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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #438733 it is the complementary color #BC78CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #438733. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #438733 shade: #48872E, #599941, #6AAB54, #7BBD67 and #8CCF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #438733. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #438733 shade: #438733, #327520, #21630D, #105100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #438733 shade: #428532, #598532, #6F8532, #858532 and #856F32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #438733 shade: #428532, #328539, #32854F, #328566 and #32857C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #438733 shade matches the following richer shades: #428532, #399424, #30A315 and #27B206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #438733 shade: #428532, #4B7641, #556750, #5E595F and #674A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #438733 shade: #6F8532, #598532, #438532, #328538 and #32854E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #438733 shade: #24491C, #336727, #428532, #51A33E and #63BC4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #438733 shade: #438733, #328585 and #853264

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #438733 shade: #438733, #324385 and #853243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #438733 shade: #438733, #328585, #753285 and #853232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #438733 shade: #438733, #326C85, #753285 and #854B32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 62 / 47

HEX #438733

RGB 67 135 51

HSL 108.57, 0.45%, 0.36%

LAB 50.41, -38.39, 37.79

 

Complementary color

CMYK 8 / 41 / 0 / 20

HEX #BC78CC

RGB 188 120 204

HSL 288.57, 0.45%, 0.64%

LAB 60.32, 40.5, -32.92

 

CMYK 47 / 0 / 66 / 47

HEX #48872E

RGB 72 135 46

HSL 102.47, 0.49%, 0.35%

LAB 50.57, -37.31, 40.36

 

CMYK 42 / 0 / 58 / 40

HEX #599941

RGB 89 153 65

HSL 103.64, 0.4%, 0.43%

LAB 57.35, -37.46, 39.31

 

CMYK 38 / 0 / 51 / 33

HEX #6AAB54

RGB 106 171 84

HSL 104.83, 0.34%, 0.5%

LAB 64.02, -37.44, 38.1

 

CMYK 35 / 0 / 46 / 26

HEX #7BBD67

RGB 123 189 103

HSL 106.05, 0.39%, 0.57%

LAB 70.58, -37.32, 36.86

 

CMYK 32 / 0 / 41 / 19

HEX #8CCF7A

RGB 140 207 122

HSL 107.29, 0.47%, 0.65%

LAB 77.04, -37.16, 35.64

 

CMYK 50 / 0 / 62 / 47

HEX #438733

RGB 67 135 51

HSL 108.57, 0.45%, 0.36%

LAB 50.41, -38.39, 37.79

 

CMYK 57 / 0 / 73 / 54

HEX #327520

RGB 50 117 32

HSL 107.29, 0.57%, 0.29%

LAB 43.51, -37.98, 38.69

 

CMYK 67 / 0 / 87 / 61

HEX #21630D

RGB 33 99 13

HSL 106.05, 0.77%, 0.22%

LAB 36.51, -36.99, 38.67

 

CMYK 80 / 0 / 100 / 68

HEX #105100

RGB 16 81 0

HSL 108.15, 1%, 0.16%

LAB 29.4, -34.98, 36.52

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 50 / 0 / 62 / 48

HEX #428532

RGB 66 133 50

HSL 108.43, 0.45%, 0.36%

LAB 49.69, -37.96, 37.44

 

CMYK 33 / 0 / 62 / 48

HEX #598532

RGB 89 133 50

HSL 91.81, 0.45%, 0.36%

LAB 50.84, -29.93, 39.04

 

CMYK 17 / 0 / 62 / 48

HEX #6F8532

RGB 111 133 50

HSL 75.9, 0.45%, 0.36%

LAB 52.27, -20.98, 41.03

 

CMYK 0 / 0 / 62 / 48

HEX #858532

RGB 133 133 50

HSL 60, 0.45%, 0.36%

LAB 54.02, -11.33, 43.45

 

CMYK 0 / 17 / 62 / 48

HEX #856F32

RGB 133 111 50

HSL 44.1, 0.45%, 0.36%

LAB 47.73, 0.98, 36.5

 

CMYK 50 / 0 / 62 / 48

HEX #428532

RGB 66 133 50

HSL 108.43, 0.45%, 0.36%

LAB 49.69, -37.96, 37.44

 

CMYK 62 / 0 / 57 / 48

HEX #328539

RGB 50 133 57

HSL 125.06, 0.45%, 0.36%

LAB 49.19, -41.52, 33.26

 

CMYK 62 / 0 / 41 / 48

HEX #32854F

RGB 50 133 79

HSL 140.96, 0.45%, 0.36%

LAB 49.52, -37.9, 21.86

 

CMYK 62 / 0 / 23 / 48

HEX #328566

RGB 50 133 102

HSL 157.59, 0.45%, 0.36%

LAB 49.99, -32.92, 9.38

 

CMYK 62 / 0 / 7 / 48

HEX #32857C

RGB 50 133 124

HSL 173.49, 0.45%, 0.36%

LAB 50.58, -27.13, -2.59

 

CMYK 50 / 0 / 62 / 48

HEX #428532

RGB 66 133 50

HSL 108.43, 0.45%, 0.36%

LAB 49.69, -37.96, 37.44

 

CMYK 61 / 0 / 76 / 42

HEX #399424

RGB 57 148 36

HSL 108.75, 0.61%, 0.36%

LAB 54.21, -47.73, 48.1

 

CMYK 71 / 0 / 87 / 36

HEX #30A315

RGB 48 163 21

HSL 108.59, 0.77%, 0.36%

LAB 58.86, -55.81, 56.81

 

CMYK 78 / 0 / 97 / 30

HEX #27B206

RGB 39 178 6

HSL 108.49, 0.93%, 0.36%

LAB 63.58, -62.46, 63.19

 

