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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4344C4 it is the complementary color #BCBB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4344C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4344C4 shade: #4844BF, #5956D2, #6A68E5, #7B7AF8 and #8C8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4344C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4344C4 shade: #4344C4, #3232B1, #21209E, #100E8B and #000078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4344C4 shade: #4546C4, #6645C4, #8945C4, #AB45C4 and #C445BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4344C4 shade: #4546C4 and #4545C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4344C4 shade matches the following richer shades: #4546C4, #3132D8 and #1D1FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4344C4 shade: #4546C4, #5959B0, #6D6D9D, #808089 and #949475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4344C4 shade: #458BC4, #4569C4, #4547C4, #6545C4 and #8745C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4344C4 shade: #2C2D8B, #3637AA, #4546C4, #6465CE and #8484D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4344C4 shade: #4344C4, #C445AD and #7AC445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4344C4 shade: #4344C4, #C44547 and #47C445

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4344C4 shade: #4344C4, #C445AD, #C4C245 and #45C45C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4344C4 shade: #4344C4, #C44587, #C4C245 and #45C482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 65 / 0 / 23

HEX #4344C4

RGB 67 68 196

HSL 239.53, 0.52%, 0.52%

LAB 36.58, 39.58, -66.93

 

Complementary color

CMYK 0 / 1 / 69 / 26

HEX #BCBB3B

RGB 188 187 59

HSL 59.53, 0.52%, 0.48%

LAB 73.9, -15.01, 61.71

 

CMYK 62 / 64 / 0 / 25

HEX #4844BF

RGB 72 68 191

HSL 241.95, 0.49%, 0.51%

LAB 36.51, 38.64, -64.12

 

CMYK 58 / 59 / 0 / 18

HEX #5956D2

RGB 89 86 210

HSL 241.45, 0.58%, 0.58%

LAB 43.41, 36.7, -63.84

 

CMYK 54 / 55 / 0 / 10

HEX #6A68E5

RGB 106 104 229

HSL 240.96, 0.71%, 0.65%

LAB 50.24, 34.99, -63.51

 

CMYK 50 / 51 / 0 / 3

HEX #7B7AF8

RGB 123 122 248

HSL 240.48, 0.9%, 0.73%

LAB 56.99, 33.5, -63.19

 

CMYK 45 / 45 / 0 / 0

HEX #8C8CFF

RGB 140 140 255

HSL 240, 1%, 0.77%

LAB 62.97, 28.74, -57.39

 

CMYK 66 / 65 / 0 / 23

HEX #4344C4

RGB 67 68 196

HSL 239.53, 0.52%, 0.52%

LAB 36.58, 39.58, -66.93

 

CMYK 72 / 72 / 0 / 31

HEX #3232B1

RGB 50 50 177

HSL 240, 0.56%, 0.45%

LAB 29.75, 41.9, -66.98

 

CMYK 79 / 80 / 0 / 38

HEX #21209E

RGB 33 32 158

HSL 240.48, 0.66%, 0.37%

LAB 23.08, 44.22, -66.55

 

CMYK 88 / 90 / 0 / 45

HEX #100E8B

RGB 16 14 139

HSL 240.96, 0.82%, 0.3%

LAB 16.93, 45.78, -65.03

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 65 / 64 / 0 / 23

HEX #4546C4

RGB 69 70 196

HSL 239.53, 0.52%, 0.52%

LAB 37.17, 38.64, -65.96

 

CMYK 48 / 65 / 0 / 23

HEX #6645C4

RGB 102 69 196

HSL 255.59, 0.52%, 0.52%

LAB 39.69, 44.78, -61.73

 

CMYK 30 / 65 / 0 / 23

HEX #8945C4

RGB 137 69 196

HSL 272.13, 0.52%, 0.52%

LAB 43.6, 52.01, -55.23

 

CMYK 13 / 65 / 0 / 23

HEX #AB45C4

RGB 171 69 196

HSL 288.19, 0.52%, 0.52%

LAB 48.13, 59.73, -47.7

 

CMYK 0 / 65 / 5 / 23

HEX #C445BB

RGB 196 69 187

HSL 304.25, 0.52%, 0.52%

LAB 51.36, 64.12, -37.14

 

CMYK 65 / 64 / 0 / 23

HEX #4546C4

RGB 69 70 196

HSL 239.53, 0.52%, 0.52%

LAB 37.17, 38.64, -65.96

 

CMYK 65 / 65 / 0 / 23

HEX #4545C4

RGB 69 69 196

HSL 240, 0.52%, 0.52%

LAB 36.94, 39.25, -66.34

 

CMYK 65 / 64 / 0 / 23

HEX #4546C4

RGB 69 70 196

HSL 239.53, 0.52%, 0.52%

LAB 37.17, 38.64, -65.96

 

CMYK 77 / 77 / 0 / 15

HEX #3132D8

RGB 49 50 216

HSL 239.64, 0.68%, 0.52%

LAB 33.76, 54.54, -83.22

 

CMYK 88 / 87 / 0 / 7

HEX #1D1FEC

RGB 29 31 236

HSL 239.42, 0.84%, 0.52%

LAB 32.47, 67.92, -96.83

 

CMYK 65 / 64 / 0 / 23

HEX #4546C4

RGB 69 70 196

HSL 239.53, 0.52%, 0.52%

LAB 37.17, 38.64, -65.96

 

CMYK 49 / 49 / 0 / 31

HEX #5959B0

RGB 89 89 176

HSL 240, 0.36%, 0.52%

LAB 41.85, 23.99, -46.59

 

