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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43232E it is the complementary color #BCDCD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43232E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43232E shade: #482329, #59353C, #6A474F, #7B5962 and #8C6B75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43232E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43232E shade: #43232E, #32111B, #210008, #100000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43232E shade: #43232E, #432326 and #432323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43232E shade: #43232E, #432337, #43233F, #3E2343 and #352343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43232E shade matches the following richer shades: #43232E, #4B1B2B, #531329, #5C0A26 and #640224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43232E shade: #43232E, #3B2B31, #323433, #2A3C36 and #224438

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43232E shade: #43233F, #432337, #43232E, #432326 and #432923

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43232E shade: #0D0709, #28151B, #43232E, #5E3141 and #794053

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43232E shade: #43232E, #433E23 and #233B43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43232E shade: #43232E, #2E4323 and #232E43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43232E shade: #43232E, #433E23, #234338 and #232843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43232E shade: #43232E, #3E4323, #234338 and #282343

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

Complementary color

CMYK 15 / 0 / 5 / 14

HEX #BCDCD1

RGB 188 220 209

HSL 159.38, 0.31%, 0.8%

LAB 85.24, -12.67, 1.85

 

CMYK 0 / 51 / 43 / 72

HEX #482329

RGB 72 35 41

HSL 350.27, 0.35%, 0.21%

LAB 18.97, 18.32, 3.96

 

CMYK 0 / 40 / 33 / 65

HEX #59353C

RGB 89 53 60

HSL 348.33, 0.25%, 0.28%

LAB 26.72, 17.21, 2.46

 

CMYK 0 / 33 / 25 / 58

HEX #6A474F

RGB 106 71 79

HSL 346.29, 0.2%, 0.35%

LAB 34.26, 16.27, 1.31

 

CMYK 0 / 28 / 20 / 52

HEX #7B5962

RGB 123 89 98

HSL 344.12, 0.16%, 0.42%

LAB 41.59, 15.48, 0.35

 

CMYK 0 / 24 / 16 / 45

HEX #8C6B75

RGB 140 107 117

HSL 341.82, 0.13%, 0.48%

LAB 48.73, 14.8, -0.49

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 66 / 46 / 80

HEX #32111B

RGB 50 17 27

HSL 341.82, 0.49%, 0.13%

LAB 10.24, 17.98, 1.11

 

CMYK 0 / 100 / 76 / 87

HEX #210008

RGB 33 0 8

HSL 345.45, 1%, 0.06%

LAB 3.08, 14.22, 1.59

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 48 / 43 / 74

HEX #432326

RGB 67 35 38

HSL 354.38, 0.31%, 0.2%

LAB 18.08, 15.66, 4.69

 

CMYK 0 / 48 / 48 / 74

HEX #432323

RGB 67 35 35

HSL 0, 0.31%, 0.2%

LAB 17.99, 15.25, 6.68

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 48 / 18 / 74

HEX #432337

RGB 67 35 55

HSL 322.5, 0.31%, 0.2%

LAB 18.68, 18.53, -6.37

 

CMYK 0 / 48 / 6 / 74

HEX #43233F

RGB 67 35 63

HSL 307.5, 0.31%, 0.2%

LAB 19.03, 20.17, -11.38

 

CMYK 7 / 48 / 0 / 74

HEX #3E2343

RGB 62 35 67

HSL 290.63, 0.31%, 0.2%

LAB 18.5, 19.21, -15.01

 

CMYK 21 / 48 / 0 / 74

HEX #352343

RGB 53 35 67

HSL 273.75, 0.31%, 0.2%

LAB 17.29, 15.94, -16.99

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 64 / 43 / 71

HEX #4B1B2B

RGB 75 27 43

HSL 340, 0.47%, 0.2%

LAB 17.71, 24.61, 0.81

 

CMYK 0 / 77 / 51 / 67

HEX #531329

RGB 83 19 41

HSL 339.38, 0.63%, 0.2%

LAB 17.76, 31.26, 2.5

 

CMYK 0 / 89 / 59 / 64

HEX #5C0A26

RGB 92 10 38

HSL 339.51, 0.8%, 0.2%

LAB 18.51, 37, 5.99

 

CMYK 0 / 98 / 64 / 61

HEX #640224

RGB 100 2 36

HSL 339.18, 0.96%, 0.2%

LAB 19.56, 41.25, 9.16

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 27 / 17 / 77

HEX #3B2B31

RGB 59 43 49

HSL 337.5, 0.16%, 0.2%

LAB 19.55, 8.57, -1

 

