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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43312E it is the complementary color #BCCED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43312E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43312E shade: #483129, #59433C, #6A554F, #7B6762 and #8C7975

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43312E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43312E shade: #43312E, #321F1B, #210D08, #100000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43312E shade: #43302D and #432D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43312E shade: #43302D, #43362D, #433C2D, #43422D and #3E432D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43312E shade matches the following richer shades: #43302D, #4C2A24, #55241B, #5E1D12 and #671709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43312E shade: #43302D, #3A3737, #313D40, #284449 and #1E4A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43312E shade: #432D36, #432D30, #43302D, #43362D and #433C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43312E shade: #120D0C, #2A1F1D, #43302D, #5B423E and #74544F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43312E shade: #43312E, #3C432D and #2D3343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43312E shade: #43312E, #2D4330 and #302D43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43312E shade: #43312E, #3C432D, #2D4043 and #352D43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43312E shade: #43312E, #35432D, #2D4043 and #3B2D43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 31 / 74

HEX #43312E

RGB 67 49 46

HSL 8.57, 0.19%, 0.22%

LAB 22.26, 7.65, 5.08

 

Complementary color

CMYK 10 / 1 / 0 / 18

HEX #BCCED1

RGB 188 206 209

HSL 188.57, 0.19%, 0.78%

LAB 81.53, -5.46, -3.57

 

CMYK 0 / 32 / 43 / 72

HEX #483129

RGB 72 49 41

HSL 15.48, 0.27%, 0.22%

LAB 22.77, 9.24, 9.27

 

CMYK 0 / 25 / 33 / 65

HEX #59433C

RGB 89 67 60

HSL 14.48, 0.19%, 0.29%

LAB 30.56, 8.34, 7.91

 

CMYK 0 / 20 / 25 / 58

HEX #6A554F

RGB 106 85 79

HSL 13.33, 0.15%, 0.36%

LAB 38.07, 7.65, 6.77

 

CMYK 0 / 16 / 20 / 52

HEX #7B6762

RGB 123 103 98

HSL 12, 0.11%, 0.43%

LAB 45.35, 7.1, 5.78

 

CMYK 0 / 14 / 16 / 45

HEX #8C7975

RGB 140 121 117

HSL 10.43, 0.09%, 0.5%

LAB 52.44, 6.63, 4.89

 

CMYK 0 / 27 / 31 / 74

HEX #43312E

RGB 67 49 46

HSL 8.57, 0.19%, 0.22%

LAB 22.26, 7.65, 5.08

 

CMYK 0 / 38 / 46 / 80

HEX #321F1B

RGB 50 31 27

HSL 10.43, 0.3%, 0.15%

LAB 14.04, 8.62, 6.48

 

CMYK 0 / 61 / 76 / 87

HEX #210D08

RGB 33 13 8

HSL 12, 0.61%, 0.08%

LAB 5.68, 8.9, 5.38

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 28 / 33 / 74

HEX #43302D

RGB 67 48 45

HSL 8.18, 0.2%, 0.22%

LAB 21.93, 8.15, 5.3

 

CMYK 0 / 33 / 33 / 74

HEX #432D2D

RGB 67 45 45

HSL 0, 0.2%, 0.22%

LAB 21.05, 10.15, 4.05

 

CMYK 0 / 28 / 33 / 74

HEX #43302D

RGB 67 48 45

HSL 8.18, 0.2%, 0.22%

LAB 21.93, 8.15, 5.3

 

CMYK 0 / 19 / 33 / 74

HEX #43362D

RGB 67 54 45

HSL 24.55, 0.2%, 0.22%

LAB 23.74, 4.17, 7.83

 

CMYK 0 / 10 / 33 / 74

HEX #433C2D

RGB 67 60 45

HSL 40.91, 0.2%, 0.22%

LAB 25.61, 0.25, 10.4

 

CMYK 0 / 1 / 33 / 74

HEX #43422D

RGB 67 66 45

HSL 57.27, 0.2%, 0.22%

LAB 27.52, -3.57, 12.97

 

CMYK 7 / 0 / 33 / 74

HEX #3E432D

RGB 62 67 45

HSL 73.64, 0.2%, 0.22%

LAB 27.37, -6.51, 12.7

 

CMYK 0 / 28 / 33 / 74

HEX #43302D

RGB 67 48 45

HSL 8.18, 0.2%, 0.22%

LAB 21.93, 8.15, 5.3

 

CMYK 0 / 45 / 53 / 70

HEX #4C2A24

RGB 76 42 36

HSL 9, 0.36%, 0.22%

LAB 21.28, 15.04, 10.71

 

CMYK 0 / 58 / 68 / 67

HEX #55241B

RGB 85 36 27

HSL 9.31, 0.52%, 0.22%

LAB 21.1, 21.96, 16.81

 

CMYK 0 / 69 / 81 / 63

HEX #5E1D12

RGB 94 29 18

HSL 8.68, 0.68%, 0.22%

LAB 21.22, 28.97, 23.17

 

CMYK 0 / 78 / 91 / 60

HEX #671709

RGB 103 23 9

HSL 8.94, 0.84%, 0.22%

LAB 22, 34.72, 29.02

 

CMYK 0 / 28 / 33 / 74

HEX #43302D

RGB 67 48 45

HSL 8.18, 0.2%, 0.22%

LAB 21.93, 8.15, 5.3

 

