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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #435ACC it is the complementary color #BCA533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #435ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #435ACC shade: #485AC7, #596CDA, #6A7EED, #7B90FF and #8CA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #435ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #435ACC shade: #435ACC, #3248B9, #2136A6, #102493 and #001280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #435ACC shade: #435ACB, #5143CB, #7643CB, #9A43CB and #BF43CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #435ACC shade: #435ACB and #4343CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #435ACC shade matches the following richer shades: #435ACB, #2F4DDF and #1C40F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #435ACC shade: #435ACB, #5667B8, #6A74A5, #7D8091 and #908D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #435ACC shade: #43A5CB, #4380CB, #435CCB, #4E43CB and #7343CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #435ACC shade: #283A93, #3147B4, #435ACB, #6376D4 and #8493DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #435ACC shade: #435ACC, #CB43C9 and #93CB43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #435ACC shade: #435ACC, #CB435C and #5CCB43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #435ACC shade: #435ACC, #CB43C9, #CBB243 and #43CB45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #435ACC shade: #435ACC, #CB43A0, #CBB243 and #43CB6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 56 / 0 / 20

HEX #435ACC

RGB 67 90 204

HSL 229.93, 0.57%, 0.53%

LAB 42.56, 28.58, -61.83

 

Complementary color

CMYK 0 / 12 / 73 / 26

HEX #BCA533

RGB 188 165 51

HSL 49.93, 0.57%, 0.47%

LAB 67.9, -3.98, 58.84

 

CMYK 64 / 55 / 0 / 22

HEX #485AC7

RGB 72 90 199

HSL 231.5, 0.53%, 0.53%

LAB 42.48, 27.62, -59.06

 

CMYK 59 / 50 / 0 / 15

HEX #596CDA

RGB 89 108 218

HSL 231.16, 0.64%, 0.6%

LAB 49.39, 25.79, -58.73

 

CMYK 55 / 47 / 0 / 7

HEX #6A7EED

RGB 106 126 237

HSL 230.84, 0.78%, 0.67%

LAB 56.19, 24.25, -58.43

 

CMYK 52 / 44 / 0 / 0

HEX #7B90FF

RGB 123 144 255

HSL 230.45, 1%, 0.74%

LAB 62.82, 22.64, -57.69

 

CMYK 45 / 36 / 0 / 0

HEX #8CA2FF

RGB 140 162 255

HSL 228.52, 1%, 0.77%

LAB 68.49, 16.02, -48.65

 

CMYK 67 / 56 / 0 / 20

HEX #435ACC

RGB 67 90 204

HSL 229.93, 0.57%, 0.53%

LAB 42.56, 28.58, -61.83

 

CMYK 73 / 61 / 0 / 27

HEX #3248B9

RGB 50 72 185

HSL 230.22, 0.57%, 0.46%

LAB 35.63, 30.99, -62.08

 

CMYK 80 / 67 / 0 / 35

HEX #2136A6

RGB 33 54 166

HSL 230.53, 0.67%, 0.39%

LAB 28.68, 33.85, -62.17

 

CMYK 89 / 76 / 0 / 42

HEX #102493

RGB 16 36 147

HSL 230.84, 0.8%, 0.32%

LAB 21.87, 37.09, -61.82

 

CMYK 100 / 86 / 0 / 50

HEX #001280

RGB 0 18 128

HSL 231.56, 1%, 0.25%

LAB 15.44, 40.01, -60.59

 

CMYK 67 / 56 / 0 / 20

HEX #435ACB

RGB 67 90 203

HSL 229.85, 0.57%, 0.53%

LAB 42.49, 28.23, -61.37

 

CMYK 60 / 67 / 0 / 20

HEX #5143CB

RGB 81 67 203

HSL 246.18, 0.57%, 0.53%

LAB 37.98, 44.45, -68.68

 

CMYK 42 / 67 / 0 / 20

HEX #7643CB

RGB 118 67 203

HSL 262.5, 0.57%, 0.53%

LAB 41.5, 50.84, -62.79

 

CMYK 24 / 67 / 0 / 20

HEX #9A43CB

RGB 154 67 203

HSL 278.38, 0.57%, 0.53%

LAB 45.9, 58.23, -55.45

 

CMYK 6 / 67 / 0 / 20

HEX #BF43CB

RGB 191 67 203

HSL 294.71, 0.57%, 0.53%

LAB 51.15, 66.42, -46.75

 

CMYK 67 / 56 / 0 / 20

HEX #435ACB

RGB 67 90 203

HSL 229.85, 0.57%, 0.53%

LAB 42.49, 28.23, -61.37

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 67 / 56 / 0 / 20

HEX #435ACB

RGB 67 90 203

HSL 229.85, 0.57%, 0.53%

LAB 42.49, 28.23, -61.37

 

CMYK 79 / 65 / 0 / 13

HEX #2F4DDF

RGB 47 77 223

HSL 229.77, 0.73%, 0.53%

LAB 39.98, 41.21, -76.98

 

CMYK 88 / 74 / 0 / 5

HEX #1C40F2

RGB 28 64 242

HSL 229.91, 0.89%, 0.53%

LAB 38.42, 54.36, -90.35

 

CMYK 67 / 56 / 0 / 20

HEX #435ACB

RGB 67 90 203

HSL 229.85, 0.57%, 0.53%

LAB 42.49, 28.23, -61.37

 

CMYK 53 / 44 / 0 / 28

HEX #5667B8

RGB 86 103 184

HSL 229.59, 0.41%, 0.53%

LAB 45.82, 17.09, -44.94

 

