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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43A602 it is the complementary color #BC59FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43A602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43A602 shade: #48A600, #59B810, #6ACA23, #7BDC36 and #8CEE49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43A602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43A602 shade: #43A602, #329400, #218200, #107000 and #005E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43A602 shade: #43A702, #70A702, #9CA702, #A78502 and #A75802

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43A602 shade: #43A702, #17A702, #02A719, #02A746 and #02A772

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43A602 shade matches the following richer shades: #43A702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43A602 shade: #43A702, #46990F, #498B1D, #4C7E2B and #4E7038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43A602 shade: #9CA702, #70A702, #44A702, #18A702 and #02A718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43A602 shade: #225501, #337E01, #43A702, #53CF02 and #64F803

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43A602 shade: #43A602, #02A786 and #A70286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43A602 shade: #43A602, #0244A7 and #A70244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43A602 shade: #43A602, #02A786, #6502A7 and #A70223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43A602 shade: #43A602, #0296A7, #6502A7 and #A71202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 99 / 35

HEX #43A602

RGB 67 166 2

HSL 96.22, 0.98%, 0.33%

LAB 60.31, -53.07, 61.36

 

Complementary color

CMYK 26 / 65 / 0 / 1

HEX #BC59FD

RGB 188 89 253

HSL 276.22, 0.98%, 0.67%

LAB 57.01, 66.28, -65.59

 

CMYK 57 / 0 / 100 / 35

HEX #48A600

RGB 72 166 0

HSL 93.98, 1%, 0.33%

LAB 60.47, -51.78, 61.84

 

CMYK 52 / 0 / 91 / 28

HEX #59B810

RGB 89 184 16

HSL 93.93, 0.84%, 0.39%

LAB 66.86, -53.18, 65.1

 

CMYK 48 / 0 / 83 / 21

HEX #6ACA23

RGB 106 202 35

HSL 94.49, 0.7%, 0.46%

LAB 73.17, -54.19, 66.9

 

CMYK 44 / 0 / 75 / 14

HEX #7BDC36

RGB 123 220 54

HSL 95.06, 0.7%, 0.54%

LAB 79.42, -54.88, 67.53

 

CMYK 41 / 0 / 69 / 7

HEX #8CEE49

RGB 140 238 73

HSL 95.64, 0.83%, 0.61%

LAB 85.61, -55.34, 67.43

 

CMYK 60 / 0 / 99 / 35

HEX #43A602

RGB 67 166 2

HSL 96.22, 0.98%, 0.33%

LAB 60.31, -53.07, 61.36

 

CMYK 66 / 0 / 100 / 42

HEX #329400

RGB 50 148 0

HSL 99.73, 1%, 0.29%

LAB 53.88, -51.02, 56.33

 

CMYK 75 / 0 / 100 / 49

HEX #218200

RGB 33 130 0

HSL 104.77, 1%, 0.25%

LAB 47.35, -48.51, 50.97

 

CMYK 86 / 0 / 100 / 56

HEX #107000

RGB 16 112 0

HSL 111.43, 1%, 0.22%

LAB 40.73, -45.37, 45.57

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 60 / 0 / 99 / 35

HEX #43A702

RGB 67 167 2

HSL 96.36, 0.98%, 0.33%

LAB 60.64, -53.42, 61.62

 

CMYK 33 / 0 / 99 / 35

HEX #70A702

RGB 112 167 2

HSL 80, 0.98%, 0.33%

LAB 62.58, -38.8, 63.98

 

CMYK 7 / 0 / 99 / 35

HEX #9CA702

RGB 156 167 2

HSL 64, 0.98%, 0.33%

LAB 65.52, -20.53, 67.51

 

CMYK 0 / 20 / 99 / 35

HEX #A78502

RGB 167 133 2

HSL 47.64, 0.98%, 0.33%

LAB 57.07, 2.53, 61.8

 

CMYK 0 / 47 / 99 / 35

HEX #A75802

RGB 167 88 2

HSL 31.27, 0.98%, 0.33%

LAB 45.91, 27.74, 54.26

 

CMYK 60 / 0 / 99 / 35

HEX #43A702

RGB 67 167 2

HSL 96.36, 0.98%, 0.33%

LAB 60.64, -53.42, 61.62

 

CMYK 86 / 0 / 99 / 35

HEX #17A702

RGB 23 167 2

HSL 112.36, 0.98%, 0.33%

LAB 59.73, -61.22, 60.51

 

CMYK 99 / 0 / 85 / 35

HEX #02A719

RGB 2 167 25

HSL 128.36, 0.98%, 0.33%

LAB 59.64, -61.84, 56.33

 

CMYK 99 / 0 / 58 / 35

HEX #02A746

RGB 2 167 70

HSL 144.73, 0.98%, 0.33%

LAB 59.97, -57.57, 39.48

 

CMYK 99 / 0 / 32 / 35

HEX #02A772

RGB 2 167 114

HSL 160.73, 0.98%, 0.33%

LAB 60.66, -49.39, 17.36

 

CMYK 60 / 0 / 99 / 35

HEX #43A702

RGB 67 167 2

HSL 96.36, 0.98%, 0.33%

LAB 60.64, -53.42, 61.62

 

CMYK 60 / 0 / 99 / 35

HEX #43A702

RGB 67 167 2

HSL 96.36, 0.98%, 0.33%

LAB 60.64, -53.42, 61.62

 

