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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #432849 it is the complementary color #BCD7B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #432849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #432849 shade: #482844, #593A57, #6A4C6A, #7B5E7D and #8C7090

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #432849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #432849 shade: #432849, #321636, #210423, #100010 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #432849 shade: #422848, #482846, #48283D, #482834 and #48282B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #432849 shade: #422848, #3A2848, #312848 and #282848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #432849 shade matches the following richer shades: #422848, #481F51, #4E165B, #540D64 and #5A046D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #432849 shade: #422848, #3D313F, #373A36, #31432D and #2B4C24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #432849 shade: #312848, #3A2848, #422848, #482846 and #48283D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #432849 shade: #120B13, #2A192E, #422848, #5B3663 and #73457E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #432849 shade: #432849, #482828 and #284835

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #432849 shade: #432849, #484228 and #284842

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #432849 shade: #432849, #482828, #2E4828 and #284848

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #432849 shade: #432849, #483228, #2E4828 and #283E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 45 / 0 / 71

HEX #432849

RGB 67 40 73

HSL 289.09, 0.29%, 0.22%

LAB 20.8, 19.22, -15.49

 

Complementary color

CMYK 13 / 0 / 15 / 16

HEX #BCD7B6

RGB 188 215 182

HSL 109.09, 0.29%, 0.78%

LAB 83.27, -15.09, 13.3

 

CMYK 0 / 44 / 6 / 72

HEX #482844

RGB 72 40 68

HSL 307.5, 0.29%, 0.22%

LAB 21.25, 19.96, -11.33

 

CMYK 0 / 35 / 2 / 65

HEX #593A57

RGB 89 58 87

HSL 303.87, 0.21%, 0.29%

LAB 29, 19.08, -11.91

 

CMYK 0 / 28 / 0 / 58

HEX #6A4C6A

RGB 106 76 106

HSL 300, 0.16%, 0.36%

LAB 36.51, 18.3, -12.4

 

CMYK 2 / 25 / 0 / 51

HEX #7B5E7D

RGB 123 94 125

HSL 296.13, 0.14%, 0.43%

LAB 43.8, 17.61, -12.84

 

CMYK 3 / 22 / 0 / 44

HEX #8C7090

RGB 140 112 144

HSL 292.5, 0.13%, 0.5%

LAB 50.89, 16.99, -13.27

 

CMYK 8 / 45 / 0 / 71

HEX #432849

RGB 67 40 73

HSL 289.09, 0.29%, 0.22%

LAB 20.8, 19.22, -15.49

 

CMYK 7 / 59 / 0 / 79

HEX #321636

RGB 50 22 54

HSL 292.5, 0.42%, 0.15%

LAB 12.72, 20.14, -15.04

 

CMYK 6 / 89 / 0 / 86

HEX #210423

RGB 33 4 35

HSL 296.13, 0.79%, 0.08%

LAB 4.8, 18.94, -13.54

 

CMYK 0 / 100 / 0 / 94

HEX #100010

RGB 16 0 16

HSL 300, 1%, 0.03%

LAB 1.33, 6.84, -4.89

 

CMYK 8 / 44 / 0 / 72

HEX #422848

RGB 66 40 72

HSL 288.75, 0.29%, 0.22%

LAB 20.61, 18.62, -15.11

 

CMYK 0 / 44 / 3 / 72

HEX #482846

RGB 72 40 70

HSL 303.75, 0.29%, 0.22%

LAB 21.35, 20.39, -12.55

 

CMYK 0 / 44 / 15 / 72

HEX #48283D

RGB 72 40 61

HSL 320.63, 0.29%, 0.22%

LAB 20.95, 18.52, -7.01

 

CMYK 0 / 44 / 28 / 72

HEX #482834

RGB 72 40 52

HSL 337.5, 0.29%, 0.22%

LAB 20.61, 16.86, -1.32

 

CMYK 0 / 44 / 40 / 72

HEX #48282B

RGB 72 40 43

HSL 354.38, 0.29%, 0.22%

LAB 20.32, 15.42, 4.49

 

CMYK 8 / 44 / 0 / 72

HEX #422848

RGB 66 40 72

HSL 288.75, 0.29%, 0.22%

LAB 20.61, 18.62, -15.11

 

CMYK 19 / 44 / 0 / 72

HEX #3A2848

RGB 58 40 72

HSL 273.75, 0.29%, 0.22%

LAB 19.58, 15.7, -16.8

 

CMYK 32 / 44 / 0 / 72

HEX #312848

RGB 49 40 72

HSL 256.88, 0.29%, 0.22%

LAB 18.53, 12.52, -18.51

 

CMYK 44 / 44 / 0 / 72

HEX #282848

RGB 40 40 72

HSL 240, 0.29%, 0.22%

LAB 17.63, 9.53, -20

 

CMYK 8 / 44 / 0 / 72

HEX #422848

RGB 66 40 72

HSL 288.75, 0.29%, 0.22%

LAB 20.61, 18.62, -15.11

 

CMYK 11 / 62 / 0 / 68

HEX #481F51

RGB 72 31 81

HSL 289.2, 0.45%, 0.22%

LAB 19.85, 28.31, -22.34

 

CMYK 14 / 76 / 0 / 64

HEX #4E165B

RGB 78 22 91

HSL 288.7, 0.61%, 0.22%

LAB 19.84, 36.75, -29

 

CMYK 16 / 87 / 0 / 61

HEX #540D64

RGB 84 13 100

HSL 288.97, 0.77%, 0.22%

LAB 20.41, 43.24, -33.99

 

CMYK 17 / 96 / 0 / 57

HEX #5A046D

RGB 90 4 109

HSL 289.14, 0.93%, 0.22%

LAB 21.45, 48.37, -38.14

 