CMYK 31 / 31 / 0 / 38

HEX #6D6D9D

RGB 109 109 157

HSL 240, 0.2%, 0.52%

LAB 47.78, 11.47, -25.94

 

CMYK 7 / 7 / 0 / 46

HEX #808089

RGB 128 128 137

HSL 240, 0.04%, 0.52%

LAB 53.85, 1.85, -4.86

 

CMYK 0 / 0 / 21 / 42

HEX #949475

RGB 148 148 117

HSL 60, 0.13%, 0.52%

LAB 60.57, -5.41, 16.44

 

CMYK 65 / 29 / 0 / 23

HEX #458BC4

RGB 69 139 196

HSL 206.93, 0.52%, 0.52%

LAB 55.8, -4.13, -36.12

 

CMYK 65 / 46 / 0 / 23

HEX #4569C4

RGB 69 105 196

HSL 222.99, 0.52%, 0.52%

LAB 46.12, 16.55, -51.48

 

CMYK 65 / 64 / 0 / 23

HEX #4547C4

RGB 69 71 196

HSL 239.06, 0.52%, 0.52%

LAB 37.4, 38.03, -65.58

 

CMYK 48 / 65 / 0 / 23

HEX #6545C4

RGB 101 69 196

HSL 255.12, 0.52%, 0.52%

LAB 39.59, 44.59, -61.9

 

CMYK 31 / 65 / 0 / 23

HEX #8745C4

RGB 135 69 196

HSL 271.18, 0.52%, 0.52%

LAB 43.35, 51.57, -55.64

 

CMYK 68 / 68 / 0 / 45

HEX #2C2D8B

RGB 44 45 139

HSL 239.37, 0.52%, 0.36%

LAB 24.56, 31.05, -52.37

 

CMYK 68 / 68 / 0 / 33

HEX #3637AA

RGB 54 55 170

HSL 239.48, 0.52%, 0.44%

LAB 30.45, 36.97, -61.63

 

CMYK 65 / 64 / 0 / 23

HEX #4546C4

RGB 69 70 196

HSL 239.53, 0.52%, 0.52%

LAB 37.17, 38.64, -65.96

 

CMYK 51 / 51 / 0 / 19

HEX #6465CE

RGB 100 101 206

HSL 239.43, 0.52%, 0.6%

LAB 47.59, 28.42, -54.75

 

CMYK 39 / 39 / 0 / 15

HEX #8484D8

RGB 132 132 216

HSL 240, 0.52%, 0.68%

LAB 58.38, 20.43, -43.1

 

CMYK 66 / 65 / 0 / 23

HEX #4344C4

RGB 67 68 196

HSL 239.53, 0.52%, 0.52%

LAB 36.58, 39.58, -66.93

 

CMYK 0 / 65 / 12 / 23

HEX #C445AD

RGB 196 69 173

HSL 310.87, 0.52%, 0.52%

LAB 50.7, 61.92, -30.01

 

CMYK 38 / 0 / 65 / 23

HEX #7AC445

RGB 122 196 69

HSL 94.96, 0.52%, 0.52%

LAB 72.26, -44.44, 54.68

 

CMYK 66 / 65 / 0 / 23

HEX #4344C4

RGB 67 68 196

HSL 239.53, 0.52%, 0.52%

LAB 36.58, 39.58, -66.93

 

CMYK 0 / 65 / 64 / 23

HEX #C44547

RGB 196 69 71

HSL 359.06, 0.52%, 0.52%

LAB 47.56, 50.76, 26.64

 

CMYK 64 / 0 / 65 / 23

HEX #47C445

RGB 71 196 69

HSL 119.06, 0.52%, 0.52%

LAB 70.35, -58.77, 52.05

 

CMYK 66 / 65 / 0 / 23

HEX #4344C4

RGB 67 68 196

HSL 239.53, 0.52%, 0.52%

LAB 36.58, 39.58, -66.93

 

CMYK 0 / 65 / 12 / 23

HEX #C445AD

RGB 196 69 173

HSL 310.87, 0.52%, 0.52%

LAB 50.7, 61.92, -30.01

 

CMYK 0 / 1 / 65 / 23

HEX #C4C245

RGB 196 194 69

HSL 59.06, 0.52%, 0.52%

LAB 76.53, -14.6, 60.66

 

CMYK 65 / 0 / 53 / 23

HEX #45C45C

RGB 69 196 92

HSL 130.87, 0.52%, 0.52%

LAB 70.54, -56.42, 41.79

 

CMYK 66 / 65 / 0 / 23

HEX #4344C4

RGB 67 68 196

HSL 239.53, 0.52%, 0.52%

LAB 36.58, 39.58, -66.93

 

CMYK 0 / 65 / 31 / 23

HEX #C44587

RGB 196 69 135

HSL 328.82, 0.52%, 0.52%

LAB 49.18, 56.68, -9.77

 

CMYK 0 / 1 / 65 / 23

HEX #C4C245

RGB 196 194 69

HSL 59.06, 0.52%, 0.52%

LAB 76.53, -14.6, 60.66

 

CMYK 65 / 0 / 34 / 23

HEX #45C482

RGB 69 196 130

HSL 148.82, 0.52%, 0.52%

LAB 71.12, -50, 23.15

 

Description

Color code: HEX #4344C4 | qconv.com Color code: HEX #4344C4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 68 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 68 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 65 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 65% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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