CMYK 4 / 0 / 2 / 80

HEX #323433

RGB 50 52 51

HSL 150, 0.02%, 0.2%

LAB 21.48, -1.1, 0.33

 

CMYK 30 / 0 / 10 / 76

HEX #2A3C36

RGB 42 60 54

HSL 160, 0.18%, 0.2%

LAB 23.64, -8.8, 1.36

 

CMYK 50 / 0 / 18 / 73

HEX #224438

RGB 34 68 56

HSL 158.82, 0.33%, 0.2%

LAB 26.04, -15.8, 3.44

 

CMYK 0 / 48 / 6 / 74

HEX #43233F

RGB 67 35 63

HSL 307.5, 0.31%, 0.2%

LAB 19.03, 20.17, -11.38

 

CMYK 0 / 48 / 18 / 74

HEX #432337

RGB 67 35 55

HSL 322.5, 0.31%, 0.2%

LAB 18.68, 18.53, -6.37

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 48 / 43 / 74

HEX #432326

RGB 67 35 38

HSL 354.38, 0.31%, 0.2%

LAB 18.08, 15.66, 4.69

 

CMYK 0 / 39 / 48 / 74

HEX #432923

RGB 67 41 35

HSL 11.25, 0.31%, 0.2%

LAB 19.64, 11.3, 8.94

 

CMYK 0 / 46 / 31 / 95

HEX #0D0709

RGB 13 7 9

HSL 340, 0.3%, 0.04%

LAB 2.32, 1.92, -0.18

 

CMYK 0 / 48 / 33 / 84

HEX #28151B

RGB 40 21 27

HSL 341.05, 0.31%, 0.12%

LAB 9.53, 10.76, -0.14

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 48 / 31 / 63

HEX #5E3141

RGB 94 49 65

HSL 338.67, 0.31%, 0.28%

LAB 26.61, 22.54, -0.93

 

CMYK 0 / 47 / 31 / 53

HEX #794053

RGB 121 64 83

HSL 340, 0.31%, 0.36%

LAB 34.71, 27.12, -0.33

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 7 / 48 / 74

HEX #433E23

RGB 67 62 35

HSL 50.63, 0.31%, 0.2%

LAB 26.04, -2.48, 17.36

 

CMYK 48 / 12 / 0 / 74

HEX #233B43

RGB 35 59 67

HSL 195, 0.31%, 0.2%

LAB 23.31, -6.8, -7.87

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 31 / 0 / 48 / 74

HEX #2E4323

RGB 46 67 35

HSL 99.38, 0.31%, 0.2%

LAB 25.91, -15.31, 16.82

 

CMYK 48 / 31 / 0 / 74

HEX #232E43

RGB 35 46 67

HSL 219.38, 0.31%, 0.2%

LAB 18.87, 1.94, -14.66

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 0 / 7 / 48 / 74

HEX #433E23

RGB 67 62 35

HSL 50.63, 0.31%, 0.2%

LAB 26.04, -2.48, 17.36

 

CMYK 48 / 0 / 16 / 74

HEX #234338

RGB 35 67 56

HSL 159.38, 0.31%, 0.2%

LAB 25.73, -14.92, 3.01

 

CMYK 48 / 40 / 0 / 74

HEX #232843

RGB 35 40 67

HSL 230.63, 0.31%, 0.2%

LAB 16.89, 6.22, -17.75

 

CMYK 0 / 48 / 31 / 74

HEX #43232E

RGB 67 35 46

HSL 339.38, 0.31%, 0.2%

LAB 18.33, 16.91, -0.57

 

CMYK 7 / 0 / 48 / 74

HEX #3E4323

RGB 62 67 35

HSL 69.38, 0.31%, 0.2%

LAB 27.19, -8.02, 18.7

 

CMYK 48 / 0 / 16 / 74

HEX #234338

RGB 35 67 56

HSL 159.38, 0.31%, 0.2%

LAB 25.73, -14.92, 3.01

 

CMYK 40 / 48 / 0 / 74

HEX #282343

RGB 40 35 67

HSL 249.38, 0.31%, 0.2%

LAB 15.79, 11.45, -19.46

 

Description

Color code: HEX #43232E | qconv.com Color code: HEX #43232E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 35 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 35 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 31 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 31% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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