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Color name
HEX #43970F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43970F it is the complementary color #BC68F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43970F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43970F shade: #48970A, #59A91D, #6ABB30, #7BCD43 and #8CDF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43970F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43970F shade: #43970F, #328500, #217300, #106100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43970F shade: #44990F, #69990F, #8E990F, #997F0F and #995A0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43970F shade: #44990F, #1F990F, #0F9925, #0F994A and #0F996F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43970F shade matches the following richer shades: #44990F and #41A702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43970F shade: #44990F, #478C1D, #4A7E2A, #4E7038 and #516346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43970F shade: #8E990F, #69990F, #44990F, #1F990F and #0F9924

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43970F shade: #234E08, #33740B, #44990F, #55BF13 and #65E417

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43970F shade: #43970F, #0F9980 and #990F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43970F shade: #43970F, #0F4499 and #990F44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43970F shade: #43970F, #0F9980, #640F99 and #990F28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43970F shade: #43970F, #0F8999, #640F99 and #991F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 90 / 41

HEX #43970F

RGB 67 151 15

HSL 97.06, 0.82%, 0.33%

LAB 55.44, -47.27, 55.33

 

Complementary color

CMYK 22 / 57 / 0 / 6

HEX #BC68F0

RGB 188 104 240

HSL 277.06, 0.82%, 0.67%

LAB 58.87, 56.37, -55.4

 

CMYK 52 / 0 / 93 / 41

HEX #48970A

RGB 72 151 10

HSL 93.62, 0.88%, 0.32%

LAB 55.62, -45.94, 56.43

 

CMYK 47 / 0 / 83 / 34

HEX #59A91D

RGB 89 169 29

HSL 94.29, 0.71%, 0.39%

LAB 62.16, -46.97, 58.27

 

CMYK 43 / 0 / 74 / 27

HEX #6ABB30

RGB 106 187 48

HSL 94.96, 0.59%, 0.46%

LAB 68.62, -47.63, 58.74

 

CMYK 40 / 0 / 67 / 20

HEX #7BCD43

RGB 123 205 67

HSL 95.65, 0.58%, 0.53%

LAB 75, -48.02, 58.43

 

CMYK 37 / 0 / 61 / 13

HEX #8CDF56

RGB 140 223 86

HSL 96.35, 0.68%, 0.61%

LAB 81.3, -48.24, 57.7

 

CMYK 56 / 0 / 90 / 41

HEX #43970F

RGB 67 151 15

HSL 97.06, 0.82%, 0.33%

LAB 55.44, -47.27, 55.33

 

CMYK 62 / 0 / 100 / 48

HEX #328500

RGB 50 133 0

HSL 97.44, 1%, 0.26%

LAB 48.83, -45.74, 52.34

 

CMYK 71 / 0 / 100 / 55

HEX #217300

RGB 33 115 0

HSL 102.78, 1%, 0.23%

LAB 42.13, -43.43, 46.82

 

CMYK 84 / 0 / 100 / 62

HEX #106100

RGB 16 97 0

HSL 110.1, 1%, 0.19%

LAB 35.32, -40.48, 41.24

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 56 / 0 / 90 / 40

HEX #44990F

RGB 68 153 15

HSL 96.96, 0.82%, 0.33%

LAB 56.13, -47.74, 55.93

 

CMYK 31 / 0 / 90 / 40

HEX #69990F

RGB 105 153 15

HSL 80.87, 0.82%, 0.33%

LAB 57.87, -35.01, 58.09

 

CMYK 7 / 0 / 90 / 40

HEX #8E990F

RGB 142 153 15

HSL 64.78, 0.82%, 0.33%

LAB 60.4, -19.39, 61.2

 

CMYK 0 / 17 / 90 / 40

HEX #997F0F

RGB 153 127 15

HSL 48.7, 0.82%, 0.33%

LAB 54.01, -0.41, 56.53

 

CMYK 0 / 41 / 90 / 40

HEX #995A0F

RGB 153 90 15

HSL 32.61, 0.82%, 0.33%

LAB 44.4, 20.69, 48.96

 

CMYK 56 / 0 / 90 / 40

HEX #44990F

RGB 68 153 15

HSL 96.96, 0.82%, 0.33%

LAB 56.13, -47.74, 55.93

 

CMYK 80 / 0 / 90 / 40

HEX #1F990F

RGB 31 153 15

HSL 113.04, 0.82%, 0.33%

LAB 55.18, -55.7, 54.74

 

CMYK 90 / 0 / 76 / 40

HEX #0F9925

RGB 15 153 37

HSL 129.57, 0.82%, 0.33%

LAB 55.09, -56.14, 48.35

 

CMYK 90 / 0 / 52 / 40

HEX #0F994A

RGB 15 153 74

HSL 145.65, 0.82%, 0.33%

LAB 55.46, -51.57, 32.03

 

CMYK 90 / 0 / 27 / 40

HEX #0F996F

RGB 15 153 111

HSL 161.74, 0.82%, 0.33%

LAB 56.12, -43.96, 12.75

 

CMYK 56 / 0 / 90 / 40

HEX #44990F

RGB 68 153 15

HSL 96.96, 0.82%, 0.33%

LAB 56.13, -47.74, 55.93

 

CMYK 61 / 0 / 99 / 35

HEX #41A702

RGB 65 167 2

HSL 97.09, 0.98%, 0.33%

LAB 60.57, -53.93, 61.54

 

CMYK 56 / 0 / 90 / 40

HEX #44990F

RGB 68 153 15

HSL 96.96, 0.82%, 0.33%

LAB 56.13, -47.74, 55.93

 

