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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #438EAA it is the complementary color #BC7155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #438EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #438EAA shade: #488EA5, #59A0B8, #6AB2CB, #7BC4DE and #8CD6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #438EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #438EAA shade: #438EAA, #327C97, #216A84, #105871 and #00465E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #438EAA shade: #438CA8, #4371A8, #4356A8, #4B43A8 and #6643A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #438EAA shade: #438CA8, #4371A8, #4356A8 and #4343A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #438EAA shade matches the following richer shades: #438CA8, #3095BB, #1D9ECE and #0AA6E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #438EAA shade: #438CA8, #568495, #697B82, #7C726F and #8F6A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #438EAA shade: #43A88D, #43A8A8, #438DA8, #4372A8 and #4357A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #438EAA shade: #2B5B6D, #37748A, #438CA8, #58A1BC and #75B1C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #438EAA shade: #438EAA, #7243A8 and #A89A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #438EAA shade: #438EAA, #A8438D and #8DA843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #438EAA shade: #438EAA, #7243A8, #A85E43 and #79A843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #438EAA shade: #438EAA, #9043A8, #A85E43 and #5AA843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 16 / 0 / 33

HEX #438EAA

RGB 67 142 170

HSL 196.31, 0.43%, 0.46%

LAB 55.52, -14.7, -21.74

 

Complementary color

CMYK 0 / 40 / 55 / 26

HEX #BC7155

RGB 188 113 85

HSL 16.31, 0.43%, 0.54%

LAB 55.23, 26.77, 28.08

 

CMYK 56 / 14 / 0 / 35

HEX #488EA5

RGB 72 142 165

HSL 194.84, 0.39%, 0.46%

LAB 55.52, -15.23, -18.86

 

CMYK 52 / 13 / 0 / 28

HEX #59A0B8

RGB 89 160 184

HSL 195.16, 0.4%, 0.54%

LAB 62.28, -15.58, -19.28

 

CMYK 48 / 12 / 0 / 20

HEX #6AB2CB

RGB 106 178 203

HSL 195.46, 0.48%, 0.61%

LAB 68.91, -15.83, -19.69

 

CMYK 45 / 12 / 0 / 13

HEX #7BC4DE

RGB 123 196 222

HSL 195.76, 0.6%, 0.68%

LAB 75.43, -16.02, -20.08

 

CMYK 42 / 11 / 0 / 5

HEX #8CD6F1

RGB 140 214 241

HSL 196.04, 0.78%, 0.75%

LAB 81.85, -16.16, -20.46

 

CMYK 61 / 16 / 0 / 33

HEX #438EAA

RGB 67 142 170

HSL 196.31, 0.43%, 0.46%

LAB 55.52, -14.7, -21.74

 

CMYK 67 / 18 / 0 / 41

HEX #327C97

RGB 50 124 151

HSL 196.04, 0.5%, 0.39%

LAB 48.67, -14.01, -21.3

 

CMYK 75 / 20 / 0 / 48

HEX #216A84

RGB 33 106 132

HSL 195.76, 0.6%, 0.32%

LAB 41.68, -13.02, -20.82

 

CMYK 86 / 22 / 0 / 56

HEX #105871

RGB 16 88 113

HSL 195.46, 0.75%, 0.25%

LAB 34.56, -11.56, -20.24

 

CMYK 100 / 26 / 0 / 63

HEX #00465E

RGB 0 70 94

HSL 195.32, 1%, 0.18%

LAB 27.27, -9.57, -19.58

 

CMYK 60 / 17 / 0 / 34

HEX #438CA8

RGB 67 140 168

HSL 196.63, 0.43%, 0.46%

LAB 54.84, -14.23, -21.64

 

CMYK 60 / 33 / 0 / 34

HEX #4371A8

RGB 67 113 168

HSL 212.67, 0.43%, 0.46%

LAB 46.75, 1.44, -34.2

 

