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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4371E0 it is the complementary color #BC8E1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4371E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4371E0: #4871DB, #5983EE, #6A95FF, #7BA7FF and #8CB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4371E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4371E0: #4371E0, #325FCD, #214DBA, #103BA7 and #002994

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

Complementary color

CMYK 0 / 24 / 84 / 26

HEX #BC8E1F

RGB 188 142 31

HSL 42.42, 0.72%, 0.43%

LAB 61.77, 7.69, 60.17

 

CMYK 67 / 48 / 0 / 14

HEX #4871DB

RGB 72 113 219

HSL 223.27, 0.67%, 0.57%

LAB 49.86, 20.12, -58.59

 

CMYK 63 / 45 / 0 / 7

HEX #5983EE

RGB 89 131 238

HSL 223.09, 0.81%, 0.64%

LAB 56.61, 18.38, -58.35

 

CMYK 58 / 42 / 0 / 0

HEX #6A95FF

RGB 106 149 255

HSL 222.68, 1%, 0.71%

LAB 63.16, 16.29, -57.22

 

CMYK 52 / 35 / 0 / 0

HEX #7BA7FF

RGB 123 167 255

HSL 220, 1%, 0.74%

LAB 68.8, 9.29, -48.22

 

CMYK 45 / 27 / 0 / 0

HEX #8CB9FF

RGB 140 185 255

HSL 216.52, 1%, 0.77%

LAB 74.5, 3.07, -39.23

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 76 / 54 / 0 / 20

HEX #325FCD

RGB 50 95 205

HSL 222.58, 0.61%, 0.5%

LAB 43.17, 23.48, -61.46

 

CMYK 82 / 59 / 0 / 27

HEX #214DBA

RGB 33 77 186

HSL 222.75, 0.7%, 0.43%

LAB 36.32, 26.31, -61.57

 

CMYK 90 / 65 / 0 / 35

HEX #103BA7

RGB 16 59 167

HSL 222.91, 0.83%, 0.36%

LAB 29.48, 29.74, -61.47

 

CMYK 100 / 72 / 0 / 42

HEX #002994

RGB 0 41 148

HSL 223.38, 1%, 0.29%

LAB 22.74, 33.63, -61.02

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 71 / 61 / 0 / 12

HEX #4257E0

RGB 66 87 224

HSL 232.03, 0.72%, 0.57%

LAB 43.3, 37.33, -72.08

 

CMYK 68 / 71 / 0 / 12

HEX #4742E0

RGB 71 66 224

HSL 241.9, 0.72%, 0.57%

LAB 38.93, 50.37, -79.23

 

CMYK 57 / 71 / 0 / 12

HEX #6142E0

RGB 97 66 224

HSL 251.77, 0.72%, 0.57%

LAB 40.93, 53.65, -75.87

 

CMYK 45 / 71 / 0 / 12

HEX #7C42E0

RGB 124 66 224

HSL 262.03, 0.72%, 0.57%

LAB 43.6, 57.88, -71.39

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 70 / 50 / 0 / 92

HEX #060A14

RGB 6 10 20

HSL 222.86, 0.54%, 0.05%

LAB 2.77, 0.77, -5.31

 

CMYK 70 / 49 / 0 / 72

HEX #152447

RGB 21 36 71

HSL 222, 0.54%, 0.18%

LAB 14.82, 6.94, -23.86

 

CMYK 70 / 49 / 0 / 52

HEX #243E7A

RGB 36 62 122

HSL 221.86, 0.54%, 0.31%

LAB 27.37, 11.75, -37.2

 

CMYK 70 / 50 / 0 / 32

HEX #3457AD

RGB 52 87 173

HSL 222.64, 0.54%, 0.44%

LAB 38.84, 17.01, -49.79

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 7 / 71 / 0 / 12

HEX #D042E0

RGB 208 66 224

HSL 293.92, 0.72%, 0.57%

LAB 54.75, 74.11, -52.84

 

CMYK 21 / 0 / 71 / 12

HEX #B0E042

RGB 176 224 66

HSL 78.23, 0.72%, 0.57%

LAB 83.41, -37.22, 68.33

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 0 / 71 / 50 / 12

HEX #E04271

RGB 224 66 113

HSL 342.15, 0.72%, 0.57%

LAB 52.88, 63.76, 9.43

 

CMYK 50 / 0 / 71 / 12

HEX #71E042

RGB 113 224 66

HSL 102.15, 0.72%, 0.57%

LAB 80.3, -58.6, 64.18

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 7 / 71 / 0 / 12

HEX #D042E0

RGB 208 66 224

HSL 293.92, 0.72%, 0.57%

LAB 54.75, 74.11, -52.84

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 63 / 0 / 71 / 12

HEX #52E042

RGB 82 224 66

HSL 113.92, 0.72%, 0.57%

LAB 79.33, -66.28, 62.87

 

CMYK 70 / 50 / 0 / 12

HEX #4371E0

RGB 67 113 224

HSL 222.42, 0.72%, 0.57%

LAB 49.96, 21.16, -61.26

 

CMYK 0 / 71 / 14 / 12

HEX #E042C0

RGB 224 66 192

HSL 312.15, 0.72%, 0.57%

LAB 55.63, 72.68, -33.01

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 71 / 0 / 57 / 12

HEX #42E061

RGB 66 224 97

HSL 131.77, 0.72%, 0.57%

LAB 79.23, -66.09, 49.84

 

Description

Color code: HEX #4371E0 | qconv.com Color code: HEX #4371E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 113 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 113 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 50 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 50% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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