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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43699A it is the complementary color #BC9665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43699A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43699A shade: #486995, #597BA8, #6A8DBB, #7B9FCE and #8CB1E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43699A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43699A shade: #43699A, #325787, #214574, #103361 and #00214E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43699A shade: #436898, #435198, #4C4398, #634398 and #7A4398

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43699A shade: #436898, #435198 and #434398

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43699A shade matches the following richer shades: #436898, #3166AA, #1F64BC and #0E62CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43699A shade: #436898, #556A87, #666D75, #786F63 and #8A7151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43699A shade: #439798, #438098, #436998, #435398 and #4A4398

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43699A shade: #2A415F, #36557C, #436898, #527CB3 and #6E92C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43699A shade: #43699A, #834398 and #8C9843

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43699A shade: #43699A, #984369 and #699843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43699A shade: #43699A, #834398, #987243 and #589843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43699A shade: #43699A, #984394, #987243 and #439847

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 32 / 0 / 40

HEX #43699A

RGB 67 105 154

HSL 213.79, 0.39%, 0.43%

LAB 43.7, 1.61, -30.74

 

Complementary color

CMYK 0 / 20 / 46 / 26

HEX #BC9665

RGB 188 150 101

HSL 33.79, 0.39%, 0.57%

LAB 64.52, 7.85, 31.18

 

CMYK 52 / 30 / 0 / 42

HEX #486995

RGB 72 105 149

HSL 214.29, 0.35%, 0.43%

LAB 43.73, 1.15, -27.7

 

CMYK 47 / 27 / 0 / 34

HEX #597BA8

RGB 89 123 168

HSL 214.18, 0.31%, 0.5%

LAB 50.82, 0.53, -27.75

 

CMYK 43 / 25 / 0 / 27

HEX #6A8DBB

RGB 106 141 187

HSL 214.07, 0.37%, 0.57%

LAB 57.75, 0.04, -27.84

 

CMYK 40 / 23 / 0 / 19

HEX #7B9FCE

RGB 123 159 206

HSL 213.98, 0.46%, 0.65%

LAB 64.53, -0.36, -27.96

 

CMYK 38 / 21 / 0 / 12

HEX #8CB1E1

RGB 140 177 225

HSL 213.88, 0.59%, 0.72%

LAB 71.18, -0.7, -28.11

 

CMYK 56 / 32 / 0 / 40

HEX #43699A

RGB 67 105 154

HSL 213.79, 0.39%, 0.43%

LAB 43.7, 1.61, -30.74

 

CMYK 63 / 36 / 0 / 47

HEX #325787

RGB 50 87 135

HSL 213.88, 0.46%, 0.36%

LAB 36.45, 2.64, -30.76

 

CMYK 72 / 41 / 0 / 55

HEX #214574

RGB 33 69 116

HSL 213.98, 0.56%, 0.29%

LAB 29.01, 4.07, -30.81

 

CMYK 84 / 47 / 0 / 62

HEX #103361

RGB 16 51 97

HSL 214.07, 0.72%, 0.22%

LAB 21.36, 6.18, -30.85

 

CMYK 100 / 58 / 0 / 69

HEX #00214E

RGB 0 33 78

HSL 214.62, 1%, 0.15%

LAB 13.46, 9.17, -30.91

 

CMYK 56 / 32 / 0 / 40

HEX #436898

RGB 67 104 152

HSL 213.88, 0.39%, 0.43%

LAB 43.3, 1.56, -30.17

 

CMYK 56 / 47 / 0 / 40

HEX #435198

RGB 67 81 152

HSL 230.12, 0.39%, 0.43%

LAB 36.64, 16.21, -40.72

 

CMYK 50 / 56 / 0 / 40

HEX #4C4398

RGB 76 67 152

HSL 246.35, 0.39%, 0.43%

LAB 33.6, 27.29, -45.56

 

CMYK 35 / 56 / 0 / 40

HEX #634398

RGB 99 67 152

HSL 262.59, 0.39%, 0.43%

LAB 35.86, 32.9, -41.82

 

CMYK 20 / 56 / 0 / 40

HEX #7A4398

RGB 122 67 152

HSL 278.82, 0.39%, 0.43%

LAB 38.58, 39.07, -37.31

 

CMYK 56 / 32 / 0 / 40

HEX #436898

RGB 67 104 152

HSL 213.88, 0.39%, 0.43%

LAB 43.3, 1.56, -30.17

 

CMYK 56 / 47 / 0 / 40

HEX #435198

RGB 67 81 152

HSL 230.12, 0.39%, 0.43%

LAB 36.64, 16.21, -40.72

 

CMYK 56 / 56 / 0 / 40

HEX #434398

RGB 67 67 152

HSL 240, 0.39%, 0.43%

LAB 32.86, 25.34, -46.79

 

CMYK 56 / 32 / 0 / 40

HEX #436898

RGB 67 104 152

HSL 213.88, 0.39%, 0.43%

LAB 43.3, 1.56, -30.17

 

CMYK 71 / 40 / 0 / 33

HEX #3166AA

RGB 49 102 170

HSL 213.72, 0.55%, 0.43%

LAB 42.85, 5.74, -41.6

 

CMYK 84 / 47 / 0 / 26

HEX #1F64BC

RGB 31 100 188

HSL 213.63, 0.72%, 0.43%

LAB 42.82, 11.78, -52.21

 

CMYK 93 / 52 / 0 / 19

HEX #0E62CE

RGB 14 98 206

HSL 213.75, 0.87%, 0.43%

LAB 43.19, 19.15, -62.04

 