CMYK 8 / 44 / 0 / 72

HEX #422848

RGB 66 40 72

HSL 288.75, 0.29%, 0.22%

LAB 20.61, 18.62, -15.11

 

CMYK 3 / 22 / 0 / 75

HEX #3D313F

RGB 61 49 63

HSL 291.43, 0.13%, 0.22%

LAB 22.12, 8.46, -6.76

 

CMYK 5 / 0 / 7 / 77

HEX #373A36

RGB 55 58 54

HSL 105, 0.04%, 0.22%

LAB 24.01, -2.19, 2.04

HEX #373A36

CMYK 27 / 0 / 33 / 74

HEX #31432D

RGB 49 67 45

HSL 109.09, 0.2%, 0.22%

LAB 26.32, -12.25, 11.11

HEX #31432D

CMYK 43 / 0 / 53 / 70

HEX #2B4C24

RGB 43 76 36

HSL 109.5, 0.36%, 0.22%

LAB 28.93, -21.21, 19.98

HEX #2B4C24

CMYK 32 / 44 / 0 / 72

HEX #312848

RGB 49 40 72

HSL 256.88, 0.29%, 0.22%

LAB 18.53, 12.52, -18.51

 

CMYK 19 / 44 / 0 / 72

HEX #3A2848

RGB 58 40 72

HSL 273.75, 0.29%, 0.22%

LAB 19.58, 15.7, -16.8

 

CMYK 8 / 44 / 0 / 72

HEX #422848

RGB 66 40 72

HSL 288.75, 0.29%, 0.22%

LAB 20.61, 18.62, -15.11

 

CMYK 0 / 44 / 3 / 72

HEX #482846

RGB 72 40 70

HSL 303.75, 0.29%, 0.22%

LAB 21.35, 20.39, -12.55

 

CMYK 0 / 44 / 15 / 72

HEX #48283D

RGB 72 40 61

HSL 320.63, 0.29%, 0.22%

LAB 20.95, 18.52, -7.01

 

CMYK 5 / 42 / 0 / 93

HEX #120B13

RGB 18 11 19

HSL 292.5, 0.27%, 0.06%

LAB 3.75, 3.78, -3.13

 

CMYK 9 / 46 / 0 / 82

HEX #2A192E

RGB 42 25 46

HSL 288.57, 0.3%, 0.14%

LAB 11.86, 13.1, -10.71

 

CMYK 8 / 44 / 0 / 72

HEX #422848

RGB 66 40 72

HSL 288.75, 0.29%, 0.22%

LAB 20.61, 18.62, -15.11

 

CMYK 8 / 45 / 0 / 61

HEX #5B3663

RGB 91 54 99

HSL 289.33, 0.29%, 0.3%

LAB 28.81, 24.94, -19.95

 

CMYK 9 / 45 / 0 / 51

HEX #73457E

RGB 115 69 126

HSL 288.42, 0.29%, 0.38%

LAB 36.76, 29.98, -24.36

 

CMYK 8 / 45 / 0 / 71

HEX #432849

RGB 67 40 73

HSL 289.09, 0.29%, 0.22%

LAB 20.8, 19.22, -15.49

 

CMYK 0 / 44 / 44 / 72

HEX #482828

RGB 72 40 40

HSL 0, 0.29%, 0.22%

LAB 20.24, 14.99, 6.44

 

CMYK 44 / 0 / 26 / 72

HEX #284835

RGB 40 72 53

HSL 144.38, 0.29%, 0.22%

LAB 27.69, -16.83, 7.77

 

CMYK 8 / 45 / 0 / 71

HEX #432849

RGB 67 40 73

HSL 289.09, 0.29%, 0.22%

LAB 20.8, 19.22, -15.49

 

CMYK 0 / 8 / 44 / 72

HEX #484228

RGB 72 66 40

HSL 48.75, 0.29%, 0.22%

LAB 27.92, -1.91, 16.75

 

CMYK 44 / 0 / 8 / 72

HEX #284842

RGB 40 72 66

HSL 168.75, 0.29%, 0.22%

LAB 28.06, -13.48, -0.11

 

CMYK 8 / 45 / 0 / 71

HEX #432849

RGB 67 40 73

HSL 289.09, 0.29%, 0.22%

LAB 20.8, 19.22, -15.49

 

CMYK 0 / 44 / 44 / 72

HEX #482828

RGB 72 40 40

HSL 0, 0.29%, 0.22%

LAB 20.24, 14.99, 6.44

 

CMYK 36 / 0 / 44 / 72

HEX #2E4828

RGB 46 72 40

HSL 108.75, 0.29%, 0.22%

LAB 27.76, -17.25, 16.12

 

CMYK 44 / 0 / 0 / 72

HEX #284848

RGB 40 72 72

HSL 180, 0.29%, 0.22%

LAB 28.26, -11.75, -3.71

 

CMYK 8 / 45 / 0 / 71

HEX #432849

RGB 67 40 73

HSL 289.09, 0.29%, 0.22%

LAB 20.8, 19.22, -15.49

 

CMYK 0 / 31 / 44 / 72

HEX #483228

RGB 72 50 40

HSL 18.75, 0.29%, 0.22%

LAB 23.04, 8.44, 10.3

 

CMYK 36 / 0 / 44 / 72

HEX #2E4828

RGB 46 72 40

HSL 108.75, 0.29%, 0.22%

LAB 27.76, -17.25, 16.12

 

CMYK 44 / 14 / 0 / 72

HEX #283E48

RGB 40 62 72

HSL 198.75, 0.29%, 0.22%

LAB 24.84, -5.56, -8.84

 

Description

Color code: HEX #432849 | qconv.com Color code: HEX #432849 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 40 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 40 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 45 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 45% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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