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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #434FE2 it is the complementary color #BCB01D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #434FE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #434FE2 shade: #484FDD, #5961F0, #6A73FF, #7B85FF and #8C97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #434FE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #434FE2 shade: #434FE2, #323DCF, #212BBC, #1019A9 and #000796

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #434FE2 shade: #414DE1, #6041E1, #8C41E1, #B741E1 and #E141E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #434FE2 shade: #414DE1 and #4141E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #434FE2 shade matches the following richer shades: #414DE1 and #303EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #434FE2 shade: #414DE1, #535CD0, #656CBE, #777BAC and #888A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #434FE2 shade: #41A4E1, #4179E1, #414FE1, #5F41E1 and #8941E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #434FE2 shade: #1C28B4, #222FD8, #414DE1, #656FE7 and #8990ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #434FE2 shade: #434FE2, #E141CF and #8FE141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #434FE2 shade: #434FE2, #E1414F and #4FE141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #434FE2 shade: #434FE2, #E141CF, #E1D441 and #41E154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #434FE2 shade: #434FE2, #E1419F, #E1D441 and #41E184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 65 / 0 / 11

HEX #434FE2

RGB 67 79 226

HSL 235.47, 0.73%, 0.57%

LAB 41.65, 43.02, -75.91

 

Complementary color

CMYK 0 / 6 / 85 / 26

HEX #BCB01D

RGB 188 176 29

HSL 55.47, 0.73%, 0.43%

LAB 70.75, -10.56, 68.28

 

CMYK 67 / 64 / 0 / 13

HEX #484FDD

RGB 72 79 221

HSL 237.18, 0.69%, 0.57%

LAB 41.52, 41.95, -73.27

 

CMYK 63 / 60 / 0 / 6

HEX #5961F0

RGB 89 97 240

HSL 236.82, 0.83%, 0.65%

LAB 48.22, 39.78, -73.03

 

CMYK 58 / 55 / 0 / 0

HEX #6A73FF

RGB 106 115 255

HSL 236.38, 1%, 0.71%

LAB 54.6, 36.59, -70.96

 

CMYK 52 / 48 / 0 / 0

HEX #7B85FF

RGB 123 133 255

HSL 235.45, 1%, 0.74%

LAB 60.07, 29.13, -62.09

 

CMYK 45 / 41 / 0 / 0

HEX #8C97FF

RGB 140 151 255

HSL 234.26, 1%, 0.77%

LAB 65.69, 22.36, -53.07

 

CMYK 70 / 65 / 0 / 11

HEX #434FE2

RGB 67 79 226

HSL 235.47, 0.73%, 0.57%

LAB 41.65, 43.02, -75.91

 

CMYK 76 / 71 / 0 / 19

HEX #323DCF

RGB 50 61 207

HSL 235.8, 0.62%, 0.5%

LAB 35.04, 45.58, -75.89

 

CMYK 82 / 77 / 0 / 26

HEX #212BBC

RGB 33 43 188

HSL 236.13, 0.7%, 0.43%

LAB 28.6, 48.21, -75.45

 

CMYK 91 / 85 / 0 / 34

HEX #1019A9

RGB 16 25 169

HSL 236.47, 0.83%, 0.36%

LAB 22.55, 50.4, -74.15

 

CMYK 100 / 95 / 0 / 41

HEX #000796

RGB 0 7 150

HSL 237.2, 1%, 0.29%

LAB 17.24, 51.04, -71.38

 

CMYK 71 / 66 / 0 / 12

HEX #414DE1

RGB 65 77 225

HSL 235.5, 0.73%, 0.57%

LAB 41.01, 43.66, -76.4

 

CMYK 57 / 71 / 0 / 12

HEX #6041E1

RGB 96 65 225

HSL 251.63, 0.73%, 0.57%

LAB 40.74, 54.32, -76.75

 

CMYK 38 / 71 / 0 / 12

HEX #8C41E1

RGB 140 65 225

HSL 268.13, 0.73%, 0.57%

LAB 45.35, 61.37, -69.04

 

CMYK 19 / 71 / 0 / 12

HEX #B741E1

RGB 183 65 225

HSL 284.25, 0.73%, 0.57%

LAB 51.02, 69.54, -59.59

 

CMYK 0 / 71 / 0 / 12

HEX #E141E1

RGB 225 65 225

HSL 300, 0.73%, 0.57%

LAB 57.29, 78.15, -49.2

 

CMYK 71 / 66 / 0 / 12

HEX #414DE1

RGB 65 77 225

HSL 235.5, 0.73%, 0.57%

LAB 41.01, 43.66, -76.4

 

CMYK 71 / 71 / 0 / 12

HEX #4141E1

RGB 65 65 225

HSL 240, 0.73%, 0.57%

LAB 38.45, 50.63, -80.61

 

CMYK 71 / 66 / 0 / 12

HEX #414DE1

RGB 65 77 225

HSL 235.5, 0.73%, 0.57%

LAB 41.01, 43.66, -76.4

 

CMYK 80 / 74 / 0 / 5

HEX #303EF3

RGB 48 62 243

HSL 235.69, 0.89%, 0.57%

LAB 38.8, 56.74, -90.26

 

CMYK 71 / 66 / 0 / 12

HEX #414DE1

RGB 65 77 225

HSL 235.5, 0.73%, 0.57%

LAB 41.01, 43.66, -76.4

 

CMYK 60 / 56 / 0 / 18

HEX #535CD0

RGB 83 92 208

HSL 235.68, 0.57%, 0.57%

LAB 44.3, 31.3, -61.26

 

