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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43958D it is the complementary color #BC6A72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43958D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43958D shade: #489588, #59A79B, #6AB9AE, #7BCBC1 and #8CDDD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43958D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43958D shade: #43958D, #32837A, #217167, #105F54 and #004D41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43958D shade: #42948C, #429476, #429460, #42944A and #519442

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43958D shade: #42948C, #428694, #427094, #425A94 and #424494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43958D shade matches the following richer shades: #42948C, #31A59A, #20B6A8 and #0EC8B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43958D shade: #42948C, #54827E, #657170, #766062 and #884E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43958D shade: #429460, #429476, #42948C, #428694 and #427194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43958D shade: #295B56, #367771, #42948C, #4FB0A7 and #6CBDB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43958D shade: #43958D, #4B4294 and #946B42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43958D shade: #43958D, #8C4294 and #948C42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43958D shade: #43958D, #4B4294, #94424B and #8C9442

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43958D shade: #43958D, #634294, #94424B and #739442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 5 / 42

HEX #43958D

RGB 67 149 141

HSL 174.15, 0.38%, 0.42%

LAB 56.69, -26.9, -3.36

 

Complementary color

CMYK 0 / 44 / 39 / 26

HEX #BC6A72

RGB 188 106 114

HSL 354.15, 0.38%, 0.58%

LAB 54.25, 33.52, 9.99

 

CMYK 52 / 0 / 9 / 42

HEX #489588

RGB 72 149 136

HSL 169.87, 0.35%, 0.43%

LAB 56.73, -27.1, -0.42

 

CMYK 47 / 0 / 7 / 35

HEX #59A79B

RGB 89 167 155

HSL 170.77, 0.31%, 0.5%

LAB 63.45, -27.06, -1.26

 

CMYK 43 / 0 / 6 / 27

HEX #6AB9AE

RGB 106 185 174

HSL 171.65, 0.36%, 0.57%

LAB 70.05, -26.97, -2.03

 

CMYK 39 / 0 / 5 / 20

HEX #7BCBC1

RGB 123 203 193

HSL 172.5, 0.43%, 0.64%

LAB 76.54, -26.86, -2.75

 

CMYK 37 / 0 / 4 / 13

HEX #8CDDD4

RGB 140 221 212

HSL 173.33, 0.54%, 0.71%

LAB 82.94, -26.74, -3.42

 

CMYK 55 / 0 / 5 / 42

HEX #43958D

RGB 67 149 141

HSL 174.15, 0.38%, 0.42%

LAB 56.69, -26.9, -3.36

 

CMYK 62 / 0 / 7 / 49

HEX #32837A

RGB 50 131 122

HSL 173.33, 0.45%, 0.35%

LAB 49.88, -26.7, -2.46

 

CMYK 71 / 0 / 9 / 56

HEX #217167

RGB 33 113 103

HSL 172.5, 0.55%, 0.29%

LAB 42.93, -26.29, -1.43

 

CMYK 83 / 0 / 12 / 63

HEX #105F54

RGB 16 95 84

HSL 171.65, 0.71%, 0.22%

LAB 35.86, -25.48, -0.22

 

CMYK 100 / 0 / 16 / 70

HEX #004D41

RGB 0 77 65

HSL 170.65, 1%, 0.15%

LAB 28.61, -24.27, 1.2

 

CMYK 55 / 0 / 5 / 42

HEX #42948C

RGB 66 148 140

HSL 174.15, 0.38%, 0.42%

LAB 56.32, -26.89, -3.34

 

CMYK 55 / 0 / 20 / 42

HEX #429476

RGB 66 148 118

HSL 158.05, 0.38%, 0.42%

LAB 55.73, -32.5, 8.39

 

CMYK 55 / 0 / 35 / 42

HEX #429460

RGB 66 148 96

HSL 141.95, 0.38%, 0.42%

LAB 55.26, -37.27, 20.14

 

