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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #439BC4 it is the complementary color #BC643B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #439BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #439BC4 shade: #489BBF, #59ADD2, #6ABFE5, #7BD1F8 and #8CE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #439BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #439BC4 shade: #439BC4, #3289B1, #21779E, #10658B and #005378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #439BC4 shade: #459CC4, #4579C4, #4557C4, #5545C4 and #7745C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #439BC4 shade: #459CC4, #4579C4, #4557C4 and #4545C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #439BC4 shade matches the following richer shades: #459CC4, #31A3D8 and #1DAAEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #439BC4 shade: #459CC4, #5995B0, #6D8D9D, #808689 and #947F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #439BC4 shade: #45C4A9, #45BEC4, #459CC4, #457AC4 and #4558C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #439BC4 shade: #2C6D8B, #3685AA, #459CC4, #64ADCE and #84BDD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #439BC4 shade: #439BC4, #8745C4 and #C4BA45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #439BC4 shade: #439BC4, #C4459C and #9CC445

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #439BC4 shade: #439BC4, #8745C4, #C46D45 and #82C445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #439BC4 shade: #439BC4, #AD45C4, #C46D45 and #5CC445

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 21 / 0 / 23

HEX #439BC4

RGB 67 155 196

HSL 199.07, 0.52%, 0.52%

LAB 60.45, -13.48, -28.9

 

Complementary color

CMYK 0 / 47 / 69 / 26

HEX #BC643B

RGB 188 100 59

HSL 19.07, 0.52%, 0.48%

LAB 51.97, 31.94, 38.45

 

CMYK 62 / 19 / 0 / 25

HEX #489BBF

RGB 72 155 191

HSL 198.15, 0.48%, 0.52%

LAB 60.41, -14.22, -26.13

 

CMYK 58 / 18 / 0 / 18

HEX #59ADD2

RGB 89 173 210

HSL 198.35, 0.57%, 0.59%

LAB 67.02, -14.82, -26.48

 

CMYK 54 / 17 / 0 / 10

HEX #6ABFE5

RGB 106 191 229

HSL 198.54, 0.7%, 0.66%

LAB 73.53, -15.28, -26.82

 

CMYK 50 / 16 / 0 / 3

HEX #7BD1F8

RGB 123 209 248

HSL 198.72, 0.9%, 0.73%

LAB 79.95, -15.64, -27.15

 

CMYK 45 / 11 / 0 / 0

HEX #8CE3FF

RGB 140 227 255

HSL 194.61, 1%, 0.77%

LAB 85.87, -19.11, -21.77

 

CMYK 66 / 21 / 0 / 23

HEX #439BC4

RGB 67 155 196

HSL 199.07, 0.52%, 0.52%

LAB 60.45, -13.48, -28.9

 

CMYK 72 / 23 / 0 / 31

HEX #3289B1

RGB 50 137 177

HSL 198.9, 0.56%, 0.45%

LAB 53.75, -12.49, -28.52

 

CMYK 79 / 25 / 0 / 38

HEX #21779E

RGB 33 119 158

HSL 198.72, 0.65%, 0.37%

LAB 46.96, -11.16, -28.1

 

CMYK 88 / 27 / 0 / 45

HEX #10658B

RGB 16 101 139

HSL 198.54, 0.79%, 0.3%

LAB 40.05, -9.33, -27.6

 

CMYK 100 / 31 / 0 / 53

HEX #005378

RGB 0 83 120

HSL 198.5, 1%, 0.24%

LAB 33.01, -6.96, -27.03

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 65 / 38 / 0 / 23

HEX #4579C4

RGB 69 121 196

HSL 215.43, 0.52%, 0.52%

LAB 50.6, 6.59, -44.32

 

CMYK 65 / 56 / 0 / 23

HEX #4557C4

RGB 69 87 196

HSL 231.5, 0.52%, 0.52%

LAB 41.32, 27.99, -59.2

 

CMYK 57 / 65 / 0 / 23

HEX #5545C4

RGB 85 69 196

HSL 247.56, 0.52%, 0.52%

LAB 38.15, 41.73, -64.31

 

CMYK 39 / 65 / 0 / 23

HEX #7745C4

RGB 119 69 196

HSL 263.62, 0.52%, 0.52%

LAB 41.48, 48.16, -58.76

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 65 / 38 / 0 / 23

HEX #4579C4

RGB 69 121 196

HSL 215.43, 0.52%, 0.52%

LAB 50.6, 6.59, -44.32

 

CMYK 65 / 56 / 0 / 23

HEX #4557C4

RGB 69 87 196

HSL 231.5, 0.52%, 0.52%

LAB 41.32, 27.99, -59.2

 

CMYK 65 / 65 / 0 / 23

HEX #4545C4

RGB 69 69 196

HSL 240, 0.52%, 0.52%

LAB 36.94, 39.25, -66.34

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 77 / 25 / 0 / 15

HEX #31A3D8

RGB 49 163 216

HSL 199.04, 0.68%, 0.52%

LAB 63.18, -13.6, -35.84

 

CMYK 88 / 28 / 0 / 7

HEX #1DAAEC

RGB 29 170 236

HSL 199.13, 0.84%, 0.52%

LAB 65.8, -12.07, -42.79

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 49 / 15 / 0 / 31

HEX #5995B0

RGB 89 149 176

HSL 198.62, 0.36%, 0.52%

LAB 58.75, -11.94, -20.15

 