CMYK 56 / 32 / 0 / 40

HEX #436898

RGB 67 104 152

HSL 213.88, 0.39%, 0.43%

LAB 43.3, 1.56, -30.17

 

CMYK 37 / 21 / 0 / 47

HEX #556A87

RGB 85 106 135

HSL 214.8, 0.23%, 0.43%

LAB 44.22, -0.14, -18.52

 

CMYK 13 / 7 / 0 / 54

HEX #666D75

RGB 102 109 117

HSL 212, 0.07%, 0.43%

LAB 45.7, -0.88, -5.36

 

CMYK 0 / 8 / 18 / 53

HEX #786F63

RGB 120 111 99

HSL 34.29, 0.1%, 0.43%

LAB 47.32, 1.32, 7.94

 

CMYK 0 / 18 / 41 / 46

HEX #8A7151

RGB 138 113 81

HSL 33.68, 0.26%, 0.43%

LAB 49.26, 5.15, 21.45

 

CMYK 56 / 1 / 0 / 40

HEX #439798

RGB 67 151 152

HSL 180.71, 0.39%, 0.43%

LAB 57.65, -24.85, -8.23

 

CMYK 56 / 16 / 0 / 40

HEX #438098

RGB 67 128 152

HSL 196.94, 0.39%, 0.43%

LAB 50.57, -12.58, -18.92

 

CMYK 56 / 31 / 0 / 40

HEX #436998

RGB 67 105 152

HSL 213.18, 0.39%, 0.43%

LAB 43.6, 0.94, -29.71

 

CMYK 56 / 45 / 0 / 40

HEX #435398

RGB 67 83 152

HSL 228.71, 0.39%, 0.43%

LAB 37.2, 14.9, -39.82

 

CMYK 51 / 56 / 0 / 40

HEX #4A4398

RGB 74 67 152

HSL 244.94, 0.39%, 0.43%

LAB 33.43, 26.85, -45.85

 

CMYK 56 / 32 / 0 / 63

HEX #2A415F

RGB 42 65 95

HSL 213.96, 0.39%, 0.27%

LAB 27.02, 0.82, -20.52

 

CMYK 56 / 31 / 0 / 51

HEX #36557C

RGB 54 85 124

HSL 213.43, 0.39%, 0.35%

LAB 35.47, 0.92, -25.53

 

CMYK 56 / 32 / 0 / 40

HEX #436898

RGB 67 104 152

HSL 213.88, 0.39%, 0.43%

LAB 43.3, 1.56, -30.17

 

CMYK 54 / 31 / 0 / 30

HEX #527CB3

RGB 82 124 179

HSL 214.02, 0.39%, 0.51%

LAB 51.23, 1.68, -33.52

 

CMYK 43 / 24 / 0 / 25

HEX #6E92C0

RGB 110 146 192

HSL 213.66, 0.39%, 0.59%

LAB 59.6, -0.35, -27.8

 

CMYK 56 / 32 / 0 / 40

HEX #43699A

RGB 67 105 154

HSL 213.79, 0.39%, 0.43%

LAB 43.7, 1.61, -30.74

 

CMYK 14 / 56 / 0 / 40

HEX #834398

RGB 131 67 152

HSL 285.18, 0.39%, 0.43%

LAB 39.76, 41.56, -35.37

 

CMYK 8 / 0 / 56 / 40

HEX #8C9843

RGB 140 152 67

HSL 68.47, 0.39%, 0.43%

LAB 60.28, -16.97, 42.55

 

CMYK 56 / 32 / 0 / 40

HEX #43699A

RGB 67 105 154

HSL 213.79, 0.39%, 0.43%

LAB 43.7, 1.61, -30.74

 

CMYK 0 / 56 / 31 / 40

HEX #984369

RGB 152 67 105

HSL 333.18, 0.39%, 0.43%

LAB 40.75, 39.86, -4.76

 

CMYK 31 / 0 / 56 / 40

HEX #699843

RGB 105 152 67

HSL 93.18, 0.39%, 0.43%

LAB 57.91, -31.08, 39.19

 

CMYK 56 / 32 / 0 / 40

HEX #43699A

RGB 67 105 154

HSL 213.79, 0.39%, 0.43%

LAB 43.7, 1.61, -30.74

 

CMYK 14 / 56 / 0 / 40

HEX #834398

RGB 131 67 152

HSL 285.18, 0.39%, 0.43%

LAB 39.76, 41.56, -35.37

 

CMYK 0 / 25 / 56 / 40

HEX #987243

RGB 152 114 67

HSL 33.18, 0.39%, 0.43%

LAB 50.82, 9.27, 31.63

 

CMYK 42 / 0 / 56 / 40

HEX #589843

RGB 88 152 67

HSL 105.18, 0.39%, 0.43%

LAB 57.01, -37.12, 37.91

 

CMYK 56 / 32 / 0 / 40

HEX #43699A

RGB 67 105 154

HSL 213.79, 0.39%, 0.43%

LAB 43.7, 1.61, -30.74

 

CMYK 0 / 56 / 3 / 40

HEX #984394

RGB 152 67 148

HSL 302.82, 0.39%, 0.43%

LAB 42.5, 46.71, -28.44

 

CMYK 0 / 25 / 56 / 40

HEX #987243

RGB 152 114 67

HSL 33.18, 0.39%, 0.43%

LAB 50.82, 9.27, 31.63

 

CMYK 56 / 0 / 53 / 40

HEX #439847

RGB 67 152 71

HSL 122.82, 0.39%, 0.43%

LAB 56.19, -42.91, 34.72

 

Description

Color code: HEX #43699A | qconv.com Color code: HEX #43699A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 105 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 105 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 32 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 32% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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