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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43A217 it is the complementary color #BC5DE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43A217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43A217 shade: #48A212, #59B425, #6AC638, #7BD84B and #8CEA5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43A217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43A217 shade: #43A217, #329004, #217E00, #106C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43A217 shade: #43A117, #68A117, #8DA117, #A18F17 and #A16A17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43A217 shade: #43A117, #1DA117, #17A136, #17A15B and #17A180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43A217 shade matches the following richer shades: #43A117 and #3DB008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43A217 shade: #43A117, #489226, #4D8335, #537444 and #586552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43A217 shade: #8CA117, #67A117, #43A117, #1EA117 and #17A135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43A217 shade: #25580D, #347D12, #43A117, #51C51C and #63E12A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43A217 shade: #43A217, #17A191 and #A1177A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43A217 shade: #43A217, #1743A1 and #A11743

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43A217 shade: #43A217, #17A191, #7517A1 and #A11727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43A217 shade: #43A217, #1787A1, #7517A1 and #A13017

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 86 / 36

HEX #43A217

RGB 67 162 23

HSL 101.01, 0.75%, 0.36%

LAB 59.06, -51.03, 56.72

 

Complementary color

CMYK 19 / 60 / 0 / 9

HEX #BC5DE8

RGB 188 93 232

HSL 281.01, 0.75%, 0.64%

LAB 56.43, 60.03, -54.81

 

CMYK 56 / 0 / 89 / 36

HEX #48A212

RGB 72 162 18

HSL 97.5, 0.8%, 0.35%

LAB 59.22, -49.85, 58.03

 

CMYK 51 / 0 / 79 / 29

HEX #59B425

RGB 89 180 37

HSL 98.18, 0.66%, 0.43%

LAB 65.67, -50.84, 59.22

 

CMYK 46 / 0 / 72 / 22

HEX #6AC638

RGB 106 198 56

HSL 98.87, 0.56%, 0.5%

LAB 72.05, -51.46, 59.33

 

CMYK 43 / 0 / 65 / 15

HEX #7BD84B

RGB 123 216 75

HSL 99.57, 0.64%, 0.57%

LAB 78.36, -51.82, 58.82

 

CMYK 40 / 0 / 60 / 8

HEX #8CEA5E

RGB 140 234 94

HSL 100.29, 0.77%, 0.64%

LAB 84.6, -52.01, 57.98

 

CMYK 59 / 0 / 86 / 36

HEX #43A217

RGB 67 162 23

HSL 101.01, 0.75%, 0.36%

LAB 59.06, -51.03, 56.72

 

CMYK 65 / 0 / 97 / 44

HEX #329004

RGB 50 144 4

HSL 100.29, 0.95%, 0.29%

LAB 52.55, -49.52, 54.58

 

CMYK 74 / 0 / 100 / 51

HEX #217E00

RGB 33 126 0

HSL 104.29, 1%, 0.25%

LAB 45.97, -47.18, 49.87

 

CMYK 85 / 0 / 100 / 58

HEX #106C00

RGB 16 108 0

HSL 111.11, 1%, 0.21%

LAB 39.3, -44.08, 44.42

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 58 / 0 / 86 / 37

HEX #43A117

RGB 67 161 23

HSL 100.87, 0.75%, 0.36%

LAB 58.74, -50.66, 56.43

 

CMYK 35 / 0 / 86 / 37

HEX #68A117

RGB 104 161 23

HSL 84.78, 0.75%, 0.36%

LAB 60.33, -38.69, 58.45

 

CMYK 12 / 0 / 86 / 37

HEX #8DA117

RGB 141 161 23

HSL 68.7, 0.75%, 0.36%

LAB 62.69, -23.65, 61.4

 

CMYK 0 / 11 / 86 / 37

HEX #A18F17

RGB 161 143 23

HSL 52.17, 0.75%, 0.36%

LAB 59.24, -5.33, 59.18

 

CMYK 0 / 34 / 86 / 37

HEX #A16A17

RGB 161 106 23

HSL 36.09, 0.75%, 0.36%

LAB 49.43, 15.39, 50.96

 

CMYK 58 / 0 / 86 / 37

HEX #43A117

RGB 67 161 23

HSL 100.87, 0.75%, 0.36%

LAB 58.74, -50.66, 56.43

 

CMYK 82 / 0 / 86 / 37

HEX #1DA117

RGB 29 161 23

HSL 117.39, 0.75%, 0.36%

LAB 57.86, -58.09, 55.31

 

CMYK 86 / 0 / 66 / 37

HEX #17A136

RGB 23 161 54

HSL 133.48, 0.75%, 0.36%

LAB 57.98, -56.31, 44.59

 

CMYK 86 / 0 / 43 / 37

HEX #17A15B

RGB 23 161 91

HSL 149.57, 0.75%, 0.36%

LAB 58.44, -50.74, 26.9

 

CMYK 86 / 0 / 20 / 37

HEX #17A180

RGB 23 161 128

HSL 165.65, 0.75%, 0.36%

LAB 59.19, -42.4, 7.52

 

CMYK 58 / 0 / 86 / 37

HEX #43A117

RGB 67 161 23

HSL 100.87, 0.75%, 0.36%

LAB 58.74, -50.66, 56.43

 

CMYK 65 / 0 / 95 / 31

HEX #3DB008

RGB 61 176 8

HSL 101.07, 0.91%, 0.36%

LAB 63.39, -57.8, 62.97

 

CMYK 58 / 0 / 86 / 37

HEX #43A117

RGB 67 161 23

HSL 100.87, 0.75%, 0.36%

LAB 58.74, -50.66, 56.43

 

