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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43B311 it is the complementary color #BC4CEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43B311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43B311 shade: #48B30C, #59C51F, #6AD732, #7BE945 and #8CFB58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43B311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43B311 shade: #43B311, #32A100, #218F00, #107D00 and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43B311 shade: #42B110, #6EB110, #99B110, #B19E10 and #B17310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43B311 shade: #42B110, #17B110, #10B136, #10B161 and #10B18C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43B311 shade matches the following richer shades: #42B110 and #3CC101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43B311 shade: #42B110, #48A220, #4E9230, #548240 and #5A734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43B311 shade: #99B110, #6EB110, #43B110, #19B110 and #10B133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43B311 shade: #266609, #348C0D, #42B110, #50D714 and #65EB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43B311 shade: #43B311, #10B19F and #B11084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43B311 shade: #43B311, #1043B1 and #B11043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43B311 shade: #43B311, #10B19F, #7E10B1 and #B11023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43B311 shade: #43B311, #1094B1, #7E10B1 and #B12E10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 91 / 30

HEX #43B311

RGB 67 179 17

HSL 101.48, 0.83%, 0.38%

LAB 64.54, -57.21, 62.7

 

Complementary color

CMYK 21 / 68 / 0 / 7

HEX #BC4CEE

RGB 188 76 238

HSL 281.48, 0.83%, 0.62%

LAB 54.06, 68.78, -61.97

 

CMYK 60 / 0 / 93 / 30

HEX #48B30C

RGB 72 179 12

HSL 98.44, 0.87%, 0.37%

LAB 64.68, -56.13, 63.64

 

CMYK 55 / 0 / 84 / 23

HEX #59C51F

RGB 89 197 31

HSL 99.04, 0.73%, 0.45%

LAB 70.98, -57.42, 65.67

 

CMYK 51 / 0 / 77 / 16

HEX #6AD732

RGB 106 215 50

HSL 99.64, 0.67%, 0.52%

LAB 77.22, -58.3, 66.43

 

CMYK 47 / 0 / 70 / 9

HEX #7BE945

RGB 123 233 69

HSL 100.24, 0.79%, 0.59%

LAB 83.4, -58.88, 66.39

 

CMYK 44 / 0 / 65 / 2

HEX #8CFB58

RGB 140 251 88

HSL 100.86, 0.95%, 0.66%

LAB 89.52, -59.24, 65.87

 

CMYK 63 / 0 / 91 / 30

HEX #43B311

RGB 67 179 17

HSL 101.48, 0.83%, 0.38%

LAB 64.54, -57.21, 62.7

 

CMYK 69 / 0 / 100 / 37

HEX #32A100

RGB 50 161 0

HSL 101.37, 1%, 0.32%

LAB 58.2, -55.37, 59.76

 

CMYK 77 / 0 / 100 / 44

HEX #218F00

RGB 33 143 0

HSL 106.15, 1%, 0.28%

LAB 51.8, -52.72, 54.52

 

CMYK 87 / 0 / 100 / 51

HEX #107D00

RGB 16 125 0

HSL 112.32, 1%, 0.25%

LAB 45.33, -49.43, 49.24

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 63 / 0 / 91 / 31

HEX #42B110

RGB 66 177 16

HSL 101.37, 0.83%, 0.38%

LAB 63.87, -56.8, 62.29

 

CMYK 38 / 0 / 91 / 31

HEX #6EB110

RGB 110 177 16

HSL 84.97, 0.83%, 0.38%

LAB 65.59, -43.55, 64.42

 

CMYK 14 / 0 / 91 / 31

HEX #99B110

RGB 153 177 16

HSL 68.94, 0.83%, 0.38%

LAB 68.21, -26.54, 67.63

 

CMYK 0 / 11 / 91 / 31

HEX #B19E10

RGB 177 158 16

HSL 52.92, 0.83%, 0.38%

LAB 64.83, -6.29, 65.81

 

CMYK 0 / 35 / 91 / 31

HEX #B17310

RGB 177 115 16

HSL 36.89, 0.83%, 0.38%

LAB 53.65, 17.37, 57.2

 

CMYK 63 / 0 / 91 / 31

HEX #42B110

RGB 66 177 16

HSL 101.37, 0.83%, 0.38%

LAB 63.87, -56.8, 62.29

 

CMYK 87 / 0 / 91 / 31

HEX #17B110

RGB 23 177 16

HSL 117.39, 0.83%, 0.38%

LAB 63.06, -63.75, 61.28

 

CMYK 91 / 0 / 69 / 31

HEX #10B136

RGB 16 177 54

HSL 134.16, 0.83%, 0.38%

LAB 63.19, -61.86, 50.21

 

CMYK 91 / 0 / 45 / 31

HEX #10B161

RGB 16 177 97

HSL 150.19, 0.83%, 0.38%

LAB 63.69, -55.85, 30.52

 

CMYK 91 / 0 / 21 / 31

HEX #10B18C

RGB 16 177 140

HSL 166.21, 0.83%, 0.38%

LAB 64.52, -46.4, 8.43

 

CMYK 63 / 0 / 91 / 31

HEX #42B110

RGB 66 177 16

HSL 101.37, 0.83%, 0.38%

LAB 63.87, -56.8, 62.29

 

CMYK 69 / 0 / 99 / 24

HEX #3CC101

RGB 60 193 1

HSL 101.56, 0.99%, 0.38%

LAB 68.83, -63.65, 68.2

 

CMYK 63 / 0 / 91 / 31

HEX #42B110

RGB 66 177 16

HSL 101.37, 0.83%, 0.38%

LAB 63.87, -56.8, 62.29

 