CMYK 60 / 49 / 0 / 34

HEX #4356A8

RGB 67 86 168

HSL 228.71, 0.43%, 0.46%

LAB 39.03, 18.49, -46.47

 

CMYK 55 / 60 / 0 / 34

HEX #4B43A8

RGB 75 67 168

HSL 244.75, 0.43%, 0.46%

LAB 34.68, 32.24, -53.47

 

CMYK 39 / 60 / 0 / 34

HEX #6643A8

RGB 102 67 168

HSL 260.79, 0.43%, 0.46%

LAB 37.24, 38.03, -49.2

 

CMYK 60 / 17 / 0 / 34

HEX #438CA8

RGB 67 140 168

HSL 196.63, 0.43%, 0.46%

LAB 54.84, -14.23, -21.64

 

CMYK 60 / 33 / 0 / 34

HEX #4371A8

RGB 67 113 168

HSL 212.67, 0.43%, 0.46%

LAB 46.75, 1.44, -34.2

 

CMYK 60 / 49 / 0 / 34

HEX #4356A8

RGB 67 86 168

HSL 228.71, 0.43%, 0.46%

LAB 39.03, 18.49, -46.47

 

CMYK 60 / 60 / 0 / 34

HEX #4343A8

RGB 67 67 168

HSL 240, 0.43%, 0.46%

LAB 34.06, 30.75, -54.5

 

CMYK 60 / 17 / 0 / 34

HEX #438CA8

RGB 67 140 168

HSL 196.63, 0.43%, 0.46%

LAB 54.84, -14.23, -21.64

 

CMYK 74 / 20 / 0 / 27

HEX #3095BB

RGB 48 149 187

HSL 196.4, 0.59%, 0.46%

LAB 57.76, -15.97, -28.02

 

CMYK 86 / 23 / 0 / 19

HEX #1D9ECE

RGB 29 158 206

HSL 196.27, 0.75%, 0.46%

LAB 60.93, -16.13, -33.81

 

CMYK 96 / 26 / 0 / 12

HEX #0AA6E1

RGB 10 166 225

HSL 196.47, 0.91%, 0.46%

LAB 63.98, -14.62, -39.61

 

CMYK 60 / 17 / 0 / 34

HEX #438CA8

RGB 67 140 168

HSL 196.63, 0.43%, 0.46%

LAB 54.84, -14.23, -21.64

 

CMYK 42 / 11 / 0 / 42

HEX #568495

RGB 86 132 149

HSL 196.19, 0.27%, 0.46%

LAB 52.57, -11.02, -14.06

 

CMYK 19 / 5 / 0 / 49

HEX #697B82

RGB 105 123 130

HSL 196.8, 0.11%, 0.46%

LAB 50.43, -4.97, -6.03

 

CMYK 0 / 8 / 10 / 51

HEX #7C726F

RGB 124 114 111

HSL 13.85, 0.06%, 0.46%

LAB 48.84, 3.31, 3.05

 

CMYK 0 / 26 / 36 / 44

HEX #8F6A5C

RGB 143 106 92

HSL 16.47, 0.22%, 0.46%

LAB 48.16, 12.76, 13.62

 

CMYK 60 / 0 / 16 / 34

HEX #43A88D

RGB 67 168 141

HSL 163.96, 0.43%, 0.46%

LAB 62.61, -35.97, 5.26

 

CMYK 60 / 0 / 0 / 34

HEX #43A8A8

RGB 67 168 168

HSL 180, 0.43%, 0.46%

LAB 63.36, -28.78, -8.75

 

CMYK 60 / 16 / 0 / 34

HEX #438DA8

RGB 67 141 168

HSL 196.04, 0.43%, 0.46%

LAB 55.14, -14.78, -21.17

 

CMYK 60 / 32 / 0 / 34

HEX #4372A8

RGB 67 114 168

HSL 212.08, 0.43%, 0.46%

LAB 47.05, 0.83, -33.74

 

CMYK 60 / 48 / 0 / 34

HEX #4357A8

RGB 67 87 168

HSL 228.12, 0.43%, 0.46%

LAB 39.3, 17.85, -46.03

 

