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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4344CC it is the complementary color #BCBB33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4344CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4344CC shade: #4844C7, #5956DA, #6A68ED, #7B7AFF and #8C8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4344CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4344CC shade: #4344CC, #3232B9, #2120A6, #100E93 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4344CC shade: #4344CB, #6743CB, #8C43CB, #B043CB and #CB43C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4344CC shade: #4344CB and #4343CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4344CC shade matches the following richer shades: #4344CB, #2F31DF and #1C1EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4344CC shade: #4344CB, #5657B8, #6A6AA5, #7D7D91 and #90907E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4344CC shade: #438ECB, #436ACB, #4345CB, #6543CB and #8943CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4344CC shade: #282993, #3132B4, #4344CB, #6364D4 and #8484DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4344CC shade: #4344CC, #CB43B2 and #7CCB43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4344CC shade: #4344CC, #CB4345 and #45CB43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4344CC shade: #4344CC, #CB43B2, #CBC943 and #43CB5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4344CC shade: #4344CC, #CB4389, #CBC943 and #43CB85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 67 / 0 / 20

HEX #4344CC

RGB 67 68 204

HSL 239.56, 0.57%, 0.53%

LAB 37.28, 42.24, -70.45

 

Complementary color

CMYK 0 / 1 / 73 / 26

HEX #BCBB33

RGB 188 187 51

HSL 59.56, 0.57%, 0.47%

LAB 73.85, -15.4, 64.56

 

CMYK 64 / 66 / 0 / 22

HEX #4844C7

RGB 72 68 199

HSL 241.83, 0.54%, 0.52%

LAB 37.18, 41.27, -67.69

 

CMYK 59 / 61 / 0 / 15

HEX #5956DA

RGB 89 86 218

HSL 241.36, 0.64%, 0.6%

LAB 44, 39.26, -67.45

 

CMYK 55 / 56 / 0 / 7

HEX #6A68ED

RGB 106 104 237

HSL 240.9, 0.79%, 0.67%

LAB 50.78, 37.48, -67.14

 

CMYK 52 / 52 / 0 / 0

HEX #7B7AFF

RGB 123 122 255

HSL 240.45, 1%, 0.74%

LAB 57.41, 35.61, -66.36

 

CMYK 45 / 45 / 0 / 0

HEX #8C8CFF

RGB 140 140 255

HSL 240, 1%, 0.77%

LAB 62.97, 28.74, -57.39

 

CMYK 67 / 67 / 0 / 20

HEX #4344CC

RGB 67 68 204

HSL 239.56, 0.57%, 0.53%

LAB 37.28, 42.24, -70.45

 

CMYK 73 / 73 / 0 / 27

HEX #3232B9

RGB 50 50 185

HSL 240, 0.57%, 0.46%

LAB 30.55, 44.58, -70.41

 

CMYK 80 / 81 / 0 / 35

HEX #2120A6

RGB 33 32 166

HSL 240.45, 0.68%, 0.39%

LAB 24.03, 46.82, -69.85

 

CMYK 89 / 90 / 0 / 42

HEX #100E93

RGB 16 14 147

HSL 240.9, 0.83%, 0.32%

LAB 18.06, 48.19, -68.15

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 67 / 67 / 0 / 20

HEX #4344CB

RGB 67 68 203

HSL 239.56, 0.57%, 0.53%

LAB 37.19, 41.91, -70.01

 

CMYK 49 / 67 / 0 / 20

HEX #6743CB

RGB 103 67 203

HSL 255.88, 0.57%, 0.53%

LAB 39.93, 48.06, -65.41

 

CMYK 31 / 67 / 0 / 20

HEX #8C43CB

RGB 140 67 203

HSL 272.21, 0.57%, 0.53%

LAB 44.09, 55.26, -58.46

 

CMYK 13 / 67 / 0 / 20

HEX #B043CB

RGB 176 67 203

HSL 288.09, 0.57%, 0.53%

LAB 48.95, 63.06, -50.39

 

CMYK 0 / 67 / 4 / 20

HEX #CB43C2

RGB 203 67 194

HSL 303.97, 0.57%, 0.53%

LAB 52.52, 67.68, -39.29

 

CMYK 67 / 67 / 0 / 20

HEX #4344CB

RGB 67 68 203

HSL 239.56, 0.57%, 0.53%

LAB 37.19, 41.91, -70.01

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 67 / 67 / 0 / 20

HEX #4344CB

RGB 67 68 203

HSL 239.56, 0.57%, 0.53%

LAB 37.19, 41.91, -70.01

 

CMYK 79 / 78 / 0 / 13

HEX #2F31DF

RGB 47 49 223

HSL 239.32, 0.73%, 0.53%

LAB 34.25, 57.11, -86.44

 

CMYK 88 / 88 / 0 / 5

HEX #1C1EF2

RGB 28 30 242

HSL 239.44, 0.89%, 0.53%

LAB 33.11, 69.88, -99.18

 

CMYK 67 / 67 / 0 / 20

HEX #4344CB

RGB 67 68 203

HSL 239.56, 0.57%, 0.53%

LAB 37.19, 41.91, -70.01

 

CMYK 53 / 53 / 0 / 28

HEX #5657B8

RGB 86 87 184

HSL 239.39, 0.41%, 0.53%

LAB 41.62, 27.13, -51.67

 