CMYK 51 / 0 / 74 / 43

HEX #489226

RGB 72 146 38

HSL 101.11, 0.59%, 0.36%

LAB 54.11, -42.6, 47.42

 

CMYK 41 / 0 / 60 / 49

HEX #4D8335

RGB 77 131 53

HSL 101.54, 0.42%, 0.36%

LAB 49.58, -33.09, 35.99

 

CMYK 28 / 0 / 41 / 55

HEX #537444

RGB 83 116 68

HSL 101.25, 0.26%, 0.36%

LAB 45.29, -21.57, 22.8

 

CMYK 13 / 0 / 19 / 60

HEX #586552

RGB 88 101 82

HSL 101.05, 0.1%, 0.36%

LAB 41.2, -8.95, 9.12

 

CMYK 13 / 0 / 86 / 37

HEX #8CA117

RGB 140 161 23

HSL 69.13, 0.75%, 0.36%

LAB 62.61, -24.08, 61.3

 

CMYK 36 / 0 / 86 / 37

HEX #67A117

RGB 103 161 23

HSL 85.22, 0.75%, 0.36%

LAB 60.28, -39.06, 58.38

 

CMYK 58 / 0 / 86 / 37

HEX #43A117

RGB 67 161 23

HSL 100.87, 0.75%, 0.36%

LAB 58.74, -50.66, 56.43

 

CMYK 81 / 0 / 86 / 37

HEX #1EA117

RGB 30 161 23

HSL 116.96, 0.75%, 0.36%

LAB 57.87, -57.96, 55.33

 

CMYK 86 / 0 / 67 / 37

HEX #17A135

RGB 23 161 53

HSL 133.04, 0.75%, 0.36%

LAB 57.97, -56.42, 45.01

 

CMYK 58 / 0 / 85 / 65

HEX #25580D

RGB 37 88 13

HSL 100.8, 0.74%, 0.2%

LAB 32.7, -31.42, 35.18

 

CMYK 58 / 0 / 86 / 51

HEX #347D12

RGB 52 125 18

HSL 100.93, 0.75%, 0.28%

LAB 46.23, -41.54, 46.32

 

CMYK 58 / 0 / 86 / 37

HEX #43A117

RGB 67 161 23

HSL 100.87, 0.75%, 0.36%

LAB 58.74, -50.66, 56.43

 

CMYK 59 / 0 / 86 / 23

HEX #51C51C

RGB 81 197 28

HSL 101.18, 0.75%, 0.44%

LAB 70.71, -59.62, 66.02

 

CMYK 56 / 0 / 81 / 12

HEX #63E12A

RGB 99 225 42

HSL 101.31, 0.75%, 0.52%

LAB 79.99, -64.17, 71.2

 

CMYK 59 / 0 / 86 / 36

HEX #43A217

RGB 67 162 23

HSL 101.01, 0.75%, 0.36%

LAB 59.06, -51.03, 56.72

 

CMYK 86 / 0 / 10 / 37

HEX #17A191

RGB 23 161 145

HSL 173.04, 0.75%, 0.36%

LAB 59.63, -37.76, -1.42

 

CMYK 0 / 86 / 24 / 37

HEX #A1177A

RGB 161 23 122

HSL 316.96, 0.75%, 0.36%

LAB 37.11, 60.95, -20.76

 

CMYK 59 / 0 / 86 / 36

HEX #43A217

RGB 67 162 23

HSL 101.01, 0.75%, 0.36%

LAB 59.06, -51.03, 56.72

 

CMYK 86 / 58 / 0 / 37

HEX #1743A1

RGB 23 67 161

HSL 220.87, 0.75%, 0.36%

LAB 31.28, 22.36, -54.92

 

CMYK 0 / 86 / 58 / 37

HEX #A11743

RGB 161 23 67

HSL 340.87, 0.75%, 0.36%

LAB 35.19, 55.52, 11.63

 

CMYK 59 / 0 / 86 / 36

HEX #43A217

RGB 67 162 23

HSL 101.01, 0.75%, 0.36%

LAB 59.06, -51.03, 56.72

 

CMYK 86 / 0 / 10 / 37

HEX #17A191

RGB 23 161 145

HSL 173.04, 0.75%, 0.36%

LAB 59.63, -37.76, -1.42

 

CMYK 27 / 86 / 0 / 37

HEX #7517A1

RGB 117 23 161

HSL 280.87, 0.75%, 0.36%

LAB 31.73, 58.78, -53.81

 

CMYK 0 / 86 / 76 / 37

HEX #A11727

RGB 161 23 39

HSL 353.04, 0.75%, 0.36%

LAB 34.67, 53.99, 28.91

 

CMYK 59 / 0 / 86 / 36

HEX #43A217

RGB 67 162 23

HSL 101.01, 0.75%, 0.36%

LAB 59.06, -51.03, 56.72

 

CMYK 86 / 16 / 0 / 37

HEX #1787A1

RGB 23 135 161

HSL 191.3, 0.75%, 0.36%

LAB 51.93, -19.93, -22.17

 

CMYK 27 / 86 / 0 / 37

HEX #7517A1

RGB 117 23 161

HSL 280.87, 0.75%, 0.36%

LAB 31.73, 58.78, -53.81

 

CMYK 0 / 70 / 86 / 37

HEX #A13017

RGB 161 48 23

HSL 10.87, 0.75%, 0.36%

LAB 37.4, 45.4, 40.6

 

Description

Color code: HEX #43A217 | qconv.com Color code: HEX #43A217 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 162 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 162 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 86 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 86% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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