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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4398CA it is the complementary color #BC6735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4398CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4398CA: #4898C5, #59AAD8, #6ABCEB, #7BCEFE and #8CE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4398CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4398CA: #4398CA, #3286B7, #2174A4, #106291 and #00507E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

Complementary color

CMYK 0 / 45 / 72 / 26

HEX #BC6735

RGB 188 103 53

HSL 22.22, 0.56%, 0.47%

LAB 52.56, 30.01, 42.23

 

CMYK 63 / 23 / 0 / 23

HEX #4898C5

RGB 72 152 197

HSL 201.6, 0.52%, 0.53%

LAB 59.77, -10.65, -30.5

 

CMYK 59 / 21 / 0 / 15

HEX #59AAD8

RGB 89 170 216

HSL 201.73, 0.62%, 0.6%

LAB 66.39, -11.37, -30.77

 

CMYK 55 / 20 / 0 / 8

HEX #6ABCEB

RGB 106 188 235

HSL 201.86, 0.76%, 0.67%

LAB 72.91, -11.94, -31.03

 

CMYK 52 / 19 / 0 / 0

HEX #7BCEFE

RGB 123 206 254

HSL 201.98, 0.98%, 0.74%

LAB 79.33, -12.39, -31.29

 

CMYK 45 / 12 / 0 / 0

HEX #8CE0FF

RGB 140 224 255

HSL 196.17, 1%, 0.77%

LAB 85.05, -17.6, -23.02

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 73 / 27 / 0 / 28

HEX #3286B7

RGB 50 134 183

HSL 202.11, 0.57%, 0.46%

LAB 53.11, -8.71, -32.97

 

CMYK 80 / 29 / 0 / 36

HEX #2174A4

RGB 33 116 164

HSL 201.98, 0.66%, 0.39%

LAB 46.3, -7.2, -32.64

 

CMYK 89 / 32 / 0 / 43

HEX #106291

RGB 16 98 145

HSL 201.86, 0.8%, 0.32%

LAB 39.39, -5.17, -32.25

 

CMYK 100 / 37 / 0 / 51

HEX #00507E

RGB 0 80 126

HSL 201.9, 1%, 0.25%

LAB 32.36, -2.56, -31.79

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 66 / 36 / 0 / 21

HEX #4482CA

RGB 68 130 202

HSL 212.24, 0.56%, 0.53%

LAB 53.45, 3.06, -43.23

 

CMYK 66 / 47 / 0 / 21

HEX #446CCA

RGB 68 108 202

HSL 222.09, 0.56%, 0.53%

LAB 47.26, 16.61, -53.09

 

CMYK 66 / 58 / 0 / 21

HEX #4455CA

RGB 68 85 202

HSL 232.39, 0.56%, 0.53%

LAB 41.2, 31.2, -62.88

 

CMYK 64 / 66 / 0 / 21

HEX #4844CA

RGB 72 68 202

HSL 241.79, 0.56%, 0.53%

LAB 37.44, 42.25, -69.01

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 67 / 25 / 0 / 1

HEX #54BEFD

RGB 84 190 253

HSL 202.37, 0.98%, 0.66%

LAB 73.42, -11.36, -40.02

 

CMYK 67 / 24 / 0 / 81

HEX #102531

RGB 16 37 49

HSL 201.82, 0.51%, 0.13%

LAB 13.56, -4, -10.43

 

CMYK 67 / 25 / 0 / 61

HEX #214B64

RGB 33 75 100

HSL 202.39, 0.5%, 0.26%

LAB 30.1, -5.96, -18.96

 

CMYK 67 / 25 / 0 / 41

HEX #327297

RGB 50 114 151

HSL 201.98, 0.5%, 0.39%

LAB 45.56, -8.28, -26.11

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 29 / 66 / 0 / 21

HEX #9044CA

RGB 144 68 202

HSL 274.03, 0.56%, 0.53%

LAB 44.7, 55.4, -56.88

 

CMYK 0 / 2 / 66 / 21

HEX #CAC544

RGB 202 197 68

HSL 57.76, 0.56%, 0.53%

LAB 77.82, -13.64, 62.55

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 0 / 66 / 24 / 21

HEX #CA4499

RGB 202 68 153

HSL 321.94, 0.56%, 0.53%

LAB 50.68, 61.07, -18.16

 

CMYK 24 / 0 / 66 / 21

HEX #99CA44

RGB 153 202 68

HSL 81.94, 0.56%, 0.53%

LAB 75.72, -35.93, 59.28

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 29 / 66 / 0 / 21

HEX #9044CA

RGB 144 68 202

HSL 274.03, 0.56%, 0.53%

LAB 44.7, 55.4, -56.88

 

CMYK 0 / 42 / 66 / 21

HEX #CA7544

RGB 202 117 68

HSL 21.94, 0.56%, 0.53%

LAB 57.75, 29.09, 40.83

 

CMYK 38 / 0 / 66 / 21

HEX #7ECA44

RGB 126 202 68

HSL 94.03, 0.56%, 0.53%

LAB 74.25, -45.69, 57.28

 

CMYK 67 / 25 / 0 / 21

HEX #4398CA

RGB 67 152 202

HSL 202.22, 0.56%, 0.53%

LAB 59.81, -9.85, -33.25

 

CMYK 9 / 66 / 0 / 21

HEX #B844CA

RGB 184 68 202

HSL 291.94, 0.56%, 0.53%

LAB 50.2, 64.26, -47.75

 

CMYK 0 / 42 / 66 / 21

HEX #CA7544

RGB 202 117 68

HSL 21.94, 0.56%, 0.53%

LAB 57.75, 29.09, 40.83

 

CMYK 58 / 0 / 66 / 21

HEX #55CA44

RGB 85 202 68

HSL 112.39, 0.56%, 0.53%

LAB 72.62, -57.79, 55.05

 

Description

Color code: HEX #4398CA | qconv.com Color code: HEX #4398CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 152 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 152 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 25 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 25% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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