CMYK 47 / 43 / 0 / 25

HEX #656CBE

RGB 101 108 190

HSL 235.28, 0.41%, 0.57%

LAB 48.52, 19.4, -44.06

 

CMYK 31 / 28 / 0 / 33

HEX #777BAC

RGB 119 123 172

HSL 235.47, 0.24%, 0.57%

LAB 53.02, 10.12, -26.5

 

CMYK 12 / 10 / 0 / 40

HEX #888A9A

RGB 136 138 154

HSL 233.33, 0.08%, 0.57%

LAB 57.79, 2.6, -8.75

 

CMYK 71 / 27 / 0 / 12

HEX #41A4E1

RGB 65 164 225

HSL 202.88, 0.73%, 0.57%

LAB 64.25, -9.12, -39.12

 

CMYK 71 / 46 / 0 / 12

HEX #4179E1

RGB 65 121 225

HSL 219, 0.73%, 0.57%

LAB 52.1, 16.26, -58.38

 

CMYK 71 / 65 / 0 / 12

HEX #414FE1

RGB 65 79 225

HSL 234.75, 0.73%, 0.57%

LAB 41.46, 42.46, -75.66

 

CMYK 58 / 71 / 0 / 12

HEX #5F41E1

RGB 95 65 225

HSL 251.25, 0.73%, 0.57%

LAB 40.65, 54.19, -76.9

 

CMYK 39 / 71 / 0 / 12

HEX #8941E1

RGB 137 65 225

HSL 267, 0.73%, 0.57%

LAB 44.99, 60.84, -69.63

 

CMYK 84 / 78 / 0 / 29

HEX #1C28B4

RGB 28 40 180

HSL 235.26, 0.73%, 0.41%

LAB 26.9, 46.91, -73.51

 

CMYK 84 / 78 / 0 / 15

HEX #222FD8

RGB 34 47 216

HSL 235.71, 0.73%, 0.49%

LAB 32.55, 55.24, -85.25

 

CMYK 71 / 66 / 0 / 12

HEX #414DE1

RGB 65 77 225

HSL 235.5, 0.73%, 0.57%

LAB 41.01, 43.66, -76.4

 

CMYK 56 / 52 / 0 / 9

HEX #656FE7

RGB 101 111 231

HSL 235.38, 0.73%, 0.65%

LAB 51.73, 30.44, -62.26

 

CMYK 42 / 39 / 0 / 7

HEX #8990ED

RGB 137 144 237

HSL 235.8, 0.74%, 0.73%

LAB 62.83, 20.57, -47.74

 

CMYK 70 / 65 / 0 / 11

HEX #434FE2

RGB 67 79 226

HSL 235.47, 0.73%, 0.57%

LAB 41.65, 43.02, -75.91

 

CMYK 0 / 71 / 8 / 12

HEX #E141CF

RGB 225 65 207

HSL 306.75, 0.73%, 0.57%

LAB 56.38, 75.4, -40.43

 

CMYK 36 / 0 / 71 / 12

HEX #8FE141

RGB 143 225 65

HSL 90.75, 0.73%, 0.57%

LAB 81.88, -49.68, 66.55

 

CMYK 70 / 65 / 0 / 11

HEX #434FE2

RGB 67 79 226

HSL 235.47, 0.73%, 0.57%

LAB 41.65, 43.02, -75.91

 

CMYK 0 / 71 / 65 / 12

HEX #E1414F

RGB 225 65 79

HSL 354.75, 0.73%, 0.57%

LAB 52.23, 62.05, 28.89

 

CMYK 65 / 0 / 71 / 12

HEX #4FE141

RGB 79 225 65

HSL 114.75, 0.73%, 0.57%

LAB 79.55, -67.31, 63.44

 

CMYK 70 / 65 / 0 / 11

HEX #434FE2

RGB 67 79 226

HSL 235.47, 0.73%, 0.57%

LAB 41.65, 43.02, -75.91

 

CMYK 0 / 71 / 8 / 12

HEX #E141CF

RGB 225 65 207

HSL 306.75, 0.73%, 0.57%

LAB 56.38, 75.4, -40.43

 

CMYK 0 / 6 / 71 / 12

HEX #E1D441

RGB 225 212 65

HSL 55.13, 0.73%, 0.57%

LAB 83.69, -11.67, 70.16

 

CMYK 71 / 0 / 63 / 12

HEX #41E154

RGB 65 225 84

HSL 127.13, 0.73%, 0.57%

LAB 79.39, -68.1, 55.72

 

CMYK 70 / 65 / 0 / 11

HEX #434FE2

RGB 67 79 226

HSL 235.47, 0.73%, 0.57%

LAB 41.65, 43.02, -75.91

 

CMYK 0 / 71 / 29 / 12

HEX #E1419F

RGB 225 65 159

HSL 324.75, 0.73%, 0.57%

LAB 54.33, 69.01, -15.79

 

CMYK 0 / 6 / 71 / 12

HEX #E1D441

RGB 225 212 65

HSL 55.13, 0.73%, 0.57%

LAB 83.69, -11.67, 70.16

 

CMYK 71 / 0 / 41 / 12

HEX #41E184

RGB 65 225 132

HSL 145.13, 0.73%, 0.57%

LAB 79.98, -61.32, 33.89

 

Description

Color code: HEX #434FE2 | qconv.com Color code: HEX #434FE2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 79 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 79 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 65 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 65% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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