CMYK 50 / 0 / 62 / 48

HEX #428532

RGB 66 133 50

HSL 108.43, 0.45%, 0.36%

LAB 49.69, -37.96, 37.44

 

CMYK 36 / 0 / 45 / 54

HEX #4B7641

RGB 75 118 65

HSL 108.68, 0.29%, 0.36%

LAB 45.41, -26.04, 24.55

 

CMYK 17 / 0 / 22 / 60

HEX #556750

RGB 85 103 80

HSL 106.96, 0.13%, 0.36%

LAB 41.55, -11.67, 10.78

 

CMYK 1 / 6 / 0 / 63

HEX #5E595F

RGB 94 89 95

HSL 290, 0.03%, 0.36%

LAB 38.46, 3.26, -2.74

 

CMYK 6 / 33 / 0 / 57

HEX #674A6E

RGB 103 74 110

HSL 288.33, 0.2%, 0.36%

LAB 35.8, 19.3, -16

 

CMYK 17 / 0 / 62 / 48

HEX #6F8532

RGB 111 133 50

HSL 75.9, 0.45%, 0.36%

LAB 52.27, -20.98, 41.03

 

CMYK 33 / 0 / 62 / 48

HEX #598532

RGB 89 133 50

HSL 91.81, 0.45%, 0.36%

LAB 50.84, -29.93, 39.04

 

CMYK 50 / 0 / 62 / 48

HEX #438532

RGB 67 133 50

HSL 107.71, 0.45%, 0.36%

LAB 49.74, -37.65, 37.5

 

CMYK 62 / 0 / 58 / 48

HEX #328538

RGB 50 133 56

HSL 124.34, 0.45%, 0.36%

LAB 49.18, -41.66, 33.75

 

CMYK 62 / 0 / 41 / 48

HEX #32854E

RGB 50 133 78

HSL 140.24, 0.45%, 0.36%

LAB 49.5, -38.09, 22.4

 

CMYK 51 / 0 / 62 / 71

HEX #24491C

RGB 36 73 28

HSL 109.33, 0.45%, 0.2%

LAB 27.36, -23.47, 22.6

 

CMYK 50 / 0 / 62 / 60

HEX #336727

RGB 51 103 39

HSL 108.75, 0.45%, 0.28%

LAB 38.81, -30.94, 30.26

 

CMYK 50 / 0 / 62 / 48

HEX #428532

RGB 66 133 50

HSL 108.43, 0.45%, 0.36%

LAB 49.69, -37.96, 37.44

 

CMYK 50 / 0 / 62 / 36

HEX #51A33E

RGB 81 163 62

HSL 108.71, 0.45%, 0.44%

LAB 60.15, -44.55, 43.84

 

CMYK 47 / 0 / 59 / 26

HEX #63BC4E

RGB 99 188 78

HSL 108.55, 0.45%, 0.52%

LAB 68.87, -47.61, 46.66

 

CMYK 50 / 0 / 62 / 47

HEX #438733

RGB 67 135 51

HSL 108.57, 0.45%, 0.36%

LAB 50.41, -38.39, 37.79

 

CMYK 62 / 0 / 0 / 48

HEX #328585

RGB 50 133 133

HSL 180, 0.45%, 0.36%

LAB 50.86, -24.52, -7.44

 

CMYK 0 / 62 / 25 / 48

HEX #853264

RGB 133 50 100

HSL 323.86, 0.45%, 0.36%

LAB 34.37, 41.25, -11.5

 

CMYK 50 / 0 / 62 / 47

HEX #438733

RGB 67 135 51

HSL 108.57, 0.45%, 0.36%

LAB 50.41, -38.39, 37.79

 

CMYK 62 / 50 / 0 / 48

HEX #324385

RGB 50 67 133

HSL 227.71, 0.45%, 0.36%

LAB 30.37, 15.14, -39.21

 

CMYK 0 / 62 / 50 / 48

HEX #853243

RGB 133 50 67

HSL 347.71, 0.45%, 0.36%

LAB 33.29, 37.15, 8.18

 

CMYK 50 / 0 / 62 / 47

HEX #438733

RGB 67 135 51

HSL 108.57, 0.45%, 0.36%

LAB 50.41, -38.39, 37.79

 

CMYK 62 / 0 / 0 / 48

HEX #328585

RGB 50 133 133

HSL 180, 0.45%, 0.36%

LAB 50.86, -24.52, -7.44

 

CMYK 12 / 62 / 0 / 48

HEX #753285

RGB 117 50 133

HSL 288.43, 0.45%, 0.36%

LAB 33.47, 42.45, -33.85

 

CMYK 0 / 62 / 62 / 48

HEX #853232

RGB 133 50 50

HSL 0, 0.45%, 0.36%

LAB 32.91, 35.66, 18.61

 

CMYK 50 / 0 / 62 / 47

HEX #438733

RGB 67 135 51

HSL 108.57, 0.45%, 0.36%

LAB 50.41, -38.39, 37.79

 

CMYK 62 / 19 / 0 / 48

HEX #326C85

RGB 50 108 133

HSL 198.07, 0.45%, 0.36%

LAB 42.91, -10.91, -19.49

 

CMYK 12 / 62 / 0 / 48

HEX #753285

RGB 117 50 133

HSL 288.43, 0.45%, 0.36%

LAB 33.47, 42.45, -33.85

 

CMYK 0 / 44 / 62 / 48

HEX #854B32

RGB 133 75 50

HSL 18.07, 0.45%, 0.36%

LAB 38.29, 22.06, 25.37

 

Description

Color code: HEX #438733 | qconv.com Color code: HEX #438733 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 135 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 135 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 62 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 62% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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