CMYK 55 / 0 / 50 / 42

HEX #42944A

RGB 66 148 74

HSL 125.85, 0.38%, 0.42%

LAB 54.9, -41.09, 31.57

 

CMYK 45 / 0 / 55 / 42

HEX #519442

RGB 81 148 66

HSL 109.02, 0.38%, 0.42%

LAB 55.4, -37.77, 36.42

 

CMYK 55 / 0 / 5 / 42

HEX #42948C

RGB 66 148 140

HSL 174.15, 0.38%, 0.42%

LAB 56.32, -26.89, -3.34

 

CMYK 55 / 9 / 0 / 42

HEX #428694

RGB 66 134 148

HSL 190.24, 0.38%, 0.42%

LAB 52.23, -17.33, -14.07

 

CMYK 55 / 24 / 0 / 42

HEX #427094

RGB 66 112 148

HSL 206.34, 0.38%, 0.42%

LAB 45.48, -4.84, -24.42

 

CMYK 55 / 39 / 0 / 42

HEX #425A94

RGB 66 90 148

HSL 222.44, 0.38%, 0.42%

LAB 38.91, 8.79, -34.7

 

CMYK 55 / 54 / 0 / 42

HEX #424494

RGB 66 68 148

HSL 238.54, 0.38%, 0.42%

LAB 32.77, 23.12, -44.51

 

CMYK 55 / 0 / 5 / 42

HEX #42948C

RGB 66 148 140

HSL 174.15, 0.38%, 0.42%

LAB 56.32, -26.89, -3.34

 

CMYK 70 / 0 / 7 / 35

HEX #31A59A

RGB 49 165 154

HSL 174.31, 0.54%, 0.42%

LAB 61.56, -34.21, -3.61

 

CMYK 82 / 0 / 8 / 29

HEX #20B6A8

RGB 32 182 168

HSL 174.4, 0.7%, 0.42%

LAB 66.97, -39.88, -3.48

 

CMYK 93 / 0 / 9 / 22

HEX #0EC8B6

RGB 14 200 182

HSL 174.19, 0.87%, 0.42%

LAB 72.75, -44.84, -2.67

 

CMYK 55 / 0 / 5 / 42

HEX #42948C

RGB 66 148 140

HSL 174.15, 0.38%, 0.42%

LAB 56.32, -26.89, -3.34

 

CMYK 35 / 0 / 3 / 49

HEX #54827E

RGB 84 130 126

HSL 174.78, 0.21%, 0.42%

LAB 51.1, -16.62, -2.83

 

CMYK 11 / 0 / 1 / 56

HEX #657170

RGB 101 113 112

HSL 175, 0.06%, 0.42%

LAB 46.64, -4.71, -0.99

 

CMYK 0 / 19 / 17 / 54

HEX #766062

RGB 118 96 98

HSL 354.55, 0.1%, 0.42%

LAB 42.91, 9.23, 2.21

 

CMYK 0 / 43 / 38 / 47

HEX #884E54

RGB 136 78 84

HSL 353.79, 0.27%, 0.42%

LAB 40.12, 25.14, 7.1

 

CMYK 55 / 0 / 35 / 42

HEX #429460

RGB 66 148 96

HSL 141.95, 0.38%, 0.42%

LAB 55.26, -37.27, 20.14

 

CMYK 55 / 0 / 20 / 42

HEX #429476

RGB 66 148 118

HSL 158.05, 0.38%, 0.42%

LAB 55.73, -32.5, 8.39

 

CMYK 55 / 0 / 5 / 42

HEX #42948C

RGB 66 148 140

HSL 174.15, 0.38%, 0.42%

LAB 56.32, -26.89, -3.34

 

CMYK 55 / 9 / 0 / 42

HEX #428694

RGB 66 134 148

HSL 190.24, 0.38%, 0.42%

LAB 52.23, -17.33, -14.07

 

