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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43399ACE it is the complementary color #BCC665CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43399ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43399ACE shade: #483995CE, #594BA8CE, #6A5DBBCE, #7B6FCECE and #8C81E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43399ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43399ACE shade: #43399ACE, #322787CE, #211574CE, #100361CE and #00004ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43399ACE shade: #423899, #5C3899, #763899, #903899 and #993887

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43399ACE shade: #423899 and #383899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43399ACE shade matches the following richer shades: #423899, #3528AA, #2817BA and #1A06CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43399ACE shade: #423899, #504988, #5D5A77, #6B6B66 and #787C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43399ACE shade: #386299, #384899, #423899, #5C3899 and #753899

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43399ACE shade: #28225C, #352D7B, #423899, #4F44B7 and #6A60C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43399ACE shade: #43399A, #99387C and #559938

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43399ACE shade: #43399A, #994238 and #389942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43399ACE shade: #43399A, #99387C, #8F9938 and #389955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43399ACE shade: #43399A, #99385F, #8F9938 and #389972

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 51 / 0 / 32

HEX #43399ACE

RGBA 67 57 154 0.81

HSLA 246.19, 0.46%, 0.41%, 0.81

LABA 30.53, 32.39, -51.79, 0.81

 

Complementary color

CMYK 4 / 0 / 40 / 18

HEX #BCC665CE

RGBA 188 198 101 0.81

HSLA 66.19, 0.46%, 0.59%, 0.81

LABA 77.29, -17.45, 47.02, 0.81

 

CMYK 42 / 50 / 0 / 34

HEX #483995CE

RGBA 72 57 149 0.81

HSLA 249.78, 0.45%, 0.4%, 0.81

LABA 30.58, 31.77, -48.64, 0.81

 

CMYK 38 / 45 / 0 / 28

HEX #594BA8CE

RGBA 89 75 168 0.81

HSLA 249.03, 0.38%, 0.48%, 0.81

LABA 37.81, 30.23, -48.34, 0.81

 

CMYK 35 / 41 / 0 / 22

HEX #6A5DBBCE

RGBA 106 93 187 0.81

HSLA 248.3, 0.41%, 0.55%, 0.81

LABA 44.91, 28.9, -48.05, 0.81

 

CMYK 33 / 37 / 0 / 16

HEX #7B6FCECE

RGBA 123 111 206 0.81

HSLA 247.58, 0.49%, 0.62%, 0.81

LABA 51.88, 27.75, -47.79, 0.81

 

CMYK 31 / 35 / 0 / 10

HEX #8C81E1CE

RGBA 140 129 225 0.81

HSLA 246.88, 0.62%, 0.69%, 0.81

LABA 58.71, 26.75, -47.58, 0.81

 

CMYK 46 / 51 / 0 / 32

HEX #43399ACE

RGBA 67 57 154 0.81

HSLA 246.19, 0.46%, 0.41%, 0.81

LABA 30.53, 32.39, -51.79, 0.81

 

CMYK 51 / 58 / 0 / 38

HEX #322787CE

RGBA 50 39 135 0.81

HSLA 246.88, 0.55%, 0.34%, 0.81

LABA 23.27, 34.32, -51.98, 0.81

 

CMYK 58 / 66 / 0 / 44

HEX #211574CE

RGBA 33 21 116 0.81

HSLA 247.58, 0.69%, 0.27%, 0.81

LABA 16.11, 36.21, -51.74, 0.81

 

CMYK 68 / 78 / 0 / 50

HEX #100361CE

RGBA 16 3 97 0.81

HSLA 248.3, 0.94%, 0.2%, 0.81

LABA 9.31, 37.69, -50.58, 0.81

 

CMYK 81 / 81 / 0 / 56

HEX #00004ECE

RGBA 0 0 78 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 4.97, 31.45, -44.88, 0.81

 

