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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #437826 it is the complementary color #BC87D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #437826. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #437826 shade: #487821, #598A34, #6A9C47, #7BAE5A and #8CC06D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #437826. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #437826 shade: #437826, #326613, #215400, #104200 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #437826 shade: #437826, #597826, #6F7826, #786B26 and #785526

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #437826 shade: #437826, #2D7826, #267835, #26784B and #267862

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #437826 shade matches the following richer shades: #437826, #3F8519 and #3C920C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #437826 shade: #437826, #476B33, #4B5F40, #4E524C and #524559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #437826 shade: #707826, #5A7826, #447826, #2E7826 and #267834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #437826 shade: #203912, #32591C, #437826, #559830 and #66B73A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #437826 shade: #437826, #26786A and #782665

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #437826 shade: #437826, #264478 and #782644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #437826 shade: #437826, #26786A, #5A2678 and #782634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #437826 shade: #437826, #266D78, #5A2678 and #783126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

Complementary color

CMYK 13 / 38 / 0 / 15

HEX #BC87D9

RGB 188 135 217

HSL 278.78, 0.52%, 0.69%

LAB 64.18, 35, -34.21

 

CMYK 40 / 0 / 73 / 53

HEX #487821

RGB 72 120 33

HSL 93.1, 0.57%, 0.3%

LAB 45.53, -31.83, 40.66

 

CMYK 36 / 0 / 62 / 46

HEX #598A34

RGB 89 138 52

HSL 94.19, 0.45%, 0.37%

LAB 52.45, -32.08, 39.91

 

CMYK 32 / 0 / 54 / 39

HEX #6A9C47

RGB 106 156 71

HSL 95.29, 0.37%, 0.45%

LAB 59.25, -32.14, 38.81

 

CMYK 29 / 0 / 48 / 32

HEX #7BAE5A

RGB 123 174 90

HSL 96.43, 0.34%, 0.52%

LAB 65.92, -32.11, 37.62

 

CMYK 27 / 0 / 43 / 25

HEX #8CC06D

RGB 140 192 109

HSL 97.59, 0.4%, 0.59%

LAB 72.48, -32.01, 36.41

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 51 / 0 / 81 / 60

HEX #326613

RGB 50 102 19

HSL 97.59, 0.69%, 0.24%

LAB 38.25, -32.72, 38.53

 

CMYK 61 / 0 / 100 / 67

HEX #215400

RGB 33 84 0

HSL 96.43, 1%, 0.16%

LAB 31.03, -31.78, 38.03

 

CMYK 76 / 0 / 100 / 74

HEX #104200

RGB 16 66 0

HSL 105.45, 1%, 0.13%

LAB 23.69, -29.42, 31.42

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 26 / 0 / 68 / 53

HEX #597826

RGB 89 120 38

HSL 82.68, 0.52%, 0.31%

LAB 46.57, -24.69, 39.92

 

CMYK 8 / 0 / 68 / 53

HEX #6F7826

RGB 111 120 38

HSL 66.59, 0.52%, 0.31%

LAB 48.2, -15.06, 42.12

 

CMYK 0 / 11 / 68 / 53

HEX #786B26

RGB 120 107 38

HSL 50.49, 0.52%, 0.31%

LAB 45.15, -3.64, 39.18

 

CMYK 0 / 29 / 68 / 53

HEX #785526

RGB 120 85 38

HSL 34.39, 0.52%, 0.31%

LAB 38.95, 9.32, 32.46

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 63 / 0 / 68 / 53

HEX #2D7826

RGB 45 120 38

HSL 114.88, 0.52%, 0.31%

LAB 44.42, -39.96, 36.96

 

CMYK 68 / 0 / 56 / 53

HEX #267835

RGB 38 120 53

HSL 130.98, 0.52%, 0.31%

LAB 44.38, -39.69, 29.46

 

CMYK 68 / 0 / 38 / 53

HEX #26784B

RGB 38 120 75

HSL 147.07, 0.52%, 0.31%

LAB 44.73, -35.71, 17.71

 

CMYK 68 / 0 / 18 / 53

HEX #267862

RGB 38 120 98

HSL 163.9, 0.52%, 0.31%

LAB 45.26, -30.22, 4.95

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 53 / 0 / 81 / 48

HEX #3F8519

RGB 63 133 25

HSL 98.89, 0.68%, 0.31%

LAB 49.38, -41.03, 47.27

 

CMYK 59 / 0 / 92 / 43

HEX #3C920C

RGB 60 146 12

HSL 98.51, 0.85%, 0.31%

LAB 53.54, -47.47, 54.18

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 34 / 0 / 52 / 58

HEX #476B33

RGB 71 107 51

HSL 98.57, 0.35%, 0.31%

LAB 41.37, -24.07, 27.19

 