CMYK 55 / 24 / 0 / 42

HEX #427194

RGB 66 113 148

HSL 205.61, 0.38%, 0.42%

LAB 45.78, -5.43, -23.94

 

CMYK 55 / 0 / 5 / 64

HEX #295B56

RGB 41 91 86

HSL 174, 0.38%, 0.26%

LAB 35.25, -18.19, -2.27

 

CMYK 55 / 0 / 5 / 53

HEX #367771

RGB 54 119 113

HSL 174.46, 0.38%, 0.34%

LAB 45.87, -22.28, -3.03

 

CMYK 55 / 0 / 5 / 42

HEX #42948C

RGB 66 148 140

HSL 174.15, 0.38%, 0.42%

LAB 56.32, -26.89, -3.34

 

CMYK 55 / 0 / 5 / 31

HEX #4FB0A7

RGB 79 176 167

HSL 174.43, 0.38%, 0.5%

LAB 66.14, -30.62, -4.04

 

CMYK 43 / 0 / 4 / 26

HEX #6CBDB5

RGB 108 189 181

HSL 174.07, 0.38%, 0.58%

LAB 71.5, -26.72, -3.72

 

CMYK 55 / 0 / 5 / 42

HEX #43958D

RGB 67 149 141

HSL 174.15, 0.38%, 0.42%

LAB 56.69, -26.9, -3.36

 

CMYK 49 / 55 / 0 / 42

HEX #4B4294

RGB 75 66 148

HSL 246.59, 0.38%, 0.42%

LAB 32.99, 26.43, -44.12

 

CMYK 0 / 28 / 55 / 42

HEX #946B42

RGB 148 107 66

HSL 30, 0.38%, 0.42%

LAB 48.52, 11.43, 29.24

 

CMYK 55 / 0 / 5 / 42

HEX #43958D

RGB 67 149 141

HSL 174.15, 0.38%, 0.42%

LAB 56.69, -26.9, -3.36

 

CMYK 5 / 55 / 0 / 42

HEX #8C4294

RGB 140 66 148

HSL 294.15, 0.38%, 0.42%

LAB 40.59, 43.79, -31.56

 

CMYK 0 / 5 / 55 / 42

HEX #948C42

RGB 148 140 66

HSL 54.15, 0.38%, 0.42%

LAB 57.51, -7.2, 40.02

 

CMYK 55 / 0 / 5 / 42

HEX #43958D

RGB 67 149 141

HSL 174.15, 0.38%, 0.42%

LAB 56.69, -26.9, -3.36

 

CMYK 49 / 55 / 0 / 42

HEX #4B4294

RGB 75 66 148

HSL 246.59, 0.38%, 0.42%

LAB 32.99, 26.43, -44.12

 

CMYK 0 / 55 / 49 / 42

HEX #94424B

RGB 148 66 75

HSL 353.41, 0.38%, 0.42%

LAB 39.07, 35.39, 11.5

 

CMYK 5 / 0 / 55 / 42

HEX #8C9442

RGB 140 148 66

HSL 65.85, 0.38%, 0.42%

LAB 59.11, -14.97, 41.69

 

CMYK 55 / 0 / 5 / 42

HEX #43958D

RGB 67 149 141

HSL 174.15, 0.38%, 0.42%

LAB 56.69, -26.9, -3.36

 

CMYK 33 / 55 / 0 / 42

HEX #634294

RGB 99 66 148

HSL 264.15, 0.38%, 0.42%

LAB 35.37, 32.41, -40.16

 

CMYK 0 / 55 / 49 / 42

HEX #94424B

RGB 148 66 75

HSL 353.41, 0.38%, 0.42%

LAB 39.07, 35.39, 11.5

 

CMYK 22 / 0 / 55 / 42

HEX #739442

RGB 115 148 66

HSL 84.15, 0.38%, 0.42%

LAB 57.29, -25.38, 39.11

 

Description

Color code: HEX #43958D | qconv.com Color code: HEX #43958D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 149 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 149 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 5 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 5% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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