CMYK 57 / 63 / 0 / 40

HEX #423899

RGB 66 56 153

HSL 246.19, 0.46%, 0.41%

LAB 30.12, 32.5, -51.84

 

CMYK 40 / 63 / 0 / 40

HEX #5C3899

RGB 92 56 153

HSL 262.27, 0.46%, 0.41%

LAB 32.71, 37.9, -47.53

 

CMYK 23 / 63 / 0 / 40

HEX #763899

RGB 118 56 153

HSL 278.35, 0.46%, 0.41%

LAB 35.95, 44.09, -42.15

 

CMYK 6 / 63 / 0 / 40

HEX #903899

RGB 144 56 153

HSL 294.43, 0.46%, 0.41%

LAB 39.68, 50.64, -35.98

 

CMYK 0 / 63 / 12 / 40

HEX #993887

RGB 153 56 135

HSL 311.13, 0.46%, 0.41%

LAB 40.16, 49.88, -24.17

 

CMYK 57 / 63 / 0 / 40

HEX #423899

RGB 66 56 153

HSL 246.19, 0.46%, 0.41%

LAB 30.12, 32.5, -51.84

 

CMYK 63 / 63 / 0 / 40

HEX #383899

RGB 56 56 153

HSL 240, 0.46%, 0.41%

LAB 29.33, 30.75, -53.16

 

CMYK 57 / 63 / 0 / 40

HEX #423899

RGB 66 56 153

HSL 246.19, 0.46%, 0.41%

LAB 30.12, 32.5, -51.84

 

CMYK 69 / 76 / 0 / 33

HEX #3528AA

RGB 53 40 170

HSL 246, 0.62%, 0.41%

LAB 27.23, 45.55, -66.92

 

CMYK 78 / 88 / 0 / 27

HEX #2817BA

RGB 40 23 186

HSL 246.26, 0.78%, 0.41%

LAB 25.59, 57.12, -79.24

 

CMYK 87 / 97 / 0 / 20

HEX #1A06CB

RGB 26 6 203

HSL 246.09, 0.94%, 0.41%

LAB 25.75, 65.69, -89.03

 

CMYK 57 / 63 / 0 / 40

HEX #423899

RGB 66 56 153

HSL 246.19, 0.46%, 0.41%

LAB 30.12, 32.5, -51.84

 

CMYK 41 / 46 / 0 / 47

HEX #504988

RGB 80 73 136

HSL 246.67, 0.3%, 0.41%

LAB 34.49, 19.45, -34.34

 

CMYK 22 / 24 / 0 / 53

HEX #5D5A77

RGB 93 90 119

HSL 246.21, 0.14%, 0.41%

LAB 39.53, 7.94, -15.95

 

CMYK 0 / 0 / 5 / 58

HEX #6B6B66

RGB 107 107 102

HSL 60, 0.02%, 0.41%

LAB 45.08, -1, 2.79

 

CMYK 3 / 0 / 31 / 51

HEX #787C55

RGB 120 124 85

HSL 66.15, 0.19%, 0.41%

LAB 50.76, -8.32, 20.84

 

CMYK 63 / 36 / 0 / 40

HEX #386299

RGB 56 98 153

HSL 214.02, 0.46%, 0.41%

LAB 41.02, 3.3, -34.4

 

CMYK 63 / 53 / 0 / 40

HEX #384899

RGB 56 72 153

HSL 230.1, 0.46%, 0.41%

LAB 33.51, 20.23, -46.39

 

CMYK 57 / 63 / 0 / 40

HEX #423899

RGB 66 56 153

HSL 246.19, 0.46%, 0.41%

LAB 30.12, 32.5, -51.84

 

CMYK 40 / 63 / 0 / 40

HEX #5C3899

RGB 92 56 153

HSL 262.27, 0.46%, 0.41%

LAB 32.71, 37.9, -47.53

 

CMYK 24 / 63 / 0 / 40

HEX #753899

RGB 117 56 153

HSL 277.73, 0.46%, 0.41%

LAB 35.81, 43.84, -42.37

 

