.7, -36.88, -10.43

 

CMYK 66 / 0 / 73 / 22

HEX #44C837

RGB 68 200 55

HSL 114.62, 0.57%, 0.5%

LAB 71.43, -62.02, 58.65

 

CMYK 77 / 0 / 85 / 13

HEX #33DD22

RGB 51 221 34

HSL 114.55, 0.73%, 0.5%

LAB 77.6, -72.7, 70.53

 

CMYK 86 / 0 / 94 / 5

HEX #22F10E

RGB 34 241 14

HSL 114.71, 0.89%, 0.5%

LAB 83.59, -80.73, 78.75

 

CMYK 66 / 0 / 73 / 22

HEX #44C837

RGB 68 200 55

HSL 114.62, 0.57%, 0.5%

LAB 71.43, -62.02, 58.65

 

CMYK 53 / 0 / 58 / 29

HEX #55B44B

RGB 85 180 75

HSL 114.29, 0.41%, 0.5%

LAB 65.81, -48.76, 44.36

 

CMYK 36 / 0 / 40 / 38

HEX #669F60

RGB 102 159 96

HSL 114.29, 0.25%, 0.5%

LAB 60.31, -31.57, 27.12

 

CMYK 14 / 0 / 15 / 46

HEX #778A75

RGB 119 138 117

HSL 114.29, 0.08%, 0.5%

LAB 55.46, -11.1, 8.97

 

CMYK 1 / 14 / 0 / 46

HEX #887689

RGB 136 118 137

HSL 296.84, 0.07%, 0.5%

LAB 51.83, 10.59, -7.78

 

CMYK 27 / 0 / 73 / 22

HEX #93C837

RGB 147 200 55

HSL 81.93, 0.57%, 0.5%

LAB 74.69, -38.15, 62.99

 

CMYK 46 / 0 / 73 / 22

HEX #6CC837

RGB 108 200 55

HSL 98.07, 0.57%, 0.5%

LAB 72.74, -51.69, 60.41

 

CMYK 66 / 0 / 73 / 22

HEX #45C837

RGB 69 200 55

HSL 114.21, 0.57%, 0.5%

LAB 71.45, -61.81, 58.69

 

CMYK 73 / 0 / 61 / 22

HEX #37C84F

RGB 55 200 79

HSL 129.93, 0.57%, 0.5%

LAB 71.34, -62.02, 48.71

 

CMYK 73 / 0 / 41 / 22

HEX #37C876

RGB 55 200 118

HSL 146.07, 0.57%, 0.5%

LAB 71.85, -56.16, 30.35

 

CMYK 66 / 0 / 73 / 47

HEX #2E8725

RGB 46 135 37

HSL 114.49, 0.57%, 0.34%

LAB 49.55, -45.51, 42.86

 

CMYK 66 / 0 / 73 / 34

HEX #39A82E

RGB 57 168 46

HSL 114.59, 0.57%, 0.42%

LAB 60.85, -54.1, 51.08

 

CMYK 66 / 0 / 73 / 22

HEX #44C837

RGB 68 200 55

HSL 114.62, 0.57%, 0.5%

LAB 71.43, -62.02, 58.65

 

CMYK 53 / 0 / 58 / 18

HEX #62D157

RGB 98 209 87

HSL 114.59, 0.57%, 0.58%

LAB 75.38, -55.13, 50.08

 

CMYK 41 / 0 / 45 / 15

HEX #80DA78

RGB 128 218 120

HSL 115.1, 0.57%, 0.66%

LAB 79.66, -46.07, 39.87

 

CMYK 66 / 0 / 73 / 22

HEX #43C736

RGB 67 199 54

HSL 114.62, 0.57%, 0.5%

LAB 71.08, -61.96, 58.65

 

CMYK 73 / 7 / 0 / 22

HEX #37BAC8

RGB 55 186 200

HSL 185.79, 0.57%, 0.5%

LAB 69.54, -29.95, -17.23

 

CMYK 0 / 73 / 36 / 22

HEX #C83780

RGB 200 55 128

HSL 329.79, 0.57%, 0.5%

LAB 47.71, 62.29, -7.66

 

CMYK 66 / 0 / 73 / 22

HEX #43C736

RGB 67 199 54

HSL 114.62, 0.57%, 0.5%

LAB 71.08, -61.96, 58.65

 

CMYK 73 / 66 / 0 / 22

HEX #3745C8

RGB 55 69 200

HSL 234.21, 0.57%, 0.5%

LAB 36.44, 38.83, -69.52

 

CMYK 0 / 73 / 66 / 22

HEX #C83745

RGB 200 55 69

HSL 354.21, 0.57%, 0.5%

LAB 46.23, 57.41, 26.32

 

CMYK 66 / 0 / 73 / 22

HEX #43C736

RGB 67 199 54

HSL 114.62, 0.57%, 0.5%

LAB 71.08, -61.96, 58.65

 

CMYK 73 / 7 / 0 / 22

HEX #37BAC8

RGB 55 186 200

HSL 185.79, 0.57%, 0.5%

LAB 69.54, -29.95, -17.23

 

CMYK 7 / 73 / 0 / 22

HEX #BA37C8

RGB 186 55 200

HSL 294.21, 0.57%, 0.5%

LAB 48.69, 69.16, -49

 

CMYK 0 / 66 / 73 / 22

HEX #C84537

RGB 200 69 55

HSL 5.79, 0.57%, 0.5%

LAB 48.02, 51.25, 36.65

 

CMYK 66 / 0 / 73 / 22

HEX #43C736

RGB 67 199 54

HSL 114.62, 0.57%, 0.5%

LAB 71.08, -61.96, 58.65

 

CMYK 73 / 29 / 0 / 22

HEX #378EC8

RGB 55 142 200

HSL 204, 0.57%, 0.5%

LAB 56.42, -6.66, -37.46

 

CMYK 7 / 73 / 0 / 22

HEX #BA37C8

RGB 186 55 200

HSL 294.21, 0.57%, 0.5%

LAB 48.69, 69.16, -49

 

CMYK 0 / 44 / 73 / 22

HEX #C87137

RGB 200 113 55

HSL 24, 0.57%, 0.5%

LAB 56.45, 29.7, 45.9

 

Description

Color code: HEX #43C736 | qconv.com Color code: HEX #43C736 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 199 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 199 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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