CMYK 31 / 10 / 0 / 38

HEX #6D8D9D

RGB 109 141 157

HSL 200, 0.2%, 0.52%

LAB 56.82, -7.25, -12.13

 

CMYK 7 / 2 / 0 / 46

HEX #808689

RGB 128 134 137

HSL 200, 0.04%, 0.52%

LAB 55.53, -1.58, -2.38

 

CMYK 0 / 14 / 21 / 42

HEX #947F75

RGB 148 127 117

HSL 19.35, 0.13%, 0.52%

LAB 54.82, 6.36, 8.4

 

CMYK 65 / 0 / 14 / 23

HEX #45C4A9

RGB 69 196 169

HSL 167.24, 0.52%, 0.52%

LAB 71.97, -41.19, 3.35

 

CMYK 65 / 3 / 0 / 23

HEX #45BEC4

RGB 69 190 196

HSL 182.83, 0.52%, 0.52%

LAB 70.92, -31.13, -12.93

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 65 / 38 / 0 / 23

HEX #457AC4

RGB 69 122 196

HSL 214.96, 0.52%, 0.52%

LAB 50.89, 5.98, -43.87

 

CMYK 65 / 55 / 0 / 23

HEX #4558C4

RGB 69 88 196

HSL 231.02, 0.52%, 0.52%

LAB 41.58, 27.36, -58.79

 

CMYK 68 / 22 / 0 / 45

HEX #2C6D8B

RGB 44 109 139

HSL 198.95, 0.52%, 0.36%

LAB 43.27, -10.57, -22.55

 

CMYK 68 / 22 / 0 / 33

HEX #3685AA

RGB 54 133 170

HSL 199.14, 0.52%, 0.44%

LAB 52.36, -12.02, -26.66

 

CMYK 65 / 20 / 0 / 23

HEX #459CC4

RGB 69 156 196

HSL 198.9, 0.52%, 0.52%

LAB 60.81, -13.69, -28.34

 

CMYK 51 / 16 / 0 / 19

HEX #64ADCE

RGB 100 173 206

HSL 198.68, 0.52%, 0.6%

LAB 67.32, -13.7, -23.79

 

CMYK 39 / 13 / 0 / 15

HEX #84BDD8

RGB 132 189 216

HSL 199.29, 0.52%, 0.68%

LAB 73.71, -11.66, -19.39

 

CMYK 66 / 21 / 0 / 23

HEX #439BC4

RGB 67 155 196

HSL 199.07, 0.52%, 0.52%

LAB 60.45, -13.48, -28.9

 

CMYK 31 / 65 / 0 / 23

HEX #8745C4

RGB 135 69 196

HSL 271.18, 0.52%, 0.52%

LAB 43.35, 51.57, -55.64

 

CMYK 0 / 5 / 65 / 23

HEX #C4BA45

RGB 196 186 69

HSL 55.28, 0.52%, 0.52%

LAB 74.37, -10.52, 58.41

 

CMYK 66 / 21 / 0 / 23

HEX #439BC4

RGB 67 155 196

HSL 199.07, 0.52%, 0.52%

LAB 60.45, -13.48, -28.9

 

CMYK 0 / 65 / 20 / 23

HEX #C4459C

RGB 196 69 156

HSL 318.9, 0.52%, 0.52%

LAB 49.97, 59.43, -21.11

 

CMYK 20 / 0 / 65 / 23

HEX #9CC445

RGB 156 196 69

HSL 78.9, 0.52%, 0.52%

LAB 74.18, -31.94, 57.3

 

CMYK 66 / 21 / 0 / 23

HEX #439BC4

RGB 67 155 196

HSL 199.07, 0.52%, 0.52%

LAB 60.45, -13.48, -28.9

 

CMYK 31 / 65 / 0 / 23

HEX #8745C4

RGB 135 69 196

HSL 271.18, 0.52%, 0.52%

LAB 43.35, 51.57, -55.64

 

CMYK 0 / 44 / 65 / 23

HEX #C46D45

RGB 196 109 69

HSL 18.9, 0.52%, 0.52%

LAB 55.18, 30.99, 37.09

 

CMYK 34 / 0 / 65 / 23

HEX #82C445

RGB 130 196 69

HSL 91.18, 0.52%, 0.52%

LAB 72.66, -41.67, 55.23

 

CMYK 66 / 21 / 0 / 23

HEX #439BC4

RGB 67 155 196

HSL 199.07, 0.52%, 0.52%

LAB 60.45, -13.48, -28.9

 

CMYK 12 / 65 / 0 / 23

HEX #AD45C4

RGB 173 69 196

HSL 289.13, 0.52%, 0.52%

LAB 48.42, 60.2, -47.23

 

CMYK 0 / 44 / 65 / 23

HEX #C46D45

RGB 196 109 69

HSL 18.9, 0.52%, 0.52%

LAB 55.18, 30.99, 37.09

 

CMYK 53 / 0 / 65 / 23

HEX #5CC445

RGB 92 196 69

HSL 109.13, 0.52%, 0.52%

LAB 71, -53.66, 52.94

 

Description

Color code: HEX #439BC4 | qconv.com Color code: HEX #439BC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 155 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 155 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 21 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 21% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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