CMYK 57 / 63 / 0 / 64

HEX #28225C

RGB 40 34 92

HSL 246.21, 0.46%, 0.25%

LAB 17.31, 20.83, -34

 

CMYK 57 / 63 / 0 / 52

HEX #352D7B

RGB 53 45 123

HSL 246.15, 0.46%, 0.33%

LAB 23.88, 26.98, -43.41

 

CMYK 57 / 63 / 0 / 40

HEX #423899

RGB 66 56 153

HSL 246.19, 0.46%, 0.41%

LAB 30.12, 32.5, -51.84

 

CMYK 57 / 63 / 0 / 28

HEX #4F44B7

RGB 79 68 183

HSL 245.74, 0.46%, 0.49%

LAB 36.4, 37.2, -59.57

 

CMYK 46 / 51 / 0 / 23

HEX #6A60C4

RGB 106 96 196

HSL 246, 0.46%, 0.57%

LAB 46.2, 29.75, -51.21

 

CMYK 56 / 63 / 0 / 40

HEX #43399A

RGB 67 57 154

HSL 246.19, 0.46%, 0.41%

LAB 30.53, 32.39, -51.79

 

CMYK 0 / 63 / 19 / 40

HEX #99387C

RGB 153 56 124

HSL 317.94, 0.46%, 0.41%

LAB 39.67, 48.16, -18.16

 

CMYK 44 / 0 / 63 / 40

HEX #559938

RGB 85 153 56

HSL 102.06, 0.46%, 0.41%

LAB 57.07, -39.76, 43.17

 

CMYK 56 / 63 / 0 / 40

HEX #43399A

RGB 67 57 154

HSL 246.19, 0.46%, 0.41%

LAB 30.53, 32.39, -51.79

 

CMYK 0 / 57 / 63 / 40

HEX #994238

RGB 153 66 56

HSL 6.19, 0.46%, 0.41%

LAB 39.5, 35.68, 23.97

 

CMYK 63 / 0 / 57 / 40

HEX #389942

RGB 56 153 66

HSL 126.19, 0.46%, 0.41%

LAB 56.1, -46.7, 37.03

 

CMYK 56 / 63 / 0 / 40

HEX #43399A

RGB 67 57 154

HSL 246.19, 0.46%, 0.41%

LAB 30.53, 32.39, -51.79

 

CMYK 0 / 63 / 19 / 40

HEX #99387C

RGB 153 56 124

HSL 317.94, 0.46%, 0.41%

LAB 39.67, 48.16, -18.16

 

CMYK 7 / 0 / 63 / 40

HEX #8F9938

RGB 143 153 56

HSL 66.19, 0.46%, 0.41%

LAB 60.7, -17.08, 48.17

 

CMYK 63 / 0 / 44 / 40

HEX #389955

RGB 56 153 85

HSL 137.94, 0.46%, 0.41%

LAB 56.37, -43.77, 27.55

 

CMYK 56 / 63 / 0 / 40

HEX #43399A

RGB 67 57 154

HSL 246.19, 0.46%, 0.41%

LAB 30.53, 32.39, -51.79

 

CMYK 0 / 63 / 38 / 40

HEX #99385F

RGB 153 56 95

HSL 335.88, 0.46%, 0.41%

LAB 38.6, 44.24, -1.66

 

CMYK 7 / 0 / 63 / 40

HEX #8F9938

RGB 143 153 56

HSL 66.19, 0.46%, 0.41%

LAB 60.7, -17.08, 48.17

 

CMYK 63 / 0 / 25 / 40

HEX #389972

RGB 56 153 114

HSL 155.88, 0.46%, 0.41%

LAB 56.92, -37.88, 12.28

 

Description

Color code: HEX #43399ACE | qconv.com Color code: HEX #43399ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 57 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 57 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 51 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 51% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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