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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43B138 it is the complementary color #BC4EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43B138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43B138 shade: #48B133, #59C346, #6AD559, #7BE76C and #8CF97F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43B138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43B138 shade: #43B138, #329F25, #218D12, #107B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43B138 shade: #43B238, #64B238, #85B238, #A6B238 and #B29D38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43B138 shade: #43B238, #38B24E, #38B26F, #38B28F and #38B2B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43B138 shade matches the following richer shades: #43B238, #33C525 and #24D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43B138 shade: #43B238, #529F4B, #628C5E, #717971 and #816684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43B138 shade: #85B238, #65B238, #44B238, #38B24C and #38B26D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43B138 shade: #2B7324, #37922E, #43B238, #58C64D and #75D06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43B138 shade: #43B138, #38A6B2 and #B23875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43B138 shade: #43B138, #3844B2 and #B23844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43B138 shade: #43B138, #38A6B2, #A638B2 and #B24438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43B138 shade: #43B138, #3881B2, #A638B2 and #B26938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 68 / 31

HEX #43B138

RGB 67 177 56

HSL 114.55, 0.52%, 0.46%

LAB 64.1, -54.18, 50.63

 

Complementary color

CMYK 6 / 61 / 0 / 22

HEX #BC4EC7

RGB 188 78 199

HSL 294.55, 0.52%, 0.54%

LAB 52.13, 60.46, -42.92

 

CMYK 59 / 0 / 71 / 31

HEX #48B133

RGB 72 177 51

HSL 110, 0.55%, 0.45%

LAB 64.21, -53.42, 52.78

 

CMYK 54 / 0 / 64 / 24

HEX #59C346

RGB 89 195 70

HSL 110.88, 0.51%, 0.52%

LAB 70.59, -53.99, 52.04

 

CMYK 50 / 0 / 58 / 16

HEX #6AD559

RGB 106 213 89

HSL 111.77, 0.6%, 0.59%

LAB 76.9, -54.29, 51.02

 

CMYK 47 / 0 / 53 / 9

HEX #7BE76C

RGB 123 231 108

HSL 112.68, 0.72%, 0.66%

LAB 83.15, -54.4, 49.86

 

CMYK 44 / 0 / 49 / 2

HEX #8CF97F

RGB 140 249 127

HSL 113.61, 0.91%, 0.74%

LAB 89.33, -54.39, 48.67

 

CMYK 62 / 0 / 68 / 31

HEX #43B138

RGB 67 177 56

HSL 114.55, 0.52%, 0.46%

LAB 64.1, -54.18, 50.63

 

CMYK 69 / 0 / 77 / 38

HEX #329F25

RGB 50 159 37

HSL 113.61, 0.62%, 0.38%

LAB 57.66, -53.16, 51.1

 

CMYK 77 / 0 / 87 / 45

HEX #218D12

RGB 33 141 18

HSL 112.68, 0.77%, 0.31%

LAB 51.17, -51.45, 50.57

 

CMYK 87 / 0 / 100 / 52

HEX #107B00

RGB 16 123 0

HSL 112.2, 1%, 0.24%

LAB 44.63, -48.82, 48.68

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 62 / 0 / 69 / 30

HEX #43B238

RGB 67 178 56

HSL 114.59, 0.52%, 0.46%

LAB 64.42, -54.54, 50.97

 

CMYK 44 / 0 / 69 / 30

HEX #64B238

RGB 100 178 56

HSL 98.36, 0.52%, 0.46%

LAB 65.62, -45.33, 52.61

 

CMYK 25 / 0 / 69 / 30

HEX #85B238

RGB 133 178 56

HSL 82.13, 0.52%, 0.46%

LAB 67.36, -33.47, 54.96

 

CMYK 7 / 0 / 69 / 30

HEX #A6B238

RGB 166 178 56

HSL 65.9, 0.52%, 0.46%

LAB 69.64, -19.98, 58.01

 

CMYK 0 / 12 / 69 / 30

HEX #B29D38

RGB 178 157 56

HSL 49.67, 0.52%, 0.46%

LAB 64.85, -3.85, 53.47

 

CMYK 62 / 0 / 69 / 30

HEX #43B238

RGB 67 178 56

HSL 114.59, 0.52%, 0.46%

LAB 64.42, -54.54, 50.97

 

CMYK 69 / 0 / 56 / 30

HEX #38B24E

RGB 56 178 78

HSL 130.82, 0.52%, 0.46%

LAB 64.35, -54.35, 41.01

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 0 / 20 / 30

HEX #38B28F

RGB 56 178 143

HSL 162.79, 0.52%, 0.46%

LAB 65.49, -41.89, 8.23

 

CMYK 69 / 0 / 1 / 30

HEX #38B2B0

RGB 56 178 176

HSL 179.02, 0.52%, 0.46%

LAB 66.38, -33.08, -8.74

 

CMYK 62 / 0 / 69 / 30

HEX #43B238

RGB 67 178 56

HSL 114.59, 0.52%, 0.46%

LAB 64.42, -54.54, 50.97

 

CMYK 74 / 0 / 81 / 23

HEX #33C525

RGB 51 197 37

HSL 114.75, 0.68%, 0.46%

LAB 70.01, -65.32, 62.9

 

CMYK 83 / 0 / 92 / 15

HEX #24D812

RGB 36 216 18

HSL 114.55, 0.85%, 0.46%

LAB 75.78, -73.58, 71.79

 

CMYK 62 / 0 / 69 / 30

HEX #43B238

RGB 67 178 56

HSL 114.59, 0.52%, 0.46%

LAB 64.42, -54.54, 50.97

 