CMYK 49 / 0 / 79 / 45

HEX #478C1D

RGB 71 140 29

HSL 97.3, 0.66%, 0.33%

LAB 52.05, -41.09, 48.61

 

CMYK 41 / 0 / 67 / 51

HEX #4A7E2A

RGB 74 126 42

HSL 97.14, 0.5%, 0.33%

LAB 47.68, -33.04, 39.05

 

CMYK 30 / 0 / 50 / 56

HEX #4E7038

RGB 78 112 56

HSL 96.43, 0.33%, 0.33%

LAB 43.5, -23.2, 27.17

 

CMYK 18 / 0 / 29 / 61

HEX #516346

RGB 81 99 70

HSL 97.24, 0.17%, 0.33%

LAB 39.77, -12.84, 14.3

 

CMYK 7 / 0 / 90 / 40

HEX #8E990F

RGB 142 153 15

HSL 64.78, 0.82%, 0.33%

LAB 60.4, -19.39, 61.2

 

CMYK 31 / 0 / 90 / 40

HEX #69990F

RGB 105 153 15

HSL 80.87, 0.82%, 0.33%

LAB 57.87, -35.01, 58.09

 

CMYK 56 / 0 / 90 / 40

HEX #44990F

RGB 68 153 15

HSL 96.96, 0.82%, 0.33%

LAB 56.13, -47.74, 55.93

 

CMYK 80 / 0 / 90 / 40

HEX #1F990F

RGB 31 153 15

HSL 113.04, 0.82%, 0.33%

LAB 55.18, -55.7, 54.74

 

CMYK 90 / 0 / 76 / 40

HEX #0F9924

RGB 15 153 36

HSL 129.13, 0.82%, 0.33%

LAB 55.08, -56.22, 48.7

 

CMYK 55 / 0 / 90 / 69

HEX #234E08

RGB 35 78 8

HSL 96.86, 0.81%, 0.17%

LAB 28.96, -28.07, 33.37

 

CMYK 56 / 0 / 91 / 55

HEX #33740B

RGB 51 116 11

HSL 97.14, 0.83%, 0.25%

LAB 43.09, -38.63, 45.31

 

CMYK 56 / 0 / 90 / 40

HEX #44990F

RGB 68 153 15

HSL 96.96, 0.82%, 0.33%

LAB 56.13, -47.74, 55.93

 

CMYK 55 / 0 / 90 / 25

HEX #55BF13

RGB 85 191 19

HSL 96.98, 0.82%, 0.41%

LAB 68.92, -56.78, 66.28

 

CMYK 56 / 0 / 90 / 11

HEX #65E417

RGB 101 228 23

HSL 97.17, 0.82%, 0.49%

LAB 80.91, -65.37, 75.92

 

CMYK 56 / 0 / 90 / 41

HEX #43970F

RGB 67 151 15

HSL 97.06, 0.82%, 0.33%

LAB 55.44, -47.27, 55.33

 

CMYK 90 / 0 / 16 / 40

HEX #0F9980

RGB 15 153 128

HSL 169.13, 0.82%, 0.33%

LAB 56.53, -39.54, 3.69

 

CMYK 0 / 90 / 20 / 40

HEX #990F7B

RGB 153 15 123

HSL 313.04, 0.82%, 0.33%

LAB 35.09, 60.84, -24.64

 

CMYK 56 / 0 / 90 / 41

HEX #43970F

RGB 67 151 15

HSL 97.06, 0.82%, 0.33%

LAB 55.44, -47.27, 55.33

 

CMYK 90 / 56 / 0 / 40

HEX #0F4499

RGB 15 68 153

HSL 216.96, 0.82%, 0.33%

LAB 30.73, 17.85, -50.98

 

CMYK 0 / 90 / 56 / 40

HEX #990F44

RGB 153 15 68

HSL 336.96, 0.82%, 0.33%

LAB 32.99, 55.1, 7.66

 

CMYK 56 / 0 / 90 / 41

HEX #43970F

RGB 67 151 15

HSL 97.06, 0.82%, 0.33%

LAB 55.44, -47.27, 55.33

 

CMYK 90 / 0 / 16 / 40

HEX #0F9980

RGB 15 153 128

HSL 169.13, 0.82%, 0.33%

LAB 56.53, -39.54, 3.69

 

CMYK 35 / 90 / 0 / 40

HEX #640F99

RGB 100 15 153

HSL 276.96, 0.82%, 0.33%

LAB 27.71, 56.54, -55.61

 

CMYK 0 / 90 / 74 / 40

HEX #990F28

RGB 153 15 40

HSL 349.13, 0.82%, 0.33%

LAB 32.41, 53.45, 25.22

 

CMYK 56 / 0 / 90 / 41

HEX #43970F

RGB 67 151 15

HSL 97.06, 0.82%, 0.33%

LAB 55.44, -47.27, 55.33

 

CMYK 90 / 10 / 0 / 40

HEX #0F8999

RGB 15 137 153

HSL 186.96, 0.82%, 0.33%

LAB 52.17, -24.27, -17.18

 

CMYK 35 / 90 / 0 / 40

HEX #640F99

RGB 100 15 153

HSL 276.96, 0.82%, 0.33%

LAB 27.71, 56.54, -55.61

 

CMYK 0 / 80 / 90 / 40

HEX #991F0F

RGB 153 31 15

HSL 6.96, 0.82%, 0.33%

LAB 33.53, 48.73, 40.5

 

Description

Color code: HEX #43970F | qconv.com Color code: HEX #43970F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 151 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 151 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 90 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 90% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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