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Color name
HEX #43390F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43390F it is the complementary color #BCC6F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43390F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43390F shade: #48390A, #594B1D, #6A5D30, #7B6F43 and #8C8156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43390F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43390F shade: #43390F, #322700, #211500, #100300 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43390F shade: #43390F, #432B0F, #431D0F and #430F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43390F shade: #43390F, #3F430F, #31430F, #23430F and #15430F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43390F shade matches the following richer shades: #43390F, #493D08 and #504102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43390F shade: #43390F, #3C3516, #35301C, #2F2C23 and #28282A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43390F shade: #431D0F, #432B0F, #43380F, #3F430F and #31430F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43390F shade: #000000, #211C07, #43390F, #645517 and #86721E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43390F shade: #43390F, #0F430F and #240F43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43390F shade: #43390F, #0F4338 and #380F43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43390F shade: #43390F, #0F430F, #0F1943 and #430F43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43390F shade: #43390F, #0F431F, #0F1943 and #430F33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

Complementary color

CMYK 22 / 18 / 0 / 6

HEX #BCC6F0

RGB 188 198 240

HSL 228.46, 0.63%, 0.84%

LAB 80.39, 5.35, -21.88

 

CMYK 0 / 21 / 86 / 72

HEX #48390A

RGB 72 57 10

HSL 45.48, 0.76%, 0.16%

LAB 24.72, 1.11, 29.73

 

CMYK 0 / 16 / 67 / 65

HEX #594B1D

RGB 89 75 29

HSL 46, 0.51%, 0.23%

LAB 32.36, -0.29, 28.91

 

CMYK 0 / 12 / 55 / 58

HEX #6A5D30

RGB 106 93 48

HSL 46.55, 0.38%, 0.3%

LAB 39.76, -1.25, 27.54

 

CMYK 0 / 10 / 46 / 52

HEX #7B6F43

RGB 123 111 67

HSL 47.14, 0.29%, 0.37%

LAB 46.95, -1.96, 26.15

 

CMYK 0 / 8 / 39 / 45

HEX #8C8156

RGB 140 129 86

HSL 47.78, 0.24%, 0.44%

LAB 53.97, -2.51, 24.84

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 0 / 22 / 100 / 80

HEX #322700

RGB 50 39 0

HSL 46.8, 1%, 0.1%

LAB 16.15, 0.39, 23.51

 

CMYK 0 / 36 / 100 / 87

HEX #211500

RGB 33 21 0

HSL 38.18, 1%, 0.06%

LAB 7.77, 3.16, 11.69

 

CMYK 0 / 81 / 100 / 94

HEX #100300

RGB 16 3 0

HSL 11.25, 1%, 0.03%

LAB 1.58, 3.26, 2.43

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 0 / 36 / 78 / 74

HEX #432B0F

RGB 67 43 15

HSL 32.31, 0.63%, 0.16%

LAB 19.86, 7.94, 22.09

 

CMYK 0 / 57 / 78 / 74

HEX #431D0F

RGB 67 29 15

HSL 16.15, 0.63%, 0.16%

LAB 16.04, 17.07, 17.51

 

CMYK 0 / 78 / 78 / 74

HEX #430F0F

RGB 67 15 15

HSL 0, 0.63%, 0.16%

LAB 13.04, 24.92, 13.63

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 6 / 0 / 78 / 74

HEX #3F430F

RGB 63 67 15

HSL 64.62, 0.63%, 0.16%

LAB 27.03, -9.52, 29.45

 

CMYK 27 / 0 / 78 / 74

HEX #31430F

RGB 49 67 15

HSL 80.77, 0.63%, 0.16%

LAB 25.87, -16.37, 27.9

 

CMYK 48 / 0 / 78 / 74

HEX #23430F

RGB 35 67 15

HSL 96.92, 0.63%, 0.16%

LAB 24.97, -22.43, 26.69

 

CMYK 69 / 0 / 78 / 74

HEX #15430F

RGB 21 67 15

HSL 113.08, 0.63%, 0.16%

LAB 24.35, -27.17, 25.84

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 0 / 16 / 89 / 71

HEX #493D08

RGB 73 61 8

HSL 48.92, 0.8%, 0.16%

LAB 26.07, -1, 31.86

 

CMYK 0 / 19 / 98 / 69

HEX #504102

RGB 80 65 2

HSL 48.46, 0.95%, 0.16%

LAB 28.09, -0.11, 36.38

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 0 / 12 / 63 / 76

HEX #3C3516

RGB 60 53 22

HSL 48.95, 0.46%, 0.16%

LAB 22.18, -1.75, 20.42

 