CMYK 21 / 0 / 33 / 63

HEX #4B5F40

RGB 75 95 64

HSL 98.71, 0.19%, 0.31%

LAB 37.93, -14.09, 15.33

 

CMYK 5 / 0 / 7 / 68

HEX #4E524C

RGB 78 82 76

HSL 100, 0.04%, 0.31%

LAB 34.35, -2.9, 2.96

 

CMYK 8 / 22 / 0 / 65

HEX #524559

RGB 82 69 89

HSL 279, 0.13%, 0.31%

LAB 31.28, 9.81, -9.81

 

CMYK 7 / 0 / 68 / 53

HEX #707826

RGB 112 120 38

HSL 65.85, 0.52%, 0.31%

LAB 48.28, -14.61, 42.23

 

CMYK 25 / 0 / 68 / 53

HEX #5A7826

RGB 90 120 38

HSL 81.95, 0.52%, 0.31%

LAB 46.64, -24.27, 40.01

 

CMYK 43 / 0 / 68 / 53

HEX #447826

RGB 68 120 38

HSL 98.05, 0.52%, 0.31%

LAB 45.36, -32.85, 38.26

 

CMYK 62 / 0 / 68 / 53

HEX #2E7826

RGB 46 120 38

HSL 114.15, 0.52%, 0.31%

LAB 44.45, -39.7, 37.01

 

CMYK 68 / 0 / 57 / 53

HEX #267834

RGB 38 120 52

HSL 130.24, 0.52%, 0.31%

LAB 44.37, -39.84, 29.97

 

CMYK 44 / 0 / 68 / 78

HEX #203912

RGB 32 57 18

HSL 98.46, 0.52%, 0.15%

LAB 21.12, -18.2, 20.89

 

CMYK 44 / 0 / 69 / 65

HEX #32591C

RGB 50 89 28

HSL 98.36, 0.52%, 0.23%

LAB 33.79, -26.05, 30.11

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 44 / 0 / 68 / 40

HEX #559830

RGB 85 152 48

HSL 98.65, 0.52%, 0.39%

LAB 56.68, -40.08, 46.25

 

CMYK 44 / 0 / 68 / 28

HEX #66B73A

RGB 102 183 58

HSL 98.88, 0.52%, 0.47%

LAB 67.27, -46.57, 53.58

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 68 / 0 / 12 / 53

HEX #26786A

RGB 38 120 106

HSL 169.76, 0.52%, 0.31%

LAB 45.48, -28.03, 0.51

 

CMYK 0 / 68 / 16 / 53

HEX #782665

RGB 120 38 101

HSL 313.9, 0.52%, 0.31%

LAB 30.2, 42.93, -18.73

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 68 / 43 / 0 / 53

HEX #264478

RGB 38 68 120

HSL 218.05, 0.52%, 0.31%

LAB 29.16, 7.21, -33.06

 

CMYK 0 / 68 / 43 / 53

HEX #782644

RGB 120 38 68

HSL 338.05, 0.52%, 0.31%

LAB 28.89, 38.39, 0.93

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 68 / 0 / 12 / 53

HEX #26786A

RGB 38 120 106

HSL 169.76, 0.52%, 0.31%

LAB 45.48, -28.03, 0.51

 

CMYK 25 / 68 / 0 / 53

HEX #5A2678

RGB 90 38 120

HSL 278.05, 0.52%, 0.31%

LAB 26.49, 38.66, -37.07

 

CMYK 0 / 68 / 57 / 53

HEX #782634

RGB 120 38 52

HSL 349.76, 0.52%, 0.31%

LAB 28.45, 36.79, 10.95

 

CMYK 44 / 0 / 68 / 53

HEX #437826

RGB 67 120 38

HSL 98.78, 0.52%, 0.31%

LAB 45.31, -33.21, 38.19

 

CMYK 68 / 9 / 0 / 53

HEX #266D78

RGB 38 109 120

HSL 188.05, 0.52%, 0.31%

LAB 42.32, -18.04, -12.6

 

CMYK 25 / 68 / 0 / 53

HEX #5A2678

RGB 90 38 120

HSL 278.05, 0.52%, 0.31%

LAB 26.49, 38.66, -37.07

 

CMYK 0 / 59 / 68 / 53

HEX #783126

RGB 120 49 38

HSL 8.05, 0.52%, 0.31%

LAB 30.23, 30.26, 22.33

 

Description

Color code: HEX #437826 | qconv.com Color code: HEX #437826 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 120 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 120 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 68 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 68% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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