CMYK 36 / 36 / 0 / 35

HEX #6A6AA5

RGB 106 106 165

HSL 240, 0.25%, 0.53%

LAB 47.09, 14.6, -31.74

 

CMYK 14 / 14 / 0 / 43

HEX #7D7D91

RGB 125 125 145

HSL 240, 0.08%, 0.53%

LAB 53.03, 4.27, -10.77

 

CMYK 0 / 0 / 13 / 44

HEX #90907E

RGB 144 144 126

HSL 60, 0.08%, 0.53%

LAB 59.33, -3.3, 9.58

 

CMYK 67 / 30 / 0 / 20

HEX #438ECB

RGB 67 142 203

HSL 206.91, 0.57%, 0.53%

LAB 56.93, -3.83, -38.32

 

CMYK 67 / 48 / 0 / 20

HEX #436ACB

RGB 67 106 203

HSL 222.79, 0.57%, 0.53%

LAB 46.73, 18.06, -54.52

 

CMYK 67 / 66 / 0 / 20

HEX #4345CB

RGB 67 69 203

HSL 239.12, 0.57%, 0.53%

LAB 37.41, 41.31, -69.65

 

CMYK 50 / 67 / 0 / 20

HEX #6543CB

RGB 101 67 203

HSL 255, 0.57%, 0.53%

LAB 39.74, 47.7, -65.73

 

CMYK 33 / 67 / 0 / 20

HEX #8943CB

RGB 137 67 203

HSL 270.88, 0.57%, 0.53%

LAB 43.72, 54.63, -59.08

 

CMYK 73 / 72 / 0 / 42

HEX #282993

RGB 40 41 147

HSL 239.44, 0.57%, 0.37%

LAB 24.14, 35.91, -58.03

 

CMYK 73 / 72 / 0 / 29

HEX #3132B4

RGB 49 50 180

HSL 239.54, 0.57%, 0.45%

LAB 29.98, 42.81, -68.38

 

CMYK 67 / 67 / 0 / 20

HEX #4344CB

RGB 67 68 203

HSL 239.56, 0.57%, 0.53%

LAB 37.19, 41.91, -70.01

 

CMYK 53 / 53 / 0 / 17

HEX #6364D4

RGB 99 100 212

HSL 239.47, 0.57%, 0.61%

LAB 47.65, 30.71, -58.09

 

CMYK 40 / 40 / 0 / 13

HEX #8484DD

RGB 132 132 221

HSL 240, 0.57%, 0.69%

LAB 58.63, 21.82, -45.51

 

CMYK 67 / 67 / 0 / 20

HEX #4344CC

RGB 67 68 204

HSL 239.56, 0.57%, 0.53%

LAB 37.28, 42.24, -70.45

 

CMYK 0 / 67 / 12 / 20

HEX #CB43B2

RGB 203 67 178

HSL 311.03, 0.57%, 0.53%

LAB 51.75, 65.22, -31.2

 

CMYK 39 / 0 / 67 / 20

HEX #7CCB43

RGB 124 203 67

HSL 94.85, 0.57%, 0.53%

LAB 74.45, -46.86, 57.86

 

CMYK 67 / 67 / 0 / 20

HEX #4344CC

RGB 67 68 204

HSL 239.56, 0.57%, 0.53%

LAB 37.28, 42.24, -70.45

 

CMYK 0 / 67 / 66 / 20

HEX #CB4345

RGB 203 67 69

HSL 359.12, 0.57%, 0.53%

LAB 48.44, 53.8, 29.19

 

CMYK 66 / 0 / 67 / 20

HEX #45CB43

RGB 69 203 67

HSL 119.12, 0.57%, 0.53%

LAB 72.48, -61.79, 55.18

 

CMYK 67 / 67 / 0 / 20

HEX #4344CC

RGB 67 68 204

HSL 239.56, 0.57%, 0.53%

LAB 37.28, 42.24, -70.45

 

CMYK 0 / 67 / 12 / 20

HEX #CB43B2

RGB 203 67 178

HSL 311.03, 0.57%, 0.53%

LAB 51.75, 65.22, -31.2

 

CMYK 0 / 1 / 67 / 20

HEX #CBC943

RGB 203 201 67

HSL 59.12, 0.57%, 0.53%

LAB 78.97, -15.29, 64.13

 

CMYK 67 / 0 / 55 / 20

HEX #43CB5C

RGB 67 203 92

HSL 131.03, 0.57%, 0.53%

LAB 72.68, -59.33, 44.36

 

CMYK 67 / 67 / 0 / 20

HEX #4344CC

RGB 67 68 204

HSL 239.56, 0.57%, 0.53%

LAB 37.28, 42.24, -70.45

 

CMYK 0 / 67 / 33 / 20

HEX #CB4389

RGB 203 67 137

HSL 329.12, 0.57%, 0.53%

LAB 50.12, 59.74, -9.44

 

CMYK 0 / 1 / 67 / 20

HEX #CBC943

RGB 203 201 67

HSL 59.12, 0.57%, 0.53%

LAB 78.97, -15.29, 64.13

 

CMYK 67 / 0 / 34 / 20

HEX #43CB85

RGB 67 203 133

HSL 149.12, 0.57%, 0.53%

LAB 73.28, -52.53, 24.49

 

Description

Color code: HEX #4344CC | qconv.com Color code: HEX #4344CC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 68 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 68 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 67 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 67% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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