CMYK 0 / 9 / 47 / 79

HEX #35301C

RGB 53 48 28

HSL 48, 0.31%, 0.16%

LAB 19.86, -1.36, 13.62

 

CMYK 0 / 6 / 26 / 82

HEX #2F2C23

RGB 47 44 35

HSL 45, 0.15%, 0.16%

LAB 18.04, -0.52, 6.34

 

CMYK 5 / 5 / 0 / 84

HEX #28282A

RGB 40 40 42

HSL 240, 0.02%, 0.16%

LAB 16.18, 0.49, -1.31

 

CMYK 0 / 57 / 78 / 74

HEX #431D0F

RGB 67 29 15

HSL 16.15, 0.63%, 0.16%

LAB 16.04, 17.07, 17.51

 

CMYK 0 / 36 / 78 / 74

HEX #432B0F

RGB 67 43 15

HSL 32.31, 0.63%, 0.16%

LAB 19.86, 7.94, 22.09

 

CMYK 0 / 16 / 78 / 74

HEX #43380F

RGB 67 56 15

HSL 47.31, 0.63%, 0.16%

LAB 23.86, -0.6, 26.37

 

CMYK 6 / 0 / 78 / 74

HEX #3F430F

RGB 63 67 15

HSL 64.62, 0.63%, 0.16%

LAB 27.03, -9.52, 29.45

 

CMYK 27 / 0 / 78 / 74

HEX #31430F

RGB 49 67 15

HSL 80.77, 0.63%, 0.16%

LAB 25.87, -16.37, 27.9

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 15 / 79 / 87

HEX #211C07

RGB 33 28 7

HSL 48.46, 0.65%, 0.08%

LAB 10.33, -1.05, 12.52

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 0 / 15 / 77 / 61

HEX #645517

RGB 100 85 23

HSL 48.31, 0.63%, 0.24%

LAB 36.5, -1.3, 36.51

 

CMYK 0 / 15 / 78 / 47

HEX #86721E

RGB 134 114 30

HSL 48.46, 0.63%, 0.32%

LAB 48.51, -1.49, 46.44

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 78 / 0 / 78 / 74

HEX #0F430F

RGB 15 67 15

HSL 120, 0.63%, 0.16%

LAB 24.16, -28.69, 25.59

 

CMYK 46 / 78 / 0 / 74

HEX #240F43

RGB 36 15 67

HSL 264.23, 0.63%, 0.16%

LAB 9.97, 24.04, -28.82

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 78 / 0 / 16 / 74

HEX #0F4338

RGB 15 67 56

HSL 167.31, 0.63%, 0.16%

LAB 24.96, -19.97, 1.79

 

CMYK 16 / 78 / 0 / 74

HEX #380F43

RGB 56 15 67

HSL 287.31, 0.63%, 0.16%

LAB 13.15, 29.03, -23.52

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 78 / 0 / 78 / 74

HEX #0F430F

RGB 15 67 15

HSL 120, 0.63%, 0.16%

LAB 24.16, -28.69, 25.59

 

CMYK 78 / 63 / 0 / 74

HEX #0F1943

RGB 15 25 67

HSL 228.46, 0.63%, 0.16%

LAB 10.57, 12.47, -27.94

 

CMYK 0 / 78 / 0 / 74

HEX #430F43

RGB 67 15 67

HSL 300, 0.63%, 0.16%

LAB 15.17, 31.97, -20.19

 

CMYK 0 / 15 / 78 / 74

HEX #43390F

RGB 67 57 15

HSL 48.46, 0.63%, 0.16%

LAB 24.17, -1.24, 26.69

 

CMYK 78 / 0 / 54 / 74

HEX #0F431F

RGB 15 67 31

HSL 138.46, 0.63%, 0.16%

LAB 24.37, -26.28, 17

 

CMYK 78 / 63 / 0 / 74

HEX #0F1943

RGB 15 25 67

HSL 228.46, 0.63%, 0.16%

LAB 10.57, 12.47, -27.94

 

CMYK 0 / 78 / 24 / 74

HEX #430F33

RGB 67 15 51

HSL 318.46, 0.63%, 0.16%

LAB 14.25, 29.06, -10.27

 

Description

Color code: HEX #43390F | qconv.com Color code: HEX #43390F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 57 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 57 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 78 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 78% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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