CMYK 61 / 17 / 0 / 57

HEX #2B5B6D

RGB 43 91 109

HSL 196.36, 0.43%, 0.3%

LAB 36.18, -10.46, -15.2

 

CMYK 60 / 16 / 0 / 46

HEX #37748A

RGB 55 116 138

HSL 195.9, 0.43%, 0.38%

LAB 45.82, -12.83, -17.98

 

CMYK 60 / 17 / 0 / 34

HEX #438CA8

RGB 67 140 168

HSL 196.63, 0.43%, 0.46%

LAB 54.84, -14.23, -21.64

 

CMYK 53 / 14 / 0 / 26

HEX #58A1BC

RGB 88 161 188

HSL 196.2, 0.43%, 0.54%

LAB 62.67, -15.17, -20.93

 

CMYK 42 / 12 / 0 / 22

HEX #75B1C8

RGB 117 177 200

HSL 196.63, 0.43%, 0.62%

LAB 69.04, -13.41, -17.79

 

CMYK 61 / 16 / 0 / 33

HEX #438EAA

RGB 67 142 170

HSL 196.31, 0.43%, 0.46%

LAB 55.52, -14.7, -21.74

 

CMYK 32 / 60 / 0 / 34

HEX #7243A8

RGB 114 67 168

HSL 267.92, 0.43%, 0.46%

LAB 38.58, 40.88, -46.96

 

CMYK 0 / 8 / 60 / 34

HEX #A89A43

RGB 168 154 67

HSL 51.68, 0.43%, 0.46%

LAB 63.21, -5.92, 46.51

 

CMYK 61 / 16 / 0 / 33

HEX #438EAA

RGB 67 142 170

HSL 196.31, 0.43%, 0.46%

LAB 55.52, -14.7, -21.74

 

CMYK 0 / 60 / 16 / 34

HEX #A8438D

RGB 168 67 141

HSL 316.04, 0.43%, 0.46%

LAB 44.61, 50.18, -20.75

 

CMYK 16 / 0 / 60 / 34

HEX #8DA843

RGB 141 168 67

HSL 76.04, 0.43%, 0.46%

LAB 65.02, -24.65, 47.93

 

CMYK 61 / 16 / 0 / 33

HEX #438EAA

RGB 67 142 170

HSL 196.31, 0.43%, 0.46%

LAB 55.52, -14.7, -21.74

 

CMYK 32 / 60 / 0 / 34

HEX #7243A8

RGB 114 67 168

HSL 267.92, 0.43%, 0.46%

LAB 38.58, 40.88, -46.96

 

CMYK 0 / 44 / 60 / 34

HEX #A85E43

RGB 168 94 67

HSL 16.04, 0.43%, 0.46%

LAB 47.93, 27.52, 28.51

 

CMYK 28 / 0 / 60 / 34

HEX #79A843

RGB 121 168 67

HSL 87.92, 0.43%, 0.46%

LAB 63.73, -32.55, 46.13

 

CMYK 61 / 16 / 0 / 33

HEX #438EAA

RGB 67 142 170

HSL 196.31, 0.43%, 0.46%

LAB 55.52, -14.7, -21.74

 

CMYK 14 / 60 / 0 / 34

HEX #9043A8

RGB 144 67 168

HSL 285.74, 0.43%, 0.46%

LAB 42.42, 48.43, -40.62

 

CMYK 0 / 44 / 60 / 34

HEX #A85E43

RGB 168 94 67

HSL 16.04, 0.43%, 0.46%

LAB 47.93, 27.52, 28.51

 

CMYK 46 / 0 / 60 / 34

HEX #5AA843

RGB 90 168 67

HSL 106.34, 0.43%, 0.46%

LAB 62.16, -43.34, 43.92

 

Description

Color code: HEX #438EAA | qconv.com Color code: HEX #438EAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 142 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 142 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 16 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 16% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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