CMYK 48 / 0 / 53 / 38

HEX #529F4B

RGB 82 159 75

HSL 115, 0.36%, 0.46%

LAB 59.07, -41.03, 36.32

 

CMYK 30 / 0 / 33 / 45

HEX #628C5E

RGB 98 140 94

HSL 114.78, 0.2%, 0.46%

LAB 54.2, -24.02, 20.08

 

CMYK 7 / 0 / 7 / 53

HEX #717971

RGB 113 121 113

HSL 120, 0.03%, 0.46%

LAB 49.95, -4.63, 3.35

 

CMYK 2 / 23 / 0 / 48

HEX #816684

RGB 129 102 132

HSL 294, 0.13%, 0.46%

LAB 46.76, 16.46, -12.51

 

CMYK 25 / 0 / 69 / 30

HEX #85B238

RGB 133 178 56

HSL 82.13, 0.52%, 0.46%

LAB 67.36, -33.47, 54.96

 

CMYK 43 / 0 / 69 / 30

HEX #65B238

RGB 101 178 56

HSL 97.87, 0.52%, 0.46%

LAB 65.67, -45.01, 52.67

 

CMYK 62 / 0 / 69 / 30

HEX #44B238

RGB 68 178 56

HSL 114.1, 0.52%, 0.46%

LAB 64.45, -54.31, 51.01

 

CMYK 69 / 0 / 57 / 30

HEX #38B24C

RGB 56 178 76

HSL 129.84, 0.52%, 0.46%

LAB 64.33, -54.62, 41.93

 

CMYK 69 / 0 / 39 / 30

HEX #38B26D

RGB 56 178 109

HSL 146.07, 0.52%, 0.46%

LAB 64.79, -49.31, 25.76

 

CMYK 63 / 0 / 69 / 55

HEX #2B7324

RGB 43 115 36

HSL 114.68, 0.52%, 0.3%

LAB 42.62, -38.72, 35.89

 

CMYK 62 / 0 / 68 / 43

HEX #37922E

RGB 55 146 46

HSL 114.6, 0.52%, 0.38%

LAB 53.56, -46.62, 43.42

 

CMYK 62 / 0 / 69 / 30

HEX #43B238

RGB 67 178 56

HSL 114.59, 0.52%, 0.46%

LAB 64.42, -54.54, 50.97

 

CMYK 56 / 0 / 61 / 22

HEX #58C64D

RGB 88 198 77

HSL 114.55, 0.51%, 0.54%

LAB 71.55, -54.66, 50.07

 

CMYK 44 / 0 / 48 / 18

HEX #75D06C

RGB 117 208 108

HSL 114.6, 0.52%, 0.62%

LAB 76.05, -46.8, 41.15

 

CMYK 62 / 0 / 68 / 31

HEX #43B138

RGB 67 177 56

HSL 114.55, 0.52%, 0.46%

LAB 64.1, -54.18, 50.63

 

CMYK 69 / 7 / 0 / 30

HEX #38A6B2

RGB 56 166 178

HSL 185.9, 0.52%, 0.46%

LAB 62.78, -26.64, -15.25

 

CMYK 0 / 69 / 34 / 30

HEX #B23875

RGB 178 56 117

HSL 330, 0.52%, 0.46%

LAB 43.62, 54.52, -7.45

 

CMYK 62 / 0 / 68 / 31

HEX #43B138

RGB 67 177 56

HSL 114.55, 0.52%, 0.46%

LAB 64.1, -54.18, 50.63

 

CMYK 69 / 62 / 0 / 30

HEX #3844B2

RGB 56 68 178

HSL 234.1, 0.52%, 0.46%

LAB 34.37, 31.83, -59.98

 

CMYK 0 / 69 / 62 / 30

HEX #B23844

RGB 178 56 68

HSL 354.1, 0.52%, 0.46%

LAB 42.32, 50, 21.11

 

CMYK 62 / 0 / 68 / 31

HEX #43B138

RGB 67 177 56

HSL 114.55, 0.52%, 0.46%

LAB 64.1, -54.18, 50.63

 

CMYK 69 / 7 / 0 / 30

HEX #38A6B2

RGB 56 166 178

HSL 185.9, 0.52%, 0.46%

LAB 62.78, -26.64, -15.25

 

CMYK 7 / 69 / 0 / 30

HEX #A638B2

RGB 166 56 178

HSL 294.1, 0.52%, 0.46%

LAB 44.45, 60.56, -43.11

 

CMYK 0 / 62 / 69 / 30

HEX #B24438

RGB 178 68 56

HSL 5.9, 0.52%, 0.46%

LAB 44.07, 44.04, 30.51

 

CMYK 62 / 0 / 68 / 31

HEX #43B138

RGB 67 177 56

HSL 114.55, 0.52%, 0.46%

LAB 64.1, -54.18, 50.63

 

CMYK 69 / 28 / 0 / 30

HEX #3881B2

RGB 56 129 178

HSL 204.1, 0.52%, 0.46%

LAB 51.56, -6.67, -32.5

 

CMYK 7 / 69 / 0 / 30

HEX #A638B2

RGB 166 56 178

HSL 294.1, 0.52%, 0.46%

LAB 44.45, 60.56, -43.11

 

CMYK 0 / 41 / 69 / 30

HEX #B26938

RGB 178 105 56

HSL 24.1, 0.52%, 0.46%

LAB 51.67, 24.89, 39.31

 

Description

Color code: HEX #43B138 | qconv.com Color code: HEX #43B138 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 177 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 177 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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