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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4350E1 it is the complementary color #BCAF1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4350E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4350E1: #4850DC, #5962EF, #6A74FF, #7B86FF and #8C98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4350E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4350E1: #4350E1, #323ECE, #212CBB, #101AA8 and #000895

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

Complementary color

CMYK 0 / 7 / 84 / 26

HEX #BCAF1E

RGB 188 175 30

HSL 55.06, 0.72%, 0.43%

LAB 70.49, -10.01, 67.81

 

CMYK 67 / 64 / 0 / 14

HEX #4850DC

RGB 72 80 220

HSL 236.76, 0.68%, 0.57%

LAB 41.66, 41.01, -72.46

 

CMYK 63 / 59 / 0 / 6

HEX #5962EF

RGB 89 98 239

HSL 236.4, 0.82%, 0.64%

LAB 48.37, 38.85, -72.21

 

CMYK 58 / 55 / 0 / 0

HEX #6A74FF

RGB 106 116 255

HSL 235.97, 1%, 0.71%

LAB 54.84, 35.99, -70.58

 

CMYK 52 / 47 / 0 / 0

HEX #7B86FF

RGB 123 134 255

HSL 235, 1%, 0.74%

LAB 60.32, 28.53, -61.69

 

CMYK 45 / 40 / 0 / 0

HEX #8C98FF

RGB 140 152 255

HSL 233.74, 1%, 0.77%

LAB 65.94, 21.78, -52.67

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 76 / 70 / 0 / 19

HEX #323ECE

RGB 50 62 206

HSL 235.38, 0.61%, 0.5%

LAB 35.16, 44.65, -75.12

 

CMYK 82 / 76 / 0 / 27

HEX #212CBB

RGB 33 44 187

HSL 235.71, 0.7%, 0.43%

LAB 28.68, 47.33, -74.73

 

CMYK 90 / 85 / 0 / 34

HEX #101AA8

RGB 16 26 168

HSL 236.05, 0.83%, 0.36%

LAB 22.57, 49.64, -73.51

 

CMYK 100 / 95 / 0 / 42

HEX #000895

RGB 0 8 149

HSL 236.78, 1%, 0.29%

LAB 17.2, 50.45, -70.84

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 65 / 71 / 0 / 12

HEX #4F42E0

RGB 79 66 224

HSL 244.94, 0.72%, 0.57%

LAB 39.48, 51.29, -78.31

 

CMYK 53 / 71 / 0 / 12

HEX #6942E0

RGB 105 66 224

HSL 254.81, 0.72%, 0.57%

LAB 41.66, 54.83, -74.65

 

CMYK 41 / 71 / 0 / 12

HEX #8442E0

RGB 132 66 224

HSL 265.06, 0.72%, 0.57%

LAB 44.5, 59.25, -69.9

 

CMYK 29 / 71 / 0 / 12

HEX #9E42E0

RGB 158 66 224

HSL 274.94, 0.72%, 0.57%

LAB 47.68, 64.04, -64.57

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 71 / 67 / 0 / 92

HEX #060715

RGB 6 7 21

HSL 236, 0.56%, 0.05%

LAB 2.21, 2.2, -6.79

 

CMYK 71 / 64 / 0 / 72

HEX #151A48

RGB 21 26 72

HSL 234.12, 0.55%, 0.18%

LAB 11.73, 14.93, -29.53

 

CMYK 70 / 64 / 0 / 52

HEX #252C7B

RGB 37 44 123

HSL 235.12, 0.54%, 0.31%

LAB 22.39, 24.81, -45.89

 

CMYK 70 / 64 / 0 / 32

HEX #343EAE

RGB 52 62 174

HSL 235.08, 0.54%, 0.44%

LAB 32.33, 33.71, -60.95

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 0 / 71 / 8 / 12

HEX #E042CD

RGB 224 66 205

HSL 307.22, 0.72%, 0.57%

LAB 56.24, 74.56, -39.52

 

CMYK 37 / 0 / 71 / 12

HEX #8EE042

RGB 142 224 66

HSL 91.14, 0.72%, 0.57%

LAB 81.54, -49.55, 65.84

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 0 / 71 / 65 / 12

HEX #E0424F

RGB 224 66 79

HSL 355.06, 0.72%, 0.57%

LAB 52.18, 61.39, 28.79

 

CMYK 65 / 0 / 71 / 12

HEX #4FE042

RGB 79 224 66

HSL 115.06, 0.72%, 0.57%

LAB 79.25, -66.9, 62.77

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 0 / 71 / 8 / 12

HEX #E042CD

RGB 224 66 205

HSL 307.22, 0.72%, 0.57%

LAB 56.24, 74.56, -39.52

 

CMYK 0 / 6 / 71 / 12

HEX #E0D342

RGB 224 211 66

HSL 55.06, 0.72%, 0.57%

LAB 83.35, -11.54, 69.44

 

CMYK 71 / 0 / 63 / 12

HEX #42E054

RGB 66 224 84

HSL 126.84, 0.72%, 0.57%

LAB 79.1, -67.61, 55.41

 

CMYK 70 / 64 / 0 / 12

HEX #4350E1

RGB 67 80 225

HSL 235.06, 0.72%, 0.57%

LAB 41.79, 42.08, -75.11

 

CMYK 0 / 71 / 29 / 12

HEX #E0429E

RGB 224 66 158

HSL 325.06, 0.72%, 0.57%

LAB 54.25, 68.29, -15.34

 

CMYK 0 / 6 / 71 / 12

HEX #E0D342

RGB 224 211 66

HSL 55.06, 0.72%, 0.57%

LAB 83.35, -11.54, 69.44

 

CMYK 71 / 0 / 41 / 12

HEX #42E084

RGB 66 224 132

HSL 145.06, 0.72%, 0.57%

LAB 79.69, -60.8, 33.52

 

Description

Color code: HEX #4350E1 | qconv.com Color code: HEX #4350E1 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 80 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 80 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 64 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 64% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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