CMYK 36 / 30 / 0 / 35

HEX #6A74A5

RGB 106 116 165

HSL 229.83, 0.25%, 0.53%

LAB 49.82, 8.53, -27.47

 

CMYK 14 / 12 / 0 / 43

HEX #7D8091

RGB 125 128 145

HSL 231, 0.08%, 0.53%

LAB 53.86, 2.53, -9.52

 

CMYK 0 / 2 / 13 / 44

HEX #908D7E

RGB 144 141 126

HSL 50, 0.08%, 0.53%

LAB 58.49, -1.63, 8.4

 

CMYK 67 / 19 / 0 / 20

HEX #43A5CB

RGB 67 165 203

HSL 196.76, 0.57%, 0.53%

LAB 63.68, -16.62, -27.81

 

CMYK 67 / 37 / 0 / 20

HEX #4380CB

RGB 67 128 203

HSL 213.09, 0.57%, 0.53%

LAB 52.89, 4.44, -44.69

 

CMYK 67 / 55 / 0 / 20

HEX #435CCB

RGB 67 92 203

HSL 228.97, 0.57%, 0.53%

LAB 43, 26.96, -60.54

 

CMYK 62 / 67 / 0 / 20

HEX #4E43CB

RGB 78 67 203

HSL 244.85, 0.57%, 0.53%

LAB 37.74, 44.01, -69.07

 

CMYK 43 / 67 / 0 / 20

HEX #7343CB

RGB 115 67 203

HSL 261.18, 0.57%, 0.53%

LAB 41.17, 50.26, -63.34

 

CMYK 73 / 61 / 0 / 42

HEX #283A93

RGB 40 58 147

HSL 229.91, 0.57%, 0.37%

LAB 28.34, 24.81, -51.16

 

CMYK 73 / 61 / 0 / 29

HEX #3147B4

RGB 49 71 180

HSL 229.92, 0.57%, 0.45%

LAB 34.91, 29.69, -60.3

 

CMYK 67 / 56 / 0 / 20

HEX #435ACB

RGB 67 90 203

HSL 229.85, 0.57%, 0.53%

LAB 42.49, 28.23, -61.37

 

CMYK 53 / 44 / 0 / 17

HEX #6376D4

RGB 99 118 212

HSL 229.91, 0.57%, 0.61%

LAB 52.25, 19.69, -50.72

 

CMYK 40 / 33 / 0 / 13

HEX #8493DD

RGB 132 147 221

HSL 229.89, 0.57%, 0.69%

LAB 62.5, 13.05, -39.42

 

CMYK 67 / 56 / 0 / 20

HEX #435ACC

RGB 67 90 204

HSL 229.93, 0.57%, 0.53%

LAB 42.56, 28.58, -61.83

 

CMYK 0 / 67 / 1 / 20

HEX #CB43C9

RGB 203 67 201

HSL 300.88, 0.57%, 0.53%

LAB 52.87, 68.81, -42.76

 

CMYK 28 / 0 / 67 / 20

HEX #93CB43

RGB 147 203 67

HSL 84.71, 0.57%, 0.53%

LAB 75.65, -38.72, 59.49

 

CMYK 67 / 56 / 0 / 20

HEX #435ACC

RGB 67 90 204

HSL 229.93, 0.57%, 0.53%

LAB 42.56, 28.58, -61.83

 

CMYK 0 / 67 / 55 / 20

HEX #CB435C

RGB 203 67 92

HSL 348.97, 0.57%, 0.53%

LAB 48.86, 55.34, 15.96

 

CMYK 55 / 0 / 67 / 20

HEX #5CCB43

RGB 92 203 67

HSL 108.97, 0.57%, 0.53%

LAB 73.15, -56.47, 56.09

 

CMYK 67 / 56 / 0 / 20

HEX #435ACC

RGB 67 90 204

HSL 229.93, 0.57%, 0.53%

LAB 42.56, 28.58, -61.83

 

CMYK 0 / 67 / 1 / 20

HEX #CB43C9

RGB 203 67 201

HSL 300.88, 0.57%, 0.53%

LAB 52.87, 68.81, -42.76

 

CMYK 0 / 12 / 67 / 20

HEX #CBB243

RGB 203 178 67

HSL 48.97, 0.57%, 0.53%

LAB 72.85, -3.48, 57.86

 

CMYK 67 / 0 / 66 / 20

HEX #43CB45

RGB 67 203 69

HSL 120.88, 0.57%, 0.53%

LAB 72.45, -61.99, 54.32

 

CMYK 67 / 56 / 0 / 20

HEX #435ACC

RGB 67 90 204

HSL 229.93, 0.57%, 0.53%

LAB 42.56, 28.58, -61.83

 

CMYK 0 / 67 / 21 / 20

HEX #CB43A0

RGB 203 67 160

HSL 318.97, 0.57%, 0.53%

LAB 50.98, 62.66, -21.83

 

CMYK 0 / 12 / 67 / 20

HEX #CBB243

RGB 203 178 67

HSL 48.97, 0.57%, 0.53%

LAB 72.85, -3.48, 57.86

 

CMYK 67 / 0 / 46 / 20

HEX #43CB6E

RGB 67 203 110

HSL 138.97, 0.57%, 0.53%

LAB 72.91, -56.66, 35.85

 

Description

Color code: HEX #435ACC | qconv.com Color code: HEX #435ACC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 90 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 90 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 56 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 56% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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