CMYK 0 / 5 / 5 / 77

HEX #3A3737

RGB 58 55 55

HSL 0, 0.03%, 0.22%

LAB 23.36, 1.31, 0.46

 

CMYK 23 / 5 / 0 / 75

HEX #313D40

RGB 49 61 64

HSL 192, 0.13%, 0.22%

LAB 24.83, -4.11, -3.49

 

CMYK 45 / 7 / 0 / 71

HEX #284449

RGB 40 68 73

HSL 189.09, 0.29%, 0.22%

LAB 26.92, -9.02, -6.35

 

CMYK 63 / 10 / 0 / 68

HEX #1E4A52

RGB 30 74 82

HSL 189.23, 0.46%, 0.22%

LAB 28.86, -12.37, -9.33

 

CMYK 0 / 33 / 19 / 74

HEX #432D36

RGB 67 45 54

HSL 335.45, 0.2%, 0.22%

LAB 21.34, 11.77, -1.7

 

CMYK 0 / 33 / 28 / 74

HEX #432D30

RGB 67 45 48

HSL 351.82, 0.2%, 0.22%

LAB 21.15, 10.66, 2.13

 

CMYK 0 / 28 / 33 / 74

HEX #43302D

RGB 67 48 45

HSL 8.18, 0.2%, 0.22%

LAB 21.93, 8.15, 5.3

 

CMYK 0 / 19 / 33 / 74

HEX #43362D

RGB 67 54 45

HSL 24.55, 0.2%, 0.22%

LAB 23.74, 4.17, 7.83

 

CMYK 0 / 10 / 33 / 74

HEX #433C2D

RGB 67 60 45

HSL 40.91, 0.2%, 0.22%

LAB 25.61, 0.25, 10.4

 

CMYK 0 / 28 / 33 / 93

HEX #120D0C

RGB 18 13 12

HSL 10, 0.2%, 0.06%

LAB 4, 1.58, 1.05

 

CMYK 0 / 26 / 31 / 84

HEX #2A1F1D

RGB 42 31 29

HSL 9.23, 0.18%, 0.14%

LAB 12.99, 4.94, 3.4

 

CMYK 0 / 28 / 33 / 74

HEX #43302D

RGB 67 48 45

HSL 8.18, 0.2%, 0.22%

LAB 21.93, 8.15, 5.3

 

CMYK 0 / 27 / 32 / 64

HEX #5B423E

RGB 91 66 62

HSL 8.28, 0.19%, 0.3%

LAB 30.56, 10.18, 6.67

 

CMYK 0 / 28 / 32 / 55

HEX #74544F

RGB 116 84 79

HSL 8.11, 0.19%, 0.38%

LAB 38.93, 12.55, 8.15

 

CMYK 0 / 27 / 31 / 74

HEX #43312E

RGB 67 49 46

HSL 8.57, 0.19%, 0.22%

LAB 22.26, 7.65, 5.08

 

CMYK 10 / 0 / 33 / 74

HEX #3C432D

RGB 60 67 45

HSL 79.09, 0.2%, 0.22%

LAB 27.2, -7.43, 12.44

 

CMYK 33 / 24 / 0 / 74

HEX #2D3343

RGB 45 51 67

HSL 223.64, 0.2%, 0.22%

LAB 21.32, 1.9, -10.82

 

CMYK 0 / 27 / 31 / 74

HEX #43312E

RGB 67 49 46

HSL 8.57, 0.19%, 0.22%

LAB 22.26, 7.65, 5.08

 

CMYK 33 / 0 / 28 / 74

HEX #2D4330

RGB 45 67 48

HSL 128.18, 0.2%, 0.22%

LAB 26.11, -13.26, 8.84

 

CMYK 28 / 33 / 0 / 74

HEX #302D43

RGB 48 45 67

HSL 248.18, 0.2%, 0.22%

LAB 19.68, 7.15, -13.32

 

CMYK 0 / 27 / 31 / 74

HEX #43312E

RGB 67 49 46

HSL 8.57, 0.19%, 0.22%

LAB 22.26, 7.65, 5.08

 

CMYK 10 / 0 / 33 / 74

HEX #3C432D

RGB 60 67 45

HSL 79.09, 0.2%, 0.22%

LAB 27.2, -7.43, 12.44

 

CMYK 33 / 4 / 0 / 74

HEX #2D4043

RGB 45 64 67

HSL 188.18, 0.2%, 0.22%

LAB 25.65, -6.66, -4.28

 

CMYK 21 / 33 / 0 / 74

HEX #352D43

RGB 53 45 67

HSL 261.82, 0.2%, 0.22%

LAB 20.2, 9.03, -12.48

 

CMYK 0 / 27 / 31 / 74

HEX #43312E

RGB 67 49 46

HSL 8.57, 0.19%, 0.22%

LAB 22.26, 7.65, 5.08

 

CMYK 21 / 0 / 33 / 74

HEX #35432D

RGB 53 67 45

HSL 98.18, 0.2%, 0.22%

LAB 26.62, -10.54, 11.56

 

CMYK 33 / 4 / 0 / 74

HEX #2D4043

RGB 45 64 67

HSL 188.18, 0.2%, 0.22%

LAB 25.65, -6.66, -4.28

 

CMYK 12 / 33 / 0 / 74

HEX #3B2D43

RGB 59 45 67

HSL 278.18, 0.2%, 0.22%

LAB 20.87, 11.36, -11.38

 

Description

Color code: HEX #43312E | qconv.com Color code: HEX #43312E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 49 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 49 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 31 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 31% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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