CMYK 56 / 0 / 80 / 36

HEX #48A220

RGB 72 162 32

HSL 101.54, 0.67%, 0.38%

LAB 59.27, -49.22, 54.51

 

CMYK 47 / 0 / 67 / 43

HEX #4E9230

RGB 78 146 48

HSL 101.63, 0.51%, 0.38%

LAB 54.44, -39.85, 43.75

 

CMYK 35 / 0 / 51 / 49

HEX #548240

RGB 84 130 64

HSL 101.82, 0.34%, 0.38%

LAB 49.76, -28.75, 30.66

 

CMYK 22 / 0 / 31 / 55

HEX #5A734F

RGB 90 115 79

HSL 101.67, 0.19%, 0.38%

LAB 45.63, -16.52, 17.03

 

CMYK 14 / 0 / 91 / 31

HEX #99B110

RGB 153 177 16

HSL 68.94, 0.83%, 0.38%

LAB 68.21, -26.54, 67.63

 

CMYK 38 / 0 / 91 / 31

HEX #6EB110

RGB 110 177 16

HSL 84.97, 0.83%, 0.38%

LAB 65.59, -43.55, 64.42

 

CMYK 62 / 0 / 91 / 31

HEX #43B110

RGB 67 177 16

HSL 100.99, 0.83%, 0.38%

LAB 63.9, -56.56, 62.32

 

CMYK 86 / 0 / 91 / 31

HEX #19B110

RGB 25 177 16

HSL 116.65, 0.83%, 0.38%

LAB 63.08, -63.56, 61.31

 

CMYK 91 / 0 / 71 / 31

HEX #10B133

RGB 16 177 51

HSL 133.04, 0.83%, 0.38%

LAB 63.17, -62.15, 51.37

 

CMYK 63 / 0 / 91 / 60

HEX #266609

RGB 38 102 9

HSL 101.29, 0.84%, 0.22%

LAB 37.72, -37.01, 40.93

 

CMYK 63 / 0 / 91 / 45

HEX #348C0D

RGB 52 140 13

HSL 101.57, 0.83%, 0.3%

LAB 51.28, -47.34, 51.97

 

CMYK 63 / 0 / 91 / 31

HEX #42B110

RGB 66 177 16

HSL 101.37, 0.83%, 0.38%

LAB 63.87, -56.8, 62.29

 

CMYK 63 / 0 / 91 / 16

HEX #50D714

RGB 80 215 20

HSL 101.54, 0.83%, 0.46%

LAB 76.29, -66.15, 72.25

 

CMYK 57 / 0 / 83 / 8

HEX #65EB29

RGB 101 235 41

HSL 101.44, 0.83%, 0.54%

LAB 83.1, -67.14, 74.27

 

CMYK 63 / 0 / 91 / 30

HEX #43B311

RGB 67 179 17

HSL 101.48, 0.83%, 0.38%

LAB 64.54, -57.21, 62.7

 

CMYK 91 / 0 / 10 / 31

HEX #10B19F

RGB 16 177 159

HSL 173.29, 0.83%, 0.38%

LAB 65.01, -41.28, -1.39

 

CMYK 0 / 91 / 25 / 31

HEX #B11084

RGB 177 16 132

HSL 316.77, 0.83%, 0.38%

LAB 40.22, 66.89, -21.91

 

CMYK 63 / 0 / 91 / 30

HEX #43B311

RGB 67 179 17

HSL 101.48, 0.83%, 0.38%

LAB 64.54, -57.21, 62.7

 

CMYK 91 / 62 / 0 / 31

HEX #1043B1

RGB 16 67 177

HSL 220.99, 0.83%, 0.38%

LAB 32.48, 28.31, -62.55

 

CMYK 0 / 91 / 62 / 31

HEX #B11043

RGB 177 16 67

HSL 340.99, 0.83%, 0.38%

LAB 38.06, 61.01, 16.08

 

CMYK 63 / 0 / 91 / 30

HEX #43B311

RGB 67 179 17

HSL 101.48, 0.83%, 0.38%

LAB 64.54, -57.21, 62.7

 

CMYK 91 / 0 / 10 / 31

HEX #10B19F

RGB 16 177 159

HSL 173.29, 0.83%, 0.38%

LAB 65.01, -41.28, -1.39

 

CMYK 29 / 91 / 0 / 31

HEX #7E10B1

RGB 126 16 177

HSL 280.99, 0.83%, 0.38%

LAB 33.94, 64.92, -59.77

 

CMYK 0 / 91 / 80 / 31

HEX #B11023

RGB 177 16 35

HSL 352.92, 0.83%, 0.38%

LAB 37.55, 59.56, 35.43

 

CMYK 63 / 0 / 91 / 30

HEX #43B311

RGB 67 179 17

HSL 101.48, 0.83%, 0.38%

LAB 64.54, -57.21, 62.7

 

CMYK 91 / 16 / 0 / 31

HEX #1094B1

RGB 16 148 177

HSL 190.81, 0.83%, 0.38%

LAB 56.55, -21.7, -24.25

 

CMYK 29 / 91 / 0 / 31

HEX #7E10B1

RGB 126 16 177

HSL 280.99, 0.83%, 0.38%

LAB 33.94, 64.92, -59.77

 

CMYK 0 / 74 / 91 / 31

HEX #B12E10

RGB 177 46 16

HSL 11.18, 0.83%, 0.38%

LAB 40.14, 51.38, 47.14

 

Description

Color code: HEX #43B311 | qconv.com Color code: HEX #43B311 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 179 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 179 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 91 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 91% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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