CMYK 54 / 0 / 90 / 40

HEX #46990F

RGB 70 153 15

HSL 96.09, 0.82%, 0.33%

LAB 56.21, -47.16, 56.02

 

CMYK 47 / 0 / 79 / 45

HEX #498B1D

RGB 73 139 29

HSL 96, 0.65%, 0.33%

LAB 51.8, -40.02, 48.41

 

CMYK 40 / 0 / 66 / 51

HEX #4C7E2B

RGB 76 126 43

HSL 96.14, 0.49%, 0.33%

LAB 47.79, -32.22, 38.74

 

CMYK 30 / 0 / 50 / 56

HEX #4E7038

RGB 78 112 56

HSL 96.43, 0.33%, 0.33%

LAB 43.5, -23.2, 27.17

 

CMYK 7 / 0 / 99 / 35

HEX #9CA702

RGB 156 167 2

HSL 64, 0.98%, 0.33%

LAB 65.52, -20.53, 67.51

 

CMYK 33 / 0 / 99 / 35

HEX #70A702

RGB 112 167 2

HSL 80, 0.98%, 0.33%

LAB 62.58, -38.8, 63.98

 

CMYK 59 / 0 / 99 / 35

HEX #44A702

RGB 68 167 2

HSL 96, 0.98%, 0.33%

LAB 60.67, -53.16, 61.65

 

CMYK 86 / 0 / 99 / 35

HEX #18A702

RGB 24 167 2

HSL 112, 0.98%, 0.33%

LAB 59.74, -61.12, 60.52

 

CMYK 99 / 0 / 86 / 35

HEX #02A718

RGB 2 167 24

HSL 128, 0.98%, 0.33%

LAB 59.63, -61.89, 56.58

 

CMYK 60 / 0 / 99 / 67

HEX #225501

RGB 34 85 1

HSL 96.43, 0.98%, 0.17%

LAB 31.44, -31.82, 38

 

CMYK 60 / 0 / 99 / 51

HEX #337E01

RGB 51 126 1

HSL 96, 0.98%, 0.25%

LAB 46.48, -42.85, 50.29

 

CMYK 60 / 0 / 99 / 35

HEX #43A702

RGB 67 167 2

HSL 96.36, 0.98%, 0.33%

LAB 60.64, -53.42, 61.62

 

CMYK 60 / 0 / 99 / 19

HEX #53CF02

RGB 83 207 2

HSL 96.29, 0.98%, 0.41%

LAB 73.85, -63.16, 72.34

 

CMYK 60 / 0 / 99 / 3

HEX #64F803

RGB 100 248 3

HSL 96.24, 0.98%, 0.49%

LAB 86.92, -72.6, 82.86

 

CMYK 60 / 0 / 99 / 35

HEX #43A602

RGB 67 166 2

HSL 96.22, 0.98%, 0.33%

LAB 60.31, -53.07, 61.36

 

CMYK 99 / 0 / 20 / 35

HEX #02A786

RGB 2 167 134

HSL 168, 0.98%, 0.33%

LAB 61.11, -44.45, 6.88

 

CMYK 0 / 99 / 20 / 35

HEX #A70286

RGB 167 2 134

HSL 312, 0.98%, 0.33%

LAB 37.81, 66.76, -27.05

 

CMYK 60 / 0 / 99 / 35

HEX #43A602

RGB 67 166 2

HSL 96.22, 0.98%, 0.33%

LAB 60.31, -53.07, 61.36

 

CMYK 99 / 59 / 0 / 35

HEX #0244A7

RGB 2 68 167

HSL 216, 0.98%, 0.33%

LAB 31.66, 23.02, -57.91

 

CMYK 0 / 99 / 59 / 35

HEX #A70244

RGB 167 2 68

HSL 336, 0.98%, 0.33%

LAB 35.35, 60.37, 11.4

 

CMYK 60 / 0 / 99 / 35

HEX #43A602

RGB 67 166 2

HSL 96.22, 0.98%, 0.33%

LAB 60.31, -53.07, 61.36

 

CMYK 99 / 0 / 20 / 35

HEX #02A786

RGB 2 167 134

HSL 168, 0.98%, 0.33%

LAB 61.11, -44.45, 6.88

 

CMYK 40 / 99 / 0 / 35

HEX #6502A7

RGB 101 2 167

HSL 276, 0.98%, 0.33%

LAB 28.38, 62.05, -63.03

 

CMYK 0 / 99 / 79 / 35

HEX #A70223

RGB 167 2 35

HSL 348, 0.98%, 0.33%

LAB 34.76, 58.77, 31.83

 

CMYK 60 / 0 / 99 / 35

HEX #43A602

RGB 67 166 2

HSL 96.22, 0.98%, 0.33%

LAB 60.31, -53.07, 61.36

 

CMYK 99 / 10 / 0 / 35

HEX #0296A7

RGB 2 150 167

HSL 186.18, 0.98%, 0.33%

LAB 56.7, -26.72, -18.33

 

CMYK 40 / 99 / 0 / 35

HEX #6502A7

RGB 101 2 167

HSL 276, 0.98%, 0.33%

LAB 28.38, 62.05, -63.03

 

CMYK 0 / 89 / 99 / 35

HEX #A71202

RGB 167 18 2

HSL 5.82, 0.98%, 0.33%

LAB 35.31, 55.87, 48.35

 

Description

Color code: HEX #43A602 | qconv.com Color code: HEX #43A602 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 166